From a photograph from life by Eilender, of Cologne.
]
Ferdinand Hiller (1811–85) followed more or less in the footsteps of
Mendelssohn, and his works, though finished in form and pleasing, lack
strong individuality, and, with few exceptions, have remained unfamiliar
except to cultivated musicians. His pianoforte concerto in F sharp
minor, and his oratorio “Destruction of Jerusalem” are among his best
works. Hiller occupied a very influential position as a pianist,
conductor and writer. His extended and intimate acquaintance with most
of the musical celebrities of his time renders his writings of
particular value. His “Aus dem Tonleben” and “Persönliches und
Musikalisches” are delightful reading and the source of useful
information.
Julius Rietz (1812–77) was closely associated with Mendelssohn and
influenced by his style. His concert overture in A major, Lustspiel
overture, and Symphony in E flat are his most successful works. His best
reputation rests on his great abilities as an orchestral conductor and
his technical scholarship.
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