Gasthaus, Zum Bär, Dallas, Tyrol.
It is exactly seven weeks this day since I last opened my journal. I
promised Guckhardt not to look into it for a month, and so I have
well kept my word! It would seem, indeed, a small privation in most
circumstances to abstain from chronicling the ebbing hours of a life;
but Egotism is next of kin to Sickness, and I can vent mine more
harmlessly here than if spent in exhausting the patience of my friends.
Some listener must be found to the dreamy querulousness of the invalid,
and why not his own heart?
Even to those nearest and dearest to our affections, there is always
a sense of shame attendant on the confessions of our weakness, more so
than of our actual vices. But what a merciful judge is Self! how
gentle to rebuke! how reluctant to punish! how sanguine to hope for
reformation! Hence is it that I find a comfort in jotting down these
“mems” of the past; but from a friend, what shaking of the head, what
regretful sorrowings, should I meet with! How should I hear of faculties
and fortune--life itself--wasted without one object, even a wish,
compassed! When I reflect upon the position in life attainable by one
who starts with moderate abilities, a large fortune, reasonable habits
of industry, and a fair share of well-wishers, and then think of what
I now am, I might easily be discontented and dispirited; but if I had
really reached the goal, can I say that I should be happy? can I say,
that all the success within my reach could have stilled within me the
tone of peaceful solitude I have ever cherished as the greatest of
blessings? But why speculate on this? I never could have been highly
successful. I have not the temper, had I the talent, that climbs high. I
must always have done my best _at once_; put forth my whole strength on
each occasion--husbanded nothing, and consequently gained nothing.
Here I am at Dallas, in the Tyrol, a wild and lonely glen, with a deep
and rushing river foaming through it. The mountain in front of me is
speckled with wooden _chalets_, some of them perched on lofty cliffs,
not distinct from realms of never-melting snow.
All is poverty on every side; even in the little church, where Piety
would deck its shrine at any sacrifice, the altar is bare of ornament.
The Cure’s house, too, is humble enough for him who is working yonder in
his garden, an old and white-haired man, too feeble and frail for such
labour; and already the sun has set, and now he ceases from his toil:
for the “Angelus” is ringing, and soon the village will be kneeling in
prayer. Already the bell has ceased, and through the stilly air rises
the murmur of many voices.
There was somewhat of compassionate pity in the look of the old man who
has just passed the window; he stopped a moment to gaze at me--at the
only one whose unbended knee and closed lips had no brotherhood in the
devotion. He seemed very poor, and old, and feeble, and yet he could
look with a sense of pity upon me, as an outcast from the faith. So did
I feel his steady stare at least; for, at that instant, the wish was
nearest to my heart that I, too, could have knelt and prayed with the
rest. And why could |I not? was it that my spirit was too stubborn, too
proud, to mingle with the humble throng? did I feel myself better, or
nobler, or greater than the meanest there, when uttering the same words
of thankfulness or hope? No, far from it; a very different, but not less
powerful barrier interposed. Education, habits of thought, prejudices,
convictions, even party spirit, had all combined to represent Romanism
to my mind, in all the glaring colours of its superstitions, its
cruelties, and its deceptions. Then arose before me a kind of vision of
its tyranny over mankind,--its inquisitions, its persecutions, its mock
miracles, and its real bloodshed; and I could not turn from the horrible
picture, even to the sight of those humble worshippers who knelt in all
the sincerity of belief.
I actually dreaded the sway of the devotional influence, lest, when my
heart had yielded to it, some chance interruption of ceremonial, some
of those fantastic forms of the Church, should turn my feelings of trust
and worship to one of infidelity and scorn.
There, all is over now, and the villagers are returning homewards--some,
to the little hamlet--others, are wending their way upwards, to homes
high amid the mountains--and here I sit alone, in my little whitewashed
room, watching the shadows as they deepen over the glen, and gazing on
that mountain peak that glows like a carbuncle in the setting sun.
It is like a dream to me how I have come to sojourn in this peaceful
valley. The last entry I made was in Baden, the night of that party at
the Waterfall. The next day I awoke ill--fevered from a restless
night. Guckhardt came early, and thinking I was asleep, retired without
speaking to me. He laid his hand on my temples, and seemed to feel that
I required rest and quiet, for he cautioned my servant not to suffer the
least disturbance near me.
I conclude I must have been sleeping, for the sudden noise of voices and
the tramp of many feet aroused me. There was evidently something strange
and unexpected going forward in the town. What could it mean? My servant
seemed most unwilling to tell me, and only yielded to my positive
commands to speak.. Even now I tremble to recall the tidings--a murder
had been committed! One of the guests at our late _féte_, a young
Englishman named Lockwood, had been discovered dead on the side of
the road about two miles from the Waterfall; his watch, and purse with
several gold pieces, were found on his person, so that no robbery had
been the reason of the crime. I remember his having come on foot, and
hearing that I should not require my _char-à-banc_ to return, he engaged
it. The driver’s story is, that the stranger always got out to walk at
the hills, usually lingering slowly in his ascent of them; and that at
last, at the top of the highest, he had waited for a considerable time
without his appearing, and growing weary of expectancy he returned,
and at the foot of the hill discovered something dark, lying motionless
beside the pathway; he came closer, and saw it was the stranger quite
dead. Three wounds, which from their depth and direction seemed to have
been given by a dagger, were found in the chest; one, entered from the
back between the shoulders; the fingers of the right hand were also cut
nearly through, as though he had grasped a sharp weapon in his struggle.
Death must have been immediate, as the heart was twice wounded; probably
he expired almost at once. The direction and the position of the wounds
refuted every idea of a suicide--and yet how account for the crime of
murder? The stranger was scarcely a week in Baden, not known to any
one before his arrival here, and since had merely formed those chance
acquaintanceships of watering-places. There was not, so far as one could
see, the slightest ground to suspect any malice or hatred towards him..
The few particulars I have here set down were all that my servant could
tell me. But what from the terrible nature of the tidings themselves,
my own excitable state when hearing them, but, more than either, the
remembrance of the dialogue I had overheard the night before--all
combined and increased my fever to that degree that ere noon I became
half wild with delirium. What I said, or how my wandering faculties
turned, I cannot--nor would I willingly--remember. There was enough of
illness in my ravings, and of method in them too, to bring Guckhardt
again to my bedside, accompanied by a high agent of the police. The
attempt to examine a man in such a state relative to the circumstances
of a dreadful crime could only have entered the head of a _Préfet de
Police_ or a _Juge d’Instruction_. What my revelations were I know
not; but it is clear they assumed a character of independent fancy that
balked the scrutiny of the official, for he left me to the unmixed cares
of my doctor.
By his counsel I was speedily removed from Baden, under the impression
that the scene would be prejudicial to my recovery. I was indifferent
where, or in what way, they disposed of me; and when I was told I was to
try the air of the Lake of Constance, I heard it with the apathy of
one sunk in a trance. Nor do I yet know by what means the police, so
indefatigable in tormenting the innocent, abandoned their persecution of
me. They must have had their own sufficient reasons for it; so much is
certain.
And now, once more, I ask myself, Is all that I have here set down the
mere wanderings of a broken and disjointed brain? have these incidents
no other foundation than a morbid fancy? I would most willingly accept
even this sad alternative, and have it so; but here is evidence too
strong to disbelieve. Here before me lies an English newspaper, with a
paragraph alluding to the mysterious murder of an English gentleman at
Baden. The dates, circumstances, all tally in the minutest particulars.
Shall I discredit these proofs?
The Countess is married to the Marquis de Courcelles; a distant relative
of the Archduchess, it is said. Let me dismiss the theme for ever--that
is, if I can. And now for one whose interest to me is scarcely less sad,
but of a very different shade of sadness.
This is my birthday, the 31st August. “Why had the month more than
thirty days?” is a question I have been tempted to hazard more than
once. Nor is it from ingratitude that I say this. I have long enjoyed
the easy path in life; I have tasted far more of the bright, and seen
less of the shady side of this world’s high-road than falls to the share
of most men. With fortune more than sufficient to supply all that I
could care for, I have had, without any pretension to high talent,
that kind of readiness that is often mistaken for ability; and, what
is probably even more successful with the world, I have had a keen
appreciation of talent in other men--a thorough value for their superior
attainments; and this--no great gift, to be sure--has always procured me
acceptance in circles where my own pretensions would have proved feeble
supporters. And then, this delicacy of health--what many would have
called my heaviest calamity--has often carried me triumphantly through
difficulties where I must have succumbed. Even in “the House” have I
heard the prognostications of what I might have been, “if my health
permitted;” so that my weak point ministered to me what strength had
denied me.
Then, I have the most intense relish for the life of idleness I have
been leading; the lounging “do-nothingism” that would kill most men with
_ennui_, is to me inexpressibly delightful. All those castle-buildings
which, in the real world, are failures, succeed admirably in
imagination. I overcome competitors, I convince opponents, I conciliate
enemies at will, so long as they are all of my own making; and so far
from falling back disappointed from the vision, to the fact, I revel in
the conviction that I can go to work again at new fancies; and that, in
such struggles, there is neither weariness nor defeat. A small world for
ambition to range in! but I value it as Touchstone did his mistress,--“a
poor thing, but it was mine own.”
It would be a strange record if a man were to chronicle his birthdays,
keeping faithful note of his changed and changing nature as years stole
on. For myself I have always regarded them somewhat like post-stations
in a journey, ever expecting to find better horses and smoother roads
next stage, and constantly promising myself to be more equable in
temperament and more disposed to enjoy my tour. But the journey of life,
like all other journeys, puts to flight the most matured philosophy, and
the accidents of the way are always ready to divert the mind from its
firmest resolves.
Tuesday Morning, When I had written so far last night, the arrival of
a travelling carriage and four, with a Courier preceding, caused such
a commotion in the little inn that, notwithstanding all my assumed
indifference, I could not entirely escape the contagion, and, at last,
was fain to open my window and stare at the new arrival with all the
hardihood that becomes him already in possession of an apartment. “I
took little by my motion.” All I saw was a portly travelling carriage,
heavily laden with its appurtenances and imperials, well-corded springs,
rope-lashed pole, and double drag-chains,--evidences of caution and
signs of long-projected travel.
