It comes about because the wise and subtle deities permit nothing worthy

to be lost. It was with no thought of beauty that the builders labored;

no conscious thought; they were masters or slaves in the bitter wars of

commerce, and they never saw as a whole what they were making; no one of

them did. But each one had had his dream. And the baffled dreams and the

broken visions and the ruined hopes and the secret desires of each one

labored with him as he labored; the things that were lost and beaten and

trampled down went into the stone and steel and gave it soul; the

aspiration denied and the hope abandoned and the vision defeated were

the things that lived, and not the apparent purpose for which each one

of all the millions sweat and toiled or cheated; the hidden things, the

silent things, the winged things, so weak they are easily killed, the

unacknowledged things, the rejected beauty, the strangled appreciation,

the inchoate art, the submerged spirit--these groped and found each

other and gathered themselves together and worked themselves into the

tiles and mortar of the edifice and made a town that is a worthy fellow

of the sunrise and the sea winds.

Humanity triumphs over its details.

The individual aspiration is always defeated of its perfect fruition and

expression, but it is never lost; it passes into the conglomerate being

of the race.

The way to encourage yourself about the human race is to look at it

first from a distance; look at the lights on the high spots. Coming

closer, you will be profoundly discouraged at the number of low spots,

not to say two-spots. Coming still closer, you will become discouraged

once more by the reflection that the same stuff that is in the high

spots is also in the two-spots.

"THE MAN-O'-WAR'S 'ER 'USBAND"

_By_ DAVID W. BONE

Those who understand something of a sailor's feeling for his ship

will appreciate the restraint with which Captain Bone describes the

loss of the _Cameronia_, his command, torpedoed in the

Mediterranean during the War. You will notice (forgive us for

pointing out these things) how quietly the quoted title pays

tribute to the gallantry of the destroyers that stood by the

sinking ship; and the heroism of the chief officer's death is not

less moving because told in two sentences. This superb picture of a

sea tragedy is taken from _Merchantmen-at-Arms_, a history of the

British Merchants' Service during the War; a book of enthralling

power and truth, illustrated by the author's brother, Muirhead

Bone, one of the greatest of living etchers.

David William Bone was born in Partick (near Glasgow) in 1873; his

father was a well-known Glasgow journalist; his great-grandfather

was a boyhood companion of Robert Burns. Bone went to sea as an

apprentice in the _City of Florence_, an old-time square-rigger, at

the age of fifteen; he has been at sea ever since. He is now master

of S.S. _Columbia_ of the Anchor Line, a well-known ship in New

York Harbor, as she has carried passengers between the Clyde and

the Hudson for more than twenty years. Captain Bone's fine sea

tale, The _Brass-bounder_, published in 1910, has become a classic

of the square-sail era; his _Broken Stowage_ (1915) is a collection

of shorter sea sketches. In the long roll of great writers who have

reflected the simplicity and severity of sea life, Captain Bone

will take a permanent and honorable place.

A sense of security is difficult of definition. Largely, it is founded

upon habit and association. It is induced and maintained by familiar

surroundings. On board ship, in a small world of our own, we seem to be

contained by the boundaries of the bulwarks, to be sailing beyond the

influences of the land and of other ships. The sea is the same we have

known for so long. Every item of our ship fitment--the trim arrangement

of the decks, the set and rake of mast and funnel, even the furnishings

of our cabins--has the power of impressing a stable feeling of custom,

normal ship life, safety. It requires an effort of thought to recall

that in their homely presence we are endangered. Relating his

experiences after having been mined and his ship sunk, a master confided

that the point that impressed him most deeply was when he went to his

room for the confidential papers and saw the cabin exactly in everyday

aspect--his longshore clothes suspended from the hooks, his umbrella

standing in a corner as he had placed it on coming aboard.

Soldiers on service are denied this aid to assurance. Unlike us, they

cannot carry their home with them to the battlefields. All their scenes

and surroundings are novel; they may only draw a reliance and comfort

from the familiar presence of their comrades. At sea in a ship there is

a yet greater incitement to their disquiet. The movement, the limitless

sea, the distance from the land, cannot be ignored. The atmosphere that

is so familiar and comforting to us, is to many of them an environment

of dread possibilities.

