GILLRAY'S CARICATURES ON SOCIAL LIFE.--THOMAS ROWLANDSON.--HIS EARLY
LIFE.--HE BECOMES A CARICATURIST.--HIS STYLE AND WORKS.--HIS
DRAWINGS.--THE CRUIKSHANKS.
Gillray was, beyond all others, the great political caricaturist of
his age. His works form a complete history of the greater and more
important portion of the reign of George III. He appears to have had
less taste for general caricature, and his caricatures on social life
are less numerous, and with a few exceptions less important, than
those which were called forth by political events. The exceptions are
chiefly satires on individual characters, which are marked by the same
bold style which is displayed in his political attacks. Some of his
caricatures on the extravagant costume of the time, and on its more
prominent vices, such as the rage for gambling, are also fine, but his
social sketches generally are much inferior to his other works.
This, however, was not the case with his contemporary, Thomas
Rowlandson, who doubtlessly stands second to Gillray, and may, in some
respects, be considered his equal. Rowlandson was born in the Old
Jewry in London, the year before that of the birth of Gillray, in the
July of 1756. His father was a city merchant, who had the means to
give him a good education, but embarking rashly in some unsuccessful
speculations, he fell into reduced circumstances, and the son had to
depend upon the liberality of a relative. His uncle, Thomas Rowlandson,
after whom probably he was named, had married a French lady, a
Mademoiselle Chatelier, who was now a widow, residing in Paris, with
what would be considered in that capital a handsome fortune, and she
appears to have been attached to her English nephew, and supplied him
rather freely with money. Young Rowlandson had shown at an early age
great talent for drawing, with an especial turn for satire. As a
schoolboy, he covered the margins of his books with caricatures upon
his master and upon his fellow-scholars, and at the age of sixteen he
was admitted a student in the Royal Academy in London, then in its
infancy. But he did not profit immediately by this admission, for his
aunt invited him to Paris, where he began and followed his studies in
art with great success, and was remarked for the skill with which he
drew the human body. His studies from nature, while in Paris, are said
to have been remarkably fine. Nor did his taste for satirical design
fail him, for it was one of his greatest amusements to caricature the
numerous individuals, and groups of individuals, who must in that age
have presented objects of ridicule to a lively Englishman. During
this time his aunt died, leaving him all her property, consisting of
about £7,000 in money, and a considerable amount in plate and other
objects. The sudden possession of so much money proved a misfortune to
young Rowlandson. He appears to have had an early love for gaiety, and
he now yielded to all the temptations to vice held out by the French
metropolis, and especially to an uncontrollable passion for gambling,
through which he soon dissipated his fortune.
Before this, however, had been effected, Rowlandson, after having
resided in Paris about two years, returned to London, and continued
his studies in the Royal Academy. But he appears for some years
to have given himself up entirely to his dissipated habits, and
to have worked only at intervals, when he was driven to it by the
want of money. We are told by one who was intimate with him, that,
when reduced to this condition, he used to exclaim, holding up his
pencil, "I have been playing the fool, but here is my resource!"
and he would then produce--with extraordinary rapidity--caricatures
enough to supply his momentary wants. Most of Rowlandson's earlier
productions were published anonymously, but here and there, among
large collections, we meet with a print, which, by companion of the
style with that of his earliest known works, we can hardly hesitate
in ascribing to him; and from these it would appear that he had begun
with political caricature, because, perhaps, at that period of great
agitation, it was most called for, and, therefore, most profitable.
Three of the earliest of the political caricatures thus ascribed to
Rowlandson belong to the year 1784, when he was twenty-eight years
of age, and relate to the dissolution of parliament in that year,
the result of which was the establishment of William Pitt in power.
The first, published on the 11th of March, is entitled "The Champion
of the People." Fox is represented under this title, armed with the
sword of Justice and the shield of Truth, combating the many-headed
hydra, its mouths respectively breathing forth "Tyranny," "Assumed
Prerogative," "Despotism," "Oppression," "Secret Influence," "Scotch
Politics," "Duplicity," and "Corruption." Some of these heads are
already cut off. The Dutchman, Frenchman, and other foreign enemies
are seen in the background, dancing round the standard of "Sedition."
Fox is supported by numerous bodies of English and Irishmen, the
English shouting, "While he protects us, we will support him." The
Irish, "He gave us a free trade and all we asked; he shall have our
firm support." Natives of India, in allusion to his unsuccessful India
Bill, kneel by his side and pray for his success. The second of these
caricatures was published on the 26th of March, and is entitled "The
State Auction." Pitt is the auctioneer, and is represented as knocking
down with the hammer of "prerogative" all the valuable articles of
the constitution. The clerk is his colleague, Henry Dundas, who holds
up a weighty lot, entitled, "Lot 1. The Rights of the People." Pitt
calls to him, "Show the lot this way, Harry--a'going, a'going--speak
quick, or it's gone--hold up the lot, ye Dund-ass!" The clerk replies
in his Scottish accent, "I can hould it na higher, sir." The Whig
members, under the title of the "chosen representers," are leaving
the auction room in discouragement, with reflections in their mouths,
such as, "Adieu to Liberty!" "Despair not!" "Now or never!" While Fox
stands firm in the cause, and exclaims--"I am determined to bid with
spirit for Lot 1; he shall pay dear for it that outbids me!" Pitt's
Tory supporters are ranged under the auctioneer, and are called the
"hereditary virtuosis;" and their leader, who appears to be the lord
chancellor, addresses them in the words, "Mind not the nonsensical
biddings of those common fellows." Dundas remarks, "We shall get the
supplies by this sale." The third of these caricatures is dated on the
31st of March, when the elections had commenced, and is entitled,
"The Hanoverian Horse and British Lion--a Scene in a new Play, lately
acted in Westminster, with distinguished applause. Act 2nd, Scene
last." At the back of the picture stands the vacant throne, with the
intimation, "We shall resume our situation here at pleasure, _Leo
Rex_." In front, the Hanoverian horse, unbridled, and without saddle,
neighs "pre-ro-ro-ro-ro-rogative," and is trampling on the safeguard of
the constitution, while it kicks out violently the "faithful commons"
(alluding to the recent dissolution of parliament). Pitt, on the back
of the horse, cries, "Bravo!--go it again!--I love to ride a mettled
steed; send the vagabonds packing!" Fox appears on the other side of
the picture, mounted on the British lion, and holding a whip and bridle
in his hand. He says to Pitt, "Prithee, Billy, dismount before ye get a
fall, and let some abler jockey take your seat;" and the lion observes,
indignantly, but with gravity, "If this horse is not tamed, he will
soon be absolute king of our forest."
[Illustration: _No. 230. Opera Beauties._]
If these prints are correctly ascribed to Rowlandson, we see him here
fairly entered in the lists of political caricature, and siding with
Fox and the Whig party. He displays the same boldness in attacking
the king and his ministers which was displayed by Gillray--a boldness
that probably did much towards preserving the liberties of the country
from what was no doubt a resolute attempt to trample upon them, at a
time when caricature formed a very powerful weapon. Before this time,
however, Rowlandson's pencil had become practised in those burlesque
pictures of social life for which he became afterwards so celebrated.
At first he seems to have published his designs under fictitious names,
and one now before me, entitled "The Tythe Pig," bears the early date
of 1786, with the name of "Wigstead," no doubt an assumed one, which
is found on some others of his early prints. It represents the country
parson, in his own parlour, receiving the tribute of the tithe pig
from an interesting looking farmer's wife. The name of Rowlandson,
with the date 1792, is attached to a very clever and humorous etching
which is now also before me, entitled "Cold Broth and Calamity," and
representing a party of skaters, who have fallen in a heap upon the
ice, which is breaking under their weight. It bears the name of Fores
as publisher. From this time, and especially toward the close of the
century, Rowlandson's caricatures on social life became very numerous,
and they are so well known that it becomes unnecessary, nor indeed
would it be easy, to select a few examples which would illustrate all
his characteristic excellencies. In prints published by Fores at the
beginning of 1794, the address of the publisher is followed by the
words, "where may be had all Rowlandson's works," which shows how
great was his reputation as a caricaturist at that time. It may be
stated briefly that he was distinguished by a remarkable versatility of
talent, by a great fecundity of imagination, and by a skill in grouping
quite equal to that of Gillray, and with a singular ease in forming his
groups of a great number of figures. Among those of his contemporaries
who spoke of him with the highest praise were sir Joshua Reynolds and
Benjamin West. It has been remarked, too, that no artist ever possessed
the power of Rowlandson of expressing so much with so little effort. We
trace a great difference in style between Rowlandson's earlier and his
later works; although there is a general identity of character which
cannot be mistaken. The figures in the former show a taste for grace
and elegance that is rare in his later works, and we find a delicacy
of beauty in his females which he appears afterwards to have entirely
laid aside. An example of his earlier style in depicting female faces
is furnished by the pretty farmer's wife, in the print of "The Tythe
Pig," just alluded to; and I may quote as another example, an etching
published on the 1st of January, 1794, under the title of "English
Curiosity; or, the foreigner stared out of countenance." An individual,
in a foreign costume, is seated in the front row of the boxes of a
theatre, probably intended for the opera, where he has become the
object of curiosity of the whole audience, and all eyes are eagerly
directed upon him. The faces of the men are rather coarsely grotesque,
but those of the ladies, two of which are given in our cut No. 230,
possess a considerable degree of refinement. He appears, however,
to have been naturally a man of no real refinement, who easily gave
himself up to low and vulgar tastes, and, as his caricature became more
exaggerated and coarse, his females became less and less graceful,
until his model of female beauty appears to have been represented
by something like a fat oyster-woman. Our cut No. 231, taken from a
print in the possession of Mr. Fairholt, entitled, "The Trumpet and
Bassoon," presents a good example of Rowlandson's broad humour, and of
his favourite models of the human face. We can almost fancy we hear the
different tones of this brace of snorers.
[Illustration: _No. 231. The Trumpet and Bassoon._]
A good example of Rowlandson's grotesques of the human figure is given
in our cut No. 232, taken from a print published on the 1st of January,
1796, under the title of "Anything will do for an Officer." People
complained of the mean appearance of the officers in our armies, who
obtained their rank, it was pretended, by favour and purchase rather
than by merit; and this caricature is explained by an inscription
beneath, which informs us how "Some school-boys, who were playing at
soldiers, found one of their number so ill-made, and so much under
size, that he would have disfigured the whole body if put into the
ranks. 'What shall we do with him?' asked one. 'Do with him?' says
another, 'why make an officer of him.'" This plate is inscribed with
his name, "Rowlandson fecit."
[Illustration: _No. 232. A Model Officer._]
[Illustration: _No. 233. Antiquaries at Work._]
At this time Rowlandson still continued to work for Fores, but
before the end of the century we find him working for Ackermann, of
the Strand, who continued to be his friend and employer during the
rest of his life, and is said to have helped him generously in many
difficulties. In these, indeed, he was continually involved by his
dissipation and thoughtlessness. Ackermann not only employed him in
etching the drawings of other caricaturists, especially of Bunbury,
but in furnishing illustrations to books, such as the several series
of Dr. Syntax, the "New Dance of Death," and others. Rowlandson's
illustrations to editions of the older standard novels, such as "Tom
Jones," are remarkably clever. In transferring the works of other
caricaturists to the copper, Rowlandson was in the habit of giving his
own style to them to such a degree, that nobody would suspect that
they were not his own, if the name of the designer were not attached
to them. I have given one example of this in a former chapter, and
another very curious one is furnished by a print now before me,
entitled "Anglers of 1811," which bears only the name "H. Bunbury
del.," but which is in every particular a perfect example of the style
of Rowlandson. During the latter part of his life Rowlandson amused
himself with making an immense number of drawings which were never
engraved, but many of which have been preserved and are still found
scattered through the portfolios of collectors. These are generally
better finished than his etchings, and are all more or less burlesque.
Our cut No. 233 is taken from one of these drawings, in the possession
of Mr. Fairholt; it represents a party of antiquaries engaged
in important excavations. No doubt the figures were intended for
well-known archæologists of the day.
Thomas Rowlandson died in poverty, in lodgings in the Adelphi, on the
22nd of April, 1827.
