MONTEFALCO.

The rich land of the Clitumnus is divided into meadows by transparent

watercourses, gliding with a glassy current over swaying reeds. Through

this we pass, and leave Bevagna to the right, and ascend one of those

long gradual roads which climb the hills where all the cities of the

Umbrians perch. The view expands, revealing Spello, Assisi, Perugia on

its mountain buttress, and the far reaches northward of the Tiber

valley. Then Trevi and Spoleto came into sight, and the severe

hill-country above Gubbio in part disclosed itself. Over Spoleto the

fierce witch-haunted heights of Norcia rose forbidding. This is the kind

of panorama that dilates the soul. It is so large, so dignified, so

beautiful in tranquil form. The opulent abundance of the plain contrasts

with the severity of mountain ranges desolately grand; and the name of

each of all those cities thrills the heart with memories.

The main object of a visit to Montefalco is to inspect its many

excellent frescoes; painted histories of S. Francis and S. Jerome, by

Benozzo Gozzoli; saints, angels, and Scripture episodes by the gentle

Tiberio d'Assisi. Full justice had been done to these, when a little

boy, seeing us lingering outside the church of S. Chiara, asked whether

we should not like to view the body of the saint. This privilege could

be purchased at the price of a small fee. It was only necessary to call

the guardian of her shrine at the high altar. Indolent, and in compliant

mood, with languid curiosity and half-an-hour to spare, we assented. A

handsome young man appeared, who conducted us with decent gravity into a

little darkened chamber behind the altar. There he lighted wax tapers,

opened sliding doors in what looked like a long coffin, and drew

curtains. Before us in the dim light there lay a woman covered with a

black nun's dress. Only her hands, and the exquisitely beautiful pale

contour of her face (forehead, nose, mouth, and chin, modelled in purest

outline, as though the injury of death had never touched her) were

visible. Her closed eyes seemed to sleep. She had the perfect peace of

Luini's S. Catherine borne by the angels to her grave on Sinai. I have

rarely seen anything which surprised and touched me more. The religious

earnestness of the young custode, the hushed adoration of the

country-folk who had silently assembled round us, intensified the

sympathy-inspiring beauty of the slumbering girl. Could Julia, daughter

of Claudius, have been fairer than this maiden, when the Lombard workmen

found her in her Latin tomb, and brought her to be worshipped on the

Capitol? S. Chiara's shrine was hung round with her relics; and among

these the heart extracted from her body was suspended. Upon it,

apparently wrought into the very substance of the mummied flesh, were

impressed a figure of the crucified Christ, the scourge, and the five

stigmata. The guardian's faith in this miraculous witness to her

sainthood, the gentle piety of the men and women who knelt before it,

checked all expressions of incredulity. We abandoned ourselves to the

genius of the place; forgot even to ask what Santa Chiara was sleeping

here; and withdrew, toned to a not unpleasing melancholy. The

world-famous Saint Clair, the spiritual sister of S. Francis, lies in

Assisi. I have often asked myself, Who, then, was this nun? What history

had she? And I think now of this girl as of a damsel of romance, a

Sleeping Beauty in the wood of time, secluded from intrusive elements of

fact, and folded in the love and faith of her own simple worshippers.

Among the hollows of Arcadia, how many rustic shrines in ancient days

held saints of Hellas, apocryphal, perhaps, like this, but hallowed by

tradition and enduring homage![C]

New Italian sketches · 第 60 / 107 题