It is with some small measure of this sense of security--tempered by our

knowledge of enemy activity in these waters--we pace the bridge. Anxiety

is not wholly absent. Some hours past, we saw small flotsam that may

have come from the decks of a French mail steamer, torpedoed three days

ago. The passing of the derelict fittings aroused some disquiet, but the

steady routine of our progress and the constant friendly presence of

familiar surroundings has effect in allaying immediate fears. The rounds

of the bridge go on--the writing of the log, the tapping of the glass,

the small measures that mark the passing of our sea-hours. Two days out

from Marseilles--and all well! In another two days we should be

approaching the Canal, and then--to be clear of 'submarine waters' for a

term. Fine weather! A light wind and sea accompany us for the present,

but the filmy glare of the sun, now low, and a backward movement of the

glass foretells a break ere long. We are steaming at high speed to make

the most of the smooth sea. Ahead, on each bow, our two escorting

destroyers conform to the angles of our zigzag--spurring out and

swerving with the peculiar "thrown-around" movement of their class.

Look-out is alert and in numbers. Added to the watch of the ship's crew,

military signalers are posted; the boats swung outboard have each a

party of troops on guard.

An alarmed cry from aloft--a half-uttered order to the steersman--an

explosion, low down in the bowels of the ship, that sets her reeling in

her stride!

The upthrow comes swiftly on the moment of impact. Hatches, coal, a huge

column of solid water go skyward in a hurtling mass to fall in torrent

on the bridge. Part of a human body strikes the awning spars and

hangs--watch-keepers are borne to the deck by the weight of water--the

steersman falls limply over the wheel with blood pouring from a gash on

his forehead.... Then silence for a stunned half-minute, with only the

thrust of the engines marking the heartbeats of the stricken ship.

Uproar! Most of our men are young recruits: they have been but two days

on the sea. The torpedo has gone hard home at the very weakest hour of

our calculated drill. The troops are at their evening meal when the blow

comes, the explosion killing many outright. We had counted on a

proportion of the troops being on the deck, a steadying number to

balance the sudden rush from below that we foresaw in emergency.

Hurrying from the mess-decks as enjoined, the quick movement gathers way

and intensity: the decks become jammed by the pressure, the gangways and

passages are blocked in the struggle. There is the making of a

panic--tuned by their outcry, _"God! O God! O Christ!"_ The swelling

murmur is neither excited nor agonized--rather the dull, hopeless

expression of despair.

The officer commanding troops has come on the bridge at the first

alarm. His juniors have opportunity to take their stations before the

struggling mass reaches to the boats. The impossibility of getting among

the men on the lower decks makes the military officers' efforts to

restore confidence difficult. They are aided from an unexpected quarter.

The bridge-boy makes unofficial use of our megaphone. "Hey! Steady up

you men doon therr," he shouts. "Ye'll no' dae ony guid fur yersels

croodin' th' ledders!"

We could not have done it as well. The lad is plainly in sight to the

crowd on the decks. A small boy, undersized. "Steady up doon therr!" The

effect is instant. Noise there still is, but the movement is arrested.

The engines are stopped--we are now beyond range of a second

torpedo--and steam thunders in exhaust, making our efforts to control

movements by voice impossible. At the moment of the impact the

destroyers have swung round and are casting here and there like hounds

on the scent: the dull explosion of a depth-charge--then another, rouses

a fierce hope that we are not unavenged. The force of the explosion has

broken connections to the wireless room, but the aerial still holds and,

when a measure of order on the boatdeck allows, we send a message of our

peril broadcast. There is no doubt in our minds of the outcome. Our

bows, drooping visibly, tell that we shall not float long. We have

nearly three thousand on board. There are boats for sixteen

hundred--then rafts. Boats--rafts--and the glass is falling at a rate

that shows bad weather over the western horizon!