Among the most active caricaturists of the beginning of the present
century we must not overlook Isaac Cruikshank, even if it were only
because the name has become so celebrated in that of his more talented
son. Isaac's caricatures, too, were equal to those of any of his
contemporaries, after Gillray and Rowlandson. One of the earliest
examples which I have seen bearing the well-known initials, I. C.,
was published on the 10th of March, 1794, the year in which George
Cruikshank was born, and probably, therefore, when Isaac was quite
a young man. It is entitled "A Republican Belle," and is an evident
imitation of Gillray. In another, dated the 1st of November, 1795, Pitt
is represented as "The Royal Extinguisher," putting out the flame of
"Sedition." Isaac Cruikshank published many prints anonymously, and
among the numerous caricatures of the latter end of the last century we
meet with many which have no name attached to them, but which resemble
so exactly his known style, that we can hardly hesitate in ascribing
them to him. It will be remarked that in his acknowledged works he
caricatures the opposition; but perhaps, like other caricaturists of
his time, he worked privately for anybody who would pay him, and was
as willing to work against the government as for it, for most of the
prints which betray their author only by their style are caricatures
on Pitt and his measures. Such is the group given in our cut No. 234,
which was published on the 15th of August, 1797, at a time when there
were loud complaints against the burthen of taxation. It is entitled
"Billy's Raree-Show; or, John Bull En-lighten'd," and represents Pitt,
in the character of a showman, exhibiting to John Bull, and picking
his pocket while his attention is occupied with the show. Pitt, in
a true showman's style, says to his victim, "Now, pray lend your
attention to the enchanting prospect before you,--this is the prospect
of peace--only observe what a busy scene presents itself--the ports are
filled with shipping, the quays loaded with merchandise, riches are
flowing in from every quarter--this prospect alone is worth all the
money you have got about you." Accordingly, the showman abstracts the
same money from his pocket, while John Bull, unconscious of the theft
exclaims with surprise, "Mayhap it may, master showman, but I canna zee
ony thing like what you mentions,--I zees nothing but a woide plain,
with some mountains and molehills upon't--as sure as a gun, it must be
all behoind one of those!" The flag of the show is inscribed, "Licensed
by authority, Billy Hum's grand exhibition of moving mechanism; or,
deception of the senses."
[Illustration: _No. 234. The Raree-Show._]
[Illustration: _No. 235. Flight across the Herring Pond._]
In a caricature with the initials of I. C., and published on the 20th
of June, 1797, Fox is represented as "The Watchman of the State,"
ironically, of course, for he is betraying the truth which he had
ostentatiously assumed, and absenting himself at the moment when his
agents are putting the match to the train they have laid to blow up
the constitution. Yet Cruikshank's caricatures on the Irish union
were rather opposed to ministers. One of these, published on the 20th
of June, 1800, is full of humour. It is entitled "A Flight across the
Herring Pond." England and Ireland are separated by a rough sea, over
which a crowd of Irish "patriots" are flying, allured by the prospect
of honours and rewards. On the Irish shore, a few wretched natives,
with a baby and a dog, are in an attitude of prayer, expostulating
with the fugitives,--"Och, och! do not leave us--consider your old
house, it will look like a big wallnut-shell without a kernel." On the
English shore, Pitt is holding open the "Imperial Pouch," and welcoming
them,--"Come on, my little fellows, there's plenty of room for you
all--the budget is not half full." Inside the "pouch" appears a host
of men covered with honours and dignities, one of whom says to the
foremost of the Irish candidates for favour, "Very snug and convenient,
brother, I allure you." Behind Pitt, Dundas, seated on a pile of public
offices united in his person, calls out to the immigrants, "If you've
ony consciences at a', here's enugh to satisfy ye a'." A portion of
this clever caricature is represented in our cut No. 235.
[Illustration: _No. 236. A Case of Abduction._]
There is a rare caricature on the subject of the Irish union, which
exhibits a little of the style of Isaac Cruikshank, and a copy of which
is in the possession of Mr. Fairholt. From this I have taken merely
the group which forms our cut No. 236. It is a long print, dated on
the 1st of January, 1800, and is entitled "The Triumphal entry of the
Union into London." Pitt, with a paper entitled "Irish Freedom" in his
pocket, is carrying off the young lady (Ireland) by force, with her
natural accompaniment, a keg of whisky. The lord chancellor of Ireland
(lord Clare) sits on the horse and performs the part of fiddler.
In advance of this group are a long rabble of radicals, Irishman,
&c., while close behind comes Grattan, carried in a sedan-chair, and
earnestly appealing to the lady, "Ierne, Ierne! my sweet maid, listen
not to him--he's a false, flattering, gay deceiver." Still farther in
the rear follows St. Patrick, riding on a bull, with a sack of potatoes
for his saddle, and playing on the Irish harp. An Irishman expostulates
in the following words--"Ah, long life to your holy reverence's memory,
why will you lave your own nate little kingdom, and go to another
where they will tink no more of you then they would of an old brogue?
Shure, of all the saints in the red-letter calendar, we give you the
preference! och hone! och hone!" Another Irishman pulls the bull by
the tail, with the lament, "Ah, masther, honey, why will you be after
leaving us? What will become of poor Shelagh and all of us, when you
are gone?" It is a regular Irish case of abduction.
[Illustration: _No. 237. The Farthing Rushlight._]
The last example I shall give of the caricatures of Isaac Cruikshank is
the copy of one entitled "The Farthing Rushlight," which, I need hardly
say, is a parody on the subject of a well-known song. The rushlight
is the poor old king, George, whom the prince of Wales and his Whig
associates, Fox, Sheridan, and others, are labouring in vain to blow
out. The latest caricature I possess, bearing the initials of Isaac
Cruikshank, was published by Fores, on the 19th of April, 1810, and
is entitled, "The Last Grand Ministerial Expedition (on the Street,
Piccadilly)." The subject is the riot on the arrest of sir Francis
Burdett, and it shows that Cruikshank was at this time caricaturing on
the radical side in politics.
Isaac Cruikshank left two sons who became distinguished as
caricaturists, George, already mentioned, and Robert. George
Cruikshank, who is still amongst us, has raised caricature in art to
perhaps the highest degree of excellence it has yet reached. He began
as a political caricaturist, in imitation of his father Isaac--in
fact the two brothers are understood to have worked jointly with
their father before they engraved on their own account. I have in my
own possession two of his earliest works of this class, published by
Fores, of Piccadilly, and dated respectively the 3rd and the 19th of
March, 1815. George was then under twenty-one years of age. The first
of these prints is a caricature on the restrictions laid upon the trade
in corn, and is entitled "The Blessings of Peace, or, the Curse of
the Corn Bill." A foreign boat has arrived, laden with corn at a low
price--one of the foreign traders holds out a sample and says, "Here
is de best for 50s." A group of bloated aristocrats and landholders
stand on the shore, with a closed storehouse, filled with corn behind
them; the foremost, warning the boat away with his hand, replies to
the merchant, "We won't have it at any price--we are determined to
keep up our own to 80s., and if the poor can't buy at that price, why
they must starve. We love money too well to lower our rents again; the
income tax is taken off." One of his companions exclaims, "No, no, we
won't have it at all." A third adds, "Ay, ay, let 'em starve, and be
d-- to 'em." Upon this another of the foreign merchants cries, "By
gar, if they will not have it at all, we must throw it overboard!" and
a sailor is carrying this alternative into execution by emptying a
sack into the sea. Another group stands near the closed storehouse--it
consists of a poor Englishman, his wife with an infant in the arms,
and two ragged children, a boy and a girl. The father is made to say,
"No, no, masters, I'll not starve; but quit my native country, where
the poor are crushed by those they labour to support, and retire to one
more hospitable, and where the arts of the rich do not interpose to
defeat the providence of God." The corn bill was passed in the spring
of 1815, and was the cause of much popular agitation and rioting. The
second of these caricatures, on the same subject, is entitled, "The
Scale of Justice reversed," and represents the rich exulting over the
disappearance of the tax on property, while the poor are crushed under
the weight of taxes which bore only upon them. These two caricatures
present unmistakable traces of the peculiarities of style of George
Cruikshank, but not as yet fully developed.
George Cruikshank rose into great celebrity and popularity as a
political caricaturist by his illustrations to the pamphlets of William
Houe, such as "The Political House that Jack built," "The Political
Showman at Home," and others upon the trial of queen Caroline; but this
sort of work suited the taste of the public at that time, and not that
of the artist, which lay in another direction. The ambition of George
Cruikshank was to draw what Hogarth called moral comedies, pictures of
society carried through a series of acts and scenes, always pointed
with some great moral; and it must be confessed that he has, through a
long career, succeeded admirably. He possesses more of the true spirit
of Hogarth than any other artist since Hogarth's time, with greater
skill in drawing. He possesses, even to a greater degree than Hogarth
himself, that admirable talent of filling a picture with an immense
number of figures, every one telling a part of the story, without
which, however minute, the whole picture would seem to us incomplete.
The picture of the "Camp at Vinegar Hill," and one or two other
illustrations to Maxwell's "History of the Irish Rebellion in 1798,"
are equal, if not superior, to anything ever produced by Hogarth or by
Callot.
The name of George Cruikshank forms a worthy conclusion to the "History
of Caricature and Grotesque." He is the last representative of the
great school of caricaturists formed during the reign of George III.
Though there can hardly be said to be a school at the present day, yet
our modern artists in this field have been all formed more or less
under his influence; and it must not be forgotten that we owe to that
influence, and to his example, to a great degree, the cleansing of this
branch of art from the objectionable characteristics of which I have on
more than one occasion been obliged to speak. May he still live long
among the friends who not only admire him for his talents, but love him
for his kindly and genial spirit; and none among them love and admire
him more sincerely than the author of the present volume.
FINIS.
[_Post Office Orders payable [DECEMBER, 1874.
at Piccadilly Circus._
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* * * * *
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_A Gathering of Favourites from our Picture Galleries, 1800-1870._
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MACLISE, E. M. WARD, FRITH, Sir JOHN GILBERT, LESLIE, ANSDELL,
MARCUS STONE, Sir NOEL PATON, FAED, EYRE CROWE, GAVIN, O'NEIL, and
MADOX BROWN. Engraved on Steel in the highest style of Art. Edited,
with Notices of the Artists, by SYDNEY ARMYTAGE, M.A. Imperial 4to,
cloth extra, gilt and gilt edges, 21_s._
* * * * *
TOM HOOD'S NEW STORY FOR CHILDREN.
From Nowhere to the North Pole:
A Noah's Arkæological Narrative. By TOM HOOD.
With 25 Illustrations by W. BRUNTON and E. C. BARNES. Sq. crown
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* * * * *
NEW BOOK BY MR. WALTER THORNBURY.
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H. S. MARKS, J. WHISTLER, and others. Handsomely printed, crown 4to,
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* * * * *
NEW GROTESQUE GIFT-BOOK.
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* * * * *
[Illustration: "_The Bellman of London._"]
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* * * * *
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*** _This work gives practical methods for testing the quality of gold
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"Chaffers."_
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cloth extra, gilt, and gilt edges, 6_s._ [_In preparation._
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Twenty Years. Collated with the best Public Reports. Royal 16mo, 370
pages, cloth extra, 1_s._
* * * * *
[Illustration: "_A Border Song._"]
COLMAN'S HUMOROUS WORKS.
=Broad Grins.= My Nightgown and Slippers, and other Humorous Works,
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Anecdotes of the Author by G. B. BUCKSTONE, and Frontispiece by
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By HENRY SIEBE. Profusely Illustrated. Crown 8vo, cloth extra, 4_s._
6_d._
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MISS BRADDON'S NEW NOVEL.
=Lost for Love: A Novel.= By M. E. BRADDON, Author of "Lady Audley's
Secret," &c. Now ready, in 3 vols., crown 8vo, at all Libraries, and
at the Booksellers.
"One of the best novels lately produced. In several important
respects, it appears to us, Miss Braddon's recent works deserve
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"We may confidently predict for it a warm welcome from Miss
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"'Lost for Love' must be placed high among Miss Braddon's novels.
It has a quiet power, which makes it attractive in a high
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Braddon's early admirers, and please that which we hope is a wider
public."--_Athenæum._
* * * * *
=Byron's (Lord) Letters and Journals, with Notices of his Life.=
By THOMAS MOORE. A Reprint of the Original Edition, newly revised,
complete in a thick volume of 1060pp., with Twelve full-page Plates.
