One evening--it was precisely the first of June--when a thunderstorm was
blowing up from the south-west, and scattering the smoke of the Five
Towns to the four corners of the world, and making the weathercock of
the house of the Ebags creak, the ladies Ebag and Carl Ullman sat
together as usual in the drawing-room. The French window was open, but
banged to at intervals. Carl Ullman had played the piano and the ladies
Ebag--Mrs Ebag, somewhat comfortably stout and Miss Ebag spare--were
talking very well and sensibly about the influence of music on
character. They invariably chose such subjects for conversation. Carl
was chiefly silent, but now and then, after a sip of whisky, he would
say "Yes" with impressiveness and stare gloomily out of the darkening
window. The ladies Ebag had a remarkable example of the influence of
music on character in the person of Edith Ebag. It appeared that Edith
would never play anything but waltzes--Waldteufel's for choice--and that
the foolish frivolity of her flyaway character was a direct consequence
of this habit. Carl felt sadly glad, after hearing the description of
Edith's carryings-on, that Edith had chosen to live far away.
And then the conversation languished and died with the daylight, and a
certain self-consciousness obscured the social atmosphere. For a vague
rumour of the chatter of the town had penetrated the house, and the
ladies Ebag, though they scorned chatter, were affected by it; Carl
Ullman, too. It had the customary effect of such chatter; it fixed the
thoughts of those chatted about on matters which perhaps would not
otherwise have occupied their attention.
The ladies Ebag said to themselves: "We are no longer aged nineteen. We
are moreover living with our father. If he is bedridden, what then? This
gossip connecting our names with that of Mr Ullman is worse than
baseless; it is preposterous. We assert positively that we have no
designs of any kind on Mr Ullman."
Nevertheless, by dint of thinking about that gossip, the naked idea of a
marriage with Mr Ullman soon ceased to shock them. They could gaze at it
without going into hysterics.
As for Carl, he often meditated upon his own age, which might have been
anything between thirty and forty-five, and upon the mysterious ages of
the ladies, and upon their goodness, their charm, their seriousness,
their intelligence and their sympathy with himself.
Hence the self-consciousness in the gloaming.
To create a diversion Miss Ebag walked primly to the window and cried:
"Goldie! Goldie!"
It was Goldie's bedtime. In summer he always strolled into the garden
after dinner, and he nearly always sensibly responded to the call when
his bed-hour sounded. No one would have dreamed of retiring until Goldie
was safely ensconced in his large basket under the stairs.
"Naughty Goldie!" Miss Ebag said, comprehensively, to the garden.
She went into the garden to search, and Mrs Ebag followed her, and Carl
Ullman followed Mrs Ebag. And they searched without result, until it was
black night and the threatening storm at last fell. The vision of Goldie
out in that storm desolated the ladies, and Carl Ullman displayed the
nicest feeling. At length the rain drove them in and they stood in the
drawing-room with anxious faces, while two servants, under directions
from Carl, searched the house for Goldie.
"If you please'm," stammered the housemaid, rushing rather
unconventionally into the drawing-room, "cook says she thinks Goldie
must be on the roof, in the vane."
"On the roof in the vane?" exclaimed Mrs Ebag, pale. "In the vane?"
"Yes'm."
"Whatever do you mean, Sarah?" asked Miss Ebag, even paler.
The ladies Ebag were utterly convinced that Goldie was not like other
cats, that he never went on the roof, that he never had any wish to do
anything that was not in the strictest sense gentlemanly and correct.
And if by chance he did go on the roof, it was merely to examine the
roof itself, or to enjoy the view therefrom out of gentlemanly
curiosity. So that this reference to the roof shocked them. The night
did not favour the theory of view-gazing.
"Cook says she heard the weather-vane creaking ever since she went
upstairs after dinner, and now it's stopped; and she can hear Goldie
a-myowling like anything."
"Is cook in her attic?" asked Mrs Ebag.
"Yes'm."
"Ask her to come out. Mr Ullman, will you be so very good as to come
upstairs and investigate?"
Cook, enveloped in a cloak, stood out on the second landing, while Mr
Ullman and the ladies invaded her chamber. The noise of myowling was
terrible. Mr Ullman opened the dormer window, and the rain burst in,
together with a fury of myowling. But he did not care. It lightened and
thundered. But he did not care. He procured a chair of cook's and put it
under the window and stood on it, with his back to the window, and
twisted forth his body so that he could spy up the roof. The ladies
protested that he would be wet through, but he paid no heed to them.
Then his head, dripping, returned into the room. "I've just seen by a
flash of lightning," he said in a voice of emotion. "The poor animal has
got his tail fast in the socket of the weather-vane. He must have been
whisking it about up there, and the vane turned and caught it. The vane
is jammed."
"How dreadful!" said Mrs Ebag. "Whatever can be done?"