Our drill, that provided for lowering the boats with only

half-complements in them, will not serve. We pass orders to lower away

in any condition, however overcrowded. The way is off the ship, and it

is with some apprehension we watch the packed boats that drop away from

the davit heads. The shrill ring of the block-sheaves indicates a

tension that is not far from breaking-point. Many of the life-boats

reach the water safely with their heavy burdens, but the strain on the

tackles--far beyond their working load--is too great for all to stand to

it. Two boats go down by the run. The men in them are thrown violently

to the water, where they float in the wash and shattered planking. A

third dangles from the after fall, having shot her manning out at

parting of the forward tackle. Lowered by the stern, she rights,

disengages, and drifts aft with the men clinging to the life-lines. We

can make no attempt to reach the men in the water. Their life-belts are

sufficient to keep them afloat: the ship is going down rapidly by the

head, and there remains the second line of boats to be hoisted and swung

over. The chief officer, pausing in his quick work, looks to the bridge

inquiringly, as though to ask, "How long?" The fingers of two hands

suffice to mark our estimate.

The decks are now angled to the deepening pitch of the bows. Pumps are

utterly inadequate to make impression on the swift inflow. The chief

engineer comes to the bridge with a hopeless report. It is only a

question of time. How long? Already the water is lapping at a level of

the foredeck. Troops massed there and on the forecastle-head are

apprehensive: it is indeed a wonder that their officers have held them

for so long. The commanding officer sets example by a cool nonchalance

that we envy. Posted with us on the bridge, his quick eyes note the

flood surging in the pent 'tween-decks below, from which his men have

removed the few wounded. The dead are left to the sea.

Help comes as we had expected it would. Leaving _Nemesis_ to steam fast

circles round the sinking ship, _Rifleman_ swings in and brings up

alongside at the forward end. Even in our fear and anxiety and distress,

we cannot but admire the precision of the destroyer captain's

manœuver--the skilful avoidance of our crowded life-boats and the men

in the water--the sudden stoppage of her way and the cant that brings

her to a standstill at the lip of our brimming decks. The troops who

have stood so well to orders have their reward in an easy leap to

safety. Quickly the foredeck is cleared. _Rifleman_ spurts ahead in a

rush that sets the surrounding life-boats to eddy in her wash. She takes

up the circling high-speed patrol and allows her sister ship to swing in

and embark a number of our men.

It is when the most of the life-boats are gone we realize fully the

gallant service of the destroyers. There remain the rafts, but many of

these have been launched over to aid the struggling men in the water.

Half an hour has passed since we were struck--thirty minutes of frantic

endeavor to debark our men--yet still the decks are thronged by a packed

mass that seems but little reduced. The coming of the destroyers alters

the outlook. _Rifleman's_ action has taken over six hundred. A sensible

clearance! _Nemesis_ swings in with the precision of an express, and the

thud and clatter of the troops jumping to her deck sets up a continuous

drumming note of deliverance. Alert and confident, the naval men accept

the great risks of their position. The ship's bows are entered to the

water at a steep incline. Every minute the balance is weighing, casting

her stern high in the air. The bulkheads are by now taking place of keel

and bearing the huge weight of her on the water. At any moment she may

go without a warning, to crash into the light hull of the destroyer and

bear her down. For all the circling watch of her sister ship, the

submarine--if still he lives--may get in a shot at the standing target.

It is with a deep relief we signal the captain to bear off. Her decks

are jammed to the limit. She can carry no more. _Nemesis_ lists heavily

under her burdened decks as she goes ahead and clears.

Forty minutes! The zigzag clock in the wheelhouse goes on ringing the

angles of time and course as though we were yet under helm and speed.

For a short term we have noted that the ship appears to have reached a

point of arrest in her foundering droop. She remains upright as she has

been since righting herself after the first inrush of water. Like the

lady she always was, she has added no fearsome list to the sum of our

distress. The familiar bridge, on which so many of our safe sea-days

have been spent, is canted at an angle that makes foothold uneasy. She

cannot remain for long afloat. The end will come swiftly, without

warning--a sudden rupture of the bulkhead that is sustaining her weight.

