CHAPTER IX

It was with her mind utterly made up as to what course to take that

she went to her ordeal. She was going to offer herself a little, white

offering before the altar of the fetish which decrees that we shall

keep our promises. Herding her to this doom were all the cruel things

which we teach our young girls. In New England in my day we did not

joke about engagements. In her innocence, having given her lover her

mouth to be kissed and her hand to be held, and having promised to be

his, she had definitely decided that in the sight of God she was his,

and so she dressed herself in her best that she might please him.

I suppose that had I made up my mind to do what Ellen did at that age,

I should have gone through to the iniquitous end, shut my eyes and

quieted my rebellious spirit with sophistries. I should have done

according to whichever part of the strange anomalous teaching which we

give young girls that I believed in most. Had I believed most that it

is the crime of crimes to marry without love, I should have frankly

made up my mind to break the engagement, but had I believed that one

may love but once, and that an engagement is a marriage of the spirit,

and that in giving this I had given so much to one man that I had

nothing left for any other,--it is strange, but this is still taught

to girls to-day,--I should have traveled that terrible road. For girls

as young as Ellen have to find their way around through a world that

is hung with a cobweb of lies, which is put there to screen us from

the real world. The suffering that the unlearning of these lies has

given to girls of our class from all time is greater than the

suffering through which we must pass to come to a wider religious

belief.

Ellen might make up her mind as to what to do, but she lived by

instincts. She writes about it:--

"I couldn't. All day I pretended to myself that I was glad he

was coming, and that as soon as I saw him everything would be

all right, but it is a terrible, awful thing. He cares. He put

his arms out toward me and said: 'Ellen, oh, Ellen!' All I could

say--I was so cruel, so stupid--was, 'Don't, don't'; and I meant

I didn't want him to touch me. And then he said, and it was

worse because he has grown much older looking, 'I don't

understand. What's the matter, Ellen?' I said, 'I can't marry

you; I don't love you.' He said: 'Why, what have I done?' What

could I tell him? It was just that he was he and I was I, and

that's no reason, and yet it is the only reason in the world

that you can't change, and that's why you love people and that's

why you don't love them. We both stood and just stared at each

other. While I looked at him all the color went out of his face

and it grew gray. 'When did it happen, Ellen?' he said. 'I don't

know,' I told him; 'it just went out.' 'You might have told me.'

'I meant never to tell you,' I said; and then his color all came

back to his face and this was worse than before. 'You meant to

marry me just the same? Then you _do_ care for me; it's just an

idea you've gotten; it's just because we have been apart so

long. Let's just go on just as you meant to, Ellen, if there is

no one else.' He opened his arms as if he wanted to hide me from

myself in them, but I don't know what happened to me. I just

said, 'No-no-no-no,' and ran out of the room, and out of the

house up into the orchard. I didn't notice, but threw myself

down under the tree and cried and cried. I don't know how long I

was there, but I heard my mother saying: 'Ellen, Ellen,' and the

sound of her footsteps coming toward me, but I couldn't stop

sobbing so that she wouldn't find me like that. She heard me and

came to me and said, 'Why, Ellen darling! Child, it is as wet as

a river here.' She felt my dress and at first it seemed to me

that it must be wet with my tears, but it was just the grass.

'What is it, Ellen?' she said to me, and I told her that we had

been engaged and that I had just seen Edward, and told him that

I didn't want to marry him; and she just folded me in her arms

and said, 'Why, darling, you needn't'; and she comforted me, and

I felt all safe from everything and just like a very little

girl. Not many people can feel like that with their mothers,

but I don't think unless you can that your mother's a mother to

you really. I couldn't go on feeling safe and rested forever.

I've broken faith with myself. I can't count on myself any more.

It's a terrible thing not to be able to count on people you

love, but it's worse not to be able to count on yourself. I

couldn't do what I thought was right; how do I know I will be

able to keep from doing what's wrong? I think I will try and

give up being good, because most of the things people think are

good I don't understand why. I might have saved myself all that

suffering and been happy and low-minded, comfortable and

contented, and I think I will be from now on."

I well remember this epoch in Ellen's life; she must have been between

eighteen and nineteen when she gave up hope of herself and went out to

be comfortable, low-minded, and happy, for she told me about this

spiritual change in her. It was a crisis with Ellen, a spiritual

crisis as important as the time in a boy's life when he makes a breach

in the "Thou Shalt Nots" that have guarded him around, and surrenders

himself to the heady wine of living and says to himself: "I am a

sinner; now let's see what there is in sin."

