AUBER’S PIANO AT THE PARIS CONSERVATOIRE MUSEUM.

Reproduced from a photograph made by special permission.

]

Auber once related to me that two days before the first performance of

“La Muette” (which he completed in three months!) the overture was not

yet ready. He composed it with all the fervor which comes of

improvisation. The evening before the first production the orchestra

rehearsed it for the first time, and the musicians accorded this

instrumental preface an enthusiastic reception. On the first night the

public were so enchanted with it that it received a double _encore_. I

have never seen this fact mentioned in any of the biographies of the

illustrious composer, but I learnt it from Auber himself.

[Illustration:

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