It is the task of all education to change certain conscious actions

and habits into more or less unconscious ones; and the history of

mankind is in this sense its education. The philologist now practises

unconsciously a number of such occupations and habits. It is my object

to ascertain how his power, that is, his instinctive methods of work,

is the result of activities which were formerly conscious, but which he

has gradually come to feel as such no longer: _but that consciousness

consisted of prejudices._ The present power of philologists is based

upon these prejudices, for example the value attached to the _ratio_

as in the cases of Bentley and Hermann. Prejudices are, as Lichtenberg

says, the art impulses of men.

29

It is difficult to justify the preference for antiquity since it has

arisen from prejudices:

1. From ignorance of all non-classical antiquity.

2. From a false idealisation of humanitarianism, whilst Hindoos and

Chinese are at all events more humane.

3. From the pretensions of school-teachers.

4. From the traditional admiration which emanated from antiquity itself.

5. From opposition to the Christian church; or as a support for this

church.

6. From the impression created by the century-long work of the

philologists, and the nature of this work: it must be a gold mine,

thinks the spectator.

7. The acquirement of knowledge attained as the result of the study.

The preparatory school of science.

In short, partly from ignorance, wrong impressions, and misleading

conclusions; and also from the interest which philologists have in

raising their science to a high level in the estimation of laymen.

Also the preference for antiquity on the part of the artists, who

involuntarily assume proportion and moderation to be the property of

all antiquity. Purity of form. Authors likewise.

The preference for antiquity as an abbreviation of the history of the

human race, as if there were an autochthonous creation here by which

all becoming might be studied.

The fact actually is that the foundations of this preference are

being removed one by one, and if this is not remarked by philologists

themselves, it is certainly being remarked as much as it can possibly

be by people outside their circle. First of all history had its effect,

and then linguistics brought about the greatest diversion among

philologists themselves, and even the desertion of many of them. They

have still the schools in their hands: but for how long! In the form

in which it has existed up to the present philology is dying out; the

ground has been swept from under its feet. Whether philologists may

still hope to maintain their status is doubtful; in any case they are a

dying race.

30

The peculiarly significant situation of philologists: a class of

people to whom we entrust our youth, and who have to investigate quite

a special antiquity. The highest value is obviously attached to this

antiquity. But if this antiquity has been wrongly valued, then the

whole foundation upon which the high position of the philologist is

based suddenly collapses. In any case this antiquity has been very

differently valued; and our appreciation of the philologists has

constantly been guided by it. These people have borrowed their power

from the strong prejudices in favour of antiquity,--this must be made

clear.

Philologists now feel that when these prejudices are at last refuted,

and antiquity depicted in its true colours, the favourable prejudices

towards them will diminish considerably. _It is thus to the interest

of their profession not to let a clear impression of antiquity come to

light: in particular the impression that antiquity in its highest sense

renders one "out of season"_ i.e., _an enemy to one's own time._

It is also to the interest of philologists as a class not to let their

calling as teachers be regarded from a higher standpoint than that to

which they themselves can correspond.

31

It is to be hoped that there are a few people who look upon it as

a problem why philologists should be the teachers of our noblest

youths. Perhaps the case will not be always so.--It would be much more

natural _per se_ if our children were instructed in the elements of

geography, natural science, political economy, and sociology, if they

were gradually led to a consideration of life itself, and if finally,

but much later, the most noteworthy events of the past were brought

to their knowledge. A knowledge of antiquity should be among the last

subjects which a student would take up; and would not this position of

antiquity in the curriculum of a school be more honourable for it than

the present one?--Antiquity is now used merely as a propædeutic for

thinking, speaking, and writing; but there was a time when it was the

essence of earthly knowledge, and people at that time wished to acquire

by means of practical learning what they now seek to acquire merely by

means of a detailed plan of study--a plan which, corresponding to the

more advanced knowledge of the age, has entirely changed.

