CHAPTER XXVI.

THE BALL.

As the eleventh hour of the night sounded from the different clocks in

Paris, the gates of an hôtel in the Rue Plumet were thrown open by a

Swiss in rich livery, and forthwith issued a magnificent dark blue

Berlin carriage, drawn by two superb long-tailed gray horses; on the

seat, which was covered by a rich hammercloth, trimmed with a mossy silk

fringe, sat a portly-looking coachman, whose head was ornamented by a

three-cornered hat, while his rotund figure looked still more imposing

in his dress livery-coat of blue cloth, trimmed up the seams with silver

lace, and thickly braided with the same material; the whole finished by

a splendid sable collar and cuffs. Behind the carriage stood a tall

powdered lacquey, dressed in a livery of blue turned up with yellow and

silver; and by his side was a chasseur, whose fierce-looking moustaches,

gaily embroidered dress and hat, half concealed by a waving plume of

blue and yellow feathers, completed a most imposing _coup-d'oeil_.

The bright light of the lamps revealed the costly satin lining of the

interior of the vehicle we are describing, in which were seated Rodolph,

having on his right hand the Baron de Graün, and opposite to him the

faithful Murphy.

Out of deference for the sovereign represented by the ambassador to

whose ball he was then proceeding, Rodolph wore no other mark of

distinction than the diamond order of ----.

Round the neck of Sir Walter Murphy, and suspended by a broad orange

riband, hung the enamelled cross of the grand commander of the Golden

Eagle of Gerolstein; and a similar insignia decorated the Baron de

Graün, amidst an infinite number of the crosses and badges of honour

belonging to all countries, depending by a gold chain placed in the two

full buttonholes of the diplomatist's coat.

"I am delighted," said Rodolph, "with the very favourable accounts I

have received from Madame Georges respecting my poor little protégée at

the farm of Bouqueval. David's care and attention have worked wonders.

Apropos of La Goualeuse: what do you think, Sir Walter Murphy, any of

your Cité acquaintances would say at seeing you so strangely disguised,

as at present they would consider you, most valiant charcoal-man, to be?

They would be somewhat astonished, I fancy."

"Much in the same degree as the surprise your royal highness would

excite among your new acquaintances in the Rue du Temple, were you to

proceed thither, as now attired, to pay a friendly visit to Madame

Pipelet, and to inquire after the health of Cabrion's victim, the poor

melancholy Alfred!"

"My lord has drawn so lively a sketch of Alfred, attired in his

long-skirted green coat and bell-crowned hat," said the baron, "that I

can well imagine him seated in magisterial dignity in his dark and smoky

lodge. Let me hope that your royal highness's visit to the Rue du Temple

has fully answered your expectations, and that you are in every way

satisfied with the researches of my agent?"

"Perfectly so," answered Rodolph. "My success was even beyond my

expectations."

Then, after a moment's painful silence, and to drive away the train of

thought conjured up by the recollection of the probable guilt of Madame

d'Harville, he resumed, in a tone more gay:

"I am almost ashamed to own to so much childishness, but I confess

myself amused with the contrast between my treating Madame Pipelet in

the morning to a glass of cordial, and then proceeding in the evening to

a grand fête, with all the pomp and prestige of one of those privileged

beings who, by the grace of God, 'reign over this lower world.' Some men

of small fortune would speak of my revenues as those of a millionaire,"

added Rodolph, in a sort of parenthesis, alluding to the limited extent

of his estates.

"And many millionaires, my lord, might not have the rare, the admirable

good sense, of the man of narrow means."

"Ah, my dear De Graün, you are really too good, much too good! You

really overwhelm me," replied Rodolph, with an ironical smile, while the

baron glanced at Murphy with the consciousness of a man who has just

discovered he has been saying a foolish thing.

"Really, my dear De Graün," resumed Rodolph, "I know not how to

acknowledge the weight of your compliment, or how to repay such delicate

flattery in its own way."

"My lord, let me entreat of you not to take the trouble," exclaimed the

baron, who had for the instant forgotten that Rodolph, who detested

every species of flattery, always revenged himself by the most unsparing

raillery on those who, directly or indirectly, addressed it to him.

"Nay, baron, I cannot allow myself to remain in your debt. You have

praised my understanding,--I will, in return, admire your countenance;

for by my honour, as I sit beside you, you look like a youth of twenty.

Antinous himself could not boast of finer features, or a more

captivating expression."

"My lord! my lord! I cry your mercy!"

"Behold him, Murphy, and say whether Apollo could display more graceful

limbs, more light, and youthful proportions!"

"I beseech you, my lord, to pardon me, from the recollection of how long

it is since I have permitted myself to utter the slightest compliment to

your royal highness."

