CHAPTER IX.

THE EDUCATION OF THE ADULT

IF it be granted that it is the interest and the duty of a nation to

develop the intelligence of its people, we must conclude that the work

is only half done, or not half done, by even an ideal system of what

is commonly called education. I am assuming that a time will come when

no youth or maiden will enter workshop or office before the age of

seventeen, if not eighteen; and that the better endowed minority of

our children will, without regard to their private resources, be

promoted to secondary, technical, and higher schools. This minority

will, on the whole, need no further attention. Cultural interest and

professional stimulation will ensure that their studies continue. But

the majority will fall lamentably short of the ideal of developed and

alert intelligence. The added three or four years will be enormously

valuable to the teacher, but in the majority of cases the intellectual

interest will still be so feeble that the distractions of life will at

once extinguish it.

If we speak of our actual world, not of an ideal world, this fact is

too patent to need proving. Forty-five years ago a band of enthusiasts

fought for the establishment of universal elementary education. The

survivors of that band confess that the splendid results they

anticipated have not been secured. One is, indeed, tempted sometimes

to wonder whether there was not more zeal for culture among the

workers half a century ago than there is to-day. When you listen to a

conversation, of workers or of average middle-class people, on

politics or theology or some other absorbing topic, you are astounded

at the slender amount of personal thinking and the slavery to phrases

which they have heard. Their minds seem to resemble the screen of a

kaleidoscope, on which the coloured phrases they have read in journals

or cheap literature weave automatic patterns. I speak, of course, of

the mass. I have given hundreds of scientific lectures to keen

audiences of working men, and I know that tens of thousands of them

have excellent collections of familiar books. But the result of

forty-five years of education is far from satisfactory. It was thought

that, when the people learned to read, and the ideas of an Emerson or

a Darwin could be appropriated by any man of moderate endowment, the

level of the race would rise materially. It has not risen as much as

was expected. The phrases are learned and repeated: the ideas are not

vitally assimilated, because the intellect is not sufficiently

developed.

Two classes of people will impatiently retort that there is no need

for further development. One class consists of those who dread a

higher intelligence in the workers because it leads to discontent with

their condition. To which one may reply that this concern comes too

late. One needs little intelligence to perceive the inequalities of

the distribution of wealth. The workers of the world have perceived

it, and, although only an extreme Socialist minority demands

equalisation, the mass of the workers demand a higher reward. Midway

between Australia and England, on the deck of a liner, I heard a group

of middle-class men and women contrasting the menace of the Australian

workers with the industrial content of the mother-country. We landed,

to find from the journals that the whole United Kingdom was punctuated

by strikes, agitations, and demands. It is too late. A distinguished

Belgian prelate was taken into a large foundry, and, observing the

workers, he impulsively cried: "What a slave's life!" "Hush,

they will hear you," said the manager. In repeating the experience

he added: "They have heard: it is too late." It will be better now

if, in the industrial struggle of the future, there is intelligence as

well as principle on both sides. If any large proportion of work in

the human economy requires the sacrifice of the intelligence, there is

something wrong with the work.

Curiously enough, the other class of people who are impatient of the

design to stimulate their minds consists of the mass of the workers

themselves. After eight or nine or ten hours of heavy muscular work

every day, they say, they have no inclination or fitness for serious

literature, serious lectures, or serious art. They prefer a drink, a

bioscope, a music-hall. Eight hours' work, eight hours' play,

eight hours' sleep; that is the ideal. A very natural and

symmetrical ideal, but--it is just the ideal which "the

capitalist" wishes them to cultivate, and this might suggest

reflection. Someone will do the thinking while they play. Democratic

government is a mischief and a blunder unless Demos is capable of

thinking. If the workers of the world have an ambition to control

their destinies, they must realise that their destinies are things too

large and complex and important to be controlled by men with sleepy

brains. There is no solution of the broad social problem of this

planet which does not imply that every adult man and woman, of normal

powers, shall be alert and informed and self-assertive enough to take

an intelligent part in its administration.

Therefore, it seems to many that a scheme of education which ceases to

operate at the age of fourteen, which teaches children to read and has

no further concern with what they read, which impresses on their

cortex a mass of facts of no utility or stimulation, is not a

fulfilment of a nation's duty, or a proper consideration of a

nation's interest. The grander lessons of history, the more

impressive truths of science, the vital features of economics and

sociology, the ennobling characters of fine art, cannot be even

faintly impressed on the young mind. Yet they can be impressed on the

minds of nearly all adults, and it would be an incalculable gain to

the race if they were. What is being done, and what might be done, to

effect this?