Crown 8vo, cloth extra, gilt, 7_s._ 6_d._
"We have read this book with the greatest pleasure. Considered
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we could select from the Life of Sheridan; but, as a whole, it
is immeasurably superior to that work. The style is agreeable,
clear, and manly, and, when it rises into eloquence, rises
without effort or ostentation. Nor is the matter inferior to the
manner. It would be difficult to name a book which exhibits more
kindness, fairness, and modesty. It has evidently been written,
not for the purpose of showing--what, however, it often shows--how
well its author can write, but for the purpose of vindicating,
as far as truth will permit, the memory of a celebrated man who
can no longer vindicate himself. Mr. Moore never thrusts himself
between Lord Byron and the public. With the strongest temptations
to egotism, he has said no more about himself than the subject
absolutely required. A great part, indeed the greater part, of
these volumes consists of extracts from the Letters and Journals
of Lord Byron; and it is difficult to speak too highly of the
skill which has been shown in the selection and arrangement....
It is impossible, on a general survey, to deny that the task has
been executed with great judgment and great humanity. When we
consider the life which Lord Byron had led, his petulance, his
irritability, and his communicativeness, we cannot but admire the
dexterity with which Mr. Moore has contrived to exhibit so much
of the character and opinions of his friend, with so little pain
to the feelings of the living."--LORD MACAULAY, in the _Edinburgh
Review_.
* * * * *
Carols of Cockayne: Vers de Société descriptive of London Life. By
HENRY S. LEIGH. Third Edition. With numerous Illustrations by ALFRED
CONCANEN. Crown 8vo, cloth extra, gilt, 5_s._
* * * * *
Carlyle (T.) on the Choice of Books. With New Life and Anecdotes.
Brown cloth, UNIFORM WITH THE 2_s._ EDITIONS OF HIS WORKS, 1_s._ 6_d._
Celebrated Claimants, Ancient and Modern. Being the Histories of all
the most celebrated Pretenders and Claimants from PERKINS WARBECK to
ARTHUR ORTON. Fcap. 8vo, 350 pages, illustrated boards, price 2_s._
* * * * *
MR. WILKIE COLLINS'S NEW NOVEL.
=The Law and the Lady=: A Novel. By WILKIE COLLINS, Author of "The
Woman in White." 3 vols., crown 8vo, 31_s._ 6_d._ [_Shortly._
* * * * *
=Christmas Carols and Ballads.= Selected and Edited by JOSHUA
SYLVESTER. A New Edition, beautifully printed and bound in cloth,
extra gilt, gilt edges, 3_s._ 6_d._
* * * * *
=Cruikshank's Comic Almanack.=
Complete in TWO SERIES: the FIRST from 1835 to 1843; the SECOND
from 1844 to 1853. A Gathering of the BEST HUMOUR of THACKERAY,
HOOD, MAYHEW, ALBERT SMITH, A'BECKETT, ROBERT BROUGH, &c. With
2,000 Woodcuts and Steel Engravings by CRUIKSHANK, HINE, LANDELLS,
&c. Crown 8vo, cloth gilt, two very thick volumes, 15_s._; or,
separately, 7_s._ 6_d._ per volume.
*** _The "Comic Almanacks" of George Cruikshank have long been
regarded by admirers of this inimitable artist as among his
finest, most characteristic productions. Extending over a period
of nineteen years, from 1835 to 1853, inclusive, they embrace
the best period of his artistic career, and show the varied
excellences of his marvellous power. The late Mr. Tilt, of Fleet
Street, first conceived the idea of the "Comic Almanack," and
at various times there were engaged upon it such writers as_
THACKERAY, ALBERT SMITH, _the Brothers_ MAYHEW, _the late_ ROBERT
BROUGH, GILBERT A'BECKETT, _and, it has been asserted,_ TOM HOOD
_the elder._ THACKERAY'S _stories of "Stubbs' Calendar; or, The
Fatal Boots," which subsequently appeared as "Stubbs' Diary;" and
"Barber Cox; or, The Cutting of his Comb," formed the leading
attractions in the numbers for 1839 and 1840._
* * * * *
THE BEST GUIDE TO HERALDRY.
=Cussans' Handbook of Heraldry=; with Instructions for Tracing
Pedigrees and Deciphering Ancient MSS.; also, Rules for the
Appointment of Liveries, &c., &c. By JOHN E. CUSSANS. Illustrated
with 360 Plates and Woodcuts. Crown 8vo, cloth extra, gilt and
emblazoned, 7_s._ 6_d._
[Illustration]
*** _This volume, beautifully printed on toned paper, contains
not only the ordinary matter to be found in the best books on the
science of Armory, but several other subjects hitherto unnoticed.
Amongst these may be mentioned:_--1. DIRECTIONS FOR TRACING
PEDIGREES. 2. DECIPHERING ANCIENT MSS., ILLUSTRATED BY ALPHABETS
AND FACSIMILES. 3. THE APPOINTMENT OF LIVERIES. 4. CONTINENTAL AND
AMERICAN HERALDRY, &c.
* * * * *
NEW AND IMPORTANT WORK.
=Cyclopædia of Costume=; or, A Dictionary of Dress, Regal,
Ecclesiastical, Civil, and Military, from the Earliest Period in
England to the reign of George the Third. Including Notices of
Contemporaneous Fashions on the Continent, and preceded by a General
History of the Costume of the Principal Countries of Europe. By J. R.
PLANCHÉ, F.S.A., Somerset Herald.
_This work will be published in Twenty-four Monthly Parts, quarto,
at Five Shillings, profusely illustrated by Plates and Wood
Engravings; with each Part will also be issued a splendid Coloured
Plate, from an original Painting or Illumination, of Royal and
Noble Personages, and National Costume, both foreign and domestic.
The First Part will be ready on Jan. 1, 1875._
[Illustration]
In collecting materials for a History of Costume of more
importance than the little handbook which has met with so much
favour as an elementary work, I was not only made aware of my
own deficiencies, but surprised to find how much more vague are
the explanations, and contradictory the statements, of our best
authorities, than they appeared to me, when, in the plenitude of
my ignorance, I rushed upon almost untrodden ground, and felt
bewildered by the mass of unsifted evidence and unhesitating
assertion which met my eyes at every turn.
During the forty years which have elapsed since the publication
of the first edition of my "History of British Costume" in the
"Library of Entertaining Knowledge," archæological investigation
has received such an impetus by the establishment of metropolitan
and provincial peripatetic antiquarian societies, that a flood
of light has been poured upon us, by which we are enabled to
re-examine our opinions and discover reasons to doubt, if we
cannot find facts to authenticate.
That the former greatly preponderate is a grievous acknowledgment
to make after assiduously devoting the leisure of half my life
to the pursuit of information on this, to me, most fascinating
subject. It is some consolation, however, to feel that where I
cannot instruct, I shall certainly not mislead, and that the
reader will find, under each head, all that is known to, or
suggested by, the most competent writers I am acquainted with,
either here or on the Continent.
That this work appears in a glossarial form arises from the
desire of many artists, who have expressed to me the difficulty
they constantly meet with in their endeavours to ascertain the
complete form of a garment, or the exact mode of fastening a
piece of armour, or buckling of a belt, from their study of a
sepulchral effigy or a figure in an illumination; the attitude of
the personages represented, or the disposition of other portions
of their attire, effectually preventing the requisite examination.
The books supplying any such information are very few, and the
best confined to armour or ecclesiastical costume. The only
English publication of the kind required, that I am aware of,
is the late Mr. Fairholt's "Costume in England" (8vo, London,
1846), the last two hundred pages of which contain a glossary,
the most valuable portion whereof are the quotations from old
plays, mediæval romances, and satirical ballads, containing
allusions to various articles of attire in fashion at the time
of their composition. Twenty-eight years have expired since that
book appeared, and it has been thought that a more comprehensive
work on the subject than has yet issued from the English press,
combining the pith of the information of many costly foreign
publications, and, in its illustrations, keeping in view the
special requirement of the artist, to which I have alluded, would
be, in these days of educational progress and critical inquiry, a
welcome addition to the library of an English gentleman.
J. R. PLANCHÉ.
* * * * *
=Cussans' History of Hertfordshire.=
A County History, got up in a very superior manner, and ranging
with the finest works of its class. By JOHN E. CUSSANS. Illustrated
with full-page Plates on Copper and Stone, and a profusion of small
Woodcuts. Parts I. to VIII. are now ready, price 21_s._ each.
*** _An entirely new History of this important County, great
attention being given to all matters pertaining to Family History._
* * * * *
=Dickens' Life and Speeches.= By THEODORE TAYLOR. Complete in One
Volume, square 16mo, cloth extra, 2_s._ 6_d._
* * * * *
"DON QUIXOTE" IN THE ORIGINAL SPANISH. */
=El Ingenioso Hidalgo Don Quijote de la Mancha.= Nueva Edicion,
corregida y revisada. Por MIGUEL DE CERVANTES SAAVEDRA. Complete in
one volume, post 8vo, nearly 700 pages, cloth extra, price 4_s._ 6_d._
* * * * *
GIL BLAS IN SPANISH.
=Historia de Gil Blas de Santillana.=
Por LE SAGE. Traducida al Castellano por el PADRE ISLA. Nueva
Edicion, corregida y revisada. Complete in One Volume. Post 8vo,
cloth extra, nearly 600 pages, price 4_s._ 6_d._
* * * * *
=Earthward Pilgrimage=, from the Next World to that which now is. By
MONCURE D. CONWAY. Crown 8vo, beautifully printed and bound, 7_s._
6_d._
* * * * *
=Ellis's (Mrs.) Mothers of Great Men.= A New Edition, with
Illustrations by VALENTINE W. BROMLEY. Crown 8vo, cloth gilt, over
500 pages, 6_s._
"Mrs. Ellis believes, as most of us do, that the character of the
mother goes a long way; and, in illustration of this doctrine, she
has given us several lives written in her charming, yet earnest,
style. We especially commend the life of Byron's and Napoleon's
mothers.... The volume has some solid merits."--_Echo._
"This is a book which ought to be in the libraries of all who
interest themselves in the education of women."--_Victoria Magazine._
"An extremely agreeable and readable book, ... and its value is not
a little enhanced by Mr. Bromley's illustrations."--_Illustrated
Dramatic News._
* * * * *
=Emanuel on Diamonds and Precious Stones=; Their History, Value,
and Properties; with Simple Tests for ascertaining their Reality.
By HARRY EMANUEL, F.R.G.S. With numerous Illustrations, Tinted and
Plain. A New Edition, Crown 8vo, cloth extra, gilt, 6_s._
* * * * *
[Illustration: POE'S COTTAGE AT FORDHAM.]
=Edgar Allan Poe's Prose and Poetical Works=; including Additional
Tales and his fine Critical Essays. With a Translation of CHARLES
BAUDELAIRE'S "Essay." 750 pages, crown 8vo, fine Portrait and
Illustrations, cloth extra, 7_s._ 6_d._
* * * * *
=English Surnames=: Their Sources and Significations. By CHARLES
WAREING BARDSLEY, M.A. SECOND EDITION, revised throughout,
considerably enlarged, and partially re-written. Crown 8vo, cloth
extra, 9_s._
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valuable contribution to the literature of surnames, and we hope
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"Mr. Bardsley's volume is a very good specimen of the work
which the nineteenth century can turn out. He has evidently
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but upon philology in general. The book is a mine of
information."--_Westminster Review._
"We welcome this book as an important addition to our knowledge of
an important and interesting subject."--_Athenæum._
* * * * *
=Englishman's House= (The): A Practical Guide to all interested
in Selecting or Building a House, with full Estimates of Cost,
Quantities, &c. By C. J. RICHARDSON, Architect, Author of "Old
English Mansions," &c. Third Edition. With nearly 600 Illustrations.
