III

Miss Eppendorfer remained in bed until noon; she was “better” she said,

but exhausted and listless. Frances was inordinately busy. She typed

page after page of the authoress’s manuscript, and when there was

absolutely no more to copy, set to work cleaning the table silver. She

did not wish to think. It was the end of the world. Nothing ahead,

nothing she could endure to contemplate.

She hated Miss Eppendorfer because Lionel had been drunk. It was an

illogical and unjust feeling, but she couldn’t repress it. She kept away

from her as much as possible. She was very thankful to see her go out,

arm in arm, with her cousin Kurt, to a concert for which she had bought

tickets for a fabulous price. She thought she would go out herself,

perhaps to church; she had begun to get ready, in fact, when Lionel

arrived. Lionel exactly the same, nonchalant, superior, not a trace even

of fatigue----

“The hall-boy told me Miss E. and the German chap had gone out, so I

thought I’d come up,” he said.

Frances was frigidly silent.

“I owe you an explanation,” he went on, “only--I haven’t any. I ... had

an awful row with Horace, and it knocked me up, and I ... tried to--more

or less--forget it.”

“No doubt you succeeded.”

She spoke with cold precision, like a school teacher to a prejudged

culprit; and he, acknowledging her claims as he always did, forced

himself to explain. It was wretched for him, an almost intolerable

humiliation to be called to account in this way; he was ashamed of

himself, and he longed passionately to drop the subject forever. But

Frances was the woman who had promised to marry him, and he felt he owed

it to her.

“You see, he was offended.... He thought--wanted me to be more--gradual.

Stop on in his office, at least. And in the end, we quarrelled. I told

him I wouldn’t take anything more from him--all that you advised, and so

forth. And he--but what’s the use in repeating all that? It’s the first

row we’ve ever had.”

He could not tell her how he regretted old Horace, with what affection

and pain he remembered his benefits; couldn’t explain how much this

“row” had hurt him. He had been horribly tactless and had wounded and

infuriated Horace, without making it clear to him--or to himself--what

it was about.

If he expected sympathy he was disappointed. If he had only apologised,

said he was ashamed and sorry, she would have melted completely; it was

this insistence upon the misfortune of having quarrelled with Horace,

this cool passing over of his own beastliness, that she couldn’t stand.

She didn’t even ask him to sit down, but remained standing herself,

looking straight at him.

“I’m awfully sorry,” he said, “that I came here like that. Awfully

sorry. It wasn’t fair to you. But I didn’t realize what I was doing.”

Frances laughed shortly.

“Don’t bother to apologise. Why should I object to being alone all night

with two drunken beasts----”

“I say!” he protested.

“It’s evident,” she went on, “that you don’t know at all how I look at

that. How I _loathe_ it. I’d rather not talk about it at all. I’d rather

you’d go.”

“You don’t mean that, Frankie, old girl!”

“I do!”

He searched her face.

“Frankie, you don’t mean ... I see you do, though. Very well, I’ll

go.... But, Frankie!... Good-bye!”

“Good-bye!” said Frankie.

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