CHAPTER XXIV.

THE FOUR STORIES.

The damp, dark staircase looked still more gloomy through the fog of a

November day. The entrance to each separate set of apartments in this

house bore its own peculiar and distinctive character to the observant

eye. Thus, the door conducting to those of the commandant bore evidences

of having been recently painted in close imitation of ebony, being

further set off with a brass knob rubbed up to a most dazzling

brightness, while a gay-coloured bell-rope, finished by an enormous

tassel of scarlet silk, contrasted strongly with the mean and shabby

wall against which it hung.

The door of the flight above, where dwelt the female money-lender and

dealer in divination, was singularly characterised by the appearance of

that mystical symbol of deep wisdom and oracular knowledge, an owl,

which, stuffed to resemble life as closely as the artist could contrive

it, was nailed on a small bracket just above the doorway; while a sort

of small wicket, latticed with wire-work, enabled all visitors to be

duly scrutinised ere they were admitted.

The dwelling of the Italian charlatan, who was said to pursue such

fearful avocations, had, likewise, its whimsical mode of designating the

pursuits of its occupant, whose name, traced in large letters formed of

horses' teeth upon a square black board, was nailed to the

entrance-door; while, instead of adopting the classical agency of a

deer's foot or a hare's pad for the handle of his bell, there hung

dangling from the cord the hand and arm of a dried ape,--the withered

limb, the shrivelled hand, with its five fingers, each so distinctly

preserved, and the articulation of every joint so clearly defined, the

tiny tips bearing the nails long and taper as those of a human creature,

presented a close and hideous resemblance to the hand and arm of a

child.

As Rodolph passed before a door so singularly indicative of all his

worst suspicions, he fancied he could detect the sound of smothered sobs

from within. Then rose up a cry so full of agony, of convulsive,

irrepressible misery,--a cry as if wrung from a breaking heart or the

last wail of expiring nature, that the whole house seemed to reëcho it.

Rodolph started; then, by a movement more rapid than thought itself, he

rushed to the door and violently pulled the bell.

"What is the matter, sir?" inquired the astonished porter.

"That cry!" said Rodolph; "did you not hear it?"

"Yes, yes, I heard it; I dare say it is some person whose teeth M.

Bradamanti is taking out; perhaps he may be taking out several,--and it

is painful!"

This explanation, though a probable one, did not satisfy Rodolph as to

the horrid scream which still resounded in his ears. Though he had rung

the bell with considerable violence, no person had as yet replied to his

summons; he could distinctly hear the shutting of several doors, and

then, behind a small oval glass let in beside the door, and on which

Rodolph had mechanically kept his eyes fixed, he saw the haggard,

cadaverous countenance of a human being; a mass of reddish hair strongly

mixed with gray, and a long beard of the same hue, completed the hideous

ensemble; the face was seen but for an instant, and vanished as quickly

as though it had been a mere creation of fancy, leaving Rodolph in a

state of perturbation impossible to describe.

Short as had been the period of this apparition's visit, he had yet in

those brief instants recalled features precisely similar and for ever

engraved on his memory,--the eyes shining with the colour and brilliancy

of the _aqua marina_ beneath their bushy sandy eyebrows, the livid

complexion, the nose thin, projecting, and curving like an eagle's beak,

with its nostrils so curiously expanded and carved out till they exposed

a portion of the nasal cartilage, resembled closely a certain Polidori,

whose name had been so unceremoniously committed by Murphy, in his

conversation with Graün, to regions not mentionable to polite ears.