Crown 8vo, cloth extra, 7_s._ 6_d._
[Illustration]
*** _This Work might not inappropriately be termed "A Book of
Houses." It gives every variety of house, from a workman's cottage to
a nobleman's palace. The book is intended to supply a want long felt,
viz., a plain, non-technical account of every style of house, with
the cost and manner of building._
* * * * *
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Juvenile Audience. A New Edition, edited by W. CROOKES, Esq., F.C.S.,
&c. Crown 8vo, cloth extra, with all the Original Illustrations,
4_s._ 6_d._
* * * * *
=Faraday's Various Forces of Nature.= A New Edition, edited by W.
CROOKES, Esq., F.C.S., &c. Crown 8vo, cloth extra, with all the
Original Illustrations, 4_s._ 6_d._
* * * * *
FATHER PROUT'S REMAINS.
=Final Reliques of Father Prout.= Collected and Edited, from MSS.
supplied by the Family of the Rev. FRANCIS MAHONEY, by BLANCHARD
JERROLD. [_In preparation._
=Finish to Life in and out of London=; or, The Final Adventures of
Tom, Jerry, and Logic. By PIERCE EGAN. Royal 8vo, cloth extra, with
Spirited Coloured Illustrations by CRUIKSHANK, 21_s._
=Flagellation and the Flagellants.=--A History of the Rod in all
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W. COOPER, B.A. Third Edition, revised and corrected, with numerous
Illustrations. Thick crown 8vo, cloth extra, gilt, 12_s._ 6_d._
* * * * *
=Fools' Paradise=; with the Many Wonderful Adventures there, as seen
in the strange, surprising Peep-Show of Professor Wolley Cobble.
Crown 4to, with nearly 350 very funny Coloured Pictures, cloth extra,
gilt, 7_s._ 6_d._
[Illustration: THE PROFESSOR'S LEETLE MUSIC LESSON.]
* * * * *
RUSKIN AND CRUIKSHANK.
=German Popular Stories.= Collected by the Brothers GRIMM, and
Translated by EDGAR TAYLOR. Edited, with an Introduction, by JOHN
RUSKIN. With 22 Illustrations after the inimitable designs of GEORGE
CRUIKSHANK. Both Series complete. Square crown 8vo, 6_s._ 6_d._; gilt
leaves, 7_s._ 6_d._
"The illustrations of this volume ... are of quite sterling and
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character of the tales which they illustrate; and the original
etchings, as I have before said in the Appendix to my 'Elements
of Drawing,' were unrivalled in masterfulness of touch since
Rembrandt (in some qualities of delineation, unrivalled even by
him).... To make somewhat enlarged copies of them, looking at them
through a magnifying glass, and never putting two lines where
Cruikshank has put only one, would be an exercise in decision and
severe drawing which would leave afterwards little to be learnt in
schools."--_Extract from Introduction by_ JOHN RUSKIN.
* * * * *
=Golden Treasury of Thought.= The Best Encyclopædia of Quotations
and Elegant Extracts, from Writers of all Times and all Countries,
ever formed. Selected and Edited by THEODORE TAYLOR. Crown 8vo, very
handsomely bound, cloth gilt, and gilt edges, 7_s._ 6_d._
* * * * *
=Genial Showman=; or, Show Life in the New World. Adventures with
Artemus Ward, and the Story of his Life. By E. P. HINGSTON. Third
Edition. Crown 8vo, Illustrated by W. BRUNTON, cloth extra, 7_s._
6_d._
* * * * *
THE GOLDEN LIBRARY.
Square 16mo (Tauchnitz size), cloth, extra gilt, price 2_s._ per vol.
=Clerical Anecdotes=: The Humours and Eccentricities of "the Cloth."
* * *
=Holmes's Autocrat of the Breakfast Table.= With an Introduction by
GEORGE AUGUSTUS SALA.
* * *
=Holmes's Professor at the Breakfast Table.= With the STORY OF IRIS.
* * *
=Hood's Whims and Oddities.= Both Series complete in One Volume, with
all the original Illustrations.
* * *
=Lamb's Essays of Elia.= Both Series complete in One Volume.
* * *
=Leigh Hunt's Essays=: A Tale for a Chimney Corner, and other Pieces.
With Portrait, and Introduction by EDMUND OLLIER.
* * *
=Shelley's Early Poems=: Queen Mab, &c. Reprinted from the Author's
Original Editions. With Essay by LEIGH HUNT. (First Series of his
Works.)
* * *
=Shelley's Later Poems=: Laon and Cythna, the Cenci, and other
Pieces. Reprinted from the Author's Original Editions. With an
Introductory Essay. (Second Series of his Works.)
* * *
=Shelley's Miscellaneous Poems and Prose Works.= The Third and
Fourth Series. These Two Volumes will include the Posthumous Poems,
published by Mrs. SHELLEY in 1824; the Shelley Papers, published in
1833; the Six Weeks' Tour (1816); the Notes to "Queen Mab," &c.; the
Marlow and Dublin Pamphlets; "The Wandering Jew," a Poem; and the
two Novels, "Zastrozzi" and "St. Irvyne." The three last now first
included in any edition of Shelley.
* * * * *
=Great Condé (The), and the Period of the Fronde=: An Historical
Sketch. By WALTER FITZPATRICK. Second Edition, in 2 vols. 8vo, cloth
extra, 15_s._
* * * * *
=Greenwood's (James) Wilds of London=: Being Descriptive Sketches,
from the Personal Observations and Experiences of the Writer, of
Remarkable Scenes, People, and Places in London. By JAMES GREENWOOD,
the "Lambeth Casual." With Twelve full-page tinted Illustrations by
ALFRED CONCANEN. Crown 8vo, cloth extra, gilt, 7_s._ 6_d._
"Mr. James Greenwood presents himself once more in the character
of 'one whose delight it is to do his humble endeavour towards
exposing and extirpating social abuses and those hole-and-corner
evils which afflict society.'"--_Saturday Review._
* * * * *
=Hall's (Mrs. S. C.) Sketches of Irish Character=. "WOOING AND
WEDDING," "JACK THE SHRIMP," "PETER THE PROPHET," "GOOD AND
BAD SPIRITS," "MABEL O'NEIL'S CURSE," &c., &c. With numerous
Illustrations on Steel and Wood, by DANIEL MACLISE, R.A., Sir JOHN
GILBERT, W. HARVEY, and G. CRUIKSHANK. 8vo, pp. 450, cloth extra,
7_s._ 6_d._
[Illustration]
"The Irish sketches of this lady resemble Miss Mitford's beautiful
English Sketches in 'Our Village,' but they are far more vigorous
and picturesque and bright."--_Blackwood's Magazine._
* * * * *
THE MOST COMPLETE HOGARTH EVER PUBLISHED.
=Hogarth's Works=: with Life and Anecdotal Descriptions of the
Pictures, by JOHN IRELAND and JOHN NICHOLS. The Work includes 160
Engravings, reduced in exact facsimile of the Original Plates,
specimens of which have now become very scarce. The whole in Three
Series, 8vo, cloth, gilt, 22_s._ 6_d._; or, separately, 7_s._ 6_d._
per volume. Each Series is Complete in itself.
[Illustration: THE TALKING HAND.]
"Will be a great boon to authors and artists as well as
amateurs.... Very cheap and very complete."--_Standard._
"For all practical purposes the three handsome volumes comprising
this edition are equal to a collection of Hogarthian prints. We
are quite sure that any one who adds this work to his library
will be amply repaid by the inexhaustible charms of its facsimile
prints."--_Birmingham Daily Mail._
"The plates are reduced in size, but yet truthfully reproduced.
The best and cheapest edition of Hogarth's complete works yet
brought forward."--_Building News._
"Three very interesting volumes, important and valuable additions
to the library. The edition is thoroughly well brought out, and
carefully printed on fine paper."--_Art Journal._
* * * * *
=Hogarth's Five Days' Frolic=; or, Peregrinations by Land and Water.
Illustrated with Tinted Drawings, made by HOGARTH and SCOTT during
the Journey. 4to, beautifully printed, cloth, extra gilt, 10_s._ 6_d._
*** _A graphic and most extraordinary picture of the hearty
English times in which these merry artists lived._
* * * * *
=Hogg's Jacobite Relics of Scotland=: Being the Songs, Airs, and
Legends of the Adherents to the House of Stuart. Collected and
Illustrated by JAMES HOGG. In 2 vols. Vol. I., a Facsimile of the
original Edition; Vol. II., the _original_ Edition. 8vo, cloth, 28_s._
* * * * *
=Haunted=; or, Tales of the Weird and Wonderful. A new and entirely
original series of GHOST STORIES, by FRANCIS E. STAINFORTH. Post 8vo,
illust. bds., 2_s._ [_Nearly ready_.
* * * * *
=Hawthorne's English and American Note Books=. Edited, with an
Introduction, by MONCURE D. CONWAY. Royal 16mo, paper cover, 1_s._;
in cloth, 1_s._ 6_d._
* * * * *
=Hone's Scrap-Books=: The Miscellaneous Writings of WILLIAM HONE,
Author of "The Table-Book," "Every-Day Book," and the "Year Book:"
being a Supplementary Volume to those works. Now first collected.
With Notes, Portraits, and numerous Illustrations of curious and
eccentric objects. Crown 8vo, cloth extra. [_Preparing_.
* * * * *
MR. HORNE'S EPIC.
=Orion.= An Epic Poem, in Three Books. By RICHARD HENGIST HORNE. With
Photographic Portrait-Frontispiece. TENTH EDITION. Crown 8vo, cloth
extra, 7_s._
"Orion will be admitted, by every man of genius, to be one of the
noblest, if not the very noblest poetical work of the age. Its
defects are trivial and conventional, its beauties intrinsic and
supreme."--EDGAR ALLAN POE.
* * * * *
=Hunt's (Robert) Drolls of Old Cornwall=; or, POPULAR ROMANCES OF THE
WEST OF ENGLAND. With Illustrations by GEORGE CRUIKSHANK. Crown 8vo,
cloth extra, gilt, 7_s._ 6_d._
[Illustration]
*** "Mr. Hunt's charming book of the Drolls and Stories of the West of
England."--_Saturday Review._
* * * * *
=Irish Guide.--How to Spend a Month in Ireland.= Being a complete
Guide to the Country, with an Appendix containing information as
to the Fares between the Principal Towns in England and Ireland,
and as to Tourist Arrangements for the Season. With a Map and 80
Illustrations. By Sir CUSACK P. RONEY. A New Edition, Edited by Mrs.
J. H. RIDDELL. Crown 8vo, cloth extra, price 1_s._ 6_d._
* * * * *
[Illustration]
=Jennings' (Hargrave) One of the Thirty.= With curious Illustrations.
Crown 8vo, cloth extra, 10_s._ 6_d._
* * *
=Jennings' (Hargrave) The Rosicrucians: Their Rites and Mysteries.=
With Chapters on the Ancient Fire and Serpent Worshippers and
Explanations of Mystic Symbols in Monuments and Talismans of Primeval
Philosophers. Crown 8vo, 300 Illustrations, 10_s._ 6_d._
* * * * *
=Jerrold's (Blanchard) Cent. per Cent.= A Story Written on a Bill
Stamp. A New Edition. Fcap. 8vo, illustrated boards, 2_s._
* * * * *
NEW WORK BY DOUGLAS JERROLD.
=Jerrold's (Douglas) The Barber's Chair, and The Hedgehog Letters.=
Now first collected. Edited, with an Introduction, by his Son,
BLANCHARD JERROLD. Crown 8vo, with Steel Plate Portrait from his
Bust, engraved by W. H. MOTE, cloth extra, 7_s._ 6_d._
"No library is complete without Douglas Jerrold's Works; _ergo_,
no library is complete without the 'Barber's Chair.' A delightful
volume; the papers are most amusing; they abound with sly touches
of sarcasm; they are full of playful wit and fancy."--_Pictorial
World._
"An amusing volume, full of Douglas Jerrold's well-known sharpness
and repartee."--_Daily News._
"Better fitted than any other of his productions to give an idea
of Douglas Jerrold's amazing wit; the 'Barber's Chair' may be
presumed to give as near an approach as is possible in print to
the wit of Jerrold's conversation."--_Examiner._
* * *
=Jerrold's (Douglas) Brownrigg Papers=: The Actress at the Duke's;
Baron von Boots; Christopher Snubb; The Tutor Fiend and his Three
Pupils; Papers of a Gentleman at Arms, &c. By DOUGLAS JERROLD. Edited
by his Son, BLANCHARD JERROLD. Post 8vo, illustrated boards, 2_s._
* * * * *
=Kalendars of Gwynedd.= Compiled by EDWARD BREESE, F.S.A. With Notes
by WILLIAM WATKIN EDWARD WYNNE, Esq., F.S.A. Demy 4to, cloth extra,
28_s._
* * * * *
=Lamb's (Charles) Complete Works=, in Prose and Verse, reprinted from
the Original Editions, with many pieces now first included in any
Edition. Edited, with Notes and Introduction, by R. H. SHEPHERD. With
Two Portraits and facsimile of a page of the "Essay on Roast Pig."