I might have readily forgotten the new comer--indeed, I had almost done
so ere I closed the window--had not his memory been preserved for me
by a process peculiar to small and unfrequented inns,--a species of
absorption by which the traveller of higher pretensions invariably
draws in all the stray articles of comfort scattered through the
establishment. First my table took flight, and in its place a small
and ricketty thing of white deal had arrived; next followed a
dressing-glass; then waddled forth a fat, unwieldy, old arm-chair,
that seemed by its difficulty of removal to have strong objections to
locomotion; and lastly, a chest of drawers set out on its travels, but
so stoutly did it resist, that it was not captured without the loss
of two legs, while every drawer was thrown out upon the floor, to the
manifest detriment of the waiter’s shins and ankles. These “distraints”
I bore well and equably, and it was only a summary demand to surrender a
little sofa on which I lay that at length roused me from my apathy, and
I positively demurred, asking, I suppose, querulously enough, who it
was that required the whole accommodation of the inn, and could spare
nothing for another traveller? An “English Prince” was the answer;
at which I could not help laughing, well knowing that the title is
tolerably indiscriminate in its application. Indeed, I once heard
Colonel Sibthorp called such.
It is all very well to affect indifference and apathy, to pretend that
you care nothing who or what your neighbour in an inn may be. This is
very practicable where his identity takes no more corporeal shape than
No. 42 or 53 in some great overgrown hôtel. But imagine yourself in some
small secluded spot, some little nook, of which you had half fancied you
were the first discoverer--conceiving yourself a kind of new Pérouse;
fancy, then, when in the very ecstasy of your adventure, the arrival
of a travelling carriage and four, with a belted Courier and a bearded
Valet; not only are your visions routed, but your own identity begins to
dissolve away with them. You are neither a hero to yourself nor to “mine
host.” His best smiles, his deepest reverence, are now for the last
comer, for whose accommodation a general tribute is levied. Do what you
will, say what you will, there is no remaining deaf to the incessant
turmoil that bespeaks the great man’s wants. There is a perpetual
hurry-scurry to seek this and fetch that; soda-water--tea--champagne--a
fire--hot water--are continually echoing along the corridor, and “the
Prince” seems like some vast “Maelstrom” that all the larder and the
cellar contain can never satiate. Such, certainly, the least exacting of
men appear when under the auspices of a Courier and the host of a small
inn.
The poverty of the establishment makes the commonest requirements seem
the demand of a Sybarite indulgence, and every-day wants are luxuries
where cleanliness is the highest of virtues.
I was--I own it--worried and vexed by the clamour and movement, that not
even coming night calmed down. The repose and quiet I had been so fully
enjoying were gone, and, in their place, the vulgar noises and tumult of
a little inn. All these interruptions, intimately associated in my mind
with the traveller, invested him, to me, with a character perfectly
detestable, so that there was somewhat of open defiance in my refusal to
yield up my sofa.
A pause followed. What was to come next? I listened and waited in half
anxiety, wondering what new aggression might ensue; but all was still:
nay, there was a clattering of knives and forks, and then went the pop
of a cork--“the Prince” was eating. “Well,” thought I, “there is some
vengeance here, for the _cuisine_ is detestable.” “His Highness” thought
so too, for more than one _plat_ was dismissed, accompanied by a running
commentary of abuse on the part of the Courier.
At last came a really tranquil moment. The cheese had been sent away as
uneatable, and the Courier had followed it, cursing manfully, if I might
pronounce from the odour wafted to my own chamber, not unreasonably. “Mi
Lor le Prince” was probably composing himself to a siesta; there was
a stealthy quietude in the step of his servant along the corridor that
said so much. I had scarcely made the reflection when a tap came to my
door. “The Prince” wished for an English newspaper, and the host had
seen two on my table. The “Post” and the “Chronicle” were both before
me, and I sent them, half wondering which best might suit his Highness’s
politics.
Another tap at the door! Really this is intolerable. Has he not had my
table, my arm-chair, my newspapers--what will he ask for next? “Come
in,” said I, now trying English, after in vain shouting “Entrez” and
“Herein” three times over.
An English servant entered, and in that peculiarly low, demure tone, so
distinctive of his caste, said,--
“Sir Robert Chawuth presents his compliments, and begs to know if he may
pay his respects to Mr. Templeton?”
“Is Sir Robert here? is that his carriage?” said I, hastily.
“Yes, sir; he came about an hour ago.”
“Oh, very well. Say, I shall feel great pleasure in seeing him. Is he
disengaged at present?”
“Yes, sir, he is quite alone.”
“Shew me his apartment, then.”
“So,” thought I, as I arose to seek the chamber, “this time they were
nearer right than usual; for, if not an ‘English Prince,’ he has wielded
more substantial power, and exerted a much wider sway over the destinies
of the world, than ever a ‘foreign Prince’ from the Baltic to the
Bosphorus.”
Strange enough, our last meeting was at Downing Street; he was then
Minister. I waited upon him by appointment, as I was leaving England for
the Prussian mission, and _he_ desired to give me his own instructions
before I sailed; and now, I visit him in a little Tyrol “Gasthaus,” he,
destitute of power, and myself----
*****
It would be presumptuous in one so humbly placed to hazard an opinion on
the subject; but if I were to dare it, I should say that the statesmen
of England possess a range of knowledge and a wider intimacy with the
actual condition of the world as it is than any other class, in any
country. I was greatly struck with this last evening. The topics
wandered far a-field, varying from the Poor Laws to Hong Kong, from
the Health of Towns to the state of the Peninsula: Austria, Ireland,
Switzerland, the Navigation Laws, the policy of Louis Philippe, and the
rot in the potatoes; and on each of these themes he not only spoke
well, but he spoke with a degree of knowledge that smacked of a special
study. “How comes it,” I asked myself, “that this man, with the weighty
cares of a mighty empire on his brain, has time to hear and memory to
retain little traits of various people in remote quarters of the world?
How, for instance, did he hear, or why remember, these anecdotes of the
present Landamman of Switzerland, Ochsenbein?” And yet there were good
reasons perhaps, to remember them. The man who has personally shewn the
white feather will scarcely be courageous as the head of a government,
though there is great reason to suspect that he may exhibit all the
rashness of cowardice--its worst, because its most dangerous, quality.
I had often suspected, but I never knew before, how completely this
Minister had usurped every department of the Cabinet, and concentrated
in himself the Home, the Foreign, and the Colonial Governments. The very
patronage, too, he had assumed; so that, in fact, his colleagues were
comparatively without influence or occupation. I confess that, on
hearing him talk so unconcernedly of mighty events and portentous
changes, of great interests and powerful states, that my heart beat
strongly with an ambitious ardour, and a feverish throbbing of my
temples suggested to me that the longing for rank, and station, and
power, had not yet died away within me. Was it with serious intention
that he spoke to me of again entering Parliament and taking office in
some future arrangement, or was it merely from a sense of compassion
that he ministered this meed of encouragement to the hopes of a sick
man? Whatever the motive, the result has been an increased buoyancy,
more of vitality about me, than I have known for some time--a secret
wishing for life and strength to “do something” ere I die.
He rather appeared pleased with a suggestion I threw out for augmenting
the elective franchise in Ireland, by making the qualification “an
intellectual one,” and extending the right of voting to all who should
take a certain degree or diploma in either the University of Dublin
or any of the provincial colleges, all admitted as members of learned
bodies, and all licentiates of law and physic. This would particularly
suit the condition of Ireland, where property is a most inadequate
and limited test, and at the same time, by an infusion of educated and
thinking men into the mass, serve to counterbalance and even guide the
opinions of those less capable of forming judgments. We are becoming
more democratic every day. Let our trust be in well-informed,
clearsighted democracy, and let the transition be from the aristocracy
to the cultivated middle classes, and not to the rule of Feargus
O’Connor and his Chartists.
And now, to wander down this lonely glen, and forget, if I may, these
jarring questions, where men’s passions and ambitions have more at stake
than human happiness. Do what I will, think of what I will, the image
of--Caroline Graham--yes, I must call her so, rises before me at
every step. It is a sad condition of the nervous system when slight
impressions cut deep. Like the diseased state of the mucous membrane,
when tastes and odours cling and adhere to it for days long, I suppose
that the prevalence of such images in the brain would at last lead to
insanity, or, at least, that form of it called Monomania. Let no man
suppose that this is so very rare a malady. Let us rather ask, Who is
quite free from some feature of the affection? The mild cases are the
passionate ardour we see exhibited by men in the various and peculiar
pursuits in life; the bad ones, only greater in degree, are shut up in
asylums.
The most singular instance that ever occurred within my own knowledge
was one I met several years back in Germany; and as “thereby hangs a
tale,” I will set it down in the words of the relator. This is his own
recital--in his own handwriting too!
There are moments in the life of almost every man which seem like years.
The mind, suddenly calling up the memory of bygone days, lives over
the early hours of childhood--the bright visions of youth, when all was
promise and anticipation--and traverses with a bound the ripe years of
manhood, with all their struggles, and cares, and disappointments; and
even throws a glance into the dark vista of the future, computing the
“to come” from the past; and, at such times as these, one feels that he
is already old, and that years have gone over him.
Such were to me the few brief moments in which I stood upon the Meissner
hill that overhangs my native city. Dresden, the home of my childhood,
of my earliest and my dearest friends, lay bathed in the soft moonlight
of a summer’s eve. There, rose the ample dome of the cathedral in all
the majesty of its splendid arch, the golden tracery glittering with
the night dew; here, wound the placid Elbe, its thousand eddies through
purple and blushing vineyards, its fair surface flashing into momentary
brilliancy, as the ripples broke upon the buttresses of that graceful
bridge, long accounted the most beautiful in Europe; while from the
boat that lay sleeping upon its shadow came the rich tones of some manly
voices, bearing to my ear the evening hymn of my fatherland! Oh, how
strong within the heart of the wanderer in distant lands is the love of
country!--how deeply rooted amid all the feelings which the cares and
trials of after-life scatter to the wind! It lives on, bringing to our
old age the only touch and trace of the bright and verdant feelings of
our youth. And oh, how doubly strong this love, when it comes teeming
with a flood of long-forgotten scenes--the memory of our first, best
friends--the haunts of our boyhood--the feats of youthful daring--and,
far more than all, the recollection of that happy home, around whose
hearth we met with but looks of kindness and affection, where our
sorrows were soothed, our joys shared in! For me, ‘tis true, there
remained nought of this. The parents who loved me had gone to their dark
homes--the friends of my childhood had doubtless forgotten me. Years of
absence had left me but the scenes of past happiness--the actors were
gone. And thus it was as I looked down upon the city of my native land.
