CHAPTER I

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EWING'S LADY

_B_y

HARRY LEON WILSON

Author of "The Spenders"

D. APPLETON AND COMPANY

NEW YORK

1907

COPYRIGHT, 1907, BY

D. APPLETON AND COMPANY

COPYRIGHT, 1907, BY

AINSLEE MAGAZINE COMPANY

_Published, November, 1907_

To N. B. T.

CONTENTS

CHAPTER PAGE

I.--EWING'S KID 1

II.--A LADY LOSES HERSELF 12

III.--A PRIVATE VIEW 20

IV.--A PORTRAIT 32

V.--INTO THE PAST AND OUT 43

VI.--THE LADY AND THE PLAN 55

VII.--TWO SLEEPERS AWAKEN 64

VIII.--THE JOURNEY WONDER 71

IX.--A DINNER AT SEVEN-THIRTY 83

X.--THE WAY OF THE LITTLE MAN 97

XI.--A NIGHT AT THE MONASTERY 105

XII.--THE NEW MEMBER 124

XIII.--SEARCHING THE WILDERNESS 131

XIV.--THE TRICK OF COLOR 140

XV.--FLESH OF HER FLESH 147

XVI.--TEEVAN AS SPECIAL PROVIDENCE 156

XVII.--AN ELUSIVE VENUS 164

XVIII.--MRS. LAITHE IS IN 174

XIX.--THE UNBLAZED WAY 185

XX.--A LADY BLUSHES 196

XXI.--THE DRAMA IN NINTH STREET 203

XXII.--A REVOLT 211

XXIII.--THE LITTLE LAND 222

XXIV.--EWING INTERRUPTS 231

XXV.--MRS. LAITHE IS ENLIGHTENED 247

XXVI.--THE SUNSET TRAIL 256

XXVII.--THE HILLS OF REST 262

XXVIII.--THE WHITE TIME 273

XXIX.--THE AWAKENING 279

XXX.--THE HARDEST THING 290

XXXI.--THE MISSION OF EWING 304

XXXII.--THE TURNING OF COONEY 313

EWING'S LADY

CHAPTER I

EWING'S KID

Two weeks of instructive contact with the Bar-7 school of gallantry had

prepared Mrs. Laithe to be amazed at her first encounter with Ewing's

kid. Riding out from the ranch one afternoon and turning, for coolness,

up the wooded mesa that rises from the creek flat, she overwhelmed him

at a bend in the trail. Stricken motionless, he glared at the lady with

eyes in which she was compelled to believe that she read more horror

than admiration. There was a moment of this; then her pony neighed a

greeting to the statue--of dusty bronze--as if to say that things were

not so bad as they seemed, and the gazing youth broke the spell his

vision had laid upon him. He bowed his head doggedly and vanished beyond

some low-growing cedars that lined the way.

As he fled the lady laughed softly, yet was silent, with face austerely

set as she passed the point of his evanishment. His behavior recalled

that of a deer she had terrorized one day in this same green isle of the

woods; and she had laughed the same furtive laugh, as if in confidence

to herself, when the creature tossed its head in challenge, pawed the

earth with a dainty bravado, and then fled in such an ecstasy of panic

that she could hear it crashing through the underbrush long after it had

vanished. But this human woods-creature had gone silently; and no great

way, she suspected--far enough only to screen himself while his eyes

still held her through some opening in the green curtain. Wherefore let

us comprehend the mien of austerity as she passed.

Elusiveness in the male, be it bluntly said, was confounding to the

experience of Mrs. Laithe since she had ventured into the San Juan

Mountains under the nominal care of an inattentive brother, and her

belief was still firm that the men about her suffered little from

shyness. This latest specimen would be a single variation from type and

of slight value in determining the ways of his kind.

As her pony picked its way up the trail she mused over the not

unpleasant picture of the youth at bay. It was a thing to be caught at

the moment, for she would find him otherwise, she believed, at their

next meeting. She would come on him some day at Bar-7, or at one of the

ranches neighboring it, and find him quite like his fellows, rigidly

respectful, but with a self-confidence and a simple directness in his

gallantry that had entertained her not a little as practiced by local

courtiers. He would be like the others, from Beulah Pierce, owner of

Bar-7, down to Shane Riley, humble helper in the cookhouse.

An hour later, refreshed by the balsam-laden air of the upper reaches,

she left the woods at the foot of the mesa and rode out on the willow

flat, lush with grass for Bar-7's winter feeding. From the first bench

above the creek she descried the figures of two men in front of the

ranch house. One she saw to be Beulah Pierce, his incredible length

draped lazily over the gate that opened into his wife's flower garden.

Outside this gate, under the flow of his talk (Pierce would surely be

talking) stood one whom the lady, riding nearer, identified as the youth

who so lately had shirked a meeting with her. At this sight she warmed

with a little glow of pride in her powers of prophecy. Truly he had

waited no long time. His hat was off and he leaned restfully against the

withers of a saddled horse, a horse that drooped, head to the ground, in

some far low level of dejection.