Crown 8vo, cloth extra, gilt, 7_s._ 6_d._
"Is it not time for a new and final edition of Lamb's Works--a
finer tribute to his memory than any monument in Edmonton
churchyard? Lamb's writings, and more especially his fugitive
productions, have scarcely yet escaped from a state of
chaos."--_Westminster Review_, October, 1874.
ABSTRACT OF CONTENTS.
ESSAYS OF ELIA, as originally published in _The London Magazine_,
_The Examiner_, _The Indicator_, _The Reflector_, _The New
Monthly_, _The Englishman's Magazine_, _The Athenæum_, &c.
PAPERS contributed to "Hone's Table Book," "Year Book," and "Every
Day Book," and to Walter Wilson's "Life of Defoe."
NOTES ON THE ENGLISH DRAMATISTS, 1808-1827.
REVIEW OF WORDSWORTH'S "EXCURSION" (from the _Quarterly Review_).
ROSAMOND GRAY (from the Edition of 1798).
TALES FROM SHAKESPEARE and from MRS. LEICESTER'S SCHOOL.
THE ADVENTURES OF ULYSSES.
DRAMATIC PIECES:
John Woodvil: a Tragedy (from the Edition of 1802).
Mr. H----, a Farce.
The Wife's Trial; or, The Intruding Widow.
The Pawnbroker's Daughter.
POEMS:
Sonnets and other Poems printed with those of Coleridge in 1796-7,
1800, and 1813.
Blank Verse (from the Edition of 1798).
Poetry for Children, 1809.
Album Verses, 1830.
Satan in Search of a Wife, 1831, &c.
* * * * *
=Lamb (Mary & Charles): Their Poems, Letters, and Remains.= Now first
collected, with Reminiscences and Notes, by W. CAREW HAZLITT. With
HANCOCK'S Portrait of the Essayist, Facsimiles of the Title-pages of
the rare First Editions of Lamb's and Coleridge's Works, Facsimile of
a Page of the Original MS. of the "Essay on Roast Pig," and numerous
Illustrations of Lamb's Favourite Haunts. Crown 8vo, cloth extra,
10_s._ 6_d._; LARGE-PAPER COPIES 21_s._
"Mr. W.C. Hazlitt has published a very pretty and interesting
little volume. It has many pictorial illustrations, which were
supplied by Mr. Camden Hotten; and, above all, it contains a
facsimile of the first page of Elia on 'Roast Pig.' It is well
got up, and has a good portrait of Elia. There are also some
letters and poems of Mary Lamb which are not easily accessible
elsewhere."--_Westminster Review._
"Must be consulted by all future biographers of the
Lambs."--_Daily News._
"Tells us a good deal that is interesting and something that is
fairly new."--_Graphic._
"Very many passages will delight those fond of literary trifles;
hardly any portion will fail to have its interest for lovers of
Charles Lamb and his sister."--_Standard._
"Mr. Hazlitt's work is very important and valuable, and all lovers
of Elia will thank him for what he has done."--_Sunday Times._
"Will be joyfully received by all Lambites."--_Globe._
* * * * *
=Lee (General Edward): His Life and Campaigns.= By his Nephew,
EDWARD LEE CHILDE. With Portrait and Plans. 1 vol. Crown 8vo. [_In
preparation._
* * * * *
=Life in London=; or, The Day and Night Scenes of Jerry Hawthorn
and Corinthian Tom. WITH THE WHOLE OF CRUIKSHANK'S VERY DROLL
ILLUSTRATIONS, in Colours, after the Originals. Crown 8vo, cloth
extra, 7_s._ 6_d._
* * * * *
=Literary Scraps.= A Folio Scrap-Book of 340 columns, with guards,
for the reception of Cuttings from Newspapers, Extracts, Miscellanea,
&c. In folio, half-roan, 7_s._ 6_d._
* * * * *
=Little London Directory of 1677.= The Oldest Printed List of the
Merchants and Bankers of London. Reprinted from the Rare Original,
with an Introduction by JOHN CAMDEN HOTTEN. 16mo, binding after the
original, 6_s._ 6_d._
[Illustration]
=Longfellow's Prose Works=, complete, including "Outre-Mer,"
"Hyperion," "Kavanagh," "Driftwood," "On the Poets and Poetry of
Europe." With Portrait and Illustrations by BROMLEY. 800 pages, crown
8vo, cloth gilt, 7_s._ 6_d._
*** _The reader will find the present edition of Longfellow's
Prose Writings by far the most complete ever issued in this
country. "Outre-Mer" contains two additional chapters, restored
from the first edition; while "The Poets and Poetry of Europe,"
and the little collection of Sketches entitled "Driftwood," are
now first introduced to the English public._
* * * * *
=Lost Beauties of the English Language.= An Appeal to Authors, Poets,
Clergymen, and Public Speakers. By CHARLES MACKAY, LL.D. Crown 8vo,
cloth extra, 6_s._ 6_d._
* * * * *
=Linton's (Mrs. E. Lynn) True History of Joshua Davidson, Christian
and Communist.= SIXTH EDITION, with a New Preface. Small crown 8vo,
cloth extra, 4_s._ 6_d._
"In a short and vigorous preface, Mrs. Linton defends, in certain
points, her notion of the logical outcome of Christianity as
embodied in this attempt to conceive how Christ would have
acted, with whom He would have fraternised, and who would
have declined to receive Him, had He appeared in the present
generation."--_Examiner._
* * * * *
MRS. LYNN LINTON'S NEW NOVEL.
=Patricia Kemball=: A Novel, by E. LYNN LINTON, Author of "Joshua
Davidson," &c., in Three Vols. crown 8vo, is now ready at all the
Libraries and at the Booksellers'.
"Perhaps the ablest novel published in London this year.... We
know of nothing in the novels we have lately read equal to the
scene in which Mr. Hamley proposes to Dora.... We advise our
readers to send to the library for the story."--_Athenæum._
"This novel is distinguished by qualities which entitle it to a
place apart from the ordinary fiction of the day; ... displays
genuine humour, as well as keen social observation.... Enough
graphic portraiture and witty observation to furnish materials for
half a dozen novels of the ordinary kind."--_Saturday Review._
* * * * *
=Madre Natura= _versus_ The Moloch of Fashion.= A Social Essay. By
LUKE LIMNER. With 32 Illustrations by the Author. FOURTH EDITION,
revised, corrected, and enlarged. Crown 8vo, cloth extra gilt, red
edges, price 2_s._ 6_d._
[Illustration]
"Bravo, Luke Limner! In this treatise, aptly and ably illustrated,
the well-known artist scathingly exposes the evils of the present
fashions--more especially of tight-lacing. Girls should be made to
learn it by heart, and act on its precepts."--_Fun._
"Agreeably written and amusingly illustrated. Common sense and
erudition are brought to bear on the subjects discussed in
it."--_Lancet._
* * * * *
=Magna Charta.= An exact Facsimile of the Original Document in the
British Museum, carefully drawn, and printed on fine plate paper,
nearly 3 feet long by 2 feet wide, with the Arms and Seals of the
Barons emblazoned in Gold and Colours. Price 5_s._
A full Translation, with Notes, printed on a large sheet, price 6_d._
* * * * *
AUTHOR'S CORRECTED EDITION.
=Mark Twain's Choice Works.= Revised and Corrected throughout by the
Author. With Life, Portrait, and numerous Illustrations. 700 pages,
cloth extra gilt, 7_s._ 6_d._
* * *
=Mark Twain's Pleasure Trip on the Continent of Europe.= With
Frontispiece. 500 pages, illustrated boards, 2_s._; or cloth extra,
2_s._ 6_d._
* * * * *
=Marston's (Dr. Westland) Poetical and Dramatic Works.= A New and
Collected Library Edition, in Two Vols. crown 8vo, is now in the
press, and will be ready very shortly.
* * * * *
MR. PHILIP MARSTON'S POEMS.
=Song Tide=, and other Poems. By PHILIP BOURKE MARSTON. SECOND
EDITION. Crown 8vo, cloth extra, 8_s._
"This is a first work of extraordinary performance and of still
more extraordinary promise. The youngest school of English poetry
has received an important accession to its ranks in Philip Bourke
Marston."--_Examiner._
"Mr. Marston has fairly established his claim to be heard as a
poet.... His present volume is well worthy of careful perusal, as
the utterance of a poetic, cultivated mind."--_Standard._
"We have spoken plainly of some defects in the poetry before
us, but we have read much of it with interest, and even
admiration."--_Pall Mall Gazette._
* * *
=All in All=: Poems and Sonnets. By PHILIP BOURKE MARSTON. Crown 8vo,
cloth extra, 8_s._
* * * * *
=Mayhew's London Characters=: Illustrations of the Humour, Pathos,
and Peculiarities of London Life. By HENRY MAYHEW, Author of "London
Labour and the London Poor," and other Writers. With nearly 100
graphic Illustrations by W. S. GILBERT, and others. Crown 8vo, cloth
extra, 6_s._
"Well fulfils the promise of its title.... The book is an
eminently interesting one, and will probably attract many
readers."--_Court Circular._
* * * * *
=Memorials of Manchester Streets.= By RICHARD WRIGHT PROCTER. With
an Appendix, containing "The Chetham Library," by JAMES CROSSLEY,
F.S.A.; and "Old Manchester and its Worthies," by JAMES CROSTON,
F.S.A. Demy 8vo, cloth extra, with Photographic Frontispiece and
numerous Illustrations, 15_s._
* * * * *
=Monumental Inscriptions of the West Indies=, from the Earliest
Date, with Genealogical and Historical Annotations, &c., from
Original, Local, and other Sources. Illustrative of the Histories
and Genealogies of the Seventeenth Century, the Calendars of State
Papers, Peerages, and Baronetages. With Engravings of the Arms of
the principal Families. Chiefly collected on the spot by the Author,
Capt. J. H. LAWRENCE-ARCHER. Demy 4to, cloth extra, 42_s._ [_Nearly
ready._
* * * * *
=Muses of Mayfair=: Vers de Société of the Nineteenth Century,
including selections from TENNYSON, BROWNING, SWINBURNE,
ROSSETTI, JEAN INGELOW, LOCKER, INGOLDSBY, HOOD, LYTTON, C. S.
C., LANDOR, HENRY S. LEIGH, and very many others. Edited by H.
CHOLMONDELEY-PENNELL, Author of "Puck on Pegasus." Beautifully
printed, cloth extra gilt, gilt edges, uniform with "The Golden
Treasury of Thought," 7_s._ 6_d._
* * * * *
MR. O'SHAUGHNESSY'S POEMS.
=Music and Moonlight=: Poems and Songs. By ARTHUR O'SHAUGHNESSY,
Author of "An Epic of Women." Fcap. 8vo, cloth extra, 7_s._ 6_d._
"It is difficult to say which is more exquisite, the technical
perfection of structure and melody, or the delicate pathos of
thought. Mr. O'Shaughnessy will enrich our literature with some of
the very best songs written in our generation."--_Academy._
* * * * *
=An Epic of Women=, and other Poems. SECOND EDITION. Fcap. 8vo, cloth
extra, 6_s._
"Of the formal art of poetry he is in many senses quite a master;
his metres are not only good,--they are his own, and often of an
invention most felicitous as well as careful."--_Academy._
* * * * *
=Lays of France.= (Founded on the "Lays of Marie.") SECOND EDITION.