The hour which in solitude and lowness of heart I had longed and prayed
for had at length arrived--that hour which I believed in my heart would
repay me for all the struggles, the cares, the miseries of fourteen
years of exile; and now I stood upon that self-same spot where I had
turned to take a farewell look of my native city, which I was leaving
poor, unfriended, and unknown, to seek in Italy those opportunities my
forlorn condition had denied to me at home. Years of toil and anxiety
had followed; the evils of poverty had fallen on me; one by one the
cheerful thoughts and bright fancies of youth deserted me; yet still I
struggled on, unshaken in courage. The thought of one day returning
to my loved Saxon land, rich in reputation, crowned with success, had
sustained and upheld me. And now that hour was come--my earliest hopes
more than realised--my fondest aspirations accomplished. Triumphant over
all the difficulties of my hard lot, I returned, bearing with me the
well-won spoils of labour and exertion. But, alas! where were they who
should rejoice with me, and share my happiness? The very home of my
infancy was tenanted by strangers; they knew me not in my poverty, they
could not sympathise in my elevation. My heart sickened within me as I
thought of my lone and desolate condition; and as the tears coursed fast
and faster down my cheeks, how gladly would I have given all the proud
triumph of success for one short and sunny hour of boyhood’s bright
anticipation, shared in by those who loved me!
Oh! how well were it for us if the bright visions of happiness our
imaginations picture forth should ever recede as we advance, and,
mirage-like, evade us as we follow! and that we might go down to the
grave still thinking that the “morrow” would accomplish the hopes of
to-day--as the Indian follows the phantom-bark, ever pursuing, never
reaching. The misery of hope deferred never equalled the anguish of
expectation gratified, only to ascertain how vain was our prospect of
happiness from the long-cherished desire, and how far short reality ever
falls of the bright colouring hope lends to our imaginings. In such
a frame of deep despondency I re-entered my native city--no friend to
greet, no voice to welcome me.
Happily, however, I was not long left to the indulgence of such regrets;
for no sooner was my arrival made known in the city, than my brother
artists waited on me with congratulations; and I learned, for the first
time, that the reputation of my successes had reached Saxony, and that
my very best picture was at that moment being exhibited in the Dresden
Gallery. I was now invited to the houses of the great, and even
distinguished by marks of my sovereign’s favour. If I walked the
streets, I heard my name whispered as I passed; if I appeared in public,
some burst of approbation greeted me. In a word, and that ere many days
had elapsed, I became the reigning favourite of a city in which the love
of “art” is an inheritance: for, possessed of a gallery second to
none in Europe, the Dresdeners have long enjoyed and profited by the
opportunity of contemplating all that is excellent in painting; and, in
their enthusiastic admiration of the fine arts, thought no praise too
exalted to bestow on one who had asserted the claim of a Saxon painter
among the schools of Italy.
To the full and unmeasured intoxication of the flattery that beset me
on every side, I now abandoned myself. At first, indeed, I did so as a
relief from the sorrowful and depressing feelings my unfriended solitude
suggested; and at last, as the passion crept in upon and grasped my very
heart-strings, the love of praise took entire possession of my being,
and in a short time the desire for admiration had so completely
supplanted every other emotion, that I only lived with enjoyment when
surrounded by flattery; and those praises which before I heard with
diffidence and distrust, I now looked for as my desert, and claimed
as my right. The “spoiled child of fortune,” my life was one round of
gaiety and excitement, For _me_, and for my amusement, _fêtes_ were
given, parties contrived, and entertainments planned, and the charmed
circle of royalty was even deserted to frequent the places at which I
was expected.
From these circumstances it may readily be believed how completely I was
beset by the temptations of flattery, and how recklessly I hurried along
that career of good fortune which, in my mad infatuation, t deemed
would last for ever. I saw my name enrolled among the great ones of my
art--myself the friend of the exalted in rank and great in wealth--my
very praise, patronage. Little knew I that such sudden popularity is
often as fleeting as it is captivating, that the mass of those who
admire and are ever loudest in their praises are alike indifferent to,
and ignorant of, art. Led along by fashion alone, they seemed delighted,
because it was the rage to appear so. They visited, because my society
was courted by others; and if their knowledge was less their plaudits
were louder than those of the discriminating few, whose caution and
reserve seemed to me the offspring of jealousy and envy.
It is well known to almost all, how, in the society of large cities,
some new source of interest or excitement is eagerly sought after to
enliven the dull routine of nightly dissipation, and awaken the palled
and jaded appetite of pleasure to some new thrill of amusement!--how
one succeeds another, and how short-lived are all! The idol of to-day is
forgotten to-morrow; and whether the object of momentary attraction be
a benefactor of mankind, or some monster of moral deformity, it
matters but little, so that for the hour he furnish an article for the
fashionable journalist, and a subject of conversation to the _coterie_;
the end and aim of his being seems to be perfectly accomplished, and
all interest for him as readily transferred to his successor, who or
whatever he may be, as though his existence had been as unreal as the
spectre of a magic lantern.
Little did I suppose when, in the full blaze of my popularity, that to
such an ordinance of fashion alone I was indebted for the proud eminence
I occupied. I was not long destined to enjoy the deception.
It chanced that about three months after my arrival in Dresden,
circumstances required my absence from the city for a few days. The
occasion which called me detained me beyond the time I had calculated
on, and it was not till after a fortnight I reached my home. I had
travelled that day from sunrise till late in the evening, being anxious,
if possible, to redeem a promise I had made to my friend and patron,
Count Lowenstein, to be present at a _fête_ in honour of his sister’s
birthday. The weather had been unusually hot and sultry, even for the
season; and although I felt much fatigued and jaded, I lost not a moment
on my arrival to dress for the _fête_, over which, calculating on my
late career, I deemed my absence would throw a gloom. Besides that, I
longed once more to drink of that Circean cup of flattery, for which
my short absence from the city had given me new zest; and it was with
a high-beating heart and fevered brain I hung upon my breast the many
crosses and decorations I had been gifted with in my hours of brilliant
success.
Lights gleamed brightly from the ample windows of the Lowenstéin palace.
Numerous equipages stood at the portico. I followed the chasseur up
the spacious marble steps which led to the ante-chamber. I stopped one
moment before a large mirror, and almost startled at the brilliancy of
my dress, which, a present from my sovereign, I now wore for the first
time. With a high-swelling heart and bounding step--for all fatigue
was long since forgotten--I approached the door; and oh! the throb with
which I heard my name now, for the first time, announced with the
title of “Baron,” which his Majesty had conferred upon me the day of my
departure! That name, which alone had, talisman-like, opened for me the
doors of all who were illustrious and exalted in rank--that name, which
heard, silenced the hum of voices, to break forth the moment after in
accents of praise and welcome! Again it rung through the crowded salon,
and I stood within the door. Formerly, when appearing in society,
the moment I made my _entrée_ I found myself the centre of a group of
friends and admirers, all eagerly pressing forward to pay their homage
to the star of fashion. Now, what was my amazement to mark no thrill
of pleasure, as of old, animate that vast assembly!--not even surprise!
group after group passed by me, as though I were unknown, and had no
claim to their attention. It is true, I heard some friendly voices
and kind inquiries; but I could neither distinguish the words nor the
speaker. My brain was in a whirl; for, alas! long since had I learned to
care less for the language of affection than the voice of the flatterer.
I stood thunderstruck and amazed; and it was some minutes before I
could, with any appearance of composure, reply to the salutations I met
with. Something must have occurred in my absence to weaken the interest
my appearance ever excited;--but what could that be? And the assembly,
too! had my own baffled hopes lent their gloomy colouring to all
around? I certainly thought it far less brilliant than usual; a sad
and depressing influence seemed to pervade all the guests, which
they appeared vainly to struggle against. Tortured with doubt and
disappointment, I hastened through the crowd to where the Count was
standing, surrounded by his suite. His quick eye instantly perceived me,
and, familiarly kissing his hand to me, he continued to converse
with those about him. Up to this moment I had borne all the chilling
indifference of manner I met with, from the secret satisfaction that
told me in my heart that he, my protector, my friend, would soon
vindicate my claim to notice and distinction, and that, in the sunshine
of his favour, I should soon receive the attention my heart thirsted
for. But now that hope deserted me, the cold distance of his manner
chilled me to the very heart’s core* Not one word of kind inquiry, no
friendly chiding for protracted absence, no warm welcome for my coming!
I looked around on every side for some clue to this strange mystery;
I felt as if all eyes were upon me, and thought for a moment I could
perceive the sneer of gratified malice at my downfall. But no: I was
unnoticed and unobserved; and even this hurt me still more. Alas! alas!
the few moments of heart-cutting, humbling misery I then endured, too
dearly paid for all the selfish gratification I reaped from being the
idol of fashion. While I remained thus the Count approached me, and,
with something like his usual tone of familiarity, said,--
“Ah, Carl!--you here? You have, of course, heard of our sad
disappointment?”
“No, my lord,” I replied, with some bitterness of tone, “I have scarcely
had time, for I have not been yet an hour in Dresden.”
Without noticing either the manner of my answer or the allusion to my
absence, the Count continued,--
“This evening we were to have had the happiness to have amongst us one
who seems to be gifted with some magic power of diffusing delight and
ecstasy on every side where she appears. Those whose hearts were cold to
beauty in all others, have yielded to the fascination of hers; and the
soul that never before was touched by melody has thrilled with transport
at her heavenly voice. Divine La Mercia! the paragon of beauty and the
soul of song! There, there stands her harp, and here you see her music;
but she is absent. Alas! we have only the wand of the magician--the
spell is not there.”
In an instant the veil was lifted from my eyes; the whole truth burst on
me like a lightning flash--the course of my popularity was run, the sun
of my favour had set for ever.
The fatigue of my journey, the heat of the salon, the confusion of my
mind, and the bitter conflict of my feelings, all conspired to unman
me, and I sank upon a sofa. As I sat thus unnoticed (for the tone of the
Count’s manner had divested the few who were previously attentive of all
interest for me), I overheard the conversation of those around me. But
one name was mentioned, but one person seemed to engross every tongue or
heart--that was La Mercia.
From what I could collect it appeared that she, a most beautiful and
interesting girl, had appeared at the Opera a few evenings since, and by
the charms of her surpassing beauty, as well as the surprising richness
and clearness of her voice, had captivated the whole city, from the
palace to the cottage. The enthusiastic repetition of her praises
gradually led to regrets for her absence, and surmises as to the cause,
while a young nobleman, who had just joined the circle, said,--
“Trust me, La Mercia would have come if _she_ alone were consulted;
but I fear that ill-tempered looking old fellow, whom she calls her
‘Dottore,’ has had much to say to this refusal.”
“Yes,” said another; “so late as yesterday evening, at the palace,
when she was surrounded by several members of the royal family, eagerly
pressing her to repeat a song she had just sung,--just as she consented,
a look from the ‘Dottore’ shot across the room and met her eyes;
she immediately hesitated, begged to be permitted not to sing, and
immediately afterwards withdrew.”