The nation at present leaves it to commercial interest and to

philanthropy to carry out, in some measure, this important function,

and we may at once eliminate the commercial interest. It supplies, at

a proper profit, what is demanded. A minority ask for cheap works of

science and art and history, and several admirable series of manuals

and serial publications are supplied. A majority, an overwhelming

majority, asks only to be entertained, and there is a mighty flood of

novels and amusing works, a rich crop of music-halls and

bioscope-shows and theatres and skating rinks. It will readily be

understood that, regarding happiness as the ultimate ideal, I regard

entertainment as a proper part of life. The comedian and the

story-teller and the professional football-player are rendering good

service, and it is intellectual snobbery to murmur that they "merely

entertain" people. A good deal of nonsense is written about sport

and entertainment. Many of us can, with pleasant ease, suspend a

severely intellectual task for a few hours to witness a first-class

football match. One wonders if some of the ascetics who speak about

"mudded oafs" and "the football craze" are aware that the game

(except for professional players) occupies merely an hour and a half a

week (or alternate week) for little more than half a year.

The mischief is that so much of our entertainment appeals to and

fosters a state of mind or taste which does exclude culture. We have

to-day an army of puritan scouts, watching our music-halls and

cinematograph films, our picture-cards and novels, our open spaces by

night and our bathing-beaches by day, calculating minutely what amount

of dress or undress or sexual allusion they may permit. Certainly we

need coercion in these matters. No one who moves amongst our average

people, in any rank of society, can fail to recognise that there would

be in time a volcanic outpour of sexuality if we did not impose

restriction. Whether this chaste pruriency of the modern Churches is

an admirable thing, and whether its hirelings are a desirable

supplement to the police-force, need not be discussed here; but what

amuses one is their intense zeal to detect the narrowest fringe of

impropriety and their utter obtuseness to graver matters. I have

sometimes, when waiting before a lecture in the dressing-room of a

variety theatre, been confronted with a notice that "the curtain

will be rung down on any artist who says 'Damn' or mentions the

lodger," or, more candidly (in the Colonies): "Don't swear. We

don't care a damn, but the public does." The general public would,

if it were consulted, probably make the same reply as the framers of

the notice, and would blame the police for the restriction of liberty.

There is, in a word, an appalling poverty of taste in the general

public, and it pays the purveyor of entertainment to adapt his wares

to it as far as the police will permit. To this lamentable lack of

taste and culture (in the broad sense) officials and moralists are

entirely indifferent as long as the _comédienne_ does not refer to

the seventh commandment. The public may be as ignorant and vulgar as

they like, but they must not give expression to a natural effect of

this.

The music-hall and the bioscope are the great academies of our people

to-day, and their work is largely stupefying. Sentimental songs of the

most vapid description alternate with patriotic songs of a medieval

crudeness and humorous songs which might have appealed to a

prehistoric intelligence. Bloodthirsty melodramas, sensational scenes,

and infinite variations of "The girl who did what we are forbidden

to talk about," evoke and inflame elementary emotions at the lowest

grade of culture. Clergymen give certificates of high moral efficacy

to crude representations of passion in high life which are designed to

appeal to raw feelings. The posters alone--the eccentric costumes and

daubed faces and attempts at novelty in the way of leering--warn away

people of moderate taste or intelligence. The bioscope is almost as

bad. Apart from a few excellent travel and scenic and scientific

pictures, the show is a mass of crude faking and boorish horse-play

which presupposes an elementary intelligence in the spectators.

Pictorial post-cards add to the monstrosities and puerilities of this

kind of public education, and a large proportion of the stories

published, especially in the periodicals which are read by girls and

boys and uneducated women, fall in the same category. We may trust

that the idea will not occur to anyone of making a collection of our

picture-cards, films, music-hall posters, novelties, etc., for

preservation as typical amusements of the twentieth century.