Thus the inner purpose of philological teaching has been entirely

altered; it was at one time material teaching, a teaching that taught

how to live; but now it is merely formal.[3]

[Footnote 3: Formal education is that which tends to develop the

critical and logical faculties, as opposed to material education,

which is intended to deal with the acquisition of knowledge and its

valuation, _e.g.,_ history, mathematics, &c. "Material" education, of

course, has nothing to do with materialism.--TR.]

32

If it were the task of the philologist to impart formal education,

it would be necessary for him to teach walking, dancing, speaking,

singing, acting, or arguing: and the so-called formal teachers did

impart their instruction this way in the second and third centuries.

But only the training of a scientific man is taken into account, which

results in "formal" thinking and writing, and hardly any speaking at

all.

33

If the gymnasium is to train young men for science, people now say

there can be no more preliminary preparation for any particular

science, so comprehensive have all the sciences become. As a

consequence teachers have to train their students generally, that is

to say for all the sciences--for scientificality in other words; and

for that classical studies are necessary! What a wonderful jump! a most

despairing justification! Whatever is, is right,[4] even when it is

clearly seen that the "right" on which it has been based has turned to

wrong.

[Footnote 4: The reference is not to Pope, but to Hegel.--TR.]

34

It is accomplishments which are expected from us after a study of the

ancients: formerly, for example, the ability to write and speak. But

what is expected now! Thinking and deduction: but these things are not

learnt _from_ the ancients, but at best _through_ the ancients, by

means of science. Moreover, all historical deduction is very limited

and unsafe; natural science should be preferred.

35

It is the same with the simplicity of antiquity as it is with the

simplicity of style: it is the highest thing which we recognise and

must imitate; but it is also the last Let it be remembered that the

classic prose of the Greeks is also a late result

36

What a mockery of the study of the "humanities" lies in the fact that

they were also called "belles lettres" (bellas litteras)!

37

Wolfs[5] reasons why the Egyptians, Hebrews Persians, and other

Oriental nations were not to be set on the same plane with the

Greeks and Romans: "The former have either not raised themselves,

or have raised themselves only to a slight extent, above that type

of culture which should be called a mere civilisation and bourgeois

acquirement, as opposed to the higher and true culture of the mind."

He then explains that this culture is spiritual and literary: "In

a well-organised nation this may be begun earlier than order and

peacefulness in the outward life of the people (enlightenment)."

He then contrasts the inhabitants of easternmost Asia ("like such

individuals, who are not wanting in clean, decent, and comfortable

dwellings, clothing, and surroundings; but who never feel the necessity

for a higher enlightenment") with the Greeks ("in the case of the

Greeks, even among the most educated inhabitants of Attica, the

contrary often happens to an astonishing degree; and the people neglect

as insignificant factors that which we, thanks to our love of order,

are in the habit of looking upon as the foundations of mental culture

itself").

[Footnote 5: Friedrich August Wolf (1759-1824), the well-known

classical scholar, now chiefly remembered by his "Prolegomena ad

Homerum."--TR.]

38 Our terminology already shows how prone we are to judge the ancients

wrongly: the exaggerated sense of literature, for example; or, as Wolf,

when speaking of the "inner history of ancient erudition," calls it,

"the history of learned enlightenment."

39

According to Goethe, the ancients are "the despair of the emulator."

Voltaire said: "If the admirers of Homer were honest, they would

acknowledge the boredom which their favourite often causes them."

40

The position we have taken up towards classical antiquity is at bottom

the profound cause of the sterility of modern culture; for we have

taken all this modern conception of culture from the Hellenised Romans.

We must distinguish within the domain of antiquity itself: when we come

to appreciate its purely productive period, we condemn at the same time

the entire Romano Alexandrian culture. But at the same time also we

condemn our own attitude towards antiquity, and likewise our philology.

