The blanks are still moderately hard, and before they can be made to

take the shape of a pen it is necessary that they should be softened,

which is effected by the process called _annealing._ The blanks

having been freed from the dust and garbase that has become attached

to them are carefully placed in round iron pots, which are again

inclosed in larger ones and covered over with charcoal dust to prevent

the entrance of gases, and put into the muffle, heated to a dull red,

and then allowed to cool.

The blanks are now soft and pliable, readily taking the various shapes

into which pens are made by the next process, called _raising._ This

operation is performed by the aid of a punch and die fitted into a

screw-press. The punch is fitted into a contrivance called a false

nose, fixed in the bottom of the screw of the press; and the die or

bed is placed in a cylindrical piece of steel (called a bolster) with

a groove cut for the reception of the die, the bolster being fastened

to the bottom of the press by a screw underneath. The punch and die

being fixed so as to exactly fit each other, the toolmaker places a

small piece of tissue paper between them, takes an impression,

examines it, and proceeds to rectify any inequality in the pressure,

so as to insure perfection in the shape. This being accomplished, the

toolmaker fixes four pieces of steel (called guides) to the bolster in

such positions that the operator is enabled to slide the blank into

the bed, where it is held by the guides till the punch descends,

forces the blank into the bed, and gives the pen its shape. The

article is now narrower than it was in its blank form, and the girl

pushes it through the tools with a small stick held in the hand with

which she works the press handle, while with the other hand she places

another blank in its position in the bed.

The pen is now shaped or raised, but it is still soft, and

consequently another process is necessitated--_hardening._ This is

effected by placing the pens in thin layers in round pans with lids.

They are placed in the muffle for a period varying from twenty to

thirty minutes, during which time they have acquired a bright red

heat. The workman then withdraws them and empties the contents into a

large bucket immersed in a tank of oil. The bucket is perforated at

the bottom, and being elevated, the oil drains off. The pens are next

placed in a perforated cylinder, which, being set in motion, revolves

and drains off the remainder of the oil. The pens are still greasy,

and as brittle as glass; and in order to free them from the grease

they are again placed in perforated buckets and immersed in a tank of

boiling soda water. After they are freed from the grease the pens are

put into an iron cylinder, which is kept revolving over a charcoal

fire until they are softened or tempered down to the special degree

required. In this process the workman is guided by the color, which

indicates the varying temperature of the metal of which the articles

are made. Brittleness has given place to pliability, but the pens are

black in color and scratch at the point, and to remedy this defect

they are subjected to the next process--_scouring._ In order to do

this the pens are dipped in a bath of diluted sulphuric acid--called

pickle--which frees the articles from any extraneous substances they

may have acquired in the hardening and tempering processes. This

requires to be done with great care, or the acid would injure the

steel. The pens are then placed in iron barrels with a quantity of

water and small pebbly-looking material. This latter material is

composed of annealing pots broken and ground fine enough to pass

readily through a fine riddle. The barrel being set in motion, the

pens are scoured for periods varying from five to eight hours, and are

placed again in barrels with dry pot for about the same period, after

which they are put into other barrels together with a quantity of dry

sawdust. On being taken out of these barrels the body of the pen has

acquired a bright silver color, and the point has been rounded.

The article has now the shape and appearance of a finished pen, and

yet it possesses none of its characteristics, and, if tried, will be

found to have no more action than a lead pencil, as it is deficient in

that important part of a writing instrument--the slit. Before being

slit the pen is ground between the centre pierce and the point. This

process is performed by girls, with the aid of what is called a "bob"

or "glazer." The "bob" is a circular piece of alder wood about ten

and a half inches in diameter and half an inch in width. Round this a

piece of leather is stretched and dressed with emery. A spindle is

driven through the centre, and the two ends placed in sockets. The

"bob" is set in motion by means of a leather band, and the girl

holding a pen firmly, with a light touch grinds off a portion of the

surface.