Though Rodolph had not seen Polidori during the last sixteen or

seventeen years, he had a thousand reasons for keeping every feature

well in his remembrance. The only thing that told against the identity

of the individual he believed existed under the disguised name of this

quack dentist was the circumstance of his having red hair, while the

Polidori of Rodolph's acquaintance had almost black. That Rodolph

experienced no wonder (always supposing his conjectures as to the

identity correct) at finding a man whose profound learning, rare talent,

and vast intelligence he well knew, sunk to such a degradation,--it

might even be infamy,--was because he knew equally well that all these

high attainments and noble gifts were allied to such entire perversity,

such wild and irregular passions, inclinations so corrupt, and, above

all, an affected scorn and contempt for the opinion of the world, which

might lead this man, when want and misery overtook him, to seek, from

choice, the lowest and least honourable paths of subsistence, and to

enjoy a sort of malevolent satisfaction in the idea of him, the

talented, the learned, burying all these precious treasures beneath the

ignoble calling to which he had devoted his vast powers of mind and

body. Still, be it remembered that, spite of the close resemblance

between the charlatan surgeon-dentist and the Polidori of bygone years,

there still existed discrepancies so great that Rodolph balanced, in

deep uncertainty, respecting their proving to be one and the same

person.

At length, turning to Pipelet, he inquired:

"How long has this M. Bradamanti been an inmate of this house?"

"About a year, sir, as nearly as I can remember,--yes, it is a year; I

recollect he took the lodgings in the January quarter. Oh, he is a very

regular and exact lodger; he cured me of a desperate attack of

rheumatism."

"Madame Pipelet was telling me of the reports which are circulated of

him."

"How could she be so foolish?"

"Nay, pray do not fear me! I assure you I may safely be trusted."

"But, really, sir," rejoined Pipelet, "I do not think there is the least

dependence to be placed in such reports. I do not believe them, for one.

I never can believe them; my modesty would not let me," added M.

Pipelet, turning very red, and preceding his new lodger to the floor

above.

The more resolved upon clearing up his doubts in proportion to the very

great annoyance he felt that the residence of Polidori in the same house

would prove to him, and becoming momentarily more disposed to affix a

painful solution to the enigma of the piercing cry he had heard from the

apartments of the Italian, Rodolph bound himself by a rigid promise to

investigate the matter, so as to place it beyond the power of a doubt,

and followed the porter to the upper floor, where was situated the

chamber he was desirous of engaging.

It was easy to ascertain the abode of his next-door neighbour Mlle.

Rigolette. Thanks to the charming gallantry of the painter, Pipelet's

mortal foe, the door of her chamber was ornamented after the manner of

Watteau, with a panel design representing about half a dozen fat little

chubby Loves, grouped round a space painted sky blue, and on which was

traced, in pink letters, "_Mademoiselle Rigolette, Dressmaker_." These

plump little Cupids had all a task to perform besides encircling this

important announcement. One held the thimble of Mlle. Rigolette upon his

tiny finger; another held her scissors; a third was provided with a

smoothing-iron for her use; whilst a fourth held up a mirror, as if to

tempt the young sempstress to forsake her work for the more gratifying

view of her own pretty countenance. The whole was surrounded with a

well-chosen wreath of flowers, whose gay colours contrasted agreeably

with the sea-green colour of the door; the whole offering a very

unfavourable contrast to the mean and shabby-looking staircase. At the

risk of opening anew the bleeding wounds of Alfred, Rodolph ventured to

observe, while pointing to the door of Mlle. Rigolette:

"This, I suppose, is the work of M. Cabrion?"

"It is; he destroyed the painting of the door by daubing it over with a

parcel of fat, indecent children he called his _loves_. Had it not been

for the entreaties of Mlle. Rigolette, and the weakness of M. Bras

Rouge, I would have scratched it all off, as well as this palette filled

with horrid monsters, with their equally abominable master, whom you can

see drawn amongst them. You may know him by his steeple-crowned hat."

And there, sure enough, on the door of the room Rodolph was about to

hire, might be seen a palette surrounded by all kinds of odd and

whimsical creatures, the witty conceit of which might have done honour

to Callot. Rodolph followed the porter into a tolerably good-sized room,

accessible by a small entrance-closet, or antechamber, having two

windows opening into the Rue du Temple. Some fantastic sketches from the

pencil of M. Cabrion, on the second door, had been scrupulously

respected by M. Germain. Rodolph saw too many reasons for desiring to

obtain this lodging to hesitate further; therefore, modestly placing a

couple of francs in the hand of the porter, he said:

[Illustration: "'_This, I Suppose, Is the Work of M. Cabrion_'"

Etching by Mercier, after the drawing by Frank T. Merrill]

"This chamber will exactly suit me. Here is a deposit to complete the

bargain. To-morrow I will send in my furniture; but let me beg of you

not to destroy the merry creatures painted on the palette at the

entrance. It is really very droll! Don't you think so?"