41

There has been an age-long battle between the Germans and antiquity,

_i.e.,_ a battle against the old culture: it is certain that precisely

what is best and deepest in the German resists it. The main point,

however, is that such resistance is only justifiable in the case of

the Romanised culture; for this culture, even at that time, was a

falling-off from something more profound and noble. It is this latter

that the Germans are wrong in resisting.

42

Everything classic was thoroughly cultivated by Charles the Great,

whilst he combated everything heathen with the severest possible

measures of coercion. Ancient mythology was developed, but German

mythology was treated as a crime. The feeling underlying all this,

in my opinion, was that Christianity had already overcome the old

religion: people no longer feared it, but availed themselves of the

culture that rested upon it. But the old German gods were feared.

A great superficiality in the conception of antiquity--little else than

an appreciation of its formal accomplishments and its knowledge--must

thereby have been brought about. We must find out the forces that

stood in the way of increasing our insight into antiquity. First of

all, the culture of antiquity is utilised as an incitement towards the

acceptance of Christianity: it became, as it were, the premium for

conversion, the gilt with which the poisonous pill was coated before

being swallowed. Secondly, the help of ancient culture was found to be

necessary as a weapon for the intellectual protection of Christianity.

Even the Reformation could not dispense with classical studies for this

purpose.

The Renaissance, on the other hand, now begins, with a clearer sense

of classical studies, which, however, are likewise looked upon from

an anti-Christian standpoint: the Renaissance shows an awakening of

honesty in the south, like the Reformation in the north. They could

not but clash; for a sincere leaning towards antiquity renders one

unchristian. On the whole, however, the Church succeeded in turning

classical studies into a harmless direction: the philologist was

invented, representing a type of learned man who was at the same time

a priest or something similar. Even in the period of the Reformation

people succeeded in emasculating scholarship. It is on this account

that Friedrich August Wolf is noteworthy: he freed his profession from

the bonds of theology. This action of his, however, was not fully

understood; for an aggressive, active element, such as was manifested

by the poet-philologists of the Renaissance, was not developed. The

freedom obtained benefited science, but not man.

43

It is true that both humanism and rationalism have brought antiquity

into the field as an ally; and it is therefore quite comprehensible

that the opponents of humanism should direct their attacks against

antiquity also. Antiquity, however, has been misunderstood and

falsified by humanism: it must rather be considered as a testimony

against humanism, against the benign nature of man, &c. The opponents

of humanism are wrong to combat antiquity as well; for in antiquity

they have a strong ally.

44

It is so difficult to understand the ancients. We must wait patiently

until the spirit moves us. The human element which antiquity shows

us must not be confused with humanitarianism. This contrast must be

strongly emphasised: philology suffers by endeavouring to substitute

the humanitarian; young men are brought forward as students of

philology in order that they may thereby become humanitarians. A good

deal of history, in my opinion, is quite sufficient for that purpose.

The brutal and self-conscious man will be humbled when he sees things

and values changing to such an extent.

The human element among the Greeks lies within a certain _naïveté_

through which man himself is to be seen--state, art, society, military

and civil law, sexual relations, education, party. It is precisely the

human element which may be seen everywhere and among all peoples; but

among the Greeks it is seen in a state of nakedness and inhumanity

which cannot be dispensed with for purposes of instruction. In addition

to this, the Greeks have created the greatest number of individuals;

and thus they give us so much insight into men,--a Greek cook is more

of a cook than any other.

45

I deplore a system of education which does not enable people to

understand Wagner, and as the result of which Schopenhauer sounds harsh

and discordant in our ears: such a system of education has missed its

aim.

46

(THE FINAL DRAFT OF THE FIRST CHAPTER.)

Il faut dire la vérité et s'immoler.--VOLTAIRE.

Let us suppose that there were freer and more superior spirits who were

dissatisfied with the education now in vogue, and that they summoned

it to their tribunal, what would the defendant say to them? In all

probability something like this: "Whether you have a right to summon

anyone here or not, I am at all events not the proper person to be

called. It is my educators to whom you should apply. It is their duty

to defend me, and I have a right to keep silent. I am merely what they

have made me."

