XV

Thanks to a sudden outbreak of yellow fever in the South, Marinski's

troupe left America earlier than had been agreed upon.

With salary somewhat diminished by this circumstance, a bundle of

bombastic critiques, and some very pretty ornaments from Tiffany's in

New York for Annette, Gesa went on board the "Arcadia," in which

Marinski's troupe were to sail for old Europe. How he rejoiced for his

"little one!" She had looked so badly when he left Brussels, was so

inconsolable at parting. He resolved to give her a surprise by his

sudden return. What great eyes she would make! Sometimes at night he

started from sleep--a cry of joy and her name on his lips.

The whole troupe knew why he was hurrying home. He never grew weary of

telling about Annette. About Annette and de Sterny. He was much beloved

by all his traveling companions, and they all felt a lively interest in

Annette; but of de Sterny they would not hear a word; and an old basso,

who had taken Gesa especially to his heart, said warningly--

"Take care! he will play you a trick--he is a villain, monsieur!"

Gesa took the caution very ill, and starting up rebuked the basso

severely.

The basso smiled to himself.

Among the female forces of the troupe was a certain Guiseppina D----.

Pale, with rich red hair that when she uncoiled it reached to her

heels, her enormous black eyes, short nose, and large mouth lent her

some likeness to a death's head. Yet, she was not without a certain

charm, especially in her smile, and she smiled constantly, as people do

whom nothing can any longer rejoice. To her Gesa talked oftenest about

his beloved. She listened to him most kindly and sometimes she wept.

She was the soprano of the troupe, and lived in the bitterest enmity

with the Alto, who was married to the Tenor, immensely jealous, and

very proud of her own virtue.

In Paris, when the troupe broke up, the Guiseppina at parting put both

arms around Gesa's neck and kissed him. This the virtuous Alto

certainly would not have done. But the Guiseppina whispered at the same

time,

"The kiss is for thee, with my good wishes, and this"--she gave him a

little gold cross--"this is for the bride, with my mother's blessing

that clings to it yet. It belonged to my First Communion, and is the

only one of my possessions which is worthy a bride of yours."

They all promised to come to his wedding, and at last he had bidden

them farewell, and had left Paris for Brussels.

* * * * *

It was in the second half of June and Corpus Christi day. At all the

stations groups of girls in white were to be seen. Now and then

white-robed processions passed in the distance, and softly as from a

spirit choir their Catholic hymns floated to the traveler's ear.

It was late in the afternoon when he arrived in Brussels, sprang into a

fiacre, and directed it to the Rue Ravestein. The hack, with all the

vexatious phlegm of a Brussels' vehicle, jogged slowly toward its

destination.

The moist, heavy sultriness of a northern summer brooded over the town.

The air had something oppressive, stifling, like that of a hot room.

Above the earth all was motionless, except that in the very topmost

branches of the linden trees on the Boulevard there was a light

rustling. From the ground steamed the moisture of yesterday's showers;

in the sky the clouds were piling up for another thunderstorm, with

muttered growl along the horizon. The atmosphere was heavy and sad with

the odor of incense, burning wax, candles, and withering flowers, the

odor of Corpus Christi Day. Against the walls of the houses still

leaned the altars that had been erected, surmounted by shriveled

foliage, and dead blossoms. Luxuriant roses, tender heliotrope and

modest reseda lay trodden and soiled on the pavement.

As Gesa alighted at the Place Royale a woman in a battered hat, gaudily

be-ribboned, and a red shawl, stooped down after some of the faded

flowers. She was one of those who hide themselves when the Corpus

Christi procession passes by. She lived in the Rue Ravestein, and Gesa

knew her. Always pitiful, he took a twenty-france piece from his pocket

and gave it to her. She glanced up, looked at him sharply and suddenly

turned away her painted face.

He entered the Rue Ravestein. Sickening miasmas rose from the drain; a

cloud of midges hovered in the air;--the crucified Saviour looked down

more sadly than ever.

Familiar things greeted his eyes as he passed: the lean hyena-like dogs

wagged their tails, and some of them came and shoved cold moist noses

into his hand.

"No one is at home!" cried the woman who sold vegetables in the shop on

the ground floor of Delileo's dwelling. "No one. Neither the old

gentleman, nor the young lady."

"Have they gone on a journey?" asked Gesa, blankly.

"No, I think not. Unless I am mistaken the young lady has gone to

church. Perhaps monsieur will find her yet in St. Gudule."

Gesa was already hastening down the street toward the Cathedral. Behind

him little groups collected. The gossips of Rue Ravestein laughed.

The Story of a Genius · 第 18 / 28 题