We are not now many left on board. Striving and wrenching to man-handle

the only remaining boat--rendered idle for want of the tackles that have

parted on service of its twin--we succeed in pointing her outboard, and

await a further deepening of the bows ere launching her. Of the

military, the officer commanding, some few of his juniors, a group of

other ranks, stand by. The senior officers of the ship, a muster of

seamen, a few stewards, are banded with us at the last. We expect no

further service of the destroyers. The position of the ship is

over-menacing to any approach. They have all they can carry. Steaming at

a short distance they have the appearance of being heavily overloaded;

each has a staggering list and lies low in the water under their deck

encumbrance. We have only the hazard of a quick out-throw of the

remaining boat and the chances of a grip on floating wreckage to count

upon.

On a sudden swift sheer, _Rifleman_ takes the risk. Unheeding our

warning hail, she steams across the bows and backs at a high speed: her

rounded stern jars on our hull plates, a whaler and the davits catch on

a projection and give with the ring of buckling steel--she turns on the

throw of the propellers and closes aboard with a resounding impact that

sets her living deck-load to stagger.

We lose no time. Scrambling down the life-ropes, our small company

endeavors to get foothold on her decks. The destroyer widens off at the

rebound, but by clutch of friendly hands the men are dragged aboard. One

fails to reach safety. A soldier loses grip and goes to the water. The

chief officer follows him. Tired and unstrung as he must be by the

devoted labors of the last half-hour, he is in no condition to effect a

rescue. A sudden deep rumble from within the sinking ship warns the

destroyer captain to go ahead. We are given no chance to aid our

shipmates: the propellers tear the water in a furious race that sweeps

them away, and we draw off swiftly from the side of the ship.

We are little more than clear of the settling fore-end when the last

buoyant breath of _Cameronia_ is overcome. Nobly she has held afloat to

the debarking of the last man. There is no further life in her. Evenly,

steadily, as we had seen her leave the launching ways at Meadowside, she

goes down.

THE MARKET

_By_ WILLIAM MCFEE

William McFee's name is associated with the sea, but in his writing

he treats the life of ships and sailors more as a background than

as the essential substance of his tale. I have chosen this brief

and colorful little sketch to represent his talent because it is

different from the work with which most of his readers are

familiar, and because it represents a mood very characteristic of

him--an imaginative and observant treatment of the workings of

commerce. His interest in fruit is intimate, as he has been for

some years an engineer in the sea service of the United Fruit

Company, with a Mediterranean interim--reflected in much of his

recent writing--during the War.

The publication of McFee's _Casuals of the Sea_ in 1916 was

something of an event in the world of books, and introduced to the

reading world a new writer of unquestionable strength and subtlety.

His earlier books, _An Ocean Tramp_ and _Aliens_ (both republished

since), had gone almost unnoticed--which, it is safe to say, will

not happen again to anything he cares to publish. His later books

are _Captain Macedoine's Daughter_, _Harbours of Memory_, and _An

Engineer's Notebook_. He was born at sea in 1881, the son of a

sea-captain; grew up in a northern suburb of London, served his

apprenticeship in a big engineering shop, and has been in ships

most of the time since 1905.

There is a sharp, imperative rap on my outer door; a rap having within

its insistent urgency a shadow of delicate diffidence, as though the

person responsible were a trifle scared of the performance and on tiptoe

to run away. I roll over and regard the clock. Four-forty. One of the

dubious by-products of continuous service as a senior assistant at sea

is the habit of waking automatically about 4 A. M. This gives one

several hours, when ashore, to meditate upon one's sins, frailties, and

(more rarely) triumphs and virtues. For a man who gets up at say

four-thirty is regarded with aversion ashore. His family express

themselves with superfluous vigor. He must lie still and meditate, or

suffer the ignominy of being asked when he is going away again.

