Chapter XXVII. Miss Hope Suggests

No sooner had Miss Maclaire vanished than Keith's thoughts turned toward

Hope Waite. She would need someone in her loneliness to take her

mind from off her brother's death, and, besides, much had occurred of

interest since the funeral, which he desired to talk over with her.

Beyond even these considerations he was becoming aware of a pleasure in

the girl's company altogether foreign to this mystery which they were

endeavoring together to solve. He yearned to be with her, to look

into her face, to mark how clearly the differing soul changed her from

Christie Maclaire. He could not help but like the latter, yet somehow

was conscious of totally different atmospheres surrounding the two.

With one he could be flippant, careless, even deceitful, but the other

aroused only the best that was in him, her own sincerity making him

sincere.

Yet there was reluctance in his steps as he approached the door of “15,”

a laggardness he could not explain, but which vanished swiftly enough at

Hope's greeting, and the sudden smile with which she recognized him.

“I was sure you would come,” she declared frankly, “and I took an early

lunch so as to be certain and be here. It has seemed a long time since.”

“And you might have even thought I had forgotten,” he answered,

releasing her hand reluctantly, “if you could have looked into the

dining-room since, instead of staring out of these windows.”

“Why? How forgotten?” her eyes opening wide in surprise.

“I had the pleasure of taking supper with Miss Maclaire.”

“Oh!” the exclamation decidedly expressive.

“Yes, I come at once to you with the confession. However, our meeting

was purely accidental, and so I hope for pardon.”

“Pardon from me? Why, what difference can it possibly make to me?”

“Would you have me consort with the enemy?” he asked, scarcely daring to

press his deeper meaning.

“Oh, no, of course not. What did you talk about? Do you mind telling?”

“Not in the least; our conversation was entirely impersonal. She was

telling me about Hawley; what a wonderfully good man he is. I have begun

to suspect the fellow has fascinated the poor girl--he is a good looking

devil, possessed of a tongue dripping with honey.”

“Surely you do not mean she has fallen in love with him,” and Hope

shuddered at the thought. “Why--why that would be impossible for--for a

good woman.”

“Standards of morality are not always the same,” he defended gravely.

“Miss Maclaire's environment has been vastly different from yours, Hope.

She is a variety hall singer; probably, from her own account, a waif

since childhood; and Hawley has come to her in the character of a

friend, appealing both to her interest and sympathy. I do not know she

is in love with him, I merely suspect she may be; certainly she is ready

to do battle on his behalf at the slightest opportunity. She believes in

him, defends him, and resents the slightest insinuation directed against

him. He even escorts her back and forth from her work.”

“You know this?”

“I certainly do,” and he laughed at the recollection. “Fairbain met

us coming out of the dining-room,--you know what a delightful, blunt,

blundering old fellow he is! Well, Miss Christie must have made an

impression even on his bachelor heart, for he actually requested the

privilege of escorting her to the Trocadero, and back to the hotel

after the performance to-night--hinted at a lunch, the gay old dog, and

pranced about like a stage-door Johnnie. It was a treat to watch her

face when he blurted it all out, snapping his sentences as if he swung a

whip-lash. She excused herself on the score of a previous engagement.”

“But that was not necessarily with Hawley.”

“I asked her directly, after the doctor had disappeared.”

“You must have become very familiar,” questioning once again in her

voice.

“So Miss Maclaire evidently thought, judging from her manner. However

she answered frankly enough, and, even defiantly, added the information

that the gentleman had something to impart to her of the utmost

importance, sarcastically asking me if I didn't wish I could be

there and overhear. But sit down, Hope, until I tell you all that has

occurred.”

He went over the various events in detail, watching eagerly the

expression upon her face as she listened intently, only occasionally

interrupting with some pertinent inquiry. The light fell so that she

sat partially in the shadow, where her eyes could not be read, yet he

experienced no difficulty in comprehending the various moods with which

she met his narrative, the color changing in her cheeks, her supple

form bending toward him, or leaning backward in the chair, her fingers

clasping or unclasping in nervous attention. He began with Neb's report,

repeating, word by word, as nearly as he could recollect, what had

passed between Hawley and her father. He paused to inquire if she had

ever heard the name Bartlett, but her reply was merely a negative

shake of the head. When he described their missing the train, she

was, apparently, not convinced as to the General's departure upon it,

although finally agreeing that, if he really believed the report that

the man sought was elsewhere, it would be characteristic of him to

accept the first means of getting there. “If he only knew I was here,”

she exclaimed wearily, “it might be so different, but, oh, we are all

of us just groping in the dark.” Then Keith turned to his chance meeting

with Miss Maclaire, and repeated carefully their conversation, dwelling

particularly upon the few admissions which had slipped through her lips.