“How strange!” said the nobleman who spoke before, “how very strange! It
was but a few nights since, at the Opera, I witnessed the deference and
submission with which she addressed him, and the cold indifference with
which he met looks and heard tones that, would have made another’s heart
beat beyond his bosom. It must, indeed, be a strange mystery that unites
two beings so every way unlike;--one all beauty and loveliness, and
the other the most sarcastic, treacherous-looking wretch, ever my eyes
beheld.”
The deep interest with which I listened to those particulars of my
rival--for such I now felt her to be--gradually yielded to a sense of
my own sunken and degraded condition; and envy, the most baleful and
pernicious passion that can agitate the bosom, took entire possession of
me: envy of one whose very existence one hour before I was ignorant of.
I felt that _she--she_ had injured me,--robbed me of all for which life
and existence was dear. But for _her_, I should still be the centre
of this gay and brilliant assembly, by whom I am already forgotten and
neglected: and, with a fiendish malignity, I thought how soon this new
idol of a fickle and ungrateful people would fall from the pinnacle from
which she had displaced me, and suffer in her own heart the cruel pangs
I was then enduring.
I arose from where I had been sitting, my brain maddened with my sudden
reverse of fortune, and fled from the salon to my home* In an agony of
grief I threw myself upon my bed, and that night was to me like years of
sorrowing and affliction.
When morning broke, my first resolve was to leave Dresden for ever; my
next to remain, until, by applying all my energies to the task, I had
accomplished something beyond all my former efforts; and then, spurning
the praise and flattery my success would inspire, take a proud farewell
of my fickle and ungrateful countrymen. The longer I thought upon,
the more was I pleased with, this latter resolution, and panted with
eagerness for the moment of contemptuous disdain, in which, flinging
off the caresses of false friends, I should carry to other lands those
talents which my own was unworthy to possess. It was but a few days
before this the Prior of the Augustine monastery had called upon me, to
beg I would paint an altar-piece for their chapel: they wished to have
a kneeling figure of Mary, to whom the shrine was dedicated; but the
subject, being a favourite one of Titian’s, had at that time deterred
me. Its difficulty was now its charm; and as I pondered over in my mind
the features I wished to transfer to my canvass, I suddenly remembered
a painting which I had had for some years in my possession, and which,
from the surpassing loveliness of the countenance it represented, as
well as the beauty of its execution, had long fascinated me. I now
reverted to it at once, and opening a secret drawer in my cabinet,
took out the picture and placed it before me. It was a small and most
beautifully painted enamel, representing two figures--one that of an old
and stern-visaged man, upon whose harsh and severe features there played
a scowl of deadly hate and scorn: he stood, drawn up to his full height,
his hands and arms widely extended before him, as if in the act of
performing some mystic or sacred rite over the lovely being who knelt
at his feet in an attitude of the deepest and most reverential
supplication. This was a lovely girl, her age scarcely eighteen years:
her forehead, fair as alabaster, was shaded by two braids of dark brown
hair, which hung back in heavy locks upon her neck and shoulders. Her
eyes, of the deepest blue, were upraised and tearful, and the parted
lips seemed almost to utter a murmured prayer, as her heaving bosom told
some inward anguish; her hands were firmly clasped, but the arms hung
powerless before her, and the whole figure conveyed the most perfect
abandonment to grief it was possible to conceive. Here were the
features, here the very attitude, I desired. Could I only succeed in
imparting to my Madonna the lovely and sorrow-struck countenance before
me, my triumph were certain. I had walked every gallery of Europe, from
one end to the other; I had visited every private collection where a
good picture was to be found, yet never had I beheld the same magic
power of conveying, in one single scene, so much of storied interest as
this small picture displayed. The features of that beautiful girl,
too, bad the semblance of being copied from the life. There are certain
slight and indescribable traits by which a painter will, in almost every
case, distinguish when nature and when only fancy have lent the subject;
and here, every thing tended to make me believe it to be a portrait. The
manner in which I became possessed of it, also, contributed to invest
it with a more than common interest in my eyes. The circumstances were
these:--When a very young man, and only a short time settled at Rome,
whither I had gone to prosecute my studies as a painter, the slender
state of my purse had compelled me to take up my residence in one of the
less known suburbs of the city. In the same humble dwelling in which
I took up my abode there lived an old and paralytic man, whom age and
infirmity had rendered bed-ridden for years. At first, my occupation
being entirely without doors, left me but little opportunity to see or
know much of him; but when winter closed in, and confined me whole days
to the house, my acquaintance with him gradually increased, and, to my
great surprise, I discovered in this poverty-struck and decrepid old man
one who possessed the most intimate and critical knowledge of art; every
gallery was familiar to him--he knew the history of each celebrated
picture, and distinguished originals from their copies by such traits
of discernment as evinced the most consummate intimacy with the deepest
secrets of colouring, and, in a word, shewed himself to be, what
I afterwards learned he was, a most accomplished artist: but the
circumstances which threw him into his present mean and wretched
condition ever remained a mystery. Various little acts of kindness and
attention, which I had in my power to bestow, seemed to make a great
impression on him, while my own friendless and solitary situation
drew me into closer intimacy with one who seemed to have fewer of this
world’s comforts than myself. To him, therefore, I confided all the
circumstances which led me to Rome--my ardent desire for distinction--my
longing for eminence in art: while he, by his advice and counsel, which
he was well qualified to afford, directed my studies and encouraged my
efforts.
Our acquaintance thus formed, rapidly ripened into friendship, and it
was with pleasure I hurried from my gayer and more volatile companions
to the poor and humble abode, where my old and feeble friend awaited me
with impatience.
As the winter advanced, the infirmities of the old painter rapidly
gained ground; he became daily weaker, and, by degrees, the calm
serenity of his mind, which was his most remarkable trait, yielded
to fits of impatience, in which, sometimes, his very reason seemed to
struggle for empire: and at such times as these he would drop hints, and
give vent to thoughts, that were awful and appalling to listen to.
It appeared to me that he regarded his present afflicted state as the
dreadful retribution of some real or imaginary crime; for, in addition
to the unceasing depression which seized him, his fears of death were
incessant, and great beyond measure* Sometimes, the thought that there
was no future state would shoot across his mind, and a species of
reckless gaiety would follow; but in a moment after, the strong and full
conviction of his self-deception would visit him--and then his agony was
frightful to witness. In the sad alternation of these states of hope and
fear, in which the former was, if possible, more affecting to witness,
weeks rolled on. One night when recovering from a nervous attack, which,
by its duration and severity seemed to threaten more fatally than usual,
he called me to him, and desired me to bring, from a concealed drawer in
his trunk, a small ebony box clasped with silver. I did so. He took it
with trembling hands, and placed it beside him on the pillow, while,
with a voice scarcely audible from agitation, he whispered:--
“Leave me, Carl--leave me to myself! There is in this box what may
meet no other eye than mine. And oh! would to Heaven that its bright
lightnings had struck and blighted me, rather than I should ever have
looked upon it.”
The energy with which these words were spoken seemed to weary and
overcome him, and he was barely able to say:--
“Leave me now, my friend. But stay: ere you go, promise me--swear to me,
as you hope--ay, as you hope your death-bed may be not like mine--swear,
when all is at rest within this torn and afflicted heart, that you will,
with your own hands, place this box within my coffin,--swear to place
it there unopened: better far you had not enjoyed the blessed gift
of sight, than look upon what it contains. I grow weaker,--promise me
this.”
“I do,” I replied hurriedly. “I promise.”
“Swear it,” he said; while the large drops of sweat stood upon his brow,
and his bloodshot eyes glared upon me like a maniac.
“I swear,” said I, anxious to relieve the terrific convulsion which his
eagerness brought on; “I swear.” And as he lay back slowly upon the bed,
I left the room.
When again, after a considerable time, I entered the chamber, he had
turned his face towards the wall--his head buried between both his
hands; while sobs, which he appeared struggling to control, burst from
him at intervals. The casket lay locked beside him. I took it up, and
placed it within my portmanteau; and, not daring to interfere with the
course of that sorrow, the cause of which he had not confided to me, I
stole noiselessly from the room.
When next I saw him he appeared to be somewhat better; but the feeble
powers of life had received a severe shock, and his haggard and broken
look shewed how much a few hours had hastened the approach of death.
That evening he never once alluded to the subject which had agitated
him, and bade me “Good night” earlier than usual, wishing to relieve his
fatigue by sleep.--I never saw him after.
I had scarcely composed myself to sleep, my mind full of the events of
the day, when an express arrived from an English nobleman, who had been
my most influential and steadiest friend, requiring me immediately to
set out for Naples, to make a picture of his only daughter ere her body
was committed to the earth. She had died of the malaria, and her funeral
could not be long delayed. I immediately set out, taking with me the
portmanteau that contained the casket, and such requisites for painting
as I could hurriedly collect. With all my anxiety to return to my old
companion, I was unable to leave Naples before the tenth day; I then
turned my face homewards, with a heart beating with anxiety, lest his
death should have taken place in my absence. The diligence in which
I travelled was attacked near Calvi by Banditti. Several of the
passengers, being well armed, made resistance, and a dreadful conflict
took place. Severely wounded in the side with a stiletto, I remained for
dead upon the ground, and lost all remembrance of every thing till the
moment I discovered myself a patient in the public hospital of Naples.
Several weeks of fever and delirium had passed over me, and I lay now
weak and powerless. By degrees my strength was restored, and as I lay,
one day, meditating a speedy departure from the hospital, the intendant
of the police came to inform me that several articles of value,
contained in a portmanteau bearing my initials, had been discovered near
the scene of the late encounter, where they had probably been dropped
by the robbers in their flight, and that, on my identifying and claiming
them as mine they should be restored to me. Among other things he
mentioned the ebony casket.
I dared not ask if it were opened, lest my agitation might occasion
surprise or suspicion, and promised to inspect them the following
morning, and identify such as were my property.
The next day I appeared at the bureau of the police. The portmanteau was
produced and unlocked, and the very first thing I set my eyes upon
was the picture. The case had been rudely torn open, and it lay there
exposed to all. My promise--my solemnly pledged oath, came instantly to
my mind, and all the awful denunciations the old man had spoken of, as
in store for him who should look upon that picture! I was horror-struck
and speechless, and only remembered where I was, as the _Commissaire_,
who stood behind me and looked at it, asked if I were the painter? I
replied not.
“The likeness is, indeed, wonderful,” said he.
I started; but immediately recovering myself, said:--
“You must be under some mistake. You could scarcely have seen the person
for whom this was intended?” I said this because, from the attentive
consideration I had given it, as well as the initials in the corner of
the drapery, I perceived it to be one of the most beautifully executed
enamels of Julio Romano, and must, at least, have been nearly two
centuries old.