This operation being completed, the last and most important mechanical

operation has to be performed--_slitting._ The tools with which this

process is effected are two oblong pieces of steel about an inch and a

half long, three-eighths of an inch thick, and an inch and a quarter

wide. These are called the cutters, and upon the preparation and

setting of these the successful issue of the process depends. The

edges of these cutters are equal in delicacy to the cutting edge of a

razor, but the shape is more suggestive of a portion cut from the

thickest part of a large pair of shears. The cutter being fixed in

the press, a pair of guides are screwed on either side, and a small

tool called a table, or rest, being attached to the contrivance called

a bolster, which holds the bottom cutter, the operator takes a pen,

places it on the table, pushes the point up toward the guide, pulls

the handle, the upper cutter descends, meets the lower one, and the

process of slitting is completed.

Now, although this operation completes the mechanical processes of pen

making, the article is by no means finished. If you examine the pen

now you will find that the outer edge of each point is smooth, while

the inside edges which have just been made by the slit are sharp and

scratch. To remove this defect the operation of "barreling" has to be

again resorted to. The pens are again placed in the iron barrels with

pounded pot, kept revolving from five to six hours, and finally

polished in sawdust.

The pens are now of a bright silver-steel color and perfectly smooth,

but as they are required in various tints, they are colored and

afterward varnished to prevent rust. To accomplish the first of these

results the articles are placed in a copper or iron cylinder and kept

revolving over a coke fire until the requisite tint is obtained, the

color depending upon the temperature of the cylinder. If the pens are

intended to be lacquered they are placed in a solution of shellac

dissolved in methylated spirits. The spirit is drained off, and the

pens are placed in wire cylinders and kept revolving until the action

of the air dries the lacquer. They are then scattered upon iron

trays, inserted in an oven, and the heat diffuses the lacquer equally

over the surface of the pens, so that when they have cooled down they

have a glossy appearance, which gives to them an air of finish and

prevents rust.

The pen is now finished as far as manufacturing processes are

concerned, yet before it can be offered to the public it has to

undergo a rigid examination called _"looking over."_ This is

performed by trained girls, and when the defective ones have been

sorted out the good pens are sent to the finished warehouse to be put

up into boxes. These boxes are of various descriptions, adapted to

suit the markets for which they are intended. In many instances the

labels which form the covers of the boxes are elaborately printed from

first-class designs, and some of them have highly-finished steel

engravings of royal personages and celebrities in the scientific,

literary, musical, and political world. The quantities contained in

these boxes vary with the countries for which they are intended; for

the manufacturers study the wants of their customers, and do not offer

articles counted in dozens to people who reckon by tens.

We have now traced the manufacture of this little article from its

beginning as a plain piece of steel through all its stages until it

has developed into that indispensable requisite of daily life--a pen.

HISTORY OF THE PERRYIAN

PEN WORKS.

The firm of Messrs. Perry & Co., London, was founded in the year 1824

by Mr. James Perry, who carried on business originally in Manchester,

then in London. Mr. James Perry died in the year 1843. Mr. Stephen

Perry, who conducted the business afterward in partnership with Mr.

Hayes and others, died in the year 1873, and was succeeded by his

sons, Messrs. Joseph John and Lewis Henry Perry. The firm of Perry &

Co. was known all over Europe as the house which first introduced to

the commercial world steel pens of a superior quality, and in many

countries steel pens are now known under the general denomination of

_"Perry pens."_ The first pens were manufactured by Perry & Co. in

London, principally from flattened or ribbon steel wire, and in the

year 1828 Mr. Josiah, afterward Sir Josiah, Mason, _then a

manufacturer of steel split rings,_ produced steel pens so much

superior to the pens made up to that period that Messrs. Perry & Co.

entered into contracts with him for the sole supply of all the pens

they might require; this connection continued up to the time of the

formation of this company. In the meantime, Messrs. Perry & Co. had

also introduced the sale of elastic bands and pencil cases; the

production of the latter was confided to Mr. W.E. Wiley, who, in the

year 1850, began the manufacture first of gold pens, afterward of

pencil cases. Messrs. Perry & Co. also contracted with Mr. Wiley for

the purchase of all the pencil cases they might dispose of, and thus

Mr. Wiley's works assumed gigantic proportions. Mr. Alfred

Sommerville, who had been connected with the steel-pen trade since its

infancy, established the firm of A. Sommerville & Co. in the year

1851. Although he, in the year 1857, began manufacturing steel pens in

connection with a partner, he likewise contracted with Mr. Josiah

Mason for a superior class of steel pens, principally intended for the

Continental markets, and many of which were either his own invention

or suggested by him. Mr. Sommerville desiring to retire from

business, Sir Josiah Mason purchased his trade in the year 1870, but

continued to carry it on under the old style of A. Sommerville & Co.

