THE SUPREME ILLUSION

I

Perhaps it was because I was in a state of excited annoyance that I did

not recognize him until he came right across the large hall of the hotel

and put his hand on my shoulder.

I had arrived in Paris that afternoon, and driven to that nice,

reasonable little hotel which we all know, and whose name we all give in

confidence to all our friends; and there was no room in that hotel. Nor

in seven other haughtily-managed hotels that I visited! A kind of

archduke, who guarded the last of the seven against possible customers,

deigned to inform me that the season was at its fullest, half London

being as usual in Paris, and that the only central hotels where I had a

chance of reception were those monstrosities the Grand and the Hôtel

Terminus at the Gare St Lazare. I chose the latter, and was accorded

room 973 in the roof.

I thought my exasperations were over. But no! A magnificent porter

within the gate had just consented to get my luggage off the cab, and

was in the act of beginning to do so, when a savagely-dressed, ugly and

ageing woman, followed by a maid, rushed neurotically down the steps and

called him away to hold a parcel. He obeyed! At the same instant the

barbaric and repulsive creature's automobile, about as large as a

railway carriage, drove up and forced my frail cab down the street. I

had to wait, humiliated and helpless, the taximeter of my cab

industriously adding penny to penny, while that offensive hag installed

herself, with the help of the maid, the porter and two page-boys, in her

enormous vehicle. I should not have minded had she been young and

pretty. If she had been young and pretty she would have had the right to

be rude and domineering. But she was neither young nor pretty.

Conceivably she had once been young; pretty she could never have been.

And her eyes were hard--hard.

Hence my state of excited annoyance.

"Hullo! How goes it?" The perfect colloquial English was gently murmured

at me with a French accent as the gentle hand patted my shoulder.

"Why," I said, cast violently out of a disagreeable excitement into an

agreeable one, "I do believe you are Boissy Minor!"

I had not seen him for nearly twenty years, but I recognized in that

soft and melancholy Jewish face, with the soft moustache and the soft

beard, the wistful features of the boy of fifteen who had been my

companion at an "international" school (a clever invention for

inflicting exile upon patriots) with branches at Hastings, Dresden and

Versailles.

Soon I was telling him, not without satisfaction, that, being a dramatic

critic, and attached to a London daily paper which had decided to

flatter its readers by giving special criticisms of the more important

new French plays, I had come to Paris for the production of _Notre Dame

de la Lune_ at the Vaudeville.

And as I told him the idea occurred to me for positively the first time:

"By the way, I suppose you aren't any relation of Octave Boissy?"

I rather hoped he was; for after all, say what you like, there is a

certain pleasure in feeling that you have been to school with even a

relative of so tremendous a European celebrity as Octave Boissy--the man

who made a million and a half francs with his second play, which was

nevertheless quite a good play. All the walls of Paris were shouting his

name.

"I'm the johnny himself," he replied with timidity, naïvely proud of his

Saxon slang.

I did not give an astounded _No_! An astounded _No_! would have been

rude. Still, my fear is that I failed to conceal entirely my amazement.

I had to fight desperately against the natural human tendency to assume

that no boy with whom one has been to school can have developed into a

great man.

"Really!" I remarked, as calmly as I could, and added a shocking lie:

"Well, I'm not surprised!" And at the same time I could hear myself

saying a few days later at the office of my paper: "I met Octave Boissy

in Paris. Went to school with him, you know."

"You'd forgotten my Christian name, probably," he said.

"No, I hadn't," I answered. "Your Christian name was Minor. You never

had any other!" He smiled kindly. "But what on earth are you doing

here?"

Octave Boissy was a very wealthy man. He even looked a very wealthy man.

He was one of the darlings of success and of an absurdly luxurious

civilization. And he seemed singularly out of place in the vast, banal

foyer of the Hôtel Terminus, among the shifting, bustling crowd of

utterly ordinary, bourgeois, moderately well-off tourists and travellers

and needy touts. He ought at least to have been in a very select private

room at the Meurice or the Bristol, if in any hotel at all!

"The fact is, I'm neurasthenic," he said simply, just as if he had been

saying, "The fact is, I've got a wooden leg."

"Oh!" I laughed, determined to treat him as Boissy Minor, and not as

Octave Boissy.

"I have a morbid horror of walking in the open air. And yet I cannot

bear being in a small enclosed space, especially when it's moving. This

is extremely inconvenient. _Mais que veux-tu?... Suis comme ça!_"

"_Je te plains_" I put in, so as to return his familiar and flattering

"thou" immediately.

"I was strongly advised to go and stay in the country," he went on, with

the same serious, wistful simplicity, "and so I ordered a special saloon

carriage on the railway, so as to have as much breathing room as

possible; and I ventured from my house to this station in an auto. I

thought I could surely manage that. But I couldn't! I had a terrible

crisis on arriving at the station, and I had to sit on a luggage-truck

for four hours. I couldn't have persuaded myself to get into the saloon

carriage for a fortune! I couldn't go back home in the auto! I couldn't

walk! So I stepped into the hotel. I've been here ever since."

"But when was this?"

"Three months ago. My doctors say that in another six weeks I shall be

sufficiently recovered to leave. It is a most distressing malady. _Mais

que veux-tu?_ I have a suite in the hotel and my own servants. I walk

out here into the hall because it's so large. The hotel people do the

best they can, but of course--" He threw up his hands. His resigned,

gentle smile was at once comic and tragic to me.

"But do you mean to say you couldn't walk out of that door and go home?"

I questioned.

"Daren't!" he said, with finality. "Come to my rooms, will you, and have

some tea."

The Matador of the Five Towns and Other Stories · 第 27 / 105 题