“Impossible I can be mistaken!” said he: “that is not only the Comtess
d’Alvini herself, but there, and even more like, stands her uncle, ‘Il
Dottore Albretto,’ as he was called. Why, I remember as well as
though it were but yesterday, though I was only a boy at the time, her
marriage--with one of your own profession, too. How can I forget his
name!--ah, I have it--Antonio Gioventa! By the by, they said, too, the
union was none of the happiest, and that they separated soon after. But
of that I know nothing myself, for they never appeared in Naples after
the morning they were married.”
How I longed to make one or two inquiries! but fear prevented me;--fear
lest my own ignorance concerning the history of the picture might be
discovered, and I confess, too, something like dread; for, the evident
age of the picture tallied but ill with the account the _Commissaire_
gave of the characters represented; and I longed for the moment I should
put into execution, at least, so much of my promise as was yet in
my power: putting it up, therefore, with such of my effects as I
recognised, I returned to my hôtel.
The entire evening I could think of nothing but the story of the
_Commissaire_. The artist could have been none other than my old friend
Nichola Calertio--for by this name I had known him,--and that lovely
creature must have been his wife! And what was her fate? and what could
have been the awful mystery that wrapt their history? These thoughts
dwelt in my mind, and, framing ten thousand solutions of the secret, I
at last sunk into sleep.
The following day I took my departure for Rome. On my arrival, what was
my horror to discover that Nichola had died the day after my
departure from Naples, and that he had been buried in the strangers’
burial-ground; but in what spot, no one knew--nor had he one left who
could point out his grave. Again my oath came to my mind, and I could
not divest myself of the thought, that in the series of events which
prevented its accomplishment chance had nothing to do; and that the hand
of a guiding Providence had worked these apparent accidents for His own
wise ends.
From that hour I guarded, how closely I cannot say, this picture from
all human eye; but if I did so, the very impulse which drove me to
conceal it from all others led me to look upon it myself. Like the miser
who possesses a hidden treasure, ten thousand times dearer that it
is known to him alone, I have sat, hour by hour, in the silent
contemplation of it in my chamber; I have studied the features one by
one, till I almost thought the figure lived and breathed before me;
and often have I left the crowded and brilliant salon to seek, in the
stillness of my own home, the delicious calm and dreamy tranquillity
that painting ever inspired me with.
And so it had been my custom, when first I returned to Dresden, to sit
for days long with that picture open before me. As a work of art, it
possessed undoubted excellence; but I could not help feeling that its
mysterious history had invested it with an interest altogether deeper
and more powerful than the beauty of the execution could alone account
for. This habit had been first broken in upon by the numerous and varied
occupations my newly-arisen popularity brought upon me; and amid
the labours of the painting-room, and the gay hours of fashionable
dissipation, I had been now some weeks without once having seen it, when
the events I have just detailed, and my determination to copy from it,
brought it again fully to my mind.
The day which followed that long night of misery passed I know not how.
When I awoke from the deep musing my thoughts had fallen into, it was
already evening: the sun had set, and a soft twilight was sleeping on
all around. I opened my window, and let the cool breeze of the evening
blow upon my heated and fevered brain; and as I sat thus, lost in
reverie, the last traces of daylight gradually faded away, and a thin,
crescent-like moon, shewed itself over the hill of the Meissner. The
city lay in deep shadow, and almost in silence; the mournful plashing of
the river being plainly heard above all other sounds. There is something
sad, and almost awful, in the sight of a large and populous city bathed
in the silence and sleep of night; its busy voice hushed, its streets
untrodden, or echoing to the tread of a solitary passer-by. To me this
was now most welcome. The dreamy melancholy of my mind felt pleasure
in the death-like stillness about me, and I wandered forth to enjoy the
free air and balmy breeze upon the bank of the Elbe. After some time I
crossed the bridge, and continued my walk through the suburb, intending
to return by a beautiful garden which lies on that side of the river. As
I approached the Elbe I was struck by the bright glare of light which,
proceeding from some building near, illuminated the river nearly the
whole way across, displaying upon its glassy surface several boats, in
which the people sat resting on their oars, and scarcely moving in
the gentle tide of the stream. I remembered for a moment, and then it
occurred to me that the brilliant glare of light proceeded from the
villa of Count Lowenstein, which stood upon a small promontory of
land, about two miles from Dresden, this being the night of a private
_soiree_, to which only his nearest and most intimate friends were ever
invited. Report had spoken loudly of the singular beauty of the villa
itself, the splendour of its decorations, the richness and taste of its
furniture; and, indeed, around the whole character of the place, and the
nature of the entertainments held there, the difficulty of _entrée_,
and the secrecy observed by the initiated, had thrown an air of the most
romantic interest. To these _soirées_ although honoured by marks of the
greatest distinction, and even admitted to the closest intimacy, the
Count never invited me, and in the days of my prosperity it had ever
been with a sense of pique I called to mind the circumstance. Thither I
now inadvertently bent my steps, and it was only when the narrowness
of the path which lay between the hedge of the garden and the river
required my caution in walking, that I remembered I must have entered
the grounds, and was then actually within a few paces of the villa.
While I stood for a moment, uncertain whether to retreat or advance,
I was struck by observing that the boats had gradually and noiselessly
approached the bank, a short way from where I was, and, by the attitudes
of the figures I could perceive that they were listening most eagerly
and attentively. I approached a few steps, till, at the sudden turning
of the walk, I found myself beneath the terrace of a splendid salon,
brilliantly lighted, and crowded by numerous and full-dressed guests.
The rarest plants and most beautiful exotics stood in jars along the
balustrade, diffusing their perfume around, and the cheerful hum of
voices was heard in the still night air as parties walked to and fro
upon the balcony. Suddenly the din of voices was hushed, those that
were walking stood still, as if spell-bound,--a few seconds of the most
perfect silence followed--then two or three chords of a harp, lightly
but tastefully struck,--and then flowed forth a burst of melody,
so full, so rich, so swelling, in the recitative of Rossini, “Oh,
Patria!--oh, dolce ingrata Patria!”--that it filled my heart with
transport, and my eyes with tears; and to my wounded and broken spirit
there came a holy and delicious calm, as if by some magic spell another
had divined my inward sorrow, and, in giving it expression, had given it
relief.
The recitative over, oh with what triumphant gladness came the brilliant
_aria_, diffusing joy and happiness through every fibre of my frame!
and, as one delicious cadence succeeded another, I felt my heart beat
strong and stronger against my side. My sorrow--my deep, depressing
sorrow--was forgotten; a very heaven of brilliant hopes was opened
before me, and peace flowed in upon my soul once more. The singer
paused; then came a melting cadence, followed by a thrilling shake--so
low, so plaintive, and so clear, I felt as if the last emotion of
happiness fled with it. A silence of a moment followed, and then a
thunder of applause flowed in on every side; and the words, “_Divine La
Mercia!_” burst from every voice around.
I stood amazed and thunderstruck. The quick transition of my feelings
had completely overpowered me, and I was only aroused by hearing a
voice so near me as to startle me. It was the Count who spoke: he
stood directly above me, leaning against a pillar of the portico, and
supported upon his arm a lady, but, from her position, I could not catch
her features. From his soft, low, and earnest tone of voice, it was
plain the nature of his suit was one of heartfelt interest; while the
few words she spoke in answer, from their soft tones and foreign accent,
left me no doubt they came from La Mercia. I crept nearer the balcony,
and, concealed behind the balustrades, waited anxiously to catch a
glance at her as she passed. The light fell strongly from an open
window upon this part of the terrace; and I could perceive, as she came
forward, that, disengaging herself from the Count’s arm, she assumed
a more gay and lively manner. She was now within a few feet of where I
stood eagerly waiting for the moment she would turn to enter the salon.
She curtsied deeply to some persons in the crowd; and ere I could
recover from the effect of the graceful and beautiful attitude she
assumed, she turned. Merciful Heaven! could it be true? I almost
screamed aloud, and, but for the hold I took of the balcony, should have
fallen. The picture was La Mercia: the same calm brow, the same melting
look, that beautiful outline of neck and throat, and, above all, that
lovely contour of head, to see which once was never to forget. She was
gone! the guests disappeared one by one from the terrace, the salon
became again crowded, and the windows were closed against the now
chilling night air; and yet so suddenly all seemed to happen, I could
scarcely believe but that still that lovely voice and beauteous form
were before me; and I could not help thinking, as I left the spot, that
to an excited brain and fevered imagination the likeness of the picture
to La Mercia must have been owing, as with slow steps I retraced my way
homeward.
The next morning early I left Dresden for the Augustine monastery at
Tetchen, and ardently commenced the intended altar-piece; but, fearing
lest the likeness to La Mercia might have been real, I did not copy from
the painting as I had resolved. For three months I laboured unceasingly;
and, whether from the perfect occupation of my time, or that the
peaceful and tranquil life of the holy men with whom I lived had its
influence, I know not, but my mind once more regained its calmness and
serenity, and I felt almost happy again.
In this frame of mind I was, when, one morning, one of the fathers,
entering my apartment, informed me that my old friend and patron, Count
Lowenstein, was about to be married. I started, and hurriedly asked to
whom, while the deep blush which suffused my cheek told too plainly the
interest I took in the answer.
“I know not,” said the monk; “but report speaks of her as eminently
beautiful.”
“Would you recognise the name if you heard it?” I asked.
“I have heard it but once, but think I might remember it again,” said
he.
“Then it is La Mercia,” I replied.
“The same--La Mercia was the name; and they say a more splendid wedding
Dresden has never witnessed than this will be.”
I cannot explain why, but never did I feel, at any period of my life, so
completely overcome as when I listened to this report. Never before had
I confessed to myself how I had felt towards La Mercia, nor even now
could I tell: it was not love; I had never seen her but for a few brief
seconds, and yet in my heart she lived, the guiding-star of all my
thoughts and aspirations; and though my most sanguine dreams never
anticipated my calling her mine, yet I could not bear the thought that
she was to belong to another. I resolved at once to set out for Dresden,
and, if possible, see her once before the wedding would take place. I
thought it would he a balm to my feelings should I look upon her, before
she was lost to me for ever, and I longed ardently to trace, with what
calmness I was able, how far the likeness with the picture was real or
imaginary. With these intentions I left the monastery that evening, and
returned to Dresden.