Just about the time Ellen broke her engagement, a boy named Landry lay

heavily on my conscience. At this time, also, Ellen was engaged and

yet was unhappy, and yet all I knew about Ellen was that there was

something weighing heavily on her mind, and all she knew about me was

my outward principles in this matter and none of my inward storm and

stress. I can remember very well the never-ending conversations we had

at this time. I suppose all young girls who are not on terms of

familiarity with their own souls thus cloak their real feelings from

each other. For there is happily nothing more usual than that

shivering, shrinking, spiritual modesty which can tell of no event in

life that implicates another human being. Later the weaker women

outgrow it shamefully, or the finer ones among us replace it with a

beautiful frankness. There are some happy girls who have been so

simply brought up that they have never felt the need for the

ambiguities of life as Ellen and myself did. The facts of the case

were these: Released from the torturing thought of Edward Graham, the

breath of life blew through Ellen in a storm, while I was being

discreetly courted by George Landry. I had never had a tumultuous

suitor, on account of my being matter-of-fact in my attitude toward

the boys I knew or instinctively withdrawing myself from any

sentimental approach. But now this sentimentally inclined youth had

called on me and shown a recurring disposition to try and hold my hand

when we were alone together. We read a great deal of poetry also and

with deep emphasis. Thus does Satan trick the unwary. I, Roberta, the

straightforward; I, the hater of philandering, and who sincerely felt

that a self-respecting woman should be proposed to only by a man she

would willingly accept as her husband, read verses far-gazing at

distant horizons and with gentle underscorings whose audacity set my

heart to beating. That I had gone into this slow-moving and decorous

little flight of sentiment seemed so contrary to my ideals that I

felt I must give up my friend and his poetry-reading and forego the

heart-throbbing performance of having my hand gently captured and as

gently withdrawing it again, both of us apparently blankly unaware of

the actions of our respective hands. Ellen and I would discuss our

affairs in ambiguities like this:--

"There's a doom threatening me," Ellen would confess.

"A doom?" asked I, impressed by the sinister darkness of the word.

"Fate has tangled up my life," Ellen averred. "I have been deceived in

myself, and now that I know what I am, I don't care."

"What sort of fate?" I then made bold to ask.

"One that will influence my whole life because it has made me glad I'm

not good like I tried to be. I love the feeling of having gotten rid

of goodness, Roberta"; and Ellen flashed me the smile of a naughty

angel, and turned from me to wipe the nose of the youngest Sylvester

baby, Prudentia, who accompanied us on our woodsy rambles. "Can you

always decide everything in your life?"

"Indeed I cannot," I answered quickly. "I must give up a thing that's

sweetest and dearest in life to me, and I can't decide to do it--I am

not strong."

"Oh, Roberta!" Ellen cried out. "You are so much stronger than I, for

I decided and did the opposite thing."

"What did you want to do?"

"The thing I did do," poor Ellen cried, tears welling up to her sweet

eyes. "I wanted to do what I wanted to do, and yet before I so wanted

to do what was right." Then, with her little fists pounding on the

moss on which we were sitting, she said: "And mighty often, Roberta

Hathaway, what people want to do seems to me the really right thing to

do."

As I grow older, it seems to me so very often that what people want is

really the right thing. There are so many needless sacrifices made in

life,--sacrifices that do good to no one and cripple and maim one.

* * * * *

I might have saved myself the worry of giving up the "sweetest and

dearest thing in life," for I had an experience which showed me what a

solemn young fool I was.

If Ellen and I had this intense spiritual modesty, Janie Acres was

not so afflicted. She was always prolific in detail of any sentimental

adventure which she had, and was generally only quiet when she had

nothing to tell. Ellen summed this characteristic up in her

observation on Janie's character:--

"When Roberta and I don't say anything it is because we have too

much to say, but when Janie acts as if she knew how God made the

world, it is a sure sign she has nothing to tell."

Poor Janie Acres! Through all this long stretch of years I can see her

perpetually heart-hungry, wishing for experiences her very eagerness

denied her; longing for sympathy, companionship, and love, and when

such things came her way, killing them. She had a curious jealousy

which was kept from its full bloom by her confidence in herself. When

Janie hadn't sufficient sentimental experiences she would invent them.

And it was because of her inventions that my little experience which I

was taking so seriously was turned to ashes before me.

This trait of Janie's was an incredible one to me. I, who so

diligently hid all trace of any sentiment in my life, could never

comprehend a temperament that would not only share all its secrets

with its friends, but who also invented them; and it was only when

Janie had repeatedly emphasized George Landry's attentions to her at

moments when I had been reading poetry with him that I realized this.

I listened with the gravest feeling of superiority to Janie's artless

prattle. If George Landry walked up the street with her, it was an

event. I think if she had refused to have him accompany her to a

Sunday-School picnic she would have recounted it to us as the refusal

of a proposal of marriage.