Crown 8vo, cloth extra, 10_s._ 6_d._
"As we have before remarked in noticing an earlier volume of
his, this modern votary of Marie has, in imaginative power, keen
intuition, and ear, a genuine claim to be writing poetry, as
things go now.... And Mr. O'S. is also an accomplished master in
those peculiar turns of rhythm which are designed to reproduce the
manner of the mediæval originals."--_Saturday Review._
* * * * *
=Mystery of the Good Old Cause=: Sarcastic Notices of those Members
of the Long Parliament that held Places, both Civil and Military,
contrary to the Self-denying Ordinance of April 3, 1645; with the
Sums of Money and Lands they divided among themselves. Small 4to,
half-morocco, 7_s._ 6_d._
* * * * *
=Napoleon III., the Man of His Time=; from Caricatures. PART I. THE
STORY OF THE LIFE OF NAPOLEON III., as told by J. M. HASWELL. PART
II. THE SAME STORY, as told by the POPULAR CARICATURES of the past
Thirty-five Years. Crown 8vo, with Coloured Frontispiece and over 100
Caricatures, 7_s._ 6_d._
* * * * *
=Original Lists of Persons of Quality=; Emigrants; Religious Exiles;
Political Rebels; Serving Men Sold for a Term of Years; Apprentices;
Children Stolen; Maidens Pressed; and others who went from Great
Britain to the American Plantations, 1600-1700. With their Ages, the
Localities where they formerly Lived in the Mother Country, Names of
the Ships in which they embarked, and other interesting particulars.
From MSS. preserved in the State Paper Department of Her Majesty's
Public Record Office, England. Edited by JOHN CAMDEN HOTTEN. A very
handsome volume, crown 4to, cloth gilt, 700 pages, 38_s._ A few Large
Paper copies have been printed, price 60_s._
"This volume is an English Family Record, and as such may be
commended to English families, and the descendants of English
families, wherever they exist."--_Academy._
* * * * *
THE OLD DRAMATISTS.
MR. SWINBURNE'S NEW ESSAY.
=George Chapman's Poems and Minor
Translations.= Complete, including some Pieces now first printed.
With an Essay on the Dramatic and Poetical Works of GEORGE
CHAPMAN, by ALGERNON CHARLES SWINBURNE. Crown 8vo, with Frontispiece,
cloth extra, 6_s._
* * *
=George Chapman's Translations of
Homer's Iliad and Odyssey.= Edited by RICHARD HERNE
SHEPHERD. In one volume, crown 8vo, cloth extra, 6_s._
* * *
=George Chapman's Plays=, Complete, from
the Original Quartos, including the doubtful Plays. Edited by
R. H. SHEPHERD. Crown 8vo, cloth extra, with Frontispiece, 6_s._
* * *
=Ben Jonson's Works.= With Notes, Critical
and Explanatory, and a Biographical Memoir by WILLIAM
GIFFORD. Edited by Lieut.-Col. FRANCIS CUNNINGHAM. Complete
in 3 vols., crown 8vo, cloth extra, gilt, Portrait, 6_s._ each.
* * *
=Christopher Marlowe's Works=; Including
his Translations. Edited, with Notes and Introduction, by
Lt.-Col. F. CUNNINGHAM. Cr. 8vo, cloth extra, gilt, Portrait, 6_s._
* * *
=Philip Massinger's Plays.= From the
Text of WM. GIFFORD. With the addition of the Tragedy of
"Believe as You List." Edited by Lieut.-Col. FRANCIS CUNNINGHAM.
Crown 8vo, cloth extra gilt, with Portrait, price 6_s._
* * * * *
OLD BOOKS--FACSIMILE REPRINTS.
=Musarum Deliciæ=; or, The Muses' Recreation, 1656; Wit Restor'd,
1658; and Wit's Recreations, 1640. The whole compared with the
originals; with all the Wood Engravings, Plates, Memoirs, and Notes.
A New Edition, in 2 vols., post 8vo, printed on antique laid paper,
and bound in antique boards, 21_s._
* * *
=Rump (The)=; or, An Exact Collection of the choicest POEMS and SONGS
relating to the late Times, and continued by the most eminent Wits;
from Anno 1639 to 1661. A Facsimile Reprint of the rare Original
Edition (London, 1662), with Frontispiece and Engraved Title-page. In
2 vols., large fcap. 8vo, printed on antique laid paper, and bound in
antique boards, 17_s._ 6_d._
* * *
=D'Urfey's ("Tom") Wit and Mirth=; or, PILLS TO PURGE MELANCHOLY:
Being a Collection of the best Merry Ballads and Songs, Old and New.
Fitted to all Humours, having each their proper Tune for either Voice
or Instrument: most of the Songs being new set. London: Printed by W.
Pearson, for J. Tonson, at Shakespeare's Head, over-against Catherine
Street in the Strand, 1719. An exact reprint. In 6 vols., large fcap.
8vo, printed on antique laid paper, antique boards, £3 3_s._
* * *
=English Rogue (The)=, described in the Life of MERITON LATROON, and
other Extravagants, comprehending the most Eminent Cheats of both
Sexes. By RICHARD HEAD and FRANCIS KIRKMAN. A Facsimile Reprint of
the rare Original Edition (1665-1672), with Frontispiece, Facsimiles
of the 12 copper plates, and Portraits of the Authors. In 4 vols.,
large fcap. 8vo, printed on antique laid paper, and bound in antique
boards, 36_s._
* * *
=Westminster Drolleries=: Being a choice Collection of Songs
and Poems sung at Court and Theatres. With Additions made by a
Person of Quality. Now first reprinted in exact facsimile from the
Original Editions of 1671 and 1672. Edited, with an Introduction
on the Literature of the Drolleries, a copious Appendix of Notes,
Illustrations, and Emendations of Text, Table of Contents, and Index
of First Lines, by J. WOODFALL EBSWORTH, M.A. Cantab. Large fcap.
8vo, printed on antique paper, and bound in antique boards, 10_s._
6_d._; large paper copies, 21_s._
* * *
=Ireland Forgeries.--Confessions of= WILLIAM-HENRY IRELAND.
Containing the Particulars of his Fabrication of the Shakspeare
Manuscripts; together with Anecdotes and Opinions (hitherto
unpublished) of many Distinguished Persons in the Literary,
Political, and Theatrical World. A Facsimile Reprint from the
Original Edition, with several additional Facsimiles. Fcap. 8vo,
printed on antique laid paper, and bound in antique boards, 10_s._
6_d._; a few Large Paper copies, at 21_s._
* * *
=Grose's Dictionary of the Vulgar Tongue.= 1785. An unmutilated
Reprint of the First Edition. Quarto, bound in half-Roxburghe, gilt
top, price 8_s._
* * *
=Joe Miller's Jests=: the politest Repartees, most elegant Bon-Mots,
and most pleasing short Stories in the English Language. London:
printed by T. Read. 1739. A Facsimile of the Original Edition. 8vo,
half-morocco, 9_s._ 6_d._
* * *
=Old Prose Stories (The)= whence TENNYSON'S "Idylls of the King" were
taken. By B. M. RANKING. Royal 16mo, paper cover, 1_s._; cloth extra,
1_s._ 6_d._
* * * * *
OLD SHEKARRY'S WORKS.
=Forest and Field=: Life and Adventure in Wild Africa. By the OLD
SHEKARRY. With Eight Illustrations. Crown 8vo, cloth extra, gilt,
6_s._
* * *
=Wrinkles=; or, Hints to Sportsmen and Travellers upon Dress,
Equipment, Armament, and Camp Life. By the OLD SHEKARRY. A New
Edition, with Illustrations. Small crown 8vo, cloth extra, gilt, 6_s._
* * * * *
OUIDA'S NOVELS.
Uniform Edition, each Complete in One Volume, crown 8vo, red
cloth extra, price 5_s._ each.
=Folle Farine.=
=Idalia=: A Romance.
=Chandos=: A Novel.
=Under Two Flags.=
=Cecil Castlemaine's Gage.=
=Tricotrin=: The Story of a Waif and Stray.
=Pascarèl=: Only a Story.
=Held In Bondage=; or, Granville de Vigne.
=Puck=: His Vicissitudes, Adventures, &c.
=A Dog of Flanders=, and other Stories.
=Strathmore=; or, Wrought by his Own Hand.
=Two Little Wooden Shoes.=
* * * * *
=Parochial History of the County of Cornwall.= Compiled from the best
Authorities, and corrected and improved from actual Survey. 4 vols.
4to, cloth extra, £3 3_s._ the set; or, separately, the first three
volumes, 16_s._ each; the fourth volume, 18_s._
* * * * *
=Plain English.= By JOHN HOLLINGSHEAD. One vol., crown 8vo.
[_Preparing._
* * * * *
=Private Book of Useful Alloys and Memoranda for Goldsmiths and
Jewellers.= By JAMES E. COLLINS, C.E. Royal 16mo, 3_s._ 6_d._
* * * * *
SEVENTH EDITION OF
=Puck on Pegasus.= By H. CHOLMONDELEY-PENNELL.
Profusely illustrated by the late JOHN LEECH, H. K. BROWNE, Sir NOEL
PATON, JOHN MILLAIS, JOHN TENNIEL, RICHARD DOYLE, Miss ELLEN EDWARDS,
and other artists. A New Edition (the SEVENTH), crown 8vo, cloth
extra, gilt, price 5_s._; or gilt edges, 6_s._
"The book is clever and amusing, vigorous and healthy."--_Saturday
Review._
"The epigrammatic drollery of Mr. Cholmondeley-Pennell's 'Puck
on Pegasus' is well known to many of our readers.... The present
(_the sixth_) is a superb and handsomely printed and illustrated
edition of the book."--_Times._
"Specially fit for reading in the family circle."--_Observer._
* * * * *
"AN AWFULLY JOLLY BOOK FOR PARTIES."
=Puniana=: Thoughts Wise and Otherwise. By the Hon. HUGH ROWLEY. Best
Book of Riddles and Puns ever formed. With nearly 100 exquisitely
Fanciful Drawings. Contains nearly 3000 of the best Riddles, and
10,000 most outrageous Puns, and is one of the most Popular Books
ever issued. New Edition, small quarto, green and gold, gilt edges,
price 6_s._
"Enormous burlesque--unapproachable and pre-eminent. We think this
very queer volume will be a favourite. We should suggest that,
to a dull person desirous to get credit with the young holiday
people, it would be good policy to invest in the book, and dole it
out by instalments."--_Saturday Review._
Also,
=More Puniana.=
By the Hon. HUGH ROWLEY. Containing nearly 100 beautifully
executed Drawings, and a splendid Collection of Riddles and Puns,
rivalling those in the First Volume. Small 4to, green and gold,
gilt edges, uniform with the First Series, 6_s._
[Illustration: _When are persons entitled to speak like a
book? Only when they are a tome on the subject._]
* * * * *
[Illustration]
=Pursuivant of Arms (The)=; or, Heraldry founded upon Facts. A
Popular Guide to the Science of Heraldry. By J. R. PLANCHÉ, Esq.,
F.S.A., Somerset Herald. To which are added, Essays on the BADGES OF
THE HOUSES OF LANCASTER AND YORK. A New Edition, enlarged and revised
by the Author, illustrated with Coloured Frontispiece, Five full-page
Plates, and about 200 Illustrations. Crown 8vo, bound in cloth extra,
gilt, 7_s._ 6_d._
* * * * *
=Practical Assayer=: A Guide to Miners and Explorers. By OLIVER
NORTH. With Tables and Illustrative Woodcuts. Crown 8vo, 7_s._ 6_d._
*** _This book gives directions, in the simplest form, for
assaying bullion and the baser metals by the cheapest, quickest,
and best methods. Those interested in mining property will be
enabled, by following its instructions, to form a tolerably
correct idea of the value of ores, without previous knowledge of
assaying; while to the young man seeking his fortune in mining
countries it is indispensable._
"Likely to prove extremely useful. The instructions are clear and
precise."--_Chemist and Druggist._
"An admirable little volume."--_Mining Journal._
"We cordially recommend this compact little volume to all engaged
in mining enterprize, and especially to explorers."--_Monetary and
Mining Review._
* * * * *
GUSTAVE DORÉ'S DESIGNS.
=Rabelais' Works.= Faithfully translated from the French, with
variorum Notes, and numerous characteristic Illustrations by GUSTAVE
DORÉ. Cr. 8vo, cl. extra, 700 pp. 7_s._ 6_d._
* * * * *
UNIFORM WITH "WONDERFUL CHARACTERS."