When I reached home I learned that the Count had been married, and found
upon my table a most pressing invitation from him to his _soirée_ at
the villa that evening. At first I resolved not to accept it. The
full measure of my loneliness had never so pressed on me before; for
although, in reality, La Mercia was not, nor could ever have been, aught
to me, yet I felt as if my fate and happiness were, by some inexplicable
ties, wound up with hers; and now that tie was to be broken. I had begun
to believe that the extraordinary impression she had made upon my mind
had entirely suggested the resemblance with the picture, which some
chance trait of likeness might have contributed to, and I longed
ardently to see her;--but then, to see her the bride of another! These
conflicting thoughts agitated me during the entire day, and I knew not
what to decide on.
When evening came I embarked upon the Elbe, and, after a half-hour’s
rowing, reached the villa of the Count. Lights gleamed from every
window, and delicious music was borne on the night wind, that blew
gently along the river. Numerous servants, in gorgeous liveries, passed
and repassed along the spacious veranda, which ran the entire length of
the building, carrying fruit, wine, and ices to those who preferred the
balmy air and starry sky without, to the heat and glitter of the crowded
salon within.
With difficulty I made my way through the dense mass that filled the
antechamber, and at length reached one of the reception-rooms, scarcely
less crowded. On every side I beheld some of the highest persons of the
city: groups of officers in splendid uniforms, ambassadors glittering
in orders and crosses, distinguished foreigners, artists, authors, were
all mingled together in thick profusion, enjoying the magnificence
and splendour which unbounded wealth, guided and directed by the
most cultivated taste, could create. Standing in mute admiration of
a beautiful figure of Psyche, which seemed fresh from the chisel of
Canova, I was roused by a voice addressing me, while at the same moment
my shoulder was gently tapped. I turned;--it was the Count himself.
“Ah, Monsieur le Baron,” said he, “‘_Enfin après un an!_’ as Racine has
it. Where have you buried yourself and all your agreeability these
ages past? But come, I shall not tax your invention for excuses and
apologies; follow me--the Countess has heard me frequently speak of you,
and longs to make your acquaintance. This way--after me as well as you
can.”
The friendly tone of the Count, as well as its being almost the first
time of my being addressed by my new title, brought a deep blush to my
cheek, which fortunately was unobserved as I followed him in the crowd.
He passed through this room to one still larger, filled with parties
playing at several small tables, and thence into an oval salon, where
waltzing was going on. With great difficulty we got through this, and
arrived at a curtain of white cloth, fringed at the bottom with deep
and massive silver lace; this he drew gently aside, and we entered the
boudoir. Upon a small ottoman, over which was thrown a rich Persian
shawl, sat the Countess.
“Isadora,” said the Count, as he approached--“Isadora, ‘_carissima
mia_,’ this is my friend, Carl Stelling.”
She lifted her head from the picture she was shewing to a lady beside
her, and as her eye beamed fully upon me and her lips parted to address
me, I fell fainting to the ground.
“It is!--it is!” I muttered, as the last ray of consciousness was
leaving my whirling brain.
When I recovered, the Count was standing over me bathing my temples. I
looked wildly around. I saw we were still in the boudoir, although all
but one or two had departed; and from the window, now opened, there
came a cool and refreshing breeze. I looked anxiously around for the
Countess: she stood at a table, her cheek deadly pale, and I thought
her appearance evinced great agitation. I heard her, in a low whisper,
ask,--
“What can this mean?”
I immediately recovered myself sufficiently to say, that, overcome by
the heat of the salon, in my then weak state, that I felt completely
overpowered. But I saw my explanation seemed incomplete, and that some
words must have fallen from me which I did not remember.
The Count, at the same instant, putting his lips to my ear, said,--
“Carl, this must be explained at another and more fitting moment.”
This increased my agitation, for I now perceived that my merely being
taken suddenly ill could never have given rise to such a feeling as all
around seemed to labour under. Before, then, I could at all determine
how to act, the Countess approached me, and, in her softest and kindest
manner, asked if I were better.
In a moment all my agitation was forgotten; and, indeed, every one of
the party seemed to participate, as if by magic, in the balmy influence
her few words shed around. Conversation soon resumed its course. For
some time the Count’s manner was constrained and uncertain, but that
soon wore away, as the joyous tone and sparkling gaiety of his lovely
bride seemed to have their effect upon every one about her; and even
I--torn, as I was, by feelings I could neither trace nor divine--felt
under the mystic spell that so much beauty and grace diffused on every
side. With a wonderful tact she alluded at once to such subjects that
compelled me, as an artist, to speak, and speak warmly; and, seemingly,
catching the enthusiasm from me that she herself had created, she spoke
of Venice--its thousand recollections--its treasures of art--its rich
historical associations--its ancient glory; and then, taking up her
guitar, played with such tenderness and feeling one of the well-known
gondolier _canzonette_, as made the very tears stand in my eyes.
The victory was complete: I forgot the past--I knew no longer where I
was. A bright Elysium of bliss had opened before me; and even now, after
years of such misery as few have known, I could say that one hour of
such intoxicating happiness would be, almost, cheaply bought by even
such affliction.
I started from my trance of pleasure on observing that the guests were
taking leave. I at once arose, and, as she extended her hand to me, I
felt the blood rush to my face and forehead. I barely dared to touch it
with my lips, and retired. I hurried from the villa, and, springing into
my boat, was soon landed at the bridge of Dresden.
From that time my visits at the villa were frequent; seldom a week
elapsed without my receiving one or two invitations from the Count; and,
at last, to such an extent did my intimacy proceed, and so superior in
attraction was the society there, that for it I deserted all other, and
only felt happy when with my kind patrons. During this, by far the most
delightful period of my life, I was not entirely free from unhappiness.
Sometimes the likeness of the Countess to the picture would appear to
me so striking as not to be mistaken: one day particularly, when some
sudden intelligence was brought to her that caused momentary alarm
for the Count’s safety, her pale cheek and quivering lip brought the
portrait so perfectly before me, that I was unable to speak or offer her
advice when she asked my opinion; and then, vague and horrid doubts,
and a dread of some unknown and unforeseen calamity, would flash upon my
mind; and those who have experienced how deeply they can be impressed
by a presentiment of evil, can tell how little it is in their power to
rally their spirits against terrors which take every or any shape. And
while I reasoned with myself against what might be mere groundless fear,
yet I never could look upon the picture and call to mind the death-bed
sorrow of the old artist, without feeling that some dreadful fate was
connected with its history, in which, as its mere possessor, I might be
involved. Sometimes to such a degree did this anxiety prevail upon
me, that I had fully determined to shew it to the Countess, and either
endeavour to trace its history from her, or at once rid myself of all
apprehension concerning it, if she disclaimed all knowledge of it;
but then, if she really were connected with its story--if, as it was
possible, a mother’s fate (for the resemblance could warrant such a
relationship) were wound up’ with the story,--what right had I, or how
could I answer to myself, for the mere satisfaction of my own doubts, to
renew the sorrows, and, perhaps, even be the means of publishing to the
world the sad detail of forgotten crime or misfortune? Perhaps, however,
the picture was not, as I supposed, an antique: it might be an admirable
copy. But this idea was relinquished at once: the more I examined, the
more fully did it corroborate my opinion of its being the work of a
master. Such thoughts as these--and they grew upon me daily more and
more--embittered the happiest moments of my intercourse with my friends;
and often, when the merry laugh and the joyous glee which pervaded our
parties at the villa were at the highest, I thought of that picture,
and my heart sank at the recollection, and I would hasten to my home
to conceal from every eye the terror and anguish these thoughts ever
inspired me with.
One evening when dressing for the Count’s villa I received a _billet_,
written in pencil and evidently in haste; it came from himself, and
informed me that the Countess, who had that morning made a short
excursion upon the river, had returned home so ill that the
entertainment was deferred. I was, however, requested to call the
following morning, to take some sketches of Pirna from the villa,
which I had long since promised to make for them. So completely had I
withdrawn myself from all other society during my great intimacy with
Count Lowenstein, that I now felt the _billet_ I received left me unable
to say where or how I should pass my evening.
In this uncertainty I wandered forth, and without thinking whither my
steps led me, it was only on hearing the boatman ask if I were ready,
that I perceived I had strolled to the steps beside the bridge, where I
usually took my departure for the villa. Lost in reverie and led captive
by habit, I had walked to this spot unconsciously to myself.
I was about to dismiss the boatmen for the night, when a whim seized me
to drop on board and visit those small and wooded islands that lie about
a league up the river. It was a calm and beautiful night; and in the
wild and untrodden solitude of these romantic islands I remained till
near midnight.
As we passed the grounds of the Count, I or-dered the boatmen to land me
at a spot remote from the house, whence I could proceed on foot, wishing
to make some inquiry for the Countess before I returned home. They
accordingly put me on shore at a small flight of steps which descended
to the water’s edge, from a terraced path that ran a considerable
distance through the park, and was concealed in its entire length by
tall hedges of beech, completely overgrown with flowering creeping
shrubs, and so impenetrable, that, even in noon-day, it was
impossible for those without, to see persons walking within, while the
closely-shaven sod effectually prevented footsteps being heard. The
moon was up, and nearly at the full, and all beneath me in the
richly-ornamented flower-garden was bathed in a sea of mellow light. The
marble statues that adorned the walks threw their lengthened shadows
at their bases, while their own whiteness seemed purer and fairer than
ever. The villa itself, half obscured by trees, seemed, in its tranquil
beauty, the very emblem of peace; and as the pillars of the portico
threw a deeper shadow, gave a broadness to the effect which struck me
as wonderfully beautiful. I gazed around me with momentarily increasing
admiration. The gentle murmuring of the leaves agitated by the breeze,
and the plash of the river, made the silence around me even more
striking. I stood lost in the enjoyment of the delicious repose of
the whole scene, when a slight noise upon the gravel walk attracted my
attention; I listened, and now distinctly heard footsteps approaching,
and also the voices of persons whispering in a low and much-suppressed
tone. They came nearer, and were now only concealed from my view by
the tall hedge, beneath which they walked; and soon the shadow of two
figures were cast along the broad walk in the bright moonlight. For a
moment they stopped speaking, and then I heard a laugh, in a low and
under tone--but such a laugh! My very blood ran chilled back upon my
heart as I heard it. Oh, if the fiend himself had given that dreadful
and heart-appalling laugh, it could not be more awful! It scarcely died
away in the faint echo, ere I heard the sobs, deep and low, of another
and far different voice. At this instant the figures emerged from the
darkness and stood in the bright moonlight. They stood beside an old
and broken pillar, which had once supported a sun-dial, and around whose
shaft the clustering ivy had wound itself. They were entirely concealed
by large cloaks which enveloped their entire figures, but still I could
perceive that one was much larger and more robust than the other. This
latter taking a small lamp, which was concealed beneath the folds of his
cloak, placed it upon the pillar, while at the same instant the other
figure, throwing off the cloak, knelt at his feet. Oh, that reason had
left me, or that life itself had parted from me, ere I should look
upon that scene! She--she who knelt and held her suppliant hands was La
Mercia; and he who, now divested of his mantle, stood over her, was the
dark and awful-looking man of the picture! There they stood. The dresses
of both were copied to the life; their looks--oh, Heaven! their very
looks were pictured as they stood. She spoke: and as she did so, her
arms fell powerless before her; he scowled the same horrid scowl of hate
and scorn. My brain was turning; I tried to scream out, my voice failed
me--I was mute and powerless; my knees rocked and smote each other;
convulsive tremor shook me to the centre, and with a groan of agony I
sank fainting to the earth.