"Droll!" groaned poor Pipelet; "not I! Ah, sir, how would you like to

dream night after night that you were being hunted by a legion of little

ugly devils like these on the door, with Cabrion at their head urging

them on, and then fancying you are trying to get away, and cannot? Oh, I

have woke all in a perspiration from such dreams hundreds of times since

that infamous Cabrion began persecuting me."

"Why, honestly speaking, I cannot say the chase would be a very

agreeable one, even though but a dream. However, tell me, have I any

need to see M. Bras Rouge--your great man here--about renting this

apartment?"

"None whatever, sir. He rarely comes near the place, except when he has

any private matters to arrange with Mother Burette. I am the only person

to treat with about hiring apartments. I must beg the favour of your

name."

"Rodolph."

"Rodolph what?"

"Plain Rodolph, M. Pipelet,--nothing more, if you please."

"Just as you please, sir. I did not ask from curiosity. Every man has a

right to his own free will, as well as to decide upon the name he

chooses to be called."

"What do you think, M. Pipelet, as to the propriety of my going

to-morrow, as a new neighbour of Morel's, to inquire whether I can be of

any service to them? Since my predecessor, M. Germain, was permitted to

assist them according to _his_ means, why should they not accept of what

trifling help I can afford?"

"Why, sir, I see no harm in your going to call on the Morels, because it

may please the poor things; but I hardly see much good it can do, as

they are so shortly to be turned out of the house." Then, as if suddenly

struck with a new idea, M. Pipelet exclaimed, winking at Rodolph with

what he intended should be a very facetious and penetrating look, "I

see, I see,--you mean to begin making acquaintance with the lodgers at

the top of the house, that you may be able to work your way down to

Mlle. Rigolette. Ah, I've found you out, you see,--pretty girl--"

"Well, I think you have discovered my intentions, so I will confess at

once that I mean to try and be on friendly terms with my agreeable

neighbour."

"There is no harm in that, sir,--it is customary; only all correct, all

right and honourable,--you understand. Between you and me, I strongly

suspect Mlle. Rigolette heard us coming up-stairs, and that she is

watching to have a look as we go down. I will make a noise purposely in

locking the door; if you look sharp, you will see her as we pass the

landing." And, true to the porter's suspicions, the door so tastefully

enlivened by the fat Cupids, _à la Watteau_, was seen to open gently,

and Rodolph had a brief view of a little, turned-up nose, and a pair of

large, staring black eyes, peeping through the narrow space; but, as he

slacked his steps, the door was hastily shut. "I told you she was

watching us," said the porter. Then added, "Excuse me one instant, sir;

I want to step up to my warehouse."

"Where is that?"

"At the top of this ladder is the landing-place, on which the door of

Morel's garret opens, and in the wainscoting of this landing is a small

dark cupboard, where I keep my leather, and the wall is so full of

cracks, that when I am in this hole I can see and hear everything, the

same as if I was in Morel's room. Not that I wish to spy what the poor

creatures are about, God knows,--quite the contrary. But please to

excuse me for a few minutes, sir, whilst I fetch my bit of leather. If

you will have the goodness to go down-stairs, I will rejoin you."

And, so saying, Pipelet commenced ascending the steep ladder

communicating with his warehouse, as he styled it,--a somewhat perilous

feat for a person of his age.