=Remarkable Trials and Notorious Characters.= From "Half-Hanged
Smith," 1700, to Oxford, who shot at the Queen, 1840. By Captain L.
BENSON. With spirited full-page Engravings by PHIZ. 8vo, 550 pages,
7_s._ 6_d._
* * * * *
=Rochefoucauld's Reflections and Moral Maxims.= With Introductory
Essay by SAINTE-BEUVE, and Explanatory Notes. Cloth extra, 1_s._
6_d._
* * * * *
=Reminiscences of the late Thomas Assheton Smith, Esq.=; or, The
Pursuits of an English Country Gentleman. By Sir J. E. EARDLEY
WILMOT, Bart. A New and Revised Edition, with Steel-plate Portrait,
and plain and coloured Illustrations. Crown 8vo, cloth extra, 7_s._
6_d._
* * * * *
=Roll of Battle Abbey=; or, A List of the Principal Warriors who came
over from Normandy with William the Conqueror, and Settled in this
Country, A.D. 1066-7. Carefully drawn, and printed on fine plate
paper, nearly three feet by two feet, with the Arms of the principal
Barons elaborately emblazoned in Gold and Colours. Price 5_s._; or,
handsomely framed in carved oak of an antique pattern, 22_s._ 6_d._
* * * * *
=Roll of Caerlaverock=, the Oldest Heraldic Roll; including the
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the British Museum. By THOMAS WRIGHT, M.A. The Arms emblazoned in
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12_s._
* * * * *
=Roman Catholics in the County of York in 1604.= Transcribed from the
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Roundheads and Cavaliers, 1642." Small 4to, handsomely printed and
bound, 15_s._
*** _Genealogists and Antiquaries will find much new and curious
matter in this work. An elaborate Index refers to every name in
the volume, among which will be found many of the highest local
interest._
* * * * *
=Ross's (Chas. H.) Story of a Honeymoon.= A New Edition of this
charmingly humorous book, with numerous Illustrations by the Author.
Fcap. 8vo, illustrated boards, 2_s._
* * * * *
=School Life at Winchester College=; or, The Reminiscences of a
Winchester Junior. By the Author of "The Log of the Water Lily;" and
"The Water Lily on the Danube." Second Edition, Revised, COLOURED
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* * * * *
=Schopenhauer's The World Considered as Will and Imagination.=
Translated by Dr. FRANZ HUEFFER, Author of "Richard Wagner and the
Music of the Future." [_In preparation._
* * * * *
THE "SECRET OUT" SERIES.
Crown 8vo, cloth extra, profusely Illustrated, price 4_s._ 6_d._ each.
=Art of Amusing.= A Collection of Graceful Arts, Games, Tricks,
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* * *
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Edited by W. H. CREMER. With 200 Illustrations.
* * *
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* * *
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* * *
=Secret Out=; or, One Thousand Tricks with Cards, and other
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Magic." Edited by W. H. CREMER. With 300 Engravings.
* * *
=Shelley's Early Life.= From Original Sources. With Curious
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By DENIS FLORENCE MAC-CARTHY. Crown 8vo, with Illustrations, 440
pages, 7_s._ 6_d._
* * *
=Sheridan's Complete Works=, with Life and Anecdotes. Including his
Dramatic Writings, printed from the Original Editions, his Works
in Prose and Poetry, Translations, Speeches, Jokes, Puns, &c.;
with a Collection of Sheridaniana. Crown 8vo, cloth gilt, with 10
beautifully executed Portraits and Scenes from his Plays, 7_s._ 6_d._
* * * * *
=Signboards=: Their History. With Anecdotes of Famous Taverns and
Remarkable Characters. By JACOB LARWOOD and JOHN CAMDEN HOTTEN.
SEVENTH EDITION. Crown 8vo, cloth extra, 7_s._ 6_d._
"It is not fair on the part of a reviewer to pick out the plums of
an author's book, thus filching away his cream, and leaving little
but skim-milk remaining; but, even if we were ever so maliciously
inclined, we could not in the present instance pick out all
Messrs. Larwood and Hotten's plums, because the good things are so
numerous as to defy the most wholesale depredation."--_The Times._
[Illustration: HELP ME THROUGH THIS WORLD!]
*** _Nearly 100 most curious illustrations on wood are given,
showing the signs which were formerly hung from taverns, &c._
HANDBOOK OF COLLOQUIALISMS.
* * * * *
[Illustration: THE WEDGE AND THE WOODEN SPOON.]
=The Slang Dictionary=: Etymological, Historical, and Anecdotal. An
ENTIRELY NEW EDITION, revised throughout, and considerably Enlarged,
containing upwards of a thousand more words than the last edition.
Crown 8vo, with Curious Illustrations, cloth extra, 6_s._ 6_d._
"Peculiarly a book which 'no gentleman's library should be
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indispensable."--_Dispatch._
"Interesting and curious. Contains as many as it was possible to
collect of all the words and phrases of modern slang in use at the
present time."--_Public Opinion._
"In every way a great improvement on the edition of 1864. Its uses
as a dictionary of the very vulgar tongue do not require to be
explained."--_Notes and Queries._
"Compiled with most exacting care, and based on the best
authorities."--_Standard._
"In 'The Slang Dictionary' we have not only a book that reflects
credit upon the philologist; it is also a volume that will repay,
at any time, a dip into its humorous pages."--_Figaro._
* * * * *
WEST-END LIFE AND DOINGS.
=Story of the London Parks.= By JACOB LARWOOD. With numerous
Illustrations, Coloured and Plain. In One thick Volume, crown 8vo,
cloth extra, gilt, 7_s._ 6_d._
*** _A most interesting work, giving a complete History of these
favourite out-of-door resorts, from the earliest period to the
present time._
* * * * *
A KEEPSAKE FOR SMOKERS.
=Smoker's Text-Book.= By J. HAMER, F.R.S.L. Exquisitely printed from
"silver-faced" type, cloth, very neat, gilt edges, 2_s._ 6_d._, post
free.
* * * * *
CHARMING NEW TRAVEL-BOOK.
[Illustration: "It may be we shall touch the happy isles."]
=Summer Cruising in the South Seas.= By CHARLES WARREN STODDARD. With
Twenty-five Engravings on Wood, drawn by WALLIS MACKAY. Crown 8vo,
cloth, extra gilt, 7_s._ 6_d._
"This is a very amusing book, and full of that quiet humour for
which the Americans are so famous. We have not space to enumerate
all the picturesque descriptions, the poetical thoughts, which
have so charmed us in this volume; but we recommend our readers to
go to the South Seas with Mr. Stoddard in his prettily illustrated
and amusingly written little book."--_Vanity Fair._
"Mr. Stoddard's book is delightful reading, and in Mr.
Wallis Mackay he has found a most congenial and poetical
illustrator."--_Bookseller._
"A remarkable book, which has a certain wild
picturesqueness."--_Standard._
"The author's experiences are very amusingly related, and, in
parts, with much freshness and originality."--_Judy._
"Mr. Stoddard is a humourist; 'Summer Cruising' has a good deal of
undeniable amusement."--_Nation._
* * * * *
=Syntax's (Dr.) Three Tours.= With the whole of ROWLANDSON'S very
droll full-page Illustrations, in Colours, after the Original
Drawings. Comprising the well-known TOURS--1. IN SEARCH OF THE
PICTURESQUE. 2. IN SEARCH OF CONSOLATION. 3. IN SEARCH OF A WIFE.
The Three Series Complete, with a Life of the Author by JOHN CAMDEN
HOTTEN. Medium 8vo, cloth extra, gilt, price 7_s._ 6_d._
* * * * *
=Theseus: A Greek Fairy Legend.= Illustrated, in a series of Designs
in Gold and Sepia, by JOHN MOYR SMITH. With descriptive text. Oblong
folio, price 7_s._ 6_d._
* * * * *
[Illustration: THEODORE HOOK'S HOUSE, NEAR PUTNEY.]
=Theodore Hook's Choice Humorous Works=, with his Ludicrous
Adventures, Bons-mots, Puns, and Hoaxes. With a new Life of the
Author, PORTRAITS, FACSIMILES, and ILLUSTRATIONS. Crown 8vo, 600
pages, cloth extra, 7_s._ 6_d._
*** "As a wit and humourist of the highest order his name will
be preserved. His political songs and _jeux d'esprit_, when the
hour comes for collecting them, _will form a volume of sterling
and lasting attraction_!"--J. G. LOCKHART.
* * * * *
MR. SWINBURNE'S WORKS.
SECOND EDITION NOW READY OF
=Bothwell=: A Tragedy. By ALGERNON CHARLES SWINBURNE. Crown 8vo,
cloth extra, pp. 540, 12_s._ 6_d._
"Mr. Swinburne's most prejudiced critic cannot, we think, deny
that 'Bothwell' is a poem of a very high character. Every line
bears traces of power, individuality, and vivid imagination. The
versification, while characteristically supple and melodious, also
attains, in spite of some affectations, to a sustained strength
and dignity of a remarkable kind. Mr. Swinburne is not only a
master of the music of language, but he has that indescribable
touch which discloses the true poet--the touch that lifts from off
the ground."--_Saturday Review._
"It is not too much to say that, should he never write anything
more, the poet has by this work firmly established his position,
and given us a poem upon which his fame may safely rest. He no
longer indulges in that frequent alliteration, or that oppressive
wealth of imagery and colour, which gave rhythm and splendour to
some of his works, but would have been out of place in a grand
historical poem; we have now a fair opportunity of judging what
the poet can do when deprived of such adventitious aid,--and the
verdict is, that he must henceforth rank amongst the first of
British authors."--_Graphic._
"The whole drama flames and rings with high passions and
great deeds. The imagination is splendid; the style large and
imperial; the insight into character keen; the blank verse
varied, sensitive, flexible, alive. Mr. Swinburne has once more
proved his right to occupy a seat among the lofty singers of our
land."--_Daily News._
"A really grand, statuesque dramatic work.... The reader will
here find Mr. Swinburne at his very best; if manliness, dignity,
and fulness of style are superior to mere pleasant singing and
alliterative lyrics."--_Standard._
"Splendid pictures, subtle analyses of passion, and wonderful
studies of character will repay him who attains the end.... In
this huge volume are many fine and some unsurpassable things.
Subtlest traits of character abound, and descriptive passages of
singular delicacy."--_Athenæum._
"There can be no doubt of the dramatic force of the poem. It
is severely simple in its diction, and never dull; there are
innumerable fine touches on almost every page."--_Scotsman._
"'Bothwell' shows us Mr. Swinburne at a point immeasurably
superior to any that he has yet achieved. It will confirm and
increase the reputation which his daring genius has already won.
He has handled a difficult subject with a mastery of art which is
a true intellectual triumph."--_Hour._
* * *
=Chastelard=: A Tragedy. Foolscap 8vo, 7_s._
* * *
=Poems and Ballads.= Foolscap 8vo, 9_s._
* * *
=Notes on "Poems and Ballads,"= and on the Reviews of them. Demy 8vo,
1_s._
* * *
=Songs before Sunrise.= Post 8vo, 10_s._ 6_d._
* * *
=Atalanta in Calydon.= Fcap. 8vo, 6_s._
* * *
=The Queen Mother and Rosamond.= Foolscap 8vo, 5_s._
* * *
=A Song of Italy.= Foolscap 8vo, 3_s._ 6_d._
* * *
=Ode on the Proclamation of the French Republic.= Demy 8vo, 1_s._
* * *
=Under the Microscope.= Post 8vo, 2_s._ 6_d._
* * *
=William Blake=: A Critical Essay. With facsimile Paintings, Coloured
by Hand, after the Drawings by Blake and his Wife. Demy 8vo, 16_s._
* * * * *
THE THACKERAY SKETCH-BOOK.
[Illustration]
=THACKERAYANA=: Notes and Anecdotes, Illustrated by about Six Hundred
Sketches by WILLIAM MAKEPEACE THACKERAY, depicting Humorous Incidents
in his School-life, and Favourite Scenes and Characters in the books
of his every-day reading, NOW FOR THE FIRST TIME PUBLISHED, from the
Original Drawings made on the margins of his books, &c. Large post
8vo, clth. extra gilt, gilt top, price 12_s._ 6_d._
[Illustration]
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ordinary occurrence. He will have no faultless characters, no
demi-gods,--nothing but men and brethren."--DAVID MASSON.