It is stupid to watch this lamentable exposure of our low average of

culture week by week with complete indifference until more

underclothing is displayed than we think proper. The bioscope and

music-hall--I speak of the majority--are not merely entertaining; they

are undoing the work of the educator. They are fostering the raw and

primitive emotions which it is the task of education to refine and

bring under control, debasing public taste, and appealing to a

standard which is essentially unintellectual. The idea that fun may be

utterly stupid and crude, provided it is "clean," is the idea of a

narrow-minded fanatic, an enemy of society.

When we pass to the next cultural level of entertainment--the better

music-hall, the metropolitan type of theatre, the concert, the novel,

etc.--we have a vast provision of entertainment which amuses or

interests without cultural prejudice; rising at times to a positive

measure of artistic education or intellectual stimulation. Two things

only need be noticed here. The first is the stupidity of the kind of

censorship which we tolerate; of which little need be said, since it

is generally recognised. The amateur moral censorship of art reaches

the culmination of its absurdity in our dramatic inquisition. The

dramatist may deal with sex-passion as pruriently and provokingly as

he likes, provided he leaves enough to the spectator's facile

imagination; but he must not attempt to raise love as an intellectual

issue. Our people may feel love: they must not think about it as a

serious problem.

The other, and more needed observation, regards the novel. There are

novels of fine artistic value, like those of Phillpotts: novels of

great intellectual use, like those of Wells: and novels of a general

and more subtle educational value, like those of Meredith. There are

novels which, like the melodrama, counteract education by their low

standard of art and intelligence, and there are novels--the great

majority--which entertain without prejudice. Since we have as much

right to be entertained as to be instructed, novel-reading is a normal

part of a normal life. Seeing, however, that a very large proportion

of the community read nothing but novels, it has been felt that the

novel might be used as a vehicle of instruction, and the didactic or

historical novel has become an institution. Many believe that they are

being educated when they read this literature.

Against this comforting assumption it is necessary to protest. Even

the greatest historical novelists, Dumas and Scott, have taken

remarkable liberties with the known facts, and added to the picture of

the time a mass of imaginative detail. Many historical novels, like

_Quo Vadis_ or Kingsley's _Hypatia_, misrepresent personalities or

periods for controversial purposes; and the bulk of modern historical

novels are worthless jumbles of fact and imagination. It is, as a

rule, the same with the sociological novel. You must know the facts in

advance--you must know where the facts end and the fiction begins--or

else merely regard the book as a form of entertainment. Lately I read

a serious historical work, by a distinguished writer, in which Hypatia

(who was fifty or sixty years old when she was murdered) is described

as a "girl-philosopher"; clearly because Kingsley, for controversial

purposes, thought fit in his novel to make her a young and rather

foolish maiden. Thousands of people take their convictions from

"novels with a purpose," especially religious or sociological

novels, without reflecting that the author may legitimately give them

either fact or fiction. Such novels are often profoundly mischievous.

A conscientious didactic novelist like Mr. Wells aims rather at

raising issues and stimulating reflection, and in this Mr. Wells has

done splendid service. Others have done equal disservice, and have

used artificially constructed characters for the purpose of raising

prejudice against certain ideas, or have misled by a calculated

mixture of fact and fiction. It was in recommending to the public one

of these novels--an exceptionally silly and crude piece of work--that

the Bishop of London described Christianity as "woman's best

friend."

Religious literature is particularly offensive in this respect, but I

will give special consideration to it later. Our press-criticism of

books is a very imperfect system of checking the vagaries and

prejudices of authors. The criticisms are very frequently marked by

ignorance of the subject and by personal or doctrinal hostility to the

author, while the more learned and conscientious journals often show

the most ludicrous pedantry. I once published a novel, pseudonymously,

and was amused to read in a London weekly, which takes great pride in

the smartness of its reviews, that the author had neither an

elementary knowledge of the art of writing nor an elementary

acquaintance with the subject on which he wrote. I had already at that

time written about twenty volumes, and I had had twelve years'

intimate experience of the monastic life with which the book was

concerned. Mr. Clement Shorter, not knowing the author, had generously

described the book as "a brilliant novel." On another occasion an

historical work of mine was gravely censured, though no specific

errors were noted in it, by our leading literary organ, on the ground

that I was not an expert on the period. I looked up the same

journal's critique of a work written on the same historical period

by an academic authority, and published by his university, and I found

that, though there were dozens of errors in the work, it had passed

the censor with full honours. I add with pleasure that some of the

most generous notices of my works have appeared in papers (such as

_The Daily Telegraph_ and _The Spectator_) to which my ideas must be

repugnant. But most literary men agree with me that reviewing is, to a

large extent, prejudiced and incompetent, and few of us would cross a

room to read ordinary press-notices of our books.

