VII

It is impossible to divine what might have occurred for the delectation

of the very ancient borough of Oldcastle if that frivolous piece of

goods, Edith, had not taken it into her head to run down from London for

a few days, on the plea that London was too ridiculously hot. She was a

pretty girl, with fluffy honey-coloured hair and about thirty white

frocks. And she seemed to be quite as silly as her staid stepmother and

her prim step-aunt had said. She transformed the careful order of the

house into a wild disorder, and left a novel or so lying on the

drawing-room table between her stepmother's _Contemporary Review_ and

her step-aunt's _History of European Morals_. Her taste in music was

candidly and brazenly bad. It was a fact, as her elders had stated, that

she played nothing but waltzes. What was worse, she compelled Carl

Ullman to perform waltzes. And one day she burst into the drawing-room

when Carl was alone there, with a roll under her luscious arm, and said:

"What do you think I've found at Barrowfoot's?"

"I don't know," said Carl, gloomily smiling, and then smiling without

gloom.

"Waldteufel's waltzes arranged for four hands. You must play them with

me at once."

And he did. It was a sad spectacle to see the organist of St Placid's

galloping through a series of dances with the empty-headed Edith.

The worst was, he liked it. He knew that he ought to prefer the high

intellectual plane, the severe artistic tastes, of the elderly sisters.

But he did not. He was amazed to discover that frivolity appealed more

powerfully to his secret soul. He was also amazed to discover that his

gloom was leaving him. This vanishing of gloom gave him strange

sensations, akin to the sensations of a man who, after having worn

gaiters into middle-age, abandons them.

After the Waldteufel she began to tell him all about herself; how she

went slumming in the East End, and how jolly it was. And how she helped

in the Bloomsbury Settlement, and how jolly that was. And, later, she

said:

"You must have thought it very odd of me, Mr Ullman, not thanking you

for so bravely rescuing my poor cat; but the truth is I never heard of

it till to-day. I can't say how grateful I am. I should have loved to

see you doing it."

"Is Goldie your cat?" he feebly inquired.

"Why, of course?" she said. "Didn't you know? Of course you did! Goldie

always belonged to me. Grandpa bought him for me. But I couldn't do with

him in London, so I always leave him here for them to take care of. He

adores me. He never forgets me. He'll come to me before anyone. You must

have noticed that. I can't say how grateful I am! It was perfectly

marvellous of you! I can't help laughing, though, whenever I think what

a state mother and auntie must have been in that night!"

Strictly speaking, they hadn't a cent between them, except his hundred a

year. But he married her hair and she married his melancholy eyes; and

she was content to settle in Oldcastle, where there are almost no slums.

And her stepmother was forced by Edith to make the hundred up to four

hundred. This was rather hard on Mrs Ebag. Thus it fell out that Mrs

Ebag remained a widow, and that Miss Ebag continues a flower uncalled.

However, gossip was stifled.

In his appointed time, and in the fulness of years, Goldie died, and was

mourned. And by none was he more sincerely mourned than by the aged

bedridden Caiaphas.

"I miss my cat, I can tell ye!" said old Caiaphas pettishly to Carl, who

was sitting by his couch. "He knew his master, Goldie did! Edith did her

best to steal him from me when you married and set up house. A nice

thing considering I bought him and he never belonged to anybody but me!

Ay! I shall never have another cat like that cat."

And this is the whole truth of the affair.

The Matador of the Five Towns and Other Stories · 第 67 / 105 题