ON REMAINDERS AND PULPING.

Should the student aspire to collect his journalistic work, or

the less ephemeral part of it, into book form, he will do well to

apply to some old and established firm of publishers, who will

give him a reasonable estimate for its production, plus the cost

of advertising, warehousing, wear and tear, office expenses, etc.,

etc., to which must be added the customary Fee.

The book so issued will be sent to the Press for notice and review,

and will, some weeks later, be either Remaindered or Pulped. It is

important to have a clear idea of these processes which accompany

an author throughout his career.

A book is said to be _Remaindered_ when it is sold to the

secondhand bookseller in bulk; 10 per cent. of the sums so

received, less the cost of cartage to and fro from shop to shop,

and the wages of the Persuader who attempts to sell the volumes,

is then credited to the author in his account, which is usually

pressed upon the completion of the transaction.

The less fortunate must be content with _Pulping_. In the midst

of their chagrin they will be consoled by the thought that their

book enjoys a kind of resurrection, and will reappear beneath some

other, and--who knows?--perhaps some nobler form. The very paper

upon which these words are printed may once have formed part of

a volume of verse, or of Imperialist pamphlets subsidised by the

South African Women’s League.

A book is said to be _Pulped_ when it is sold at so many pence the

thousand copies to the Pulpers[25] for Pulping. The transformation

is effected as follows:--First the covers are thoroughly and

skilfully torn off the edition by girls known as “Scalpers” or

“Skinners,” and the Poems (or whatnot), after going through this

first process, are shot in batches of twenty-four into a trough,

which communicates by an inclined plane with open receptacles

known technically as “bins.” Hence the sheets are taken out by

another batch of hands known as “feeders”--for it is their duty

to “feed” the marvellous machine which is the centre of the whole

works. The Poems (as we may imagine them to be) are next thrown by

the “feeders,” with a certain rapid and practised gesture, into a

funnel-shaped receiver, where they are caught by Six Large Rows of

strong Steel Teeth[26] known as the “Jaws,” which are so arranged

as just barely to miss each other; these work alternatively back

and forth, and reduce the hardest matter to shreds in an incredibly

short time.

The shreds so formed fall on to a wide endless band, which carries

them on into the “bowl,” where they are converted under a continual

stream of boiling water, into a kind of loose paste. Lest any trace

of the original Poetic (or Prose) composition could remain to

trouble the whiteness of the rapidly forming mixture, this water

contains a 30% solution of Sardonic Oxide, two kilogrammes of which

will bleach one thousand kilos of shredded Poems or Essays in from

thirty-five to forty minutes. When the Poems or whatnot have been

finally reduced to a white and formless mass, they are termed

_pulp_ and this pulp is laid out into frames, to be converted once

more into paper, Art, glazed, and medium.

This principle of “the Conservation of Paper” or, as Lord Balton

(Sir Charles Quarry) has himself called it, “the Circulation of

Literature,” is naturally more developed among the Anglo-Saxon

peoples than upon the Continent. The patriotic reader will be

pleased to hear that whereas of existing German books barely 35%

are pulped within the year, of French books not 27%, and of Italian

but 15%; of our total production--which is far larger--no less

than 73% are restored to their original character of useful blank

paper within the year, ready to receive further impressions of

Human Genius and to speed on its accelerated round the progress of

Mankind.

The Aftermath; Or, Gleanings from a Busy Life Called upon the outer cover, for purposes of sale, Caliban's Guide to Letters · 第 95 / 99 题