One might extend this criticism to the general work of the press as

the great popular educator. We must, however, reflect that the press

is hampered by restrictions which the public ought to bear in mind: a

journal is always a commercial transaction with a particular section

of the public, and it is generally pledged to political partisanship.

It is only just to remark that this materially restricts the

educational ambition of many journalists. The public themselves are to

blame that a large section of our press devotes so much space to

sensational murders, adulteries, burglaries, royal births and

marriages, wars and other crimes and follies. Sunday journals often

contain twenty columns of this rubbish, and the worst parts of it are,

with the most disgusting hypocrisy, thrust into prominence by

especially large head-lines announcing "A Painful Case." One

imagines the working man spending five or six hours of the Sabbath

reading this sort of stuff. Great and grave things, which he ought to

know, are happening all over the world, but he must have sharp eyes if

he is to catch the obscure little paragraphs which--if there is any

reference at all--tell him how many have been put to death in Russia

in the last quarter, or how the republican experiment fares in

Portugal, or how democracy advances in Australia or the United States.

The space is needed for pictures of burned mansions and notorious

murderers and the commonplace relatives of politicians, for verbatim

reports of divorce and criminal cases, for inquests and royal

processions, and for the magnificent speeches of Cabinet Ministers and

would-be Cabinet Ministers.

This stricture applies to the press generally. How far it sacrifices

to these meretricious purposes the serious function of educating the

public has been painfully impressed on us by recent experience. Only

one or two journals in England surpassed our drowsy politicians in

sagacity and foresight. Though an extensive reader of German

literature (scientific and historical), it had never been my business

to follow political or military utterances; yet, when the war broke

out and I looked back on Germany's enormous output in this

department, I realised that there had been in London for a year or two

enough German literature to convince any moderate observer that war

was fast approaching--and this was only a fragment of an enormously

larger literature. Our press had ridiculed the one or two men and

journals who warned the public of the danger. Further, when it

transpired that our Government had met the crisis with painful

slowness and inefficiency, nearly the whole press again conspired to

check criticism, and it is probable that when the war is over the

press will unite with the Churches in cultivating a foolish and

dangerous contentment on the part of the public. Our press is, in

fact, very largely an instrument of our corrupt party-system. It never

initiates reform, and it mirrors, day by day, all the crimes and

follies and maladies of our social order without the least resentment

or the faintest suggestion of reconstruction. Journals are constantly

appearing with the professed intention of correcting these defects,

yet they are almost invariably spoiled by illiberalism in one or more

departments of their work, or by gross exaggerations, hysterical

language, or impracticable proposals.

All this is a reflection of the generally low state of public culture,

and it will not alter until we devote serious care to the education of

the general intelligence. We begin at school to cultivate the

child's imagination, though it is the quality of a child's mind

which least requires stimulating and is most in need of subordinating

to intelligence. In later years, when the feeble intellectual

stimulation we have given is exhausted, we have to appeal to the

imagination or go unheard. "I have not read a book since I left

school," a music-hall artist observed to me. At twenty-five he had

become incapable of doing more than look at illustrations, as he had

done in his childhood. We go on until we make the imagination itself

feeble on its constructive side. Miles of generally dauby and

grotesque posters line our streets; tons of the trashiest literature

for the young are discharged from marble palaces in the neighbourhood

of Fleet Street; novels multiply until the general public takes the

words author and novelist to be synonymous; and the daily organ of the

millions tends more and more to be a collection of pictures of

unimportant events and persons, with a very slender and peculiar

quantity of news.

If we agree that democracy will advance until the majority rule in

reality, and not merely in theory, these things must concern us. It is

of little use to point to the occasional periodical with small

circulation which endeavours to educate, to the occasional educative

column in more important journals, or to the occasional lecture or

serious concert or drama. The broad fact remains that our future

rulers are increasingly encouraged to refrain from mental cultivation,

to mistake an appeal to the imagination for knowledge, and to debase

their taste more and more with raw representations of crime and

passion. The working man reads with indignation of fashionable ladies

struggling to find a place in court when a man is being tried for a

series of sordid murders; and the working man then reads, day after

day, a three-column verbatim report of the trial, and regrets that

there is not more of it.