The day was breaking ere I came to myself; I arose, all was quiet around
me. I walked to the boat--the boatmen were sleeping; I awoke them, and
we returned to Dresden. I threw myself upon my bed--my brain seemed
stupified and exhausted--I fell into a profound sleep, and woke not
till late the following evening. A messenger had brought a note from the
Count--“The Countess is worse.” The note detailed briefly that she had
passed a feverish and disturbed night, and that the medical attendants
had never left the villa. Was it then but a dream, my dreadful vision of
the past night? and had my mind, sorrowing for the affliction of my best
friend, conjured up the awful scenes I believed to have witnessed? How
could it be otherwise? The _billet_ I received told most distinctly that
she was confined to her bed, severely, dangerously ill; and of course
watched with all the care and attention the most sedulous anxiety
could confer. I opened the picture, and then conviction flashed with
lightning’s rapidity upon me, that it was not delusion--that no dream
had brought these images before my mind. “Ah,” I cried, “my friend, my
patron, how have I betrayed thee? Why did I not earlier communicate
the dreadful story of the picture, and thus guard you against the
machinations by which the fiend himself has surrounded you? But then,
what had I to tell? how embody the vague and shadowy doubts that took,
even in my own mind, no palpable shape or form?”
That entire day was passed in alternate resolution and abandonment;
now, determined to hasten to the villa, and disclose to the Count
every circumstance I had seen, and then thinking how little such mere
suspicion would gain credence, and how unfit the present moment to
obtrude upon his breaking and distracted heart the horrid dread that
haunted mine. Towards evening a messenger arrived, breathless with
haste. He brought no note, but merely bade me hasten to the villa, as
the Count wished to see me with all possible despatch. I mounted the
servant’s horse, and in a few minutes reached the place. Servants were
running hither and thither distractedly. I asked, eagerly, How was the
Countess? No one could tell, but all seemed to imply that there was
no hope of recovery. I entered the large spacious and hall, and threw
myself upon a sofa; and as I looked around upon the splendid hangings,
the gilded cornices, and marbled pillars, and thought upon that sorrow
such splendour surrounded, my heart sickened. A shadow fell upon the
brightly polished floor. I looked up--a figure stood at the window of
the hall, and stared me steadily in the face. The eyes glared wildly,
and the dark, malignant features were lit up with a scornful scowl of
more than human hate and triumph. It was the incarnation of the Evil
One exulting over a fallen and lost spirit. A loud shriek rent the air
behind me. I dared not turn my eyes from the horrid sight before me.
“Oh, Heavens! it is true!--he is, he is the Tutore!” I cried, as the
features, convulsed for an instant with fiendish triumph, resumed their
cold and even more appalling aspect. A threatening gesture from his hand
arrested me, as I was about to call aloud. My voice came not, though
my lips moved. I could not rise from the seat--a dreadful scream rang
through the building--another, and another followed--the figure was
gone. At the same moment the Count rushed forward--his dress disordered,
his hair falling loosely upon his shoulders--madness, wild insanity,
in his look. He turned and saw me; and bursting into a torrent of
hysterical laughter, cried out,--
“Ha, ha, Carl!--welcome to our abode of pleasure; here, all is gaiety
and happiness. What sorrow ever crosses this threshold?” and then, with
a sudden revulsion, he stared me fixedly, and said in a low sepulchral
voice, “She is dead--dead! But the time is passing--a few minutes more,
and ‘twill be too late. This, Carl, will explain all. Take this, and
this--these papers must be your care--promise me to observe them to the
letter; they were her--her last wishes, and you knew her. Oh, is this
a dream? it is too, too horrible to be real. Ah!” said he, after a
moment’s pause; “I am ready!” and springing from me wildly, rushed
through the door towards the inner apartments.
I started up and followed him--I knew not which way he took in the
corridor; and as I stood uncertain, a loud report of fire-arms crashed
on my ear. I flew to the sick chamber--servants stood gasping and
trembling without, I tore open the door; there, lay the Count upon the
floor, his head rent asunder by the bullets from the pistol his hand
still grasped. He had endeavoured to reach the bed, and fell half upon
a chair. In the bed lay the still warm corpse of the Countess, beautiful
as in life. I looked from one to the other; my seared and stony heart,
turned to apathy by the horrors I had witnessed, gave no relief to its
feeling in tears, and I spoke not as I slowly left the room.
For two days I spoke not to any one. A dreamy unconsciousness seemed to
wrap my faculties, and I felt not the time passing. On the third day I
rallied sufficiently to open the papers the Count had entrusted to me.
One contained an affectionate farewell to myself, from the Count, with
a dying bequest; the other, was in a lady’s hand--it bore the Countess’s
signature; and here I discovered with surprise and horror, that to
the performance of the rash act, by which the Count had terminated his
existence, he was bound by a solemn oath. I ready and re-read, to assure
myself of the fact. It was true! Such was the terrible promise she
extorted from the wretched lover, under the delusive hope of their
meeting in another and happier life. Then followed the directions for
the funeral, which were minute to a degree. The bodies of both, when
coffined, were to be placed in a small temple in the garden, near the
river; the key of which was to be sent to a Dominican monk, who lived in
an obscure part of the city. By him were the coffins to be closed, which
it was strictly enjoined should be done by him, alone and unaccompanied,
the night before the burial.
All was done as the wish of the deceased enjoined, and the key
despatched by a trusty servant of my own to the friar, who appeared to
be in expectation of it, and knew its import.
I sat in the lonely and desolate room, which had formerly been mine, in
the villa of the Count; that long and dreary night the wind poured its
mournful wailing through the pine-trees in dirgeful memory of him who
was no more. From the window of the temple a bright light gleamed
till near morning, when it gradually faded away. Thither I repaired at
day-break, with the household. All was still--the door lay open--the
coffins were closed and screwed down. The friar was gone; we afterwards
found that he had not returned to his lodgings in the city, nor was he
ever after seen in Dresden. The bodies were committed to the earth, and
I returned to my home alone in the world.
It was several years after this--the awful death of my earliest, best
friend--that I arrived in Paris to exhibit, in the gallery of the
Luxembourg, an historical picture, upon which I had laboured for
years. I must be brief--my picture was exhibited, and my most sanguine
expectations surpassed by its success; and in a few short days the whole
scene of my early triumph was re-enacted. Praise and flattery poured in
upon me; and as in Dresden before, so now in Paris, I became the fashion
and the rage. But how changed was I! No longer exulting in my success,
and buoyant with hopes, I received all the adulation I met with, with
cold indifference and apathy.
Among the many attentions which my popularity had conferred upon me,
was an invitation to the Hôtel de Rohan. The Duke, a most distinguished
connoisseur in painting, having seen and applauded my picture, waited
on me. Thus bound in duty, I went; and fatigued by the round of soulless
gaiety, in what I could no longer feel happy, or even forgetful, I was
retiring early, when the Duke met me and said,--
“Ah, monsieur, I have been looking for you. The Comtesse de Julliart has
desired me to present you to her; and when I tell you that she is the
most beautiful woman in Paris, I need not say how much you must prize
the honour among all the distinctions your talents have earned. Come
this way.”
I followed mechanically--my heart took no interest in the scene--and I
only longed to be once more alone and unobserved. As I walked after
the Duke, he gave me a short account of the beautiful Countess, whom he
mentioned as the last descendant of an old and honoured family, supposed
to have been long since extinct, when she, a few months before, appeared
in Paris, and laid claim to the title. As she possessed unbounded
wealth, and had no great favours to ask any where, the Court were
charmed with her beauty, and readily admitted her claims, which some
were ill-natured enough to say were, perhaps, merely assumed without
foundation.
I took little interest in the story. My thoughts were far away, as they
ever were for many years, from every thing of the present; and ‘twas
only as I heard the Duke announce my name, among a group who stood near
a sofa, that I remembered why I was there.
The Countess sat with her back to us, but rose immediately on hearing
my name. I bowed deeply as she stood up; and recovering myself from
my obeisance, looked up. Oh, merciful Heaven, with what horror I
looked!--It was no other than La Mercia! With one loud cry of “Tis she!
‘tis she!” I fell fainting to the floor.
Weeks of wild raving and delirium followed. I left Paris!--I returned
to Dresden. There, all reminded me of the past. I fled from my home; and
now, after years of wandering in solitary and distant lands, I feel deep
in my heart the heavy curse that has followed upon my broken oath, and
which has made me an outcast and a broken-hearted wanderer in the world
for ever.
THE PASS OF THE ARLBERG.
Before leaving the Vorarlberg, and while now on its very frontier,
I would wish to keep some record of two very different but yet very
characteristic actions, of which this place was the scene. As you begin
the ascent of the Arlberg from the westward the road makes two very
abrupt zigzags, being carried along the edge of a deep precipice. On
looking down over the low battlements that guard the side of the way,
you discover, immediately under you, the spire and roofs of a small
village several hundred feet below. The churchyard, the little gardens,
the narrow streets, and the open “Platz,” where stands a fountain, are
all mapped out distinctly. This is the village of Steuben. A strange
spot you would deem it for any to have chosen as a dwelling-place,
hemmed in between lofty mountains, on whose bleak sides the snow is
seen in the very midsummer; surrounded by wild crags and yawning clefts,
without even pasturage for any thing save a goat: but your surprise will
increase on learning that twice within the last century has this village
been swept away by falling avalanches. The first time, the snow meeting
in its descent from the mountains on either side actually formed a
bridge over a portion of the village; and the houses thus saved were
long regarded as under the special favour of the Virgin, with whose
image they were most bounteously decorated. The next calamity, however,
destroyed the prestige, for they were mingled in the common destruction.