"Observe, Murphy, this band of gold which restrains, without concealing,

the locks of rich black hair flowing over this graceful neck, and--"

"My lord! my lord! for pity's sake spare me! I repent, most sincerely,

of my involuntary fault," said the unfortunate baron, with an expression

of comic despair on his countenance truly ludicrous.

It must not be forgotten that the original of this glowing picture was

at least fifty years of age; his hair gray, frizzled and powdered; a

stiff white cravat round his throat; a pale, withered countenance; and

golden spectacles upon the horny bridge of his sharp, projecting nose.

"Pardon, my lord! pardon, for the baron," exclaimed the squire,

laughing. "I beseech you not to overwhelm him beneath the weight of your

mythological allusions. I will be answerable to your royal highness that

my unlucky friend here will never again venture to utter a flattery,

since so truth is translated in the new vocabulary of Gerolstein."

"What! old Murphy, too? Are you going to join in the rebellion against

sincerity?"

"My lord, I am so sorry for the position of my unfortunate _vis-à-vis_,

that--I beg I may divide his punishment with him."

"Charcoal-man in ordinary, your disinterested friendship does you

honour. But seriously now, my dear De Graün, how have you forgotten that

I only allow such fellows as D'Harneim and his train to flatter, for the

simple reason that they know not how to speak the truth? That

cuckoo-note of false praise belongs to birds of such feather as

themselves, and the species they claim relationship with; but for a

person of your mind and good taste to descend to its usage--oh, fie!

baron, fie!"

"It is all very well, my lord," said the baron, sturdily; "but I must be

allowed to say (with all due apology for my boldness) that there is no

small portion of pride in your royal highness's aversion to receive even

a just compliment."

"Well said, baron! Come, I like you better now you speak plain truths.

But tell me how you prove your assertion?"

"Why, just so, my lord; because you repudiate it upon the same principle

that might induce a beautiful woman, well aware of her charms, to say to

one of her most enthusiastic admirers, 'I know perfectly well how

handsome I am, and therefore your approval is perfectly uncalled for and

unnecessary. What is the use of reiterating what everybody knows? Is it

usual to proclaim in the open streets that the sun shines, when all may

see and feel certain of his midday brightness?'"

"Now, baron, you are shifting your ground, and becoming more dangerous

as you become more adroit; and, by way of varying your punishment, I

will only say that the infernal Polidori himself could not have more

ingeniously disguised the poisonous draught of flattery, when seeking to

persuade some poor victim to swallow it."

"My lord, I am now effectually silenced."

"Then," said Murphy (and this time with an air of real seriousness),

"your royal highness has now no doubt as to its being really Polidori

you encountered in the Rue du Temple?"

"I have ceased to have the least doubt on the subject, since I learned

through you that he had been in Paris for some time past."

"I had forgotten, or, rather, purposely omitted to mention to your

lordship," said Murphy in a sorrowing tone, "a name that never failed to

awaken painful feelings; and knowing as I do how justly odious the

remembrance of this man was to your royal highness, I studiously

abstained from all reference to it."

The features of Rodolph were again overshadowed with gloom, and, plunged

in deep reverie, he continued to preserve unbroken the silence which

prevailed until the carriage stopped in the courtyard of the embassy.

The windows of the hôtel were blazing with a thousand lights, which

shone brightly through the thick darkness of the night, while a crowd of

lacqueys, in full-dress liveries, lined the entrance-hall, extending

even to the salons of reception, where the grooms of the chamber waited

to announce the different arrivals.

M. le Comte ----, the ambassador, with his lady, had purposely remained

in the first reception-room until the arrival of Rodolph, who now

entered, followed by Murphy and M. de Graün.

Rodolph was then in his thirty-sixth year, in the very prime and

perfection of manly health and strength. His regular and handsome

features, with the air of dignity pervading his whole appearance, would

have rendered him, under any circumstances, a strikingly attractive man;

but, combined with the _éclat_ of high birth and exalted rank, he was a

person of first-rate importance in every circle in which he presented

himself, and whose notice was assiduously sought for. Dressed with the

utmost simplicity, Rodolph wore a white waistcoat and cravat; a blue

coat, buttoned up closely, on the right breast of which sparkled a

diamond star, displayed to admiration the light yet perfect proportions

of his graceful figure, while his well-fitting pantaloons, of black

kerseymere, defined the finely formed leg and handsome foot in its

embroidered stocking.

From the rareness of the Grand Duke's visits to the _haut monde_, his

arrival produced a great sensation, and every eye was fixed upon him

from the moment that, attended by Murphy and Baron de Graün, he entered

the first salon at the embassy. An attaché, deputed to watch for his

arrival, hastened immediately to appraise the ambassadress of the

appearance of her illustrious guest. Her excellency instantly hurried,

with her noble husband, to welcome their visitor, exclaiming:

"Your royal highness is, indeed, kind, thus to honour our poor

entertainment."