* * * * *
=Timbs' English Eccentrics and Eccentricities.= Stories of Wealth
and Fashion, Delusions, Impostures and Fanatic Missions, Strange
Sights and Sporting Scenes, Eccentric Artists, Theatrical Folks, Men
of Letters, &c. By JOHN TIMES, F.S.A. An entirely New Edition, with
about 50 Illustrations. Crown 8vo, cloth extra, 600 pages, 7_s._ 6_d._
[Illustration: _Sir Lumley Skeffington at the Birthday Ball._]
=Timbs' Clubs and Club Life in London.= With ANECDOTES of its FAMOUS
COFFEE HOUSES, HOSTELRIES, and TAVERNS. By JOHN TIMBS, F.S.A. New
Edition, with NUMEROUS ILLUSTRATIONS drawn expressly. Crown 8vo,
cloth extra, 600 pages, 7_s._ 6_d._
*** _A Companion to "The History of Sign-Boards."_ _It abounds in
quaint stories of the_ Blue Stocking, Kit-Kat, Beef Steak, Robin
Hood, Mohocks, Scriblerus, One o'Clock, the Civil, _and hundreds
of other Clubs; together with_ Tom's, Dick's, Button's, Ned's,
Will's, _and the famous Coffee Houses of the last century_.
"The book supplies a much-felt want. The club is the avenue to
general society at the present day, and Mr. Timbs gives the
_entrée_ to the club. The scholar and antiquary will also find
the work a repertory of information on many disputed points of
literary interest, and especially respecting various well-known
anecdotes, the value of which only increases with the lapse of
time."--_Morning Post._
=Blake's Works.= Messrs. CHATTO & WINDUS have in preparation a
series of Reproductions in Facsimile of the Works of WILLIAM
BLAKE, including the "Songs of Innocence and Experience," "The
Book of Thel," "America," "The Vision of the Daughters of
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"Jerusalem," "Milton," "Urizen," "The Song of Los," &c. These
Works will be issued both coloured and plain.
* * * * *
=Taylor's History of Playing Cards.= With Sixty curious
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6_d._
*** _Ancient and Modern Games, Conjuring, Fortune-Telling,
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* * * * *
=Vagabondiana=; or, Anecdotes of Mendicant Wanderers through the
Streets of London; with Portraits of the most remarkable, drawn from
the Life by JOHN THOMAS SMITH, late Keeper of the Prints in the
British Museum. With Introduction by FRANCIS DOUCE, and descriptive
text. Reprinted from the original, with the Woodcuts, and the 32
Plates, from the original Coppers, in crown 4to, half Roxburghe,
price 12_s._ 6_d._
* * * * *
"LES MISÉRABLES." Complete in Three Parts.
=Victor Hugo's Fantine.= Now first published in an English
Translation, complete and unabridged, with the exception of a few
advisable omissions. Post 8vo, illustrated boards, 2_s._
"This work has something more than the beauties of an exquisite
style or the word-compelling power of a literary Zeus to recommend
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the emotions, passions, doubts, fears, which go to make up our
common humanity, M. Victor Hugo has stamped upon every page the
Hall-mark of genius and the loving patience and conscientious
labour of a true artist. But the merits of 'Les Misérables' do not
merely consist in the conception of it as a whole; it abounds,
page after page, with details of unequalled beauty."--_Quarterly
Review._
* * *
=Victor Hugo's Cosette and Marius.= Translated into English,
complete, uniform with "Fantine." Post 8vo, illustrated boards, 2_s._
* * *
=Victor Hugo's Saint Denis and Jean Valjean.= Translated into
English, complete, uniform with the above. Post 8vo, illustrated
boards, 2_s._ 6_d._
* * * * *
=Vyner's Notitia Venatica=: A Treatise on Fox-Hunting, the General
Management of Hounds, and the Diseases of Dogs; Distemper and Rabies;
Kennel Lameness, &c. Sixth Edition, Enlarged. By ROBERT C. VYNER.
WITH SPIRITED ILLUSTRATIONS IN COLOURS, BY ALKEN, OF MEMORABLE
FOX-HUNTING SCENES. Royal 8vo, cloth extra, 21_s._
*** _An entirely new edition of the best work on Fox-Hunting._
* * * * *
=Walt Whitman's Leaves of Grass.= The Complete Work, precisely as
issued by the Author in Washington. A thick volume, 8vo, green cloth,
price 9_s._
* * * * *
[Illustration]
=Walton and Cotton, Illustrated.=--=The Complete Angler=; or,
the Contemplative Man's Recreation; being a Discourse of Rivers,
Fish-ponds, Fish and Fishing, written by IZAAK WALTON; and
Instructions how to Angle for a Trout or Grayling in a clear Stream,
by CHARLES COTTON. With Original Memoirs and Notes by Sir HARRIS
NICOLAS, K.C.M.G. With the whole 61 Illustrations, precisely as in
the royal 8vo two-volume Edition issued by Pickering. A New Edition,
complete in One Volume, large crown 8vo, with the Illustrations from
the original plates, printed on full pages, separately from the text,
7_s._ 6_d._
* * * * *
=Warrant to Execute Charles I.= An exact Facsimile of this important
Document, with the Fifty-nine Signatures of the Regicides, and
corresponding Seals, admirably executed on paper made to imitate
the original document, 22 in. by 14 in. Price 2_s._; or, handsomely
framed and glazed in carved oak of antique pattern, 14_s._ 6_d._
* * * * *
=Warrant to Execute Mary Queen of Scots.= The Exact Facsimile of this
important Document, including the Signature of Queen Elizabeth and
Facsimile of the Great Seal, on tinted paper, to imitate the Original
MS. Price 2_s._; or, handsomely framed and glazed in carved oak,
antique pattern, 14_s._ 6_d._
* * * * *
=Waterford Roll (The).=--Illuminated Charter-Roll of Waterford, Temp.
Richard II.
*** _Amongst the Corporation Muniments of the City of Waterford
is preserved an ancient Illuminated Roll, of great interest
and beauty, comprising all the early Charters and Grants to
the City of Waterford, from the time of Henry II. to Richard
II. A full-length Portrait of each King, whose Charter is
given--including Edward III., when young, and again at an advanced
age--adorns the margin. These Portraits, with the exception of
four which are smaller, and on one sheet of vellum, vary from
eight to nine inches in length--some in armour, and some in robes
of state. In addition to these are Portraits of an Archbishop
in full canonicals, of a Chancellor, and of many of the chief
Burgesses of the City of Waterford, as well as singularly curious
Portraits of the Mayors of Dublin, Waterford, Limerick, and
Cork, figured for the most part in the quaint bipartite costume
of the Second Richard's reign, though partaking of many of the
peculiarities of that of Edward III. Altogether this ancient
work of art is unique of its kind in Ireland, and deserves to
be rescued from oblivion, by the publication of the unedited
Charters, and of fac-similes of all the Illuminations. The
production of such a work would throw much light on the question
of the art and social habits of the Anglo-Norman settlers in
Ireland at the close of the fourteenth century. The Charters are,
many of them, highly important from an historic point of view._
_The Illuminations have been accurately traced and coloured for
the work from a copy carefully made, by permission of the Mayor
and Corporation of Waterford, by the late George V. Du Noyer,
Esq., M.R.I.A.; and those Charters which have not already appeared
in print will be edited by the Rev. James Graves, A.B., M.R.I.A.,
Hon. Secretary Kilkenny and South-East of Ireland Archæological
Society._
_The Work will be brought out in the best manner, with embossed
cover and characteristic title-page; and it will be put to press
as soon as 250 subscribers are obtained. The price, in imperial
4to, is 20s. to subscribers, or 30s. to non-subscribers._
* * * * *
=Wonderful Characters=: Memoirs and Anecdotes of Remarkable and
Eccentric Persons of Every Age and Nation. From the text of HENRY
WILSON and JAMES CAULFIELD. Crown 8vo, cloth extra, with Sixty-one
full-page Engravings of Extraordinary Persons, 7_s._ 6_d._
*** _There are so many curious matters discussed in this volume,
that any person who takes it up will not readily lay it down
until he has read it through. The Introduction is almost entirety
devoted to a consideration of Pig-Faced Ladies, and the various
stories concerning them._
* * * * *
=Wright's (Andrew) Court-Hand Restored=; or, Student's Assistant
in Reading Old Deeds, Charters, Records, &c. Half Morocco, a New
Edition, 10_s._ 6_d._
*** _The best guide to the reading of old Records, &c._
* * * * *
=Wright's Caricature History of the Georges= (House of Hanover). With
400 Pictures, Caricatures, Squibs, Broadsides, Window Pictures, &c.
By THOMAS WRIGHT, Esq., M.A., F.S.A. Crown 8vo, cloth extra, 7_s._
6_d._
[Illustration]
"A set of caricatures such as we have in Mr. Wright's volume
brings the surface of the age before us with a vividness that no
prose writer, even of the highest power, could emulate. Macaulay's
most brilliant sentence is weak by the side of the little woodcut
from Gillray, which gives us Burke and Fox."--_Saturday Review._
"A more amusing work of its kind was never issued."--_Art Journal._
"It is emphatically one of the liveliest of books, as also one of
the most interesting. It has the twofold merit of being at once
amusing and edifying."--_Morning Post._
* * * * *
=Yankee Drolleries=, Edited by G. A. SALA. Containing ARTEMUS WARD'S
BOOK; BIGLOW PAPERS; ORPHEUS C. KERR; JACK DOWNING; and NASBY PAPERS.
700 pp., 3_s._ 6_d._
* * * * *
=More Yankee Drolleries.= Containing ARTEMUS WARD'S TRAVELS; HANS
BREITMANN; PROFESSOR AT BREAKFAST TABLE; BIGLOW PAPERS, Part II.; and
JOSH BILLINGS; with Introduction by G. A. SALA. 700 pp., cloth, 3_s._
6_d._
* * * * *
=A Third Supply of Yankee Drolleries.= Containing ARTEMUS WARD'S
FENIANS; AUTOCRAT OF BREAKFAST TABLE; BRET HARTE'S STORIES; INNOCENTS
ABROAD; and NEW PILGRIM'S PROGRESS; with an Introduction by G. A.
SALA. 700 pp., cloth, 3_s._ 6_d._
Transcriber's Notes
In general, spelling is retained as printed. On occasion, apparent
printer's errors, however, are corrected, where the author uses a more
standard spelling elsewhere (e.g., 'acknowleges' on p. 283). Where the
printer simply missed a word (e.g.,'hand' on p. 151), it is added.
Incidental punctuation, especially of abbreviated words and in captions,
which is missing from the printed original, has been silently restored.
In the advertisement section at the end of the text, an asterism (three
asterisks arranged in an inverted triangle) are used as a 'bullet'.
In this text, these will be retained as "***".
This table summarizes the various issues detected, and their resolution.
p. xii LE MONDE BESTORN[E/É] Corrected.
p. 6 as 1185[,] B.C. Removed.
p. 57 and trepidation[.] Added.
p. 76 fat flesh and their platter;["] Probable
placement
p. 107 i[t] is evident from many allusions Added.
p. 151 luxury went hand in [hand] Added.
p. 153 a playful character[./,] or sometimes Added.
p. 155 N[u/ü]remberg Corrected.
p. 160 and [meats] with a courteous reception _sic._
p. 162 ["]should not be jougleurs, goliards, Probable
or buffoons;" placement.
p. 163 de [famila] Goliæ _sic._
p. 173 ["/']Adam, Adam ... Corrected.
p. 201 received by the [the ]emperor Hugo Removed.
p. 230 Here [beginneht] a merye jest _sic._
n. 74
p. 243 "Cent Nouvelles Nouvelles," ["]Poggio,"
"Straparola," Added.
seventee[n]th Added.
p. 254 the early book-hawkers[,/.] Corrected.
p. 289 acknowle[d]ged Added.
p. 335 aspired to be P[l]antagruelists Removed.
p. 344 Florent Chr[e]stien Added.
p. 396 who jilts her husband that way, a very ----[.]" Added.
p. 445 were [two/too] numerous Corrected.