"He'll be dead before morning," sobbed Miss Ebag.
"I shall climb up the roof and release him," said Carl Ullman, gravely.
They forbade him to do so. Then they implored him to refrain. But he was
adamant. And in their supplications there was a note of insincerity, for
their hearts bled for Goldie, and, further, they were not altogether
unwilling that Carl should prove himself a hero. And so, amid
apprehensive feminine cries of the acuteness of his danger, Carl crawled
out of the window and faced the thunder, the lightning, the rain, the
slippery roof, and the maddened cat. A group of three servants were
huddled outside the attic door.
In the attic the ladies could hear his movements on the roof, moving
higher and higher. The suspense was extreme. Then there was silence;
even the myowling had ceased. Then a clap of thunder; and then, after
that, a terrific clatter on the roof, a bounding downwards as of a great
stone, a curse, a horrid pause, and finally a terrific smashing of
foliage and cracking of wood.
Mrs Ebag sprang to the window.
"It's all right," came a calm, gloomy voice from below. "I fell into the
rhododendrons, and Goldie followed me. I'm not hurt, thank goodness!
Just my luck!"
A bell rang imperiously. It was the paralytic's bell. He had been
disturbed by these unaccustomed phenomena.
"Sister, do go to father at once," said Mrs Ebag, as they both hastened
downstairs in a state of emotion, assuredly unique in their lives.
V
Mrs Ebag met Carl and the cat as they dripped into the gas-lit
drawing-room. They presented a surprising spectacle, and they were doing
damage to the Persian carpet at the rate of about five shillings a
second; but that Carl, and the beloved creature for whom he had dared so
much, were equally unhurt appeared to be indubitable. Of course, it was
a miracle. It could not be regarded as other than a miracle. Mrs Ebag
gave vent to an exclamation in which were mingled pity, pride,
admiration and solicitude, and then remained, as it were, spellbound.
The cat escaped from those protecting arms and fled away. Instead of
following Goldie, Mrs Ebag continued to gaze at the hero.
"How can I thank you!" she whispered.
"What for?" asked Carl, with laconic gloom.
"For having saved my darling!" said Mrs Ebag. And there was passion in
her voice.
"Oh!" said Carl. "It was nothing!"
"Nothing?" Mrs Ebag repeated after him, with melting eyes, as if to
imply that, instead of being nothing, it was everything; as if to imply
that his deed must rank hereafter with the most splendid deeds of
antiquity; as if to imply that the whole affair was beyond words to
utter or gratitude to repay.
And in fact Carl himself was moved. You cannot fall from the roof of a
two-story house into a very high-class rhododendron bush, carrying a
prize cat in your arms, without being a bit shaken. And Carl was a bit
shaken, not merely physically, but morally and spiritually. He could not
deny to himself that he had after all done something rather wondrous,
which ought to be celebrated in sounding verse. He felt that he was in
an atmosphere far removed from the commonplace.
He dripped steadily on to the carpet.
"You know how dear my cat was to me," proceeded Mrs Ebag. "And you
risked your life to spare me the pain of his suffering, perhaps his
death. How thankful I am that I insisted on having those rhododendrons
planted just where they are--fifteen years ago! I never anticipated--"
She stopped. Tears came into her dowager eyes. It was obvious that she
worshipped him. She was so absorbed in his heroism that she had no
thought even for his dampness. As Carl's eyes met hers she seemed to him
to grow younger. And there came into his mind all the rumour that had
vaguely reached him coupling their names together; and also his early
dreams of love and passion and a marriage that would be one long
honeymoon. And he saw how absurd had been those early dreams. He saw
that the best chance of a felicitous marriage lay in a union of mature
and serious persons, animated by grave interests and lofty ideals. Yes,
she was older than he. But not much, not much! Not more than--how many
years? And he remembered surprising her rapt glance that very evening as
she watched him playing the piano. What had romance to do with age?
Romance could occur at any age. It was occurring now. Her soft eyes, her
portly form, exuded romance. And had not the renowned Beaconsfield
espoused a lady appreciably older than himself, and did not those
espousals achieve the ideal of bliss? In the act of saving the cat he
had not been definitely aware that it was so particularly the cat of the
household. But now, influenced by her attitude and her shining
reverence, he actually did begin to persuade himself that an
uncontrollable instinctive desire to please her and win her for his own
had moved him to undertake the perilous passage of the sloping roof.
In short, the idle chatter of the town was about to be justified. In
another moment he might have dripped into her generous arms ... had not
Miss Ebag swept into the drawing-room!
"Gracious!" gasped Miss Ebag. "The poor dear thing will have pneumonia.
Sister, you know his chest is not strong. Dear Mr Ullman, please,
please, do go and--er--change."
He did the discreet thing and went to bed, hot whisky following him on a
tray carried by the housemaid.