These four businesses being so intimately connected and dependent upon

each other, some gentlemen of eminence in the manufacturing town of

Birmingham decided, in conjunction with some of the leading

proprietors, to establish a limited company, for the purpose of

uniting and amalgamating inseparably the various establishments, and

thus the company of _"Perry & Co., Limited,"_ was formed.

On the spot forming the principal entrance to the works, Mr. Samuel

Harrison, in the year 1778, founded a manufactory in which he carried

on his invention of steel split rings; but Mr. Harrison, who was an

ingenious mechanic, also manufactured mathematical instruments, some

of which were used by Dr. Priestley in his researches, and on one

occasion he made a steel pen for Dr. Priestley, probably the first

steel pen ever produced. Mr. Josiah Mason succeeded to the business

of Mr. Harrison in 1823, and in 1828 began the manufacture of steel

pens. For several years he gave his whole attention to improvements

in the manufacture of steel pens, and Mr. Perry took out several most

important patents for the improvement of steel pens, many of which

have not been surpassed in ingenuity or in utility, and the principal

among them, the so-called "double patent," is universally applied by

the pen trade to a great number of pens to this very day. In 1842 Mr.

Mason's attention was absorbed by the process of electroplating and

gilding, at that time invented and carried on by Mr. Elkington, in

partnership with whom he founded the great firm of Elkington, Mason &

Co. For some years the production of pens flagged, but in 1852 a

nephew of Sir Josiah Mason, Mr. Isaac Smith (deceased in 1868), gave a

new stimulus to the manufacture of pens, and from that time the

production gradually increased until it assumed its present

proportions. The manufactory now covers nearly two acres; it occupies

a whole square and fronts four streets. In the building fronting

Lancaster Street (five stories high) the offices, warehouses and

storerooms of finished goods are distributed. The underground floor

forms a huge machine shop, in which all the presses, rolls, and

general iron and machine work employed throughout the manufactory are

produced by skillful mechanics. Behind the front building there are

several courtyards and quadrangles, in the largest of which are placed

in a row five double-flue boilers, each 20 feet long by 7 feet

diameter, working at a pressure of more than 55 lb. to the square

inch, supplying the steam power both for propelling the steam engines

and for heating the manufactory. In the rolling mill, measuing 64 by

38 feet, three double-cylinder engines, working up to 293 indicated

horsepower, give motion to 18 pairs of rolls, rolling four to six

tons of steel per week. The largest workshops are the slitting and

grinding rooms, 64 by 38 feet, the latter 24 feet high. In the

slitting room 90 girls apply the last mechanical process to the

manufacture of steel pens, in slitting them by presses of ingenious

construction. In the grinding room more than 160 girls are busily

employed cross and straight grinding steel pens on wood cylinders

covered with emery. The room in which the finished pens are placed in

boxes measures 54 by 30 feet, and in it alone are employed 50 girls

boxing and labeling steel pens, or fitting penholder tips on handles

of various materials, principally of cedar. In that part of the

building having a frontage on Corporation Street there is a dining

room 86 feet 6 inches long by 68 feet wide, fitted up with tables to

accommodate 600 people. Here the employees are served with a warm

dinner at prices varying from 2d. to 6d. At one end of the room there

is a stage, where dramatic entertainments and concerts are given in

the winter season by the workpeople. At the other end there is a

library, in a glazed partition, containing about 2,000 volumes of

standard works. These books are issued to the hands employed by the

firm free. One of the important features of this manufactory is the

employment of muffles heated by gas produced from Siemens's gas

generators. These muffles allow the heat to be regulated to a nicety,

and enable the company to carry on the process of annealing and

hardening to very great perfection.

The manufacture of steel pens employs in all about 900 workpeople, the

weekly production is 45,000 gross, which quantity will shortly be

increased to 50,000 gross, per week. Six smaller steam engines are

employed independently of those already mentioned in various parts of

the works. The manufacture of penholder sticks is carried on in two

separate buildings. Penholder sticks were produced by Mr. Mason as

far back as 1835, but their manufacture had lapsed; it was only

resumed eight years ago, since which time, by new and ingenious

machinery, principally the inventions of Mr. W. E. Wiley, the managing

director, it has assumed proportions of great magnitude.