These did not seem important to either, although they treasured them

up and talked them over. Then, having exhausted the topic, silence fell

between them, Keith asking the privilege of lighting a cigar. Hope,

after watching him apply the match, thinking what a fine face he had as

the ruddy flame brought it forth with the clearness of a cameo, leaned

back, drawing aside the semblance to a lace curtain, and staring forth,

without seeing, into the street.

Somehow it was hard for her to fully realize the situation, and how

closely it affected her. The swiftly passing events, the complication

arising so suddenly, apparently out of nothing, left her feeling as

though she must surely awake from a dream. She could not comprehend what

it was all about; the names Bartlett and Phyllis had no clear meaning,

they represented nothing but shadows; and this other woman--this music

hall singer--what could there be in common between them? Yet there must

be something--something of vital importance to her father--something

which had already cost her brother's life. That was the one thing which

made it seem an actuality--which brought it home to her as a rugged

fact. But for that--and Keith--Keith sitting there before her--she

would have doubted it all. And yet even Keith had come into her life

so suddenly, so unexpectedly, as to leave her dazed and uncertain. So

strongly did this feeling grip her in the silence, that she extended her

hand and touched him, as though to make sure of his actual presence.

“What is it, Hope?”

“Oh, nothing--nothing,” her voice breaking in a little sob. “It is so

silly, but I was just wondering if you were real--everything seems so

impossible. I cannot bring my mind to grasp the situation.”

He did not smile, but only took the groping hand into both of his own.

“I think I understand, little girl,” he said gravely. “You are totally

unused to such life. Almost without a moment's warning you have been

plunged into a maelstrom of adventure, and are all confused. It is

different with me--since the first shot at Sumter my life has been one

of action, and adventure has grown to be the stimulus I need, and upon

which I thrive. But I assure you,” pressing the soft hand warmly, “I am

real.”

“Of course I know that; it makes me glad to know it. If I could only do

something myself, and not just sit here, it would all become real enough

to me.”

She rose suddenly to her feet, clasping her hands together, her face

changing with new animation.

“Why couldn't I? I am sure I could. Oh, Mr. Keith, it has just come to

me how I can help.”

He looked at her questioningly, thinking of her beauty rather than of

what she said.

“Do--do I really appear so much like--like that woman?” she asked

anxiously.

“Very much, indeed, excepting for the slight difference in age.”

“That would never be noticed in the dark, or a poor light. Am I the same

height?”

“Practically, yes.”

“And my voice?--could you distinguish me from her by my voice?”

“I might; yet probably not, unless my suspicions were aroused. What is

it you are thinking about?”

She took a deep breath, standing now directly facing him in the light.

“Of playing Miss Maclaire to-night,” she said quickly. “Of taking her

place, and learning what it is of so much importance Hawley has to

report. Don't you think it might be done?”

The sheer audacity of this unexpected proposal left him speechless. He

arose to his feet, gripping the back of the chair, almost doubting if

he could have heard aright, his eyes searching the girl's face which was

glowing with excitement. Of course he could not permit of her exposure

to such a risk; the scheme was impracticable, absurd. But was it? Did

it not offer a fair chance of success? And was not the possible result

worthy the risk assumed? He choked back the earlier words of protest

unuttered, puzzled as to what he had best say. A quick-witted

resourceful woman might accomplish all she proposed.

“It looks so simple,” she broke in impulsively, moving nearer him.

“Don't you think I could do it? Would it be unwomanly?”

“The result, if accomplished, would abundantly justify the means, Hope,”

he acknowledged at last. “I was not hesitating on that account, but

considering the risk you would incur.”

“That would be so small--merely the short walk alone with him from

the theatre to the hotel,” she pleaded. “Once here it could make no

difference if he did discover my identity, for there would be plenty of

men near at hand to come to my defence. Oh, please say yes.”

“If I do, then we must make the illusion perfect, and take as few

chances of discovery as possible. I must learn exactly how the other

dresses, and when she leaves the theatre. Fortunately for the success of

your plan the Trocadero permits no one but performers to come behind the

scenes, so that Hawley will be compelled to wait for the lady outside

the stage door. I had better go at once, and see to these details.”