In order to meet this grave public need an earlier generation invented

night-schools and Mechanics' Institutes. Many of these still do

useful work, but their number shrinks rather than increases. The

Co-operative Movement, again, set up in the early days a fine ambition

to educate its adult members, but this ambition has not been generally

sustained in the vast modern movement. Hundreds of lecture-societies

were founded, and hundreds (about seven hundred in Great Britain, I

believe) exist to-day and do some excellent work; but many of the

societies which adhered most faithfully to the educational ideal are

in difficulties or extinct. The travel-lecture or funny lecture and

the "popular" concert encroach more and more on the serious

programme. Free libraries were another hope of the reformers of the

last generation, and they are now endowed by millionaires and

maintained by municipalities. They exhibit, perhaps, the saddest

perversion of social ambition. Neither Mr. Carnegie nor any serious

municipality thinks it a duty to provide gratuitous entertainment, but

at least two-thirds of their resources are really devoted to this. The

enormously greater part of the work of free libraries is to beguile

the idle hours of young men and the idle days of young women with

novels that rarely contain a particle of intellectual stimulation.

Public museums were another device for educating the mass of the

people, and they have largely failed. There has been in recent years a

little more regard for the public, as well as for students, but it is

still painful to see crowds passing with bovine eyes amidst our

accumulated treasures. The grouping and labelling are still too

academic: the general scheme and the immense wealth of detail daze the

eye of the inexpert. More guides and lecturers, in touch with and

informally accessible to the public, and a closer association with

University Extension and Gilchrist and other lectures, are very much

needed. Saturday afternoon in the British Museum is a melancholy

spectacle of wasted wealth. A small model museum, designed solely for

the education of the general public, would be more useful in this

respect than our magnificent national museum. Unfortunately, the small

museums copy the academic defects of the larger. The curator of one,

on whom I urged the needs of the public, replied wearily: "Well, it

will take me three years to arrange my Cephalopods, and then I will

see what I can do."

We need a comprehensive and serious organisation and development of

our resources for educating the adult. Our Education Department needs

to throw out a new wing with the purpose of preventing the utter waste

of its work upon young children. Institutions like the British Museum

ought to be relieved of the control of the Archbishop of Canterbury

and one or two other somnolent gentlemen, and made the centre of a

splendid and energetic system of popular instruction and stimulation.

From such centres the educational officials (as distinct from learned

curators and youths from Oxford and Cambridge who look upon the public

as a nuisance) might issue attractive invitations and publications,

and be prepared to welcome the non-student, either with "showmen"

who understand the public mind or by a general and affable

accessibility of the whole staff. Municipal museums and libraries and

picture-galleries could be organised on similar lines by the

Department, and useful private foundations, such as the Bishopsgate

Institute, could be invited to co-operate, without interference in

their management. The supply of novels ought to be restricted to the

great masters of every country and a few moderns. The rich supply of

serious literature ought to be made attractive and easily accessible

to the public by good bibliographical guidance and constant lectures.

These things are, of course, being done. It is not so much the local

officials one quarrels with as the nation and its leaders. We want an

immense co-ordination and development of our resources and efforts out

of national funds. Lecture-societies and all kinds of educative

centres and institutes--there are thousands in the country--need to be

affiliated, encouraged, advised, and supplemented. The State should

not even shrink from publishing. The trade supplies only the actual

demand: the State must create a new and larger demand. Music would be

an integral part of this scheme of education, and here again we have a

large material ready for organisation.