"Nay, madame," replied Rodolph, gracefully bowing on the hand extended

to him, "your ladyship is well aware of the sincere pleasure it affords

to pay my compliments to yourself; and as for M. le Comte, he and I are

two old friends, who are always delighted to meet. Are we not, my lord?"

"Your royal highness, in deigning to continue to me so flattering a

place in your recollection, makes it still more impossible for me ever

to forget your many acts of condescending kindness."

"I assure you, M. le Comte, that in my memory the past never dies; or,

at least, the pleasant part of it; for I make it a strict rule never to

preserve any reminiscences of my friends but such as are agreeable and

gratifying."

"Your royal highness has found the secret of being happy in your

thoughts, and rendering others so at the same time," rejoined the

ambassador, smiling with gratified pride and pleasure at a conference so

cordially carried on before a gathering crowd of admiring auditors.

"Thus, then, madame," replied Rodolph, "will your flattering reception

of to-night live long in my memory; and I shall promise myself the

happiness of recalling this evening's fête, with its tasteful

arrangements and crowd of attending beauties. Ah, Madame la Comtesse,

who like you can effect such a union of taste and elegance as now

sparkles around us?"

"Your royal highness is too indulgent."

"But I have a very important question to ask you: Why is it that,

lovely as are your fair guests, their charms are never seen to such

perfection as when assembled beneath your hospitable roof?"

"Your royal highness is pleased to view our fair visitants through the

same flattering medium with which you are graciously pleased to behold

our poor endeavours for your and their amusement," answered the

ambassador, with a deferential bow.

"Your pardon, count," replied Rodolph, "if I differ with you in opinion.

According to my judgment, the cause proceeds wholly from our amiable

hostess, Madame l'Ambassadrice."

"May I request of your royal highness to solve this enigma?" inquired

the countess, smiling.

"That is easily given, madame, and may be found in the perfect urbanity

and exquisite grace with which you receive your lovely guests, and

whisper to each a few charming and encouraging words, which, if the

least bit exceeding strict truth," said Rodolph, smiling with

good-tempered satire, "renders those who are even praised above their

merits more radiant in beauty from your kind commendations, while those

whose charms admit of no exaggeration are no less radiant with the

happiness of finding themselves so justly appreciated by you; thus each

countenance, thanks to the gentle arts you practise, is made to exhibit

the most smiling delight, for perfect content will set off even homely

features. And thus I account for why it is that woman, all lovely as she

is, never looks so much so as when seen beneath your roof. Come, M.

l'Ambassadeur, own that I have made out a good case, and that you

entirely concur with me in opinion."

"Your royal highness has afforded me too many previous reasons to admire

and adopt your opinions for me to hesitate in the present instance."

"And for me, my lord," said the countess, "at the risk of being included

among those fair ladies who get a little more praise or flattery (which

was it your highness styled it?) than they deserve, I accept your very

flattering explanation with as much qualified pleasure as if it were

really founded on truth."

"In order more effectually to convince you, madame, that nothing is more

correct than all I have asserted, let us make a few observations

touching the fine effect of praise in animating and lighting up the

countenance."

"Ah, my lord, you are laying a very mischievous snare for me," said the

countess, smiling.

"Well, then, I will abandon that idea; but upon one condition, that you

honour me by taking my arm. I have been told wonderful things of a

'Winter Garden,'--a work from Fairyland. May I put up my humble petition

to be allowed to see this new wonder of a 'hundred and one nights?'"

"Oh, my lord, with the utmost pleasure. But I see that your highness had

received a most exaggerated account. Perhaps you will accompany me, and

judge for yourself. Only in this instance I would fain hope that your

habitual indulgence may induce you to feel as little disappointment as

possible at finding how imperfectly the reality equals your

expectations."

The ambassadress then took the offered arm of Rodolph, and proceeded

with him to the other salons, while the count remained conversing with

the Baron de Graün and Murphy, whom he had been acquainted with for some

time.

And a more beautiful scene of enchantment never charmed the eye than

that presented by the aspect of the winter garden, to which Rodolph had

conducted his noble hostess. Let the reader imagine an enclosure of

about forty feet in length, and thirty in width (leading out of a long

and splendid gallery), surmounted by a glazed and vaulted roof, the

building being securely covered in for about fifty feet. Round the

parallelogram it described, the walls were concealed by an infinite

number of mirrors, over which was placed a small and delicate trellis of

fine green rushes, which, thanks to the strong light reflected on the

highly polished glass, resembled an arbour, and were almost entirely

hidden by a thick row of orange-trees, as large as those of the

Tuileries, mixed with camellias of equal size; while the golden fruit

and verdant foliage of the one contrasted beautifully with the rich

clusters of waxen flowers, of all colours, with which the other was

loaded. The remainder of the garden was thus devised:

Five or six enormous clumps of trees, and Indian or other tropical

shrubs, planted in immense cases filled with peat earth, were surrounded

by alleys paved with a mosaic shell-work, and sufficiently wide for two

or three persons to walk abreast. It is impossible to describe the

wondrous effect produced by this rich display of tropical vegetation in

the midst of a European winter, and almost in the very centre of a

ballroom. Here might be seen gigantic bananas stretching their tall arms

to the glass roof which covered them, and blending the vivid green of

their palms with the lanceolated leaves of the large magnolias, some of

which already displayed their matchless and odoriferous flowers with

their bell-shaped calices, purple without and silvery white within, from

which started forth the little gold-threaded stamens. At a little

distance were grouped the palm and date-trees of the Levant; the red

macaw, and fig-trees from India; all blooming in full health and vigour,

and displaying their foliage in all its luxuriance, gave to the _tout

ensemble_ a mass of rich, brilliant tropical verdure, which, glittering

among the thousand lights, sparkled with the colours of the emerald.

Along the trellising, between the orange-trees, and amid the clumps,

were trained every variety of rare climbing plants; sometimes hanging

their long wreaths of leaves and flowers in graceful festoons, then

depending like blooming serpents from the tall boughs; now trailing at

their roots, then ambitiously scaling the very walls, till they hung

their united tresses round the transparent and vaulted roof, from which

again they floated in mingled masses, waving in the pure, light breeze

loaded with so many odours. The winged pomegranate, the passion-flower,

with its large purple flowers striated with azure, and crowned with its

dark violet tuft, waved in long spiral wreaths over the heads of the

admiring crowd, then, as though fatigued with the sport, threw their

colossal garlands of delicate flowers across the hard, prickly leaves of

the gigantic aloes.

The bignonia of India, with its long, cup-shaped flower of dark sulphur

colour, and slight, slender leaves, was placed beside the delicate

flesh-coloured petals of the stephanotis, so justly appreciated for its

exquisite perfume; the two stems mutually clinging to each other for

support, and mingling their leaves and flowers in one confused mass,

disposed them in elegant festoons of green fringe spangled with gold and

silver spots, around the immense velvet foliage of the Indian fig.

Farther on, started forth, and then fell again in a sort of variegated

and floral cascade, immense quantities of the stalks of the asclepias,

whose leaves, large, umbellated, and in clusters of from fifteen to

twenty star-shaped flowers, grew so thickly, so evenly, that they might

have been mistaken for bouquets of pink enamel surrounded with leaves of

fine green porcelain. The borders of the cases containing the orange

sand camellias were filled with the choicest cape heaths, the tulips of

Thol, the narcissus of Constantinople, the hyacinth, irides, and

cyclamina of Persia; forming a sort of natural carpet, presenting one

harmonious blending of the loveliest tints.

Chinese lanterns of transparent silk, some pale blue, others pink,

partly concealed amid the foliage, threw a soft and gentle light over

this enchanting scene; nor could a more ingenious idea have been

resorted to than in the happy amalgamation of these two colours, by

which a charming and almost unearthly light was produced combining the

clear cerulean blue of a summer's night with the rose-coloured

coruscations emitted from sparkling rays of an aurora borealis.

The entrance to this immense hothouse was from a long gallery glittering

with gold, with mirrors, crystal vases filled with the choicest

perfumes, and brilliantly lighted, and also raised a few steps above the

fairy palace we have been endeavouring to describe. The dazzling

brightness of the approach served as a sort of penumbra, in which were

indistinctly traced out the gigantic exotics discernible through a

species of arch, partly concealed by two crimson velvet curtains looped

back with golden cords so as to give a dim and misty view of the

enchanted land that lay beyond. An imaginative mind might easily have

persuaded himself he stood near a huge window opening on some beautiful

Asiatic landscape during the tranquillity of a summer's twilight.

The sounds of the orchestra, weakened by distance, and broken by the

joyous hum proceeding from the gallery, died languidly away among the

motionless foliage of the huge trees. Insensibly each fresh visitant to

this enchanting spot lowered his voice until his words fell in whispers;

for the light genuine air, embalmed with a thousand rich odours,

appeared to cast a sort of somnolency over the senses; every breath

seemed to speak of the clustering plants whose balmy sweetness filled

the atmosphere. Certainly two lovers, seated in some corner of this

Eden, could conceive no greater happiness to be enjoyed on earth, than

thus dreamily to rest beneath the trees and flowers of this terrestrial

paradise.

At the end of this winter garden were placed immense divans beneath

canopies of leaves and flowers; the subdued light of the hothouse

forming a powerful contrast with the gallery, the distance seemed filled

with a species of gold-coloured, shining fog, in the midst of which

glittered and flickered, like a living embroidery, the dazzling and

varied robes of the ladies, combined with the prismatic scintillations

of the congregated mass of diamonds and precious stones. Rodolph's first

sensation upon arriving at this enchanting triumph of art over nature

was that of most unfeigned surprise.

