PERUSIA AUGUSTA.

The piazza in front of the Prefettura is my favourite resort on these

nights of full moon. The evening twilight is made up partly of sunset

fading over Thrasymene and Tuscany; partly of moonrise from the

mountains of Gubbio and the passes toward Ancona. The hills are capped

with snow, although the season is so forward. Below our parapets the

bulk of S. Domenico, with its gaunt, perforated tower, and the finer

group of S. Pietro, flaunting the arrowy "Pennacchio di Perugia," jut

out upon the spine of hill which dominates the valley of the Tiber. As

the night gloom deepens, and the moon ascends the sky, these buildings

seem to form the sombre foreground to some French etching. Beyond them

spreads the misty moon-irradiated plain of Umbria. Over all rise shadowy

Apennines, with dim suggestions of Assisi, Spello, Foligno, Montefalco,

and Spoleto on their basements. Little thin whiffs of breezes, very

slight and searching, flit across, and shiver as they pass from Apennine

to plain. The slowly moving population--women in veils, men

winter-mantled--pass to and fro between the buildings and the grey

immensity of sky. Bells ring. The bugles of the soldiers blow retreat in

convents turned to barracks. Young men roam the streets beneath, singing

May songs. Far, far away upon the plain, red through the vitreous

moonlight ringed with thundery gauze, fires of unnamed castelli

smoulder. As we lean from ledges eighty feet in height, gas vies with

moon in chequering illuminations on the ancient walls; Etruscan

mouldings, Roman letters, high-piled hovels, suburban world-old

dwellings plastered like martins' nests against the masonry.

Sunlight adds more of detail to this scene. To the right of Subasio,

where the passes go from Foligno towards Urbino and Ancona, heavy masses

of thunder-cloud hang every day; but the plain and hill-buttresses are

clear transparent blueness. First comes Assisi, with S. M. degli Angeli

below; then Spello; then Foligno; then Trevi; and, far away, Spoleto;

with, reared against those misty battlements, the village height of

Montefalco--the "ringhiera dell'Umbria," as they call it in this

country. By daylight, the snow on yonder peaks is clearly visible, where

the Monti della Sibilla tower up above the sources of the Nera and

Velino from frigid wastes of Norcia. The lower ranges seem as though

painted, in films of airiest and palest azure, upon china; and then

comes the broad, green champaign, flecked with villages and farms. Just

at the basement of Perugia winds Tiber, through sallows and grey

poplar-trees, spanned by ancient arches of red brick, and guarded here

and there by castellated towers. The mills beneath their dams and weirs

are just as Raphael drew them; and the feeling of air and space reminds

one, on each coign of vantage, of some Umbrian picture. Every hedgerow

is hoary with May-bloom and honeysuckle. The oaks hang out their

golden-dusted tassels. Wayside shrines are decked with laburnum boughs

and iris blossoms plucked from the copse-woods, and where spires of

purple and pink orchis variegate the thin, fine grass. The land waves

far and wide with young corn, emerald green beneath the olive-trees,

which take upon their underfoliage tints reflected from this verdure or

red tones from the naked earth. A fine race of _contadini_, with large,

heroically-graceful forms, and beautiful dark eyes and noble faces, move

about this garden, intent on ancient, easy tillage of the kind Saturnian

soil.

New Italian sketches · 第 64 / 107 题