These educators would now be haled before the tribunal, and among

them an entire profession would be observed: the philologists. This

profession consists in the first place of those men who make use

of their knowledge of Greek and Roman antiquity to bring up youths

of thirteen to twenty years of age, and secondly of those men

whose task it is to train specially-gifted pupils to act as future

teachers-_i.e.,_ as the educators of educators. Philologists of the

first type are teachers at the public schools; those of the second are

professors at the universities.

The first-named philologists are entrusted with the care of certain

specially-chosen youths, those who, early in life, show signs of talent

and a sense of what is noble, and whose parents are prepared to allow

plenty of time and money for their education. If other boys, who do

not fulfil these three conditions, are presented to the teachers, the

teachers have the right to refuse them. Those forming the second class,

the university professors, receive the young men who feel themselves

fitted for the highest and most responsible of callings, that of

teachers and moulders of mankind; and these professors, too, may refuse

to have anything to do with young men who are not adequately equipped

or gifted for the task. If, then, the educational system of a period

is condemned, a heavy censure on philologists is thereby implied:

either, as the consequence of their wrong-headed view, they insist on

giving bad education in the belief that it is good; or they do not wish

to give this bad education, but are unable to carry the day in favour

of education which they recognise to be better. In other words, their

fault is either due to their lack of insight or to their lack of will.

In answer to the first charge they would say that they knew no better,

and in answer to the second that they could do no better. As, however,

these philologists bring up their pupils chiefly with the aid of Greek

and Roman antiquity, their want of insight in the first case may be

attributed to the fact that they do not understand antiquity; and

again to the fact that they bring forward antiquity into the present

age as if it were the most important of all aids to instruction, while

antiquity, generally speaking, does not assist in training, or at all

events no longer does so.

On the other hand, if we reproach our professors with their lack of

will, they would be quite right in attributing educational significance

and power to antiquity; but they themselves could not be said to be

the proper instruments by means of which antiquity could exhibit such

power. In other words, the professors would not be real teachers

and would be living under false colours: but how, then, could they

have reached such an irregular position? Through a misunderstanding

of themselves and their qualifications. In order, then, that we may

ascribe to philologists their share in this bad educational system

of the present time, we may sum up the different factors of their

innocence and guilt in the following sentence: the philologist, if

he wishes for a verdict of acquittal, must understand three things:

antiquity, the present time, and himself: his fault lies in the fact

that he either does not understand antiquity, or the present time, or

himself.

47

It is not true to say that we can attain culture through antiquity

alone. We may learn something from it, certainly; but not culture

as the word is now understood. Our present culture is based on an

emasculated and mendacious study of antiquity. In order to understand

how ineffectual this study is, just look at our philologists: they,

trained upon antiquity, should be the most cultured men. Are they?

48

Origin of the philologist. When a great work of art is exhibited there

is always some one who not only feels its influence but wishes to

perpetuate it. The same remark applies to a great state--to everything,

in short, that man produces. Philologists wish to perpetuate the

influence of antiquity: and they can set about it only as imitative

artists. Why not as men who form their lives after antiquity?

49

The decline of the poet-scholars is due in great part to their

own corruption: their type is continually arising again; Goethe

and Leopardi, for example, belong to it. Behind them plod the

philologist-savants. This type has its origin in the sophisticism of

the second century.

50

Ah, it is a sad story, the story of philology! The disgusting

erudition, the lazy, inactive passivity, the timid submission.--Who was

ever free?

51

When we examine the history of philology it is borne in upon us how few

really talented men have taken part in it. Among the most celebrated

philologists are a few who ruined their intellect by acquiring a

smattering of many subjects, and among the most enlightened of them

were several who could use their intellect only for childish tasks. It

is a sad story: no science, I think, has ever been so poor in talented

followers. Those whom we might call the intellectually crippled found a

suitable hobby in all this hair-splitting.

