III

Lavinia’s usual solvent, a flood of tears, failed her. Dry-eyed she

left the room, forgetting to ask for the paper, which had been the real

object of her call. Judith returned to the library and took down the

volume of Browning. In some unfathomable way it was responsible for the

distressing situation. As she turned the pages, pencil marks caught

her eye. A line, a word or two, in some instances an entire stanza had

been underscored. They were, without exception, love passages. Well

over towards the back, a sheet of note paper came to view, covered

with Lavinia’s tight, precise writing. If Browning _would_ change the

subject, just when you thought you had grasped his meaning ... at

least, you could fling your net over the elusive concept and carry it

away--isolate it from the confusing wealth of context.

But no! This was more than random copying. Widely separated passages

had been woven together into a kind of confession of faith ... like

lemon jelly in a mould. Judith, as she read, forgot that she was

looking into another woman’s soul, forgot Lavinia, in the fascination

of following the curious windings of Lavinia’s mind.

“Come back with me to the first of all. Let us lean and love it

over again. Let us now forget and now recall, and gather what we

let fall. Each life’s incomplete, you see. I follow where I am led,

knowing so well the leader’s hand. Oh, woman, wooed, not wed! When

we loved each other, lived and loved the same, till an evening came

when a shaft from the devil’s bow pierced to our ingle-glow, and the

friends were friend and foe. Never fear but there’s provision of the

devils to quench knowledge, lest we walk the earth in rapture--making

those who catch God’s secret just so much more prize their capture.

The true end, sole and single, we stop here for is this love-way with

some other soul to mingle. How is it under our control to love or not

to love? Heart, shall we live or die? The rest ... settle by and by.”

Judith laid the sheet in its place and returned the volume to the

bookcase. Yes, David was right. But what a weird obsession! Lavinia,

out of the pregnant depths of her misery, had fashioned a lover to her

liking, a phantom lover, to be communed with in secret. Had she gone to

Detroit, not to visit Sylvia, but to seek some fantastic realization of

her yearning for the perfect romance? Why had she come home, shattered

and undone. A real man ... the man she met in the Pullman when she was

returning from Bromfield--the man who had fallen in love with her?

She paused beside the table where, an hour ago, she had laid the

Bromfield paper. She looked at it with vacant eyes, striving to clarify

her turbid thoughts. Gradually, out of the emptiness, words came up

to her, the words that David had read, at the head of the “personal”

column.

“Our distinguished citizen, Mr. Calvin Stone, has just returned from

a ten days’ business trip to Chicago.”

The room with its delicate furnishings faded, as when the lights are

suddenly turned off. Judith stared, her heart leaping in unrhythmic

cadence, her eyes following the monstrous panorama that unrolled before

her. Long ago she had gone to a little cinema theatre with Lary and the

girls, where black dots had danced on a white screen. Black dots were

dancing now, on the white screen of her memory.

A dozen disjointed fragments of conversation; an old story her

grandmother had told her, of a secret wedding in Rochester; Lavinia’s

greedy interest in the story, in all that pertained to Calvin and

Lettie Stone; her determination to revisit Bromfield the summer

following Mrs. Stone’s death; the miracle of her regeneration when she

returned home; the yellow pallor on her face when she put the question:

“Do people ever really get over things?” The dots had woven themselves

into a succession of preliminary shapes, and all at once the picture

was complete. Lavinia’s secret lay bare before her daughter-in-law’s

gaze.

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