Any man who has engaged in the work of educating and stimulating the

general public will realise how urgently some such scheme is needed,

and how splendid a service it would render. He will realise also that

the task will be formidable. I do not for a moment conceive the

general public as thirsting for culture. That is very largely due to

the way in which the work has hitherto been done. The recent success

of small but authoritative manuals of science and history, and of

several cheap series of literary works of high value, shows that a

fairly large public responds to every enlightened effort to assist

them. It will become very much larger when the work is organised on a

national scale and conceived as a really important function of the

State. That even then the majority of the nation would rush to the

reconstructed libraries and museums and lecture or concert-halls no

one will imagine for a moment. We do not undo in a few years the

effect of centuries of evil traditions. I am assuming, however, that

these various reforms I am discussing will proceed more or less

simultaneously, and will enormously assist each other. The abolition

of war would release rich funds for educational purposes: the

reorganisation of industry would provide a little more leisure and

capacity for mental recreation: other reforms would give a general

intellectual stimulation. Even now, however, much of this work could

be done. If we think it sufficient that our people remain in a

condition of elementary literacy and half-developed intelligence, if

we fancy that the _race_ will advance because it sets aside a special

caste of scholars for the promotion of culture, we may regard our

actual situation without concern. But if we desire that general

alertness of mind and decision of character which a democratic rule

implies, we cannot be indifferent. Aristocrats justly rail at the

democracy of Athens and Rome; it was an uneducated democracy--literate,

but uneducated, like ours. We need to advance, if we are not to

recede; and the uplifted race of the days to come will honour the

generation that taught men the compatibility of culture and

entertainment.

I am speaking, in the main, of the mass of the workers, but it would

be entirely unjust to insinuate that they alone need adult education.

The conventions of social life, the extraordinary slavery to fashions

and artificial rules, betray an intellectual flabbiness in the

wealthier members of society which just as urgently calls for

stimulation. We seem at times quite incapable of drawing a line

between acts of real courtesy and taste, which imply a certain grace

or delicacy of character, and conventional usages which have no

rational basis. The insistence on these conventional usages is part of

that general slavery to false traditions which I am assailing.

The most flagrant instance of this weakness of mind and character is

the docility with which we meet changes of fashion in dress, or retain

eccentric forms of clothing. Hardly any other feature so strongly

impresses the close observer with the fact that the race, as a whole

(and I speak only of civilised communities), advances little in

intelligence and self-possession in spite of the progress made by its

intellectual experts. One would say that here, especially, we need a

strong draught of the philosophy of Friedrich Nietzsche,--the gospel

of self-assertion, of strong personality, of severe reasoning,--but I

have not observed that our modern Nietzscheans differ much from their

neighbours in such matters. Yet the commercial expansion of modern

times is making this tyranny of fashion more ludicrous than it ever

was before.

The fashion-plates and descriptions contained in ladies' journals

have always provoked the furtive smile of the male. A coterie of

tradesmen, who are eager to promote business, and of wealthy ladies

who are equally eager to show that their purses are unlimited, decree

that the hat or costume shall continually vary in shape and colour.

The Anglo-French jargon of the sartorial journalist then impresses on

a larger circle of ladies the need of alertness and the horror of

being _démodée_,--it would be proof of incapacity to say "out of

fashion,"--and, as the season approaches, the proclamation of the

forthcoming colour or model is awaited with more feverish anxiety than

the announcement of the national budget. Schools of artists are

secretly inventing some variation--the wider the variation the

better--on the thousands of costumes which have already graced the

feminine frame, or discussing bold suggestions of reviving an ancient

model which has long disappeared even from the shops of

wardrobe-dealers. Privileged ladies rise in prestige by obtaining and

whispering advance information. At length the shop-windows blaze with

the new colour, the journals depict an ingenious new combination of

edges and folds and puckers, and womanhood plunges to the bottom of

its purse with an eagerness to avoid the suspicion of financial

stringency; while the discarded hats and dresses percolate

romantically through lower strata of society. Is it not good for

trade?

The masculine smile is, however, wearing thinner, as the absurd

despotism is now almost as great among the stronger sex. Here also a

group of commercial mathematicians evolve, every few months, a new

combination of brim and crown and curve, and artists design new

patterns of cloth and new contours of garment, and tyrannical

journalists hold up to public execration the man of means or position

who dares to find last year's fashion sufficiently comfortable or

decorative. "Not worn now, sir," says the shopman, with indulgent

smile, when you go to renew the hat or coat that has pleased you. The

bewildering thing is, not that manufacturers should be eager to sell

us new garments every few weeks, but that we bow with such docility to

this ludicrous fiction of monarchy. Long trousers or short trousers,

creased trousers or turned-up trousers, tight coats or loose coats,

bowlers or trilbys--we listen submissively to the mandate, without the

least consideration of our appearance or convenience.