But this morning, in these old Chambers in an ancient Inn buried in the

heart of London City, I have agreed to get up and go out. The reason for

this momentous departure from a life of temporary but deliberate

indolence is a lady. "Cherchez la femme," as the French say with the dry

animosity of a logical race. Well, she is not far to seek, being on the

outside of my heavy oak door, tapping, as already hinted, with a sharp

insistent delicacy. To this romantic summons I reply with an articulate

growl of acquiescence, and proceed to get ready. To relieve the anxiety

of any reader who imagines an impending elopement it may be stated in

succinct truthfulness that we are bound on no such desperate venture. We

are going round the corner a few blocks up the Strand, to Covent Garden

Market, to see the arrival of the metropolitan supply of produce.

Having accomplished a hasty toilet, almost as primitive as that favored

by gentlemen aroused to go on watch, and placating an occasional

repetition of the tapping by brief protests and reports of progress, I

take hat and cane, and drawing the huge antique bolts of my door,

discover a young woman standing by the window looking out upon the

quadrangle of the old Inn. She is a very decided young woman, who is

continually thinking out what she calls "stunts" for articles in the

press. That is her profession, or one of her professions--writing

articles for the press. The other profession is selling manuscripts,

which constitutes the tender bond between us. For the usual agent's

commission she is selling one of my manuscripts. Being an unattached

and, as it were, unprotected male, she plans little excursions about

London to keep me instructed and entertained. Here she is attired in the

flamboyant finery of a London flowergirl. She is about to get the

necessary copy for a special article in a morning paper. With the

exception of a certain expectant flash of her bright black Irish eyes,

she is entirely businesslike. Commenting on the beauty of an early

summer morning in town, we descend, and passing out under the ponderous

ancient archway, we make our leisurely progress westward down the

Strand.

London is always beautiful to those who love and understand that

extraordinary microcosm; but at five of a summer morning there is about

her an exquisite quality of youthful fragrance and debonair freshness

which goes to the heart. The newly-hosed streets are shining in the

sunlight as though paved with "patines of bright gold." Early 'buses

rumble by from neighboring barns where they have spent the night. And,

as we near the new Gaiety Theatre, thrusting forward into the great

rivers of traffic soon to pour round its base like some bold Byzantine

promontory, we see Waterloo Bridge thronged with wagons, piled high.

From all quarters they are coming, past Charing Cross the great wains

are arriving from Paddington Terminal, from the market-garden section of

Middlesex and Surrey. Down Wellington Street come carts laden with

vegetables from Brentwood and Coggeshall, and neat vans packed with

crates of watercress which grows in the lush lowlands of Suffolk and

Cambridgeshire, and behind us are thundering huge four-horse vehicles

from the docks, vehicles with peaches from South Africa, potatoes from

the Canary Islands, onions from France, apples from California, oranges

from the West Indies, pineapples from Central America, grapes from Spain

and bananas from Colombia.

We turn in under an archway behind a theatre and adjacent to the

stage-door of the Opera House. The booths are rapidly filling with

produce. Gentlemen in long alpaca coats and carrying formidable marbled

note-books walk about with an important air. A mountain range of

pumpkins rises behind a hill of cabbages. Festoons of onions are being

suspended from rails. The heads of barrels are being knocked in,

disclosing purple grapes buried in corkdust. Pears and figs, grown under

glass for wealthy patrons, repose in soft tissue-lined boxes. A broken

crate of tangerine oranges has spilled its contents in a splash of ruddy

gold on the plank runway. A wagon is driven in, a heavy load of beets,

and the broad wheels crush through the soft fruit so that the air is

heavy with the acrid sweetness.

We pick our way among the booths and stalls until we find the flowers.

Here is a crowd of ladies, young, so-so and some quite matronly, and all

dressed in this same flamboyant finery of which I have spoken. They are

grouped about an almost overpowering mass of blooms. Roses just now

predominate. There is a satisfying solidity about the bunches, a

glorious abundance which, in a commodity so easily enjoyed without

ownership, is scarcely credible. I feel no desire to own these huge

aggregations of odorous beauty. It would be like owning a harem, one

imagines. Violets, solid patches of vivid blue in round baskets,

eglantine in dainty boxes, provide a foil to the majestic blazonry of

the roses and the dew-spangled forest of maiden-hair fern near by.

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