52

The teacher of reading and writing, and the reviser, were the first

types of the philologist.

53

Friedrich August Wolf reminds us how apprehensive and feeble were the

first steps taken by our ancestors in moulding scholarship--how even

the Latin classics, for example, had to be smuggled into the university

market under all sorts of pretexts, as if they had been contraband

goods. In the "Göttingen Lexicon" of 1737, J. M. Gesner tells us of the

Odes of Horace: "ut imprimis, quid prodesse _in severioribus studiis_

possint, ostendat."

54

I was pleased to read of Bentley: "non tam grande pretium

emendatiunculis meis statuere soleo, ut singularem aliquam gratiam inde

sperem aut exigam."

Newton was surprised that men like Bentley and Hare should quarrel

about a book of ancient comedies, since they were both theological

dignitaries.

55

Horace was summoned by Bentley as before a judgment seat, the authority

of which he would have been the first to repudiate. The admiration

which a discriminating man acquires as a philologist is in proportion

to the rarity of the discrimination to be found in philologists.

Bentley's treatment of Horace has something of the schoolmaster about

it. It would appear at first sight as if Horace himself were not the

object of discussion, but rather the various scribes and commentators

who have handed down the text: in reality, however, it is actually

Horace who is being dealt with. It is my firm conviction that to have

written a single line which is deemed worthy of being commented upon

by scholars of a later time, far outweighs the merits of the greatest

critic. There is a profound modesty about philologists. The improving

of texts is an entertaining piece of work for scholars, it is a kind of

riddle-solving; but it should not be looked upon as a very important

task. It would be an argument against antiquity if it should speak less

clearly to us because a million words stood in the way!

56

A school-teacher said to Bentley: "Sir, I will make your grandchild as

great a scholar as you are yourself." "How can you do that," replied

Bentley, "when I have forgotten more than you ever knew?"

57

Bentley's clever daughter Joanna once lamented to her father that he

had devoted his time and talents to the criticism of the works of

others instead of writing something original. Bentley remained silent

for some time as if he were turning the matter over in his mind. At

last he said that her remark was quite right: he himself felt that

he might have directed his gifts in some other channel. Earlier in

life, nevertheless, he had done something for the glory of God and

the improvement of his fellow-men (referring to his "Confutation of

Atheism"), but afterwards the genius of the pagans had attracted him,

and, _despairing of attaining their level in any other way,_ he had

mounted upon their shoulders so that he might thus be able to look over

their heads.

58

Bentley, says Wolf, both as man of letters and individual, was

misunderstood and persecuted during the greater part of his life, or

else praised maliciously.

Markland, towards the end of his life--as was the case with so many

others like him--became imbued with a repugnance for all scholarly

reputation, to such an extent, indeed, that he partly tore up and

partly burnt several works which he had long had in hand.

Wolf says: "The amount of intellectual food that can be got from

well-digested scholarship is a very insignificant item."

In Winckelmann's youth there were no philological studies apart from

the ordinary bread-winning branches of the science--people read and

explained the ancients in order to prepare themselves for the better

interpretation of the Bible and the Corpus Juris.

59

In Wolf's estimation, a man has reached the highest point of historical

research when he is able to take a wide and general view of the whole

and of the profoundly conceived distinctions in the developments in

art and the different styles of art. Wolf acknowledges, however, that

Winckelmann was lacking in the more common talent of philological

criticism, or else he could not use it properly: "A rare mixture of

a cool head and a minute and restless solicitude for hundreds of

things which, insignificant in themselves, were combined in his case

with a fire that swallowed up those little things, and with a gift of

divination which is a vexation and an annoyance to the uninitiated."

60

The Case of Wagner Complete Works, Volume 8 · 第 8 / 11 段