In some obscure way Janie's interest in George Landry quickened my own

feeling and gave me emotions of vast superiority which were very bad

for me. All this is brought vividly back to me by this page of Ellen's

journal which recounts the final denouement:--

"We have been having an awful time this afternoon, and I don't

think that any of us will feel the same ever again. Roberta has

been crying in my arms and says she feels soiled, but she has

acted so nobly that it will be a comfort to her, because being

noble is always a comfort to Roberta--and to almost anybody

else. George Landry has been a friend of Roberta's for some

time, and when the other girls have joked her about it she has

been very stern, and I've believed everything Roberta has said

because I think it is horrid to do anything else. But Janie has

been talking about George, too, in the way she goes on about

anybody that notices her, only who could tell that Janie would

talk about those who don't notice her in the least? This

afternoon we were all talking together, and she began: 'Last

night George Landry came past my house and I pretended not to

notice him, and he stopped and said, "Can I come in?" And I

said, "No, it was too late."' 'What time was it?' asked Mildred

Dilloway. 'Oh, it was about eight o'clock, and he stayed and

talked and talked and leaned clear over the gate, and I kept

backing away, and if mother hadn't called me from the house,--'

Here Mildred broke in and said: 'Janie Acres! I don't see how

you can tell things like that! George Landry was at my house all

yesterday evening.' 'Well, it was the evening before that,' said

Janie. 'Well, it wasn't the evening before that,' said Mildred,

'because he was at my house all the evening before, too.' 'I

thought your mother was so particular,' began Janie; but Mildred

wouldn't let her change the subject the way Janie knows how to

do, and she said: 'The way you have gone on about George Landry

has almost made trouble between George and myself. It has made

me feel quite suspicious at times. But now I have caught you at

it.' Janie blushed very hard and said: 'You are very spiteful,

Mildred, about it. George Landry does like me and I haven't told

you anything that wasn't so. Perhaps it wasn't so late when he

leaned over my gate.' 'He wasn't anywhere near your old gate,'

said Mildred, 'and I might just as well tell you--' And here

Mildred, who is very soft when she loses her temper, and begins

to cry, did all these and made us all very much embarrassed.

'And I might as well tell you--and you can see how much you

have hurt me--he kissed me good-night. So you can see whether

it's nice of you to pretend that George Landry is interested in

you or not.' We were all perfectly quiet for a minute, and then

it was that Roberta made her great sacrifice. Mildred was still

crying from excitement and Janie was at a loss for something to

say for once, and looking very frowning-browed and jealous.

'Girls,' Roberta said, 'I have something to tell you. And you,

Mildred,--whether George has been attentive to Janie I don't

know, but--' 'He walked home with me yesterday afternoon,' said

Janie. 'He did not,' replied Roberta firmly; 'he did not. He was

at my house all yesterday afternoon, and we were reading poetry

and he held my hand.' If Roberta had been the least like

Mildred, she would have cried, too, but she stood there straight

and held her head up as beautiful as an avenging fate. What she

said stopped Mildred's tears, and she sprang to her feet and

stamped her foot, and said: 'Well, if he did that and then came

to my house and did what he did in the evening, he's a pig!' And

she stamped her foot again. 'I said the truth anyway'; and she

glared at Janie who now said, 'I was just trying to tease both

of you.' But Mildred snapped, 'You were trying to lie to both of

us.' And Janie stuck her head on one side in the most provoking

way and said, 'I don't want your horrid beau anyway.' It was all

very painful, especially to Roberta. She said: 'We must never

any of us speak to him again. He is unworthy of our notice.

Except to spare you more pain, Mildred, I would not have told

you about this at all, and I am very much ashamed of myself, and

it serves me right. I shall never let any one hold my hand again

as long as I live.' None of us knew that any boy could be so

double-faced, and we all have agreed, and Janie Acres, too, that

we shall act as though he did not exist at all, which will save

our dignity and we hope will teach him something."

When other people write our lives, they tell the dates of our births,

marriages, and deaths; they note the year we went to college and when

we left, and all the other irrelevant things; no one says that it was

at such and such a moment that his soul was born, or that the baptism

of fire that turned away the selfishness of this woman came at such a

time. We keep these great and obscure birthdays and many minor ones to

ourselves, and this droll little episode was the definite ending for

us of little-girlhood. In our town we dawdled along in what the

Germans call the "back fish" age until some such thing has happened,

for we had no custom of girls coming out all of a sudden full-blown

young ladies; we had to win our spurs in a way.

We thought of ourselves as grown up, to be sure. Mildred Dilloway had

had a very melodramatic love-affair with one of the lads in the

seminary who had gotten into some sort of a scrape and was expelled

from school. He had urged Mildred to fly with him. Alas! that women

should be so practical. Even young as she was, she asked, "Where?" and

when he had no special place to propose beyond his parents' house, to

which he was then repairing, she had laughed at him, but in spite of

all our experiments in sentiment we had remained immature in spirit.

Now, suddenly, through the actions of this soft youth, George Landry,

we found ourselves in an absurd position. The grown woman in us came

to life; we wanted to vindicate ourselves in our own eyes; and it was

during the next few months that we found ourselves suddenly grown up

and the world's attitude toward us suddenly changed. From being the

little girls who accepted the casual kindnesses of older men in a

panic of gratitude, suddenly our position was of those who are sought

out.

The Heart's Country · 第 9 / 27 章