“Yes,” she said, her eyes sparkling with anticipation, “and I am so glad

you are willing. I will be most discreet. You are not sorry I made the

proposal?”

“Certainly not. At first it struck me as altogether wrong, but the more

I think of it the stronger it appeals to me. It may reveal to us the

whole conspiracy, and I cannot believe Hawley would venture upon any

gross familiarity likely to cost him the good opinion of his ally.

There is too much at stake. Wait here, Hope, and I will be back the very

moment I learn all that is necessary.”

A glance at the office clock convinced Keith that, in all probability,

Miss Maclaire had not, as yet, departed for the scene of her evening

triumph. Still, it could not be long before she would, and he lit a

cigar, sitting down in a corner partially concealed by the clerk's

desk to wait her appearance. This required longer than anticipated, and

fearing lest he might have missed the departure entirely, he was about

to question the busy Thomas, when he beheld Hawley enter hurriedly from

the street and run up the stairs. He then had been the laggard. All the

better, as he would now have no opportunity to unfold his tale to

the lady, as it would be necessary for them to hurry to the theatre.

Whatever the nature of the revelation it would have to wait until the

walk home. The excitement of the adventure was already creeping into

Keith's blood, his pulse quickening.

The two returned almost immediately, conclusively proving that Miss

Maclaire, fully dressed for the street, had been awaiting the arrival of

her gallant with some impatience. Hawley was busily explaining his delay

as they came down the stairs, and paid little attention to the seemingly

deserted office. Indeed, Miss Christie monopolized all his thoughts.

With quick scrutiny the watcher noted the more conspicuous articles of

apparel constituting her costume--the white mantilla thrown over

her head, the neatly fitting blue dress, the light cape covering the

shoulders--surely it would not be difficult to duplicate these, so as to

pass muster under the dim light of the streets. Far enough in their

rear to feel safe from observation he followed, noting with increased

pleasure the rapidity with which they covered the required distance.

Clearly Miss Christie was already nervous lest she have not sufficient

time remaining in which to properly dress for her act, and there would

be no exchange of confidences on the outward journey. Hawley left her,

as Keith anticipated, at the stage entrance, the lady hastening within.

Her escort strolled leisurely back to the front of the house, and

finally, purchasing a ticket, entered, the performance already having

begun.

Keith knew perfectly the arrangement of the theatre--the seats in front;

tables all through the centre; a gallery filled with benches; a noisy

orchestra beneath the stage; a crowded audience of men, with only here

and there a scattered representative of the gentler sex; busy waiters

dodging in and out among the tables, and down the aisles, filling orders

for liquids from the nearby saloon. The air would be pungent with the

odor of drink, thick with the fumes of tobacco, and noisy with voices,

except as some special favorite on the stage won temporary attention.

The Trocadero possessed but one redeeming feature--no doorway connected

stage and auditorium, and the management brooked no interference with

his artists. It had required some nerve to originally enforce this

rule, together with a smart fight or two, but at this period it was

acknowledged and respected. No sooner had Hawley vanished than Keith

found occasion to enter into casual conversation with the door-keeper,

asking a number of questions, and leaving impressed upon the mind

of that astute individual the idea that he was dealing with a “gent”

enamored of one of the stage beauties. A coin slipped quietly into the

man's hand served to deepen this impression, and unlocked discreet lips

otherwise sworn to secrecy. Out of much general information a little of

real value was thus extracted--Miss Maclaire's act began at 9:45 and was

over promptly at 10:10. It required about twenty minutes more for her

to change again into street clothes, and she usually left the theatre

immediately after, which would be about 10:30. Yes, there was a

vestibule outside the stage door, and on bad nights, those waiting

for the ladies could slip in there. But on such a night as this they

generally hung around outside. No, there was no watchman, but the

manager was frequently prowling around. He'd be busy, however, at 10:30,

getting the stage ready for the “Flying Hermanns.” Abundantly satisfied

and resisting the door-keeper's professional suggestion that he'd

better buy a ticket and take a look at the show, Keith slipped away, and

hastened back to the hotel. The more he investigated the more feasible

appeared the girl's plan, and he was now fully committed to it.

Keith of the Border: A Tale of the Plains · 第 27 / 37 章