"This is, indeed, a wonderfully beautiful carrying out of a poetical

idea," said he, almost involuntarily; then, turning to the ambassadress,

he exclaimed, "Madame, till now, I had not deemed such wonders

practicable. We have not in the scene before us a mere union of

unbounded expense with the most exquisite taste, but you give us poetry

in action. Instead of writing as a master poet, or painting as a

first-rate artist, you create that which they would scarcely venture to

dream of."

"Your royal highness is too indulgent."

"Nay, but candidly, all must agree that the mind which could so

faithfully depict this ravishing scene, with its charm of colours and

contrasts,--beyond us, the loud notes of joy and mirthful revelry, here

the soft silence and sweet, gentle murmurs of distant voices, that lull

the spirit into a fancied flight beyond this fitful existence,--surely,

surely, without suspicion of flattery, it may be said of the planner and

contriver of all this, such a one was born a poet and a painter

combined."

"The praises of your royal highness are so much the more dangerous from

the skill and cleverness with which they are uttered, and which makes us

listen to them with delight, even in defiance of our sternest

resolutions. But allow me to call your royal highness's attention to the

very lovely person who is approaching us. I must have you admit that the

Marquise d'Harville must shine preeminently beautiful any and every

where. Is she not graceful? And does not the gentle elegance of her

whole appearance acquire a fresh charm, from the contrast with the

severe yet classic beauty by whom she is accompanied?"

The individuals thus alluded to were the Countess Sarah Macgregor and

the Marquise d'Harville, who were at this moment descending the steps

which led from the gallery to the winter garden. Neither was the

panegyric bestowed by the ambassadress on Madame d'Harville at all

exaggerated. No words can accurately describe the loveliness of her

person, and the Marquise d'Harville was then in the first bloom of

youthful charms; but her beauty, delicate and fragile as it was,

appeared less to belong to the strict regularity of her features than to

the irresistible expression of sweetness and universal kindness, which

imparted a charm to her countenance impossible to resist or to describe;

and this peculiar charm served invariably to distinguish Madame

d'Harville from all other fashionable beauties; for goodness of heart

and kindliness of disposition are but rarely seen as the prevailing

passions revealed in a face as fair, as young, high-born, and ardently

worshipped by all, as was the Marquise d'Harville, who shone forth in

all her lustre as the brightest star in the galaxy of fashion. Too wise,

virtuous, and right-minded to listen to the host of flatterers by whom

she was surrounded, Madame d'Harville smiled as gratefully on all as

though she could have given them credit for speaking the truth, had not

her own modest opinion of her just claims to such homage have forbidden

her accepting of praise she never could have deserved. Wholly

indifferent to flattery, yet sensibly alive to kindness, she perfectly

distinguished between sympathy and insincerity. Her acute penetration,

correct judgment, and lively wit, unmixed by the slightest ill-nature,

made her wage an early, though good-tempered war with those vain and

egotistical beings who crowd and oppress society with the view of

monopolising general attention, and, blinded by their own self-love,

expect one universal deference and submission.

"Those kind of persons," said Madame d'Harville one day, laughingly,

"appear to me as if their whole lives were passed in dancing '_Le

Cavalier Seul_' before an invisible mirror."

An unassuming and unpretending person, however reserved and consequently

unpopular he might be with others, was sure to find a steady friend and

partial observer in Madame d'Harville.

This trifling digression is absolutely essential to the right

understanding of facts of which we shall speak hereafter.

The complexion of Madame d'Harville was of the purest white, tinged with

the most delicate carnation; her long tresses of bright chestnut hair

floated over her beautifully formed shoulders, white and polished as

marble. It would be an impossible task to describe her large dark gray

eyes, fringed with their thick lashes, and beaming with angelic

sweetness; her coral lips, with their gentle smile, gave to her eyes the

indefinable charm that her affable and winning mode of expressing

herself derived from their mild and angelic expression of approving

goodness. We will not farther delay the reader by describing the

perfection of her figure, nor dwell upon the distinguished air which

marked her whole appearance. She wore a white crape dress, trimmed with

the natural flowers of the camellia, intermixed with its own rich green

leaves. Here and there a diamond sparkled among the waxy petals, as if a

dewdrop fresh from its native skies had fallen there. A garland of the

same flowers, equally ornamented with precious stones, was placed with

infinite grace upon her fair and open brow.

The peculiar style of the Countess Sarah Macgregor's beauty served to

set off the fair feminine loveliness of her companion. Though turned

thirty-five years of age, Sarah looked much younger. Nothing appears to

preserve the body more effectually from all the attacks of sickness or

decay than a cold-hearted, egotistical disregard of every one but

ourselves; it encrusts the body with a cold, icy covering, which alike

resists the inroads of bodily or mental wear and tear. To this cause may

be ascribed the wonderful preservation of Countess Sarah's appearance.

