CHAPTER XXXV

Kedzie was paralyzed. Mrs. Thropp was inspired. Unity of purpose guided

her true. She had told her daughter to ignore Gilfoyle as an unimportant

detail. She certainly did not intend to substitute a couple of crude

parents as a new handicap.

No one knew Mrs. Thropp's cheapness of appearance better than she did.

A woman may grow shoddy and careless, but she rarely grows oblivious

of her uncomeliness. She will rather cherish it as the final cruelty of

circumstances. Mrs. Thropp was keenly alive to the effect it would have

on Dyckman if Kedzie introduced her and Adna as the encumbrances on her

beauty.

Adna, hearing the door-bell and Dyckman's entrance, returned to the

living-room from the bathroom, where he had taken refuge. He stood in

the hall now behind the puzzled Dyckman.

There was a dreadful silence for a moment. Jim spoke, shyly:

“Hello, Anita! How are you?”

“Hello, Jim!” Kedzie stammered. “This is--”

“I'm the janitor's wife,” said Mrs. Thropp. “My husband had to come up

to see about the worter not running in the bathroom, and I came along

to see Miss--the young lady. She's been awful good to me. Well, I'll be

gettin' along. Good night, miss. Good night, sir.”

To save herself, she could not think of Kedzie's screen name. To save

her daughter's future, she disowned her. She pushed past Dyckman, and

silencing the stupefied Adna with a glare, swept him out through the

dining-room into the kitchen.

It amazed Mrs. Thropp to find a kitchen so many flights up-stairs. The

ingenuity of the devices, the step-saving cupboard, the dry ice-box with

its coils of cold-air pipes, the gas-stove, the electric appliances,

were like wonderful new toys to her.

Adna was as comfortable as a cow in a hammock, and she would have sent

him away, but his hat was in the hall and she dared not go for it.

Besides, she wanted to wait long enough to learn the outcome of Kedzie's

adventure with Dyckman.

As soon as he was alone with Kedzie, Jim had taken her into his

arms. She blushed with an unwonted timidity in a new sense of the

forbiddenness of her presence there.

Her upward glance showed her that Jim had been in trouble, too. His jaw

had a mottled look, and one eyebrow was a trifle mashed.

“What on earth has happened to you?” she gasped.

“Oh, I had a little run-in with a fellow.”

“What about?” said Kedzie.

“Nothing much.”

“He must have hurt you terribly.”

“Think so? Well, you ought to see him.”

“What was it all about?”

“Oh, just a bit of an argument.”

“Who was he?”

“Nobody you know.”

“You mean it's none of my business?”

“I wouldn't put it that way, honey. I'd just rather not talk about it.”

Kedzie felt rebuffed and afraid. He had spent an evening away from her

and had reappeared with scars from a battle he would not describe. She

would have been still more terrified if she had known that he had fought

as the cavalier of Charity Coe Cheever. She would have been somewhat

reassured if she had known that Jim smarted less under the bruises of

Cheever's fists than under the rebuke he had had from Charity for his

interference in her marital crisis.

Jim was the more in need of Kedzie's devotion for being discarded again

by Charity. The warmth in Kedzie's greeting was due to her fear

of losing him. But he did not know that. He only knew that she was

exceedingly cordial to him, and it was his nature to repay cordiality

with usury.

He noted, however, that Kedzie's warmth had an element of anxiety. He

asked her what was worrying her, but she would not answer.

At length he made his usual remark. It had become a sort of standing

joke for him to say, “When do we marry?”

She always answered, “Give me a little more time.” But to-night when

he laughed, “Well, just to get the subject out of the way, when do we

marry?” Kedzie did not make her regular answer. Her pretty face was

suddenly darkened with pain. She moaned: “Never, I guess. Never, I'm

afraid.”

“What's on your mind, Anita?”

She hesitated, but when he repeated his query she took the plunge and

told him the truth.

Her mother had pleaded just a little too well. If Mrs. Thropp had begged

Kedzie to do the right thing for the right's sake Kedzie would have

felt the natural reaction daughters feel toward motherly advice. But

the entreaty to do evil that evil might come of it aroused even more

resistance, issuing as it did from maternal lips that traditionally give

only holy counsel. It had a more reforming effect on Kedzie's crooked

plans than all the exhortations of all the preachers in the world could

have had.

Kedzie turned to honesty because it seemed the less horrible of two

evils. She assumed the role of a little penitent, and made Jim Dyckman a

father confessor. She told her story as truthfully as she could tell it

or feel it. She was too sincere to be just.

She made herself the martyr that she felt herself to be. She wept

plentifully and prettily, with irresistible gulps and swallowings of

lumps and catches of breath, fetches of sobs, and dartings and gleamings

of pearls from her shining eyelids. Her handkerchief was soon a little

wad of wet lace, ridiculously pathetic; her lips were blubbered. She

wept on and on till she just had to blow her little red nose. She blew

it with exquisite candor, and it gave forth the heartbreaking squawk of

the first toy trumpet a child breaks of a Christmas morning.