The pencil case and solitaire works carried on by Mr. Wiley, first

alone, and then in co-partnership with his son in Graham Street, have

now been transferred to Lancaster Street.

Pencil cases, first introduced by Messrs. Mordan & Lund, in London,

have undergone various changes and improvements, the principal of

which was a lead holder passing through the point of the pencil case,

which was slit for that purpose. This invention was patented by Mr.

Wiley in the year 1857, and created a complete revolution in the

pencil-case trade, as it enabled the manufacturers to use a thicker

and longer lead, which could be propelled and withdrawn at will and

would last in daily use more than six months. This patented mechanism

was introduced into cases made from hard wood, bone and ivory, but

since the year 1868 a composition called aluminium gold, so resembling

gold that it cannot be distinguished from it, and resisting the

effects of oxidation, consequently free from tarnish, made a further

revolution in the pencil-case trade, enabling the million to possess

an elegant and highly-wrought pencil case at a very moderate price.

Messrs. Perry & Co., of London, gave to this manufacture publicity in

every part of Europe, and the quantities produced and sold are

incredible.

In 1874 a new patent was added to the many inventions for which this

establishment was famous. Its purpose was to produce a solitaire stud

made in two parts, so as to enable its ready application without the

trouble of passing a button of large diameter through a small

buttonhole. A self-acting steel spring is fixed in the upper part of

the stud, and snaps as soon as inserted into the lower part, where a

slight pressure on two projections releases the springs and permits

the separation of the two parts. These solitaires are manufactured of

gold, silver, and a variety of other metals, the principal of which is

gold plate. There are now more than five hundred patterns in

existence, and this useful manufacture grows daily in extension.

Perry & Co.'s paper binders, an article now universally used for

fastening together loose papers, cloth patterns, etc., are produced in

infinite styles and sizes, principally by self-acting machinery.

The total number of workpeople employed in the company's manufactories

exceeds 1,300.

The business of Perry & Co. was carried on for more than forty years

at 37 Red Lion Square, London, but the increase of business and the

reconstruction of London required that a more central position should

be found for the development of the commercial department of the

company. Large and handsome warehouses having been constructed on the

Holborn Viaduct, the company transferred their London depot to a

building five stories high on the side fronting the Holborn Viaduct

and eight stories high at the back. In this immense warehouse are

stored not only the produce of the manufactories of this company, but

also special articles for which this firm has been famous for the last

thirty years, principally the elastic or endless bands, patented by

Mr. Daft and Mr. Stephen Perry, and originally introduced by Perry &

Co. in conjunction with McIntosh & Co., afterward in conjunction with

Warne & Co. Perry's Royal Aromatic Bands are now an indispensable

article, and may be procured in every city of the world. Every

fancy article required by stationers can be found in these vast

stores. An illustrated price current which appears monthly, and which

numbers more than 120 pages, gives fair idea of the variety of

articles of which samples and stock can be found ready for daily

delivery. The increase of business has been so rapid that the company

found it necessary to lease the adjoining premises, which is stored

with some of the two thousand articles forming the staple trade of the

London depot, and the principal of which are the following: American

Letter Files, Clips (now manufactured in Lancaster Street), Marking

and other Inks, Aromatic Bands, Audascript Pens, Bostonite Goods,

Cigar Lighters, Copying Ink and Copying Ink Powder, Copying Ink

Pencils, Copying Presses, Corrugated Imperial Bands, Essence of Ink,

Grease Extractors, India Rubber for Erasing, Ink and Pencil Erasers,

Ink Extractors, Patent and other Inkstands in every variety, Key

Rings, Letter Clips, Letter Files, Metallic Books, Paper Binders,

Pencil Point Protectors, Pencils and Pencil Cases, Penholders, Pen

Knives, Pen Racks, Gold Pens, Portfolios, Presses, Scotch Tartan Fancy

Goods, Solitaires or Sleeve Links, etc., etc., etc.

This establishment is under the exclusive management of Mr. Joseph J.

Perry, managing director.

_[The illustrations in this work are engraved from pen-and-ink

sketches executed by Walter Langley with a Perry's No. 25 pen.]_

The story of the invention of steel pens · 第 3 / 3 段