The lady whose name we last mentioned wore a dress of pale amber watered

silk, beneath a crape tunic of the same colour. A simple wreath of the

dark leaves of the _Pyrus Japonicus_ encircled her head, and harmonised

admirably with the bandeaux of raven hair it confined. This classically

severe mode of head-dress gave to the profile of this imperious woman

the character and resemblance of an antique statue. Many persons,

mistaking their real cast of countenance, imagine some peculiar vocation

delineated in their traits. Thus one man, who fancies he possesses a

warlike air, assumes the warrior; another imagines

"His eye, in a fine frenzy rolling,"

marks him out as a poet; instantly he turns down his shirt-collar,

adopts poetical language, and writes himself poet. So the self-imagined

conspirator wastes days and hours in pondering over mighty deeds he

feels called upon to do. The politician, upon the same terms, bores the

world and his friends with his perpetual outpourings upon political

economy; and the man whose saintly turn of countenance persuades its

owner into the belief of a corresponding character within, forthwith

abjures the pomps and vanities of the world, and aims at reforming his

brethren by his pulpit eloquence. Now, ambition being Sarah's ruling

passion, and her noble and aristocratical features well assisting the

delusion, she smiled as the word "diadem" crossed her thoughts, and lent

a willing ear to the predictions of her Highland nurse, and firmly

believed herself predestined to a sovereign destiny. Spite of the

trifling embonpoint that gave to her figure (which, though fatter than

Madame d'Harville's, was not less slender and nymph-like) a voluptuous

gracefulness, Sarah boasted of all the freshness of early youth, and few

could long sustain the fire of her black and piercing eyes; her nose was

aquiline; her finely formed mouth and rich ruby lips were expressive of

the highest determination, haughtiness, and pride.

The marquise and Sarah had recognised Rodolph in the winter garden at

the moment they were descending into it from the gallery; but the prince

feigned not to observe their presence.

"The prince is so absorbed with the ambassadress," said Madame

d'Harville to Sarah, "that he pays not the slightest attention to us."

"You are quite mistaken, my dear Clémence," rejoined the countess; "the

prince saw us as quickly and as plainly as we saw him, but I frightened

him away; you see he still bears malice with me."

"I am more than ever at a loss to understand the singular obstinacy with

which he persists in shunning you,--you, formerly an old friend.

'Countess Sarah and myself are sworn enemies,' replied he to me once in

a joking manner; 'I have made a vow never to speak to her; and you may

judge how sacred must be the vow that hinders me from conversing with so

charming a lady.' And, strange and unaccountable as was this reply, I

had no alternative but to submit to it."

"And yet I can assure you that the cause of this deadly feud, half in

jest, and half in earnest as it is, originates in the most simple

circumstance. Were it not that a third party is implicated in it, I

should have explained the whole to you long ago. But what is the matter,

my dear child? You seem as though your thoughts were far from the

present scene."

"Nothing, nothing, I assure you," replied the marquise, faintly; "but

the gallery is so very hot, it gave me a violent headache. Let us sit

down here for a minute or two. I hope and believe it will soon be

better."

"You are right; see, here is a nice quiet corner, where you will be in

perfect safety from the researches of those who are lamenting your

absence," added Sarah, pronouncing the last words with marked emphasis.

The two ladies then seated themselves on a divan, almost concealed

beneath the clustering shrubs and overhanging plants.

"I said those who would be lamenting your absence, my dear

Clémence,--come, own that I deserve praise for so discreetly forming my

speech."

The marquise blushed slightly, cast down her eyes, but spoke not.

"How unreasonable you are!" exclaimed Sarah, in a tone of friendly

reproach. "Can you not trust me, my dear child?--yes, child; for am I

not old enough to be your mother?"

"Not trust you?" uttered the marquise, sadly; "alas! have I not on the

contrary confessed that to you which I should hardly have dared to own

to myself?"

"Well, then, come, rouse yourself; now, let us have a little talk about

him: and so you have really sworn to drive him to despair?"

"For the love of heaven," exclaimed Madame d'Harville, "think what you

are saying!"

"I tell you I know him better than you do, my poor child; he is a man of

cool and decided energy, who sets but little value on his life; he has

had misfortunes enough to make him quite weary of it; and it really

seems as if you daily found greater pleasure in tormenting him, and

playing with his feelings."

"Is it possible you can really think so?"

"Indeed, in spite of myself, I cannot refrain from entertaining that

opinion. Oh, if you but knew how over-susceptible some minds are

rendered by a continuance of sorrows and afflictions,--just now I saw

two large tears fall from his eyes, as he gazed on you."

"Are you quite sure of what you say?"