One radical difference between romance and realism is that in romance

the heroines weep from the eyelashes out; in realism, some of the tears

get into the nostrils. In real life it is reality that moves our hearts,

and Dyckman was convinced by Kedzie's realism.

She did not need to tell him of her humble and Western birth. He had

recognized her accent from the first, and forgiven it. He knew a little

of her history, because Charity Coe had sent him to the studio to look

her up, reminding him that she had been the little dancer he pulled out

of Mrs. Noxon's pool.

At length Kedzie revealed the horrible fact that her real name was

Kedzie Thropp. He laughed aloud. He was so tickled by her babyish

remorse that he made her say it again. He told her he loved it twice as

well as the stilted, stagy “Anita Adair.”

“That's one of the reasons I wanted you to marry me,” he said, “so that

I could change your horrible name.”

“But I changed it myself first,” Kedzie howled; and now the truth

came ripping. “The day after you pulled me out of the pool at Newport

I--I--married a fellow named Tommie Gilfoyle.”

Dyckman's smile was swept from his face; his chuckle ended in a groan.

Kedzie's explanation was a little different from the one she gave her

parents. Unconsciously she tuned it to her audience. It grew a trifle

more literary.

“What could I do? I was alone in the world, without friends or money

or position. He happened to be at the railroad station. He saw how

frightened I was, and he had loved me for a long time. He begged me

to take mercy on him and on myself, and marry him. He offered me his

protection; he said I should be his wife in name only until I learned to

love him. And I was alone in the world, without friends or money--but I

told you that once, didn't I?”

Dyckman was thinking hard, aching hard. He mumbled, “What became of

him?”

“When he saw that I couldn't love him he took some money I had left from

my earnings and abandoned me. I had a desperate struggle to get

along, and then I got my chance in the moving pictures, and I met you

there--and--learned what love is--too late--too late!”

Dyckman broke in on her lyric grief, “What became of the man you

married?”

“He never came near me till awhile ago. He saw my pictures on the screen

and thought I must be making a big lot of money. He came here and tried

to sneak back into my good graces. He even tried to kiss me, and I

nearly tore his eyes out.”

“Why?” Jim asked.

“Because I belong to nobody but you--at least, I did belong to nobody

but you. But now you won't want me any more. I don't blame you for

hating me. I hate myself. I've deceived you, and you'll never believe me

again, or love me, or anything.”

She wept ardently, for she was appalled by the magnitude of her

deception, now that it stood exposed. She had no idea of the magnitude

of Dyckman's chivalry. She slipped to the floor and laid her head on his

knee.

It was Dyckman's nature to respond at once to any appeal to his sympathy

or his courtesy. Automatically his heart warmed toward human distress.

He felt a deeper interest in Kedzie than before, because she threw

herself on his mercy as never before. His hand went out to her head and

fell upon her hair with a kind of apostolic benediction. He poured, as

it were, an ointment of absolution and acceptance upon her curls.

She felt in his very fingers so much reassurance that she was encouraged

to unburden herself altogether of her hoard of secrets.

“There's one more awful thing you'll never forgive me for, Jim. I want

to tell you that, and then you'll know all the worst of me. My father

and mother came to town to-day, and--and that was my mother who said she

was the janitor's wife.”

“Why did she do that?” said Jim.

“I had been telling them how much I loved you, and poor dear mother was

afraid you might be scared away if you knew how poor my people are.”

“What kind of a ghastly snob do they take me for?” Jim growled.

“They don't know you as I do,” said Kedzie; “but even I can't expect you

to forgive everything. I've lied to you about everything except about

loving you, and I was a long while telling you the truth about that. But

now you know all there is to know about me, and I wouldn't blame you

for despising me. Of course I don't expect you to want to marry me any

longer, so I'll give you back your beautiful engagement ring.”

With her arms across his knees, one of her delicate hands began to draw

from the other a gold circlet knobbed with diamonds.

“Don't do that,” Jim said, taking her hands in his. “The engagement

stands.”

“But how can it, darling?” said Kedzie. “You can't love me any more.”

“Of course I do, more and more.”

“But you can never marry me, and surely you don't want--”

Suddenly she ran plump into the situation her mother had imagined and

encouraged. She blushed at the collision with it, and became a very

allegory of innocence confronted with abhorrent evil.

“Of course I don't,” said Dyckman, divining exactly what she meant.

“I'll find this Gilfoyle and buy him up or beat him to a pulp.”

Kedzie lifted her downcast eyes in gratitude for such a godlike

resolution. But before she could cry out in praise of it she cried out

in terror.

For right before her stood the long-lost Gilfoyle.

We Can't Have Everything: A Novel · 第 35 / 42 章