It would be difficult for “Gentlemen of England, who live at home
in ease,” to fancy any reason for this unaccountable selection of a
residence which adds the highest amount of peril to all the woes of
poverty. But every traveller has seen many such instances. In every
mountain land they are to be met with, and in each of the Alpine passes
little groups of houses--they can scarcely be called villages--can
be detected in spots where access is most difficult, where no
feature around indicates any means of supporting life, and where the
precautions--simple and ineffectual enough--against avalanches, shew
that danger to be among their calculations. How explain this? By
what associations have these dreary spots become hallowed into homes?
Possibly the isolated lives of these little families of men give them
the same distaste to mixing with their brethren of the great world, that
is felt by a solitary recluse to entering into society. Mayhap, too,
the sense of peril itself has its share in the attraction. There is
no saying how far this feeling may go, so strange and wayward are the
caprices of human nature.
If you enter any of these villages, the narratives of snow storms, of
falling precipices, and “Lavines,” as avalanches are called, meet you
at every step. They are the great topics of these communities, as the
movements of Politics or the vacillations of the Bourse are elsewhere.
Scarcely one who has reached the middle term of life has not been, at
least once, in the most imminent peril; and these things are talked of
as the common accidents of existence, the natural risks of humanity!
Very strange does it sound to us who discuss so eagerly the perils of a
wooden pavement in our thoroughfares!
It is curious, too, to hear, as one may, most authentically, the length
of time life can be preserved beneath the snow. Individuals have been
buried so long as three entire days, and yet taken out alive. The
cold, of which it would be supposed they had suffered dreadfully, seems
scarcely very great; and the porous nature of the snow, and possibly the
chinks and crevices left between falling masses, have usually left air
sufficient for respiration. That individuals in such circumstances
of peril are not, always at least, devoid of their exercise of the
faculties, I remember one instance which is sufficiently convincing.
It was in the Via Mala, about five miles from the village of Splügen,
where, in the year 1829, the little cabriolet that conveyed the mail was
swept away by an avalanche. The calamity was not known for full seven
or eight hours afterwards, when some travellers from Andeer reaching the
spot, found the road blocked up by snow, and perceived a portion of the
wooden rail of the road, and a fragment of a horse-harness adhering
to it, half-way down the precipice. The guides of the party, well
accustomed to reason from such sad premises, at once saw what had
happened. Conceiving, however, that the driver had been carried down
over the cliff, and consequently to certain death, they directed their
sole care to clearing a passage for the travellers. In so doing, they
proceeded with long poles to sound the snow, and ascertain to what depth
it lay unhardened. It was in one of these “explorations,” and when the
pole had sunk above ten feet deep into a mass of soft unfrozen snow,
that the man who held it found himself unable to withdraw the staff, and
called his comrades to aid him. They soon perceived, however, that the
resistance gradually yielded, and from the instinct peculiar to the
“hand”--another illustration for Sir Charles Bell--they recognised that
it must be the grip of human fingers which held the other end of the
pole. They immediately began to excavate on the spot, and in half an
hour liberated the poor postilion of the mail car, who, although hearing
the shouts and cries of the party for nearly an hour over his head,
could not succeed in making his own voice heard, and but for the
fortunate accident of the pole must have perished.
Many curious escapes were told to me, but this appeared most singular
of all; and now I come back to Steuben, or rather to the wild mountain
above it, over which, by a succession of windings, the road leads
which joins the Vorarlberg to the Tyrol. About one third of the ascent
accomplished, you come upon an abrupt turning of the way, in rounding
which a wide carriage can scarcely escape grating on the rock on one
side, while from the window on the opposite, the traveller looks down
upon * gorge actually yawning at his feet; the low barrier of wall,
which does not rise above the nave of the wheel, is a very frail and
insignificant protection ok such a spot, but when hid from view, as
it is to those seated in a carriage, the effect of the gulf is really
enough to shake common nerves. A little inscription upon a stone in
this wall records the name of the engineer--Donegani, if I remember
aright--who, deeming this spot the triumph of his skill, has selected it
whereon to inscribe his achievement. There is another meaning connected
with the place, but unrecorded; it could not, indeed, have been
transmitted like that of the Engineer, for when the event of which it
treats occurred, there was neither wall nor railing, and the road passed
some twelve feet higher up, over a ledge of rock, and actually seemed
to jut out above the precipice. There is, indeed, a memorial of the
transaction to which I allude, but it stands about twelve hundred feet
down in the gorge below,--a small wooden cross of rudest workmanship,
with the equally rudely inscribed words, “Der Vorspann’s Grab.”
Now for the story, which happily is short.
It was late on a severe evening of winter, as a _calèche_ drawn by two
horses drew up to the door of the post-house at Steuben; for then, as
now, Steuben was the last post-station before commencing the ascent of
the Arlberg. The travellers, two in number, wore military cloaks and
foraging caps; but what the precise rank, or to what arm of the service
they belonged, not even the prying observations of the host could
fathom. Their orders were for fresh horses immediately to cross the
mountain, and although the snow-drift was falling fast, and the night
dark as pitch, they peremptorily insisted on proceeding. The post
regulations of those days were not very stringent and arbitrary; as a
post-master may seem nowadays, he was nothing to the autocrat that once
ruled the comings and goings of unhappy travellers.
When he averred that his horses had done enough--that it was a
saint’s-day--that the weather was too bad or his postilions too weary,
the case was hopeless, and the traveller was consigned, without appeal,
to the consolations of his own philosophy.
It chanced that on this occasion the whole disposable cavalry of the
Post consisted of two blind mares, which were both too old and weak to
tempt the cravings of the Commissary, who a few days before had seized
on all the draught-cattle to convey stores to Feldkirch, at that time
menaced by a French force under Massena.
The officers, however, were urgent in their demand; it was of the last
importance that they should reach Inspruck by the following evening. At
last, half by menace, half by entreaty, it was arranged that the two old
mares should be harnessed to the carriage, the host remonstrating all
the while on the inability of the expedient, and averring that, without
a Vorspann, a relay of horses, to lead at the steepest parts of the
mountain, the attempt would be fruitless. “Nay,” added he, “if you
doubt me, ask the boy who is sleeping yonder, and has been driving the
Vorspann for years over the Arlberg.” The travellers turned and beheld
on a heap of straw, in the corner of the kitchen, a poor little boy,
whose ragged uniform of postilion had evidently reached him at third or
fourth hand, so large and loosely did it hang around his slender figure.
He was sleeping soundly, as well he might, for he had twice crossed the
mountain to St. Cristoph on that same day.
“And this book,” said one of the travellers, taking a very tattered and
well-thumbed volume which had dropped from the sleeper’s fingers, “has
this poor little fellow time to read?”
“He contrives to do it somehow,” said the host, laughing; “nay, more, as
you may see there, he has begun to teach himself French. Since he heard
that the French army was about to invade us, he has never ceased his
studies, sitting up half the night working at that old grammar there,
for which he gave all his month’s earnings.”
“And what maybe his reason for this?” said the elder traveller,
evidently interested in the recital.
“He has got the notion, that if the French succeed in forcing the pass
of Feldkirch and enter the Tyrol, that, as he will be constantly engaged
as Vorspann on the mountain, his knowledge of French would enable him
to discover many secrets of the enemy, as no one would ever suspect a
poor creature like him of having learned a foreign language.
“And his motive was then purely a patriotic one?”
“Purely; he is poor as you see, and an orphan, but his Tyrol blood runs
warm and thick in his veins.”
“And what progress has he made?”
“That I cannot answer you, mein Herr; for no one hereabouts knows any
thing of French--nor, I suppose, had he ever the opportunity of testing
the acquirement himself. They are driven back, I am told.”
“For the present,” said the elder stranger, gravely; “but we shall need
all the reserves at Inspruck to hold our ground whenever they renew the
attack.”
The sleeper was now aroused to take the saddle; for in the absence of
the regular postilion the Vorspann was obliged to take his place.
Still but half awake, the little fellow stood up, and mechanically
buttoning up his worn jacket, he took down his whip and prepared for the
road.
The travellers were soon ready, and ere many minutes elapsed the
_calèche_ had left the village, and, with the best pace the old mares
could accomplish, was breasting the snow-drift and the first rise of
the mountain. After about an hour’s driving, during which Joseph had
exhibited his utmost skill in taking advantage of every available bit
of trotting ground, they came at length to the commencement of the
steep ascent; and there, hanging his whip on the saddle-peak, the little
fellow got down, to relieve his cattle as they toiled up the precipitous
ascent. He had not gone far, when, happening to drop behind beside the
_calèche_, what did he hear but the sounds of that very language upon
which all his day and night dreams were set! All that he had remarked
of the two travellers was, that they wore cloaks of military cut and
foraging caps, and now he heard them conversing in French. The whole
train of events on which his mind so long had been dwelling came now
forcibly before him. “Feldkirch had been forced, the French were already
masters of the pass; in a few days they would be over the Arlberg and in
possession of all Tyrol!” Such was the terrible series of events a
few words of French revealed to his excited imagination. With this
conviction he drew nearer and nearer the door, till he could hear the
very words they spoke. Now he returned to accomplish the great purpose
he had planned.
This “Zuflucht-Haus” or Hospice of Heinrich “Findelkind”--for he was
named the “Foundling,” having none to claim or acknowledge him--has been
superseded by a more commodious and better endowed edifice under the
auspices of the Imperial Government, who have gracefully preserved the
memory of the first founder; thus shewing themselves not ashamed to be
reminded of their own _devoirs_ by a poor orphan.
And now from the heights of St. Christopher I look down upon the winding
glens and bold mountains of Tyrol! The great cross yonder on the rock
marks the boundary. And now, adieu! the square fur caps of the Bregenzer
Walderin; the huge silver filigree leaves, which look like peacocks’
tails of frosted silver, fastened to the back of the head; the
short-waisted dresses, gaily embroidered with the wearer’s initials
upon the stomacher; and the stockings, so piously adorned with saintly
emblems; and last, but not least, the peaceful quietude of a primitive
people--to have lived among whom is to carry away for life-long a
pleasant memory of a simple-minded, kindly peasantry.
On descending the Arlberg by the eastward, or the Tyrol side, there is a
little low ruin not far from the road. It stands nestled in a small nook
between the hills, and shews the stunted and cattle-cropped remains of
a few fruit-trees around. This was an ancient shrine where four monks
formerly lived, devoting their lives to aiding the travellers of
the pass; and some say that its foundation dates from that of the
establishment of St. Gallen in Switzerland, and that both owe their
origin to the same pious hand--an Irish monk. So is it incontestably
true that the great monastery of St. Gall, and the spacious convents
of Mehrer-Au and Loch-Au on the borders of the Lake of Constance, were
founded by an Irishman. What a destiny, that the nation whose mission
should have been the spread of Christianity in the earliest centuries,
should present such a spectacle of crime and God-forgetfulness in our
own!