"Indeed, I am quite certain; and that, too, in a ballroom, at the risk

of becoming an object of general derision, if this uncontrollable misery

were perceived! Ah! let me tell you, a person must truly love to bear

all this, and even to be careless about concealing his sufferings from

the world."

"For the love of heaven, do not speak thus!" replied Madame d'Harville,

in a voice trembling with emotion. "Alas! you have touched me nearly; I

know too well what it is to struggle with a hidden grief, yet wear an

outward expression of calmness and resignation. Alas! alas! 'tis the

deep pity and commiseration I feel for him has been my ruin," added she,

almost unconsciously.

"Nonsense! What an over-nice person you are, to talk of a little

innocent flirtation being ruinous, and that, too, with a man so

scrupulously guarded as to abstain from ever appearing in your husband's

presence, for fear of compromising you. You must admit that M. Charles

Robert is a man of surprising honour, delicacy, and real feeling. I feel

the more inclined to espouse his cause from the recollection that you

have never met him elsewhere but at my house, and because I can answer

for his principles, and that his devoted attachment to you can only be

equalled by the deep respect he bears you."

"I have never doubted the many noble qualities you have so repeatedly

assured me he possesses, but you know well that it is his long

succession of bitter afflictions which have so warmly interested me in

his favour."

"And well does he merit this interest, and most fully do his excellent

qualities absolve you of all blame in thus bestowing it. Surely so fine

and noble a countenance bespeaks a mind equally superior to all mankind.

How completely are you reminded, while gazing on his tall and finely

proportioned figure, of the _preux chevaliers_ of bygone days,'_sans

peur et sans reproche_.' I once saw him dressed in his uniform as

commandant of the national guard, and, handsome as he is, I really

think he looked surpassingly well, and I could but say to myself, that,

if nobility were the award of inward merit and external beauty, M.

Charles Robert, instead of being so called, would take precedence of

nearly all our dukes and peers. Would he not be a fitting representative

of any of the most distinguished families in France?"

"You know, my dear countess, how very little importance I attach to mere

birth, and you yourself have frequently reproached me with being

strongly inclined to republicanism," said Madame d'Harville, smiling

gently.

"For my own part, I always thought, with you, that M. Charles Robert

required not the aid of rank or titles to render him worthy of universal

admiration. Then, what extreme talent he possesses! What a fine voice he

has! And what delightful morning concerts we three have been able to

achieve, owing to his all-powerful assistance! Ah, my dear Clémence, do

you remember the first time you ever sang with him: what passionate

expression did he not throw into the words of that beautiful duet, so

descriptive of his love, and his fear of offending her who was the

object of it, by revealing it?"

"Let me entreat of you," said Madame d'Harville, after a long silence,

"to speak of something else; indeed I dare not listen further: what you

but just now intimated of his depressed and unhappy appearance has

caused me much pain."

"Nay, my dear friend, I meant not to grieve you, but merely to point out

the probability that a man, rendered doubly sensitive by the succession

of past misfortunes, might feel his courage insufficient to encounter

the fresh trial of your rejection of his suit, and thus be induced to

end his hopeless love and his life together."

"Oh, no more! no more!" almost shrieked Madame d'Harville, interrupting

Sarah; "this fearful idea has glanced across my mind already." Then,

after a second silence of some minutes, the marquise resumed, "Let us,

as I said before, talk of somebody else,--of your mortal enemy, for

instance," added she, with assumed gaiety of manner; "come, we will take

the prince for a fresh theme of conversation; I had not seen him,

previously to this evening, for a very long time. Do you know that I

think he looks handsomer than ever? Though all but king, he has lost

none of the winning sweetness and affability of his manner, and, spite

of my republicanism, I must confess I have seldom, if ever, known so

irresistible a person."

Sarah threw a side glance of deep and scrutinising hatred upon her

unconscious rival, but, quickly recovering herself, she said, gaily:

"Now, my dear Clémence, you must confess to being a most capricious

little lady; you have regular alternating paroxysms of admiration and

violent dislike for the prince; why, a few months ago, I mean about his

first arrival here, you were so captivated by him, that, between

ourselves, I was half afraid you had lost your heart past all hope of

recall."

"Thanks to you," replied Madame d'Harville, smiling, "my admiration was

very short-lived; for so well did you act up to your character of the

prince's sworn foe, and such fearful tales did you tell me of his

profligacy and misconduct, that you succeeded in inspiring me with an

aversion as powerful as had been the infatuation which led you to fear

for the safety of my heart; which, by the way, I cannot think would ever

have been placed in any danger from the attempts of your enemy to

disturb its repose, since, shortly before you gave me those frightful

particulars of the prince's character, he had quite ceased to honour me

with his visits, although on the most intimate and friendly terms with

my husband."