Rodolph, thus left alone, cast another glance towards the chambers of

Mlle. Rigolette, remembering with deep interest all he had heard of her

being the favourite companion of the poor Goualeuse, and recalling also

the information she was said to possess touching the residence of the

Schoolmaster's son, when the sound of some person quitting the

apartments of the quack doctor below attracted his attention, and he

could distinctly hear the light step of a female, with the rustling of a

silk dress. Rodolph paused till the sounds had died away, and then

descended the stairs. Something white had fallen about half-way down; it

had evidently been dropped by the person who had just quitted Polidori.

Rodolph picked it up, and carried it to one of the narrow windows which

lighted the staircase. It was a pocket-handkerchief, of the finest

cambric, trimmed with costly lace, and bearing in one corner the

initials "L. N." beautifully embroidered, and surmounted with a ducal

coronet. The handkerchief was literally soaked in tears.

Rodolph's first impulse was to follow the person from whose hand this

mute evidence of deep woe had fallen, with the view of restoring it,

but, reflecting that such a step might be mistaken for impertinent

curiosity, he determined to preserve it carefully, as the first link in

an adventure he found himself almost involuntarily engaged in, and from

which he augured a painful and melancholy termination. As he returned to

the porteress, he inquired whether a female had not just come

down-stairs.

"A female! No indeed, sir,--it was a fine, tall, slender-looking lady,

not a female, and covered over with a thick black veil. She has come

from M. Bradamanti. Little Tortillard fetched a coach for her, and she

has just driven away in it. What struck me was the impudence of that

little beggar to seat himself behind the coach. I dare say, though, it

was to see where the lady went to, for he is as mischievous as a magpie,

and as prying as a ferret, for all his club-foot."

"So, then," thought Rodolph, "the name and address of this unhappy lady

will soon be known to this imposter, since it is, doubtless, by his

directions she is followed and watched by this imp of an emissary."

"Well, sir, and what do you think of the apartment? Will it suit you?"

inquired Madame Pipelet.

"Nothing could have suited me better. I have taken it, and to-morrow I

shall send in my furniture."

"Well, then, thank God for a good lodger! I am sure it was a lucky

chance for us sent you here."

"I hope you will find it so, madame. I think it is well understood

between us that you undertake to manage all my little domestic matters

for me. I shall come and superintend the removal of my goods. Adieu!"

So saying, Rodolph left the lodge. The results of his visit to the house

in the Rue du Temple were highly important, both as regarded the

solution of the deep mystery he so ardently desired to unravel, and also

as affording a wide field for the exercise of his earnest endeavours to

do good and to prevent evil. After mature calculation, he considered

himself to have achieved the following results:

First, he had ascertained that Mlle. Rigolette was in possession of the

address of Germain, the Schoolmaster's son. Secondly, a young female,

who, from appearances, might unhappily be the Marquise d'Harville, had

made an appointment with the commandant for the morrow,--perhaps to her

own utter ruin and disgrace; and Rodolph had (as we have before

mentioned) numerous reasons for wishing to preserve the honour and peace

of one for whom he felt so lively an interest as he took in all

concerning M. d'Harville. An honest and industrious artisan, crushed by

the deepest misery, was, with his whole family, about to be turned into

the streets through the means of Bras Rouge. Further, Rodolph had

undesignedly caught a glimpse of an adventure in which the charlatan

César Bradamanti (possibly Polidori) and a female, evidently of rank and

fashion, were the principal actors. And, finally, La Chouette, having

lately quitted the hospital, where she had been since the affair in the

Allée des Veuves, had reappeared on the stage, and was evidently engaged

in some underhand proceedings with the fortune-teller and female

money-lender who occupied the second floor of the house.

Having carefully noted down all these particulars, Rodolph returned to

his house, Rue Plumet, deferring till the following day his visit to the

notary, Jacques Ferrand.

It will be no doubt fresh in the memory of our readers, that on this

same evening Rodolph was engaged to be present at a grand ball given by

the ambassador of ----. Before following our hero in this new excursion,

let us cast a retrospective glance on Tom and Sarah,--personages of the

greatest importance in the development of this history.

The Mysteries of Paris, illustrated with etchings, Vol. 1 · 第 24 / 26 章