Indeed, the only things that are permanent in this extravagant

procession of fashions are the things that are ugly, inconvenient, or

unhealthy, especially on the masculine side. The silk hat and the hard

felt hat linger as if in these extraordinary creations the

manufacturer had discovered the ideal head-covering. The swallow-tail

coat survives as if æsthetics could advance no further in the

attiring of wealthy men; even the buttons at the back, to which our

fiery ancestor attached his sword, must not be abandoned. The more

comfortable dinner-jacket remains a privileged client at the gate

until some audacious peer or prince will dispel the oppressive

reverence for the ancient swallow-tail; and peers and princes know how

dangerous it is to tamper with the spirit of reverence. The starched

collar and shirt are as rigidly prescribed as sacred vestments on high

occasions. The lady must still hang a thick and heavy screen of cloth

from her hips; first having it made too long and then holding it up

with her hand in order to escape the rich organic deposit on our

streets and the filth with which we suffer "domestic pets" to make

our squares hideous. Her abdominal organs must, if one may credit the

marvellous photographs published by the corset-makers, be

reconstructed every few years to accommodate the latest scheme of

body-curves. And from these upper reaches of our intellectual world,

the tyranny descends through level after level of the community until

it lays its last stern injunctions on the junior clerk and the

post-office assistant; or passes beyond the seas and compels the

Chinaman or the Japanese to discard his beautiful robe in favour of a

frock-coat and silk hat, or a striped tweed and bowler, when he

presents himself at the entrance-gate to civilisation.

We find an almost equally ludicrous tyranny of tradition or fashion in

almost every part of the ritual of social life. Twenty years ago I

issued from a rite-bound monastery into the free life of the world, to

find it similarly swathed in ritual bonds. I purchased, and stealthily

mastered, the "ceremonial" (as we used to call our rite-book) of

this new world--a book on "etiquette"--and led for some months a

strenuous and exacting life. I entered drawing-rooms with a nervous

recollection of about a score of rules that had to be observed in the

first five minutes, while the ritual of the mundane table entailed for

a long time a good deal of furtive observation of my fellows and

trembling under the butler's eye. To this day I am not quite clear

at what precise angle the elbow must stand in shaking hands. Social

life is overspread by a network of these prescriptions of the

unwritten law or the judicial decisions of the aristocracy which we

call "manners." There is, as a rule, so little discrimination

between the formal rules of an artificial code and the real impulses

of a gentlemanly nature that one has often to listen gravely and

silently while ladies commend the "perfect manners" of a man whom

one knows to be an adventurous ninny or a beast.

We need a new conception of civilisation, a sustained stimulation of

the intelligence throughout life, a strong infusion of the Nietzschean

gospel of personality and self-assertion. Some day we shall regard

education as half of the nation's serious business, and will devote

half our national revenue to it. Let it not be imagined that this

suggests a generation of dour and frightfully serious people who never

smoke or play bridge. I omit the function of entertainment only

because it has never been neglected. The supreme business of a State

is to make its people happy, strong, and prosperous. We shall approach

the ideal when we abolish war and reduce pauperism and crime by

registering all workers, organising all industry, reforming justice

and the penal system, and removing the morally diseased.

In those days education will be a vast, humane, scientific scheme for

guiding the growth of human embryos into industrious and orderly

citizens, and enabling the adult citizen pleasurably to cultivate his

mind and taste. The development of each child will be followed as the

development of a pupil is followed in the Jesuit Society, but with a

care to develop its individuality fully, in harmony with the

individualities of others. The child will not pass from the sphere of

the educator at puberty, with unformed mind and character, to swell

the great army of the intellectually listless. Ruskin's noble ideal

of "as many as possible full-breathed, bright-eyed, and

happy-hearted human creatures" will replace the narrow standards of

our Education Department, with which the child can have no sympathy.

From the first dawn of intelligence it will feel that a well-wishing

parent, the community, is training it to derive all the joy it can

from life, consistently with the joy of others and the day's duties,

when its turn comes to don the _toga virilis_. It will have learned by

that time that a development of its characteristic human powers is the

richest possession it can have, and, coming to adolescence, will not

at once cast aside the work of the teacher and dissipate its energy in

the crude indulgence of elementary passions and futile imaginings.

Neither child nor adult will shrink from work which stimulates the

intelligence or refines the taste, and a fine alert race, impatient of

untruth, injustice, and suffering, will set itself to develop fully

the resources of this planet.

The Tyranny of Shams · 第 9 / 10 章