"Talking of your husband, pray is he here to-night?" inquired Sarah.

"No," replied Madame d'Harville, in a tone of embarrassment; "he

preferred remaining at home."

"He seems to me to mix less and less in the world."

"He never liked what is called fashionable gaiety."

The marquise's agitation visibly increased; and Sarah, whose quick eye

easily perceived it, continued:

"The last time I saw him he looked even paler than usual."

"He has been very much out of health lately."

"My dearest Clémence, will you permit me to speak to you without

reserve?"

"Oh, yes, pray do!"

"How comes it that the least allusion to your husband always throws you

into such a state of extraordinary alarm and uneasiness?"

"What an idea! Is it possible you can mean it seriously?" asked poor

Madame d'Harville, trying to smile.

"Indeed, I am quite in earnest," rejoined her companion; "whenever you

are speaking of him, your countenance assumes, even in spite of

yourself,--but how shall I make myself understood?" and Sarah, with the

tone and fixed gaze of one who wished to read the most secret thoughts

of the person she addressed, slowly and emphatically added, "a look of

mingled aversion and fear!"

The fixed pallid features of Madame d'Harville at first defied even

Sarah's practised eye, but her keen gaze soon detected a slight

convulsive working of the mouth, with a tremulous movement of the under

lip of her victim; but feeling it unsafe to pursue the subject farther

at this moment so as to awaken the marquise's mistrust of her friendly

intentions, by way, therefore, of concealing her real suspicions, she

continued:

"Yes, just that sort of dislike any woman would entertain for a peevish,

jealous, ill-tempered--"

At this explanation of the countess's meaning, as regarded Madame

d'Harville's imagined dislike for her husband, a heavy load seemed

taken from her; the working of her lip ceased, and she replied:

"Let me assure you M. d'Harville is neither peevish nor jealous." Then,

as if searching for some means of breaking a conversation so painful to

her feelings, she suddenly exclaimed, "Ah! here comes that tiresome

friend of my husband's, the Duke de Lucenay. I hope he has not seen us.

Where can he have sprung from? I thought he was a thousand miles off!"

"It was reported that he had gone somewhere in the East for a year or

two, and behold, at the end of five months, here he is back again! His

unexpected arrival must have sadly annoyed the Duchess de Lucenay,

though poor De Lucenay is a very inoffensive creature," said Sarah, with

an ill-natured smile. "Nor will Madame de Lucenay be the only one to

feel vexation at his thus changing his mind; her friend, M. de St. Remy,

will duly and affectionately sympathise in all her regrets on the

subject."

"Come, come, my dear Sarah, I cannot allow you to scandalise; say that

this return of M. de Lucenay is a nuisance to everybody; the duke is

sufficiently disagreeable for you to generalise the regret his

unexpected presence occasions."

"I do not slander, I merely repeat. It is also said that M. de St. Remy,

the model of our young _élégantes_, whose splendid doings have filled

all Paris, is all but ruined! 'Tis true, he has by no means reduced

either his establishment or his expenditure; however, there are several

ways of accounting for that; in the first place, Madame de Lucenay is

immensely rich."

"What a horrible idea!"

"Still I only repeat what others say. There, the duke sees us; he is

coming towards us; we must resign ourselves to our fate,--miserable, is

it not? I know nothing so hard to bear as that man's company; he makes

himself so very disagreeable, and then laughs so disgustingly loud at

the silly things he says. Indeed, he is so boisterous that the bare idea

of him makes one think of pretending to faint, or any other pretext, to

avoid him. Talking of fainting, pray let me beg of you, if you have the

least regard for your fan or essence-bottle, to beware how you allow him

to handle either, for he has the unfortunate habit of breaking whatever

he touches, and all with the most facetious self-satisfied air

imaginable."

END OF VOLUME I.

* * * * *

Transcriber's Notes:

This e-text was prepared from numbered edition 505 of the 1000 printed.

Minor punctuation and capitalization corrections have been made without

comment.

Minor typographical errors of single words, otherwise spelled correctly

throughout the text have been made without comment.

Word Variations appearing in the original text which have been retained:

"bull-dog" (1) and "bulldog" (2)

"protégé" (1), "protégée" (8) and "protégés" (1)

"rencontre" (2) and "rencounter" (1)

"Sarah Seyton of Halsburg" (1) and "Sarah Seyton of Halsbury" (1)

Words using the [oe] ligature, which have been herein represented as

"oe": "manoeuvre", "coeur", "chef-d'oeuvre", "coup-d'oeil".

Throughout the text, illustrations and their captions were placed on

facing pages. For the purpose of this e-text these pages have been

combined into one entry.

Footnotes, originally at the bottom of a printed page, have been placed

directly below the paragraph in which their anchor symbol appears.

The Mysteries of Paris, illustrated with etchings, Vol. 1 · 第 26 / 26 章