She laughed again, comprehending the fellow at last. His variation from

type had been but seeming, due to an erratic but not constitutional

embarrassment. Brazenly enough now he contrived to await her coming,

craftily engaging the not difficult Pierce in idle talk. And Pierce, as

she rode up, would perform, with stiff importance, the orthodox ceremony

of presentation. Whereupon the youth would bow with visible effort,

shake her hand with a rigid cordiality, once up, once down, and remark,

after swallowing earnestly, "Pleased to meet you, ma'am!" or perhaps,

"Glad to make your acquaintance!" Then, tactfully affecting to ignore

her, he would demand if Pierce had seen anything of that buckskin mare

and colt that strayed off last Tuesday; or if anyone had brought mail up

from Pagosa Springs lately; or if Pierce happened to need two thousand

hemlock shakes. This query he would follow with a popular local

witticism concerning sheepmen or the Colorado climate--nominally

addressed to Pierce but intended for her own refreshment. And, in

readjusting the silk kerchief at his throat, he would manage a quick

side glance at her to see how she relished the jest. For Mrs. Laithe had

learned their ways in two weeks, and this was one of them--to favor one

another with witty sallies in her presence, and solely in her behalf.

All the men of Bar-7 practiced this amiable strategy. When a group of

them assembled within her hearing the swift exchange of repartee,

accompanied by the inevitable side glance, was a thing to wonder at.

Indeed, the lady had learned their ways. Even before she neared the gate

Alonzo Pierce, son of Beulah, appeared round the corner of the ranch

house to take her pony, sauntering with a flagrant _ennui_, in full

knowledge that Sandy Goodhue had started violently on the same gallant

mission, but from the farthest corral. Shane Riley, chained by his

labors to the doorway of the cookhouse, smirked genially out over a pot

that he polished; and Red Phinney, star rider at Bar-7, seated himself

on the step before the front door, so that he might have to arise with

flourishing apologies--a performance that would move the lady to ask

about his sprained wrist, now in bandage.

This familiar assembling of her court, professedly casual, was swiftly

detected by Mrs. Laithe. But she saw now, being near the gate, a quick

turning toward her of the strange youth. It was a brief, impersonal

survey that seemed not to disengage her from the background of gray road

and yellowish-green willows; but clearly it sufficed. With a curt nod to

Pierce he was mounted; in another breath his amazed and indignant horse,

spurred viciously from its trance, raged with protesting snorts over the

road to the east. As Mrs. Laithe reined up at the gate she beheld,

through a nimbus of dust, the rider's boots groping pathetically for

their stirrups.

She repressed a little gasp of astonishment in which the natural woman

might have betrayed her view of so headlong a retreat, although, had

Beulah Pierce been alone at the gate, she might have descended to speech

with him about this strangely retiring youth. But as 'Lon Pierce waited

for her pony, with a masterly taunt for Sandy Goodhue, who came up

breathless but late, and as Red Phinney had already risen from his

obstructive seat in the doorway, his wrist held cunningly forward to

provoke solicitous inquiry, the lady passed in with only such easy words

as the moment demanded. She was reflecting, with agreeable interest,

that the young man's avoidance of her would presently begin to seem

pointed.

This conjecture was to be abundantly confirmed. Returning from her ride

the following afternoon, she saw that the youth must pass her on the

public highway. They were out on the flat, with no arboreal sanctuary

for the timid one. The lady looked forward with genial malice to a

meeting which, it appeared, he was now powerless to avoid. But the

youth, perceiving his plight, instantly had trouble with a saddle girth.

Turning well out of the road, he dismounted on the farther side of his

horse and busied himself with the mechanics of proper cinching. As Mrs.

Laithe rode by she saw only the top of a wide-brimmed gray hat above the

saddle.

The day following, when, in an orderly sequence of events, they should

have met at the ford, he turned with admirable promptness down the

stream, where no trail was, sharply scanning the thinned edge of a wood

in the perfect manner of one absorbed in a search for lost stock.

Clearly, his was a mind fertile, if not subtle, in resource.

Not until a day later did he come truly to face her, and then only by

the circumstance of his being penned by her within the high-walled

corral where Red Phinney broke green horses to ride, work or carry.

Returning this day earlier than was her wont, and finding no one at the

front of the house to take her pony, she had ridden back to the corrals.

Here she delivered the animal to Phinney, but not before the timid one

had been compelled to pass her. He did this, she thought, only after

swiftly calculating the height of the walls that pent him. And though

his hat was doffed as he hurtled by, his eyes were on the ground. Mrs.

Laithe, feeling thus at liberty to stare brutally at him, felt a

prodigious heightening of that tower of amazement he had been rearing

within her mind, for she saw him blush most furiously; beheld it under

the brown of his beardless face.

Yet there was more in the young face than this flaunted banner of

embarrassment; and scanning it intently, she resolved forthwith to know

him.

Late that day she was pleased to come upon Beulah Pierce alone in the

big living room of the ranch house. Smoking a last pipe before the call

to supper, Beulah relaxed on the "lounge" after a toilsome season of

ditch-making.

"Oh, him?" he answered, luxuriously extending legs that seemed much too

long for any reasonable need of man, and pulling at his ragged red

mustache. "Why, that's Ewing's kid."

"Ewing?" retorted Mrs. Laithe, provocatively, winningly.

"Ewing," affirmed Pierce, with unaccustomed brevity, his mind at

dalliance with other matters.

"Ewing's kid," murmured the lady, as if in careless musing.

"Sure, Ewing's kid--Hi Mighty! I struck one o' them willow roots to-day,

on that piece o' ditch over on the west forty, an' say! it yanked me

clean over the plow handles. It did, fur a fact--straightened me out

like a whiplash. It scraped all the wall paper off'n this left shoulder

o' mine when I landed, too, say nothin' o' the jounce it give me. Ma,

whur's that embrycation fur man _and_ beast?" And Beulah laid a gentle

hand on the abraded member.

"After you've et a bite," called his wife from the next room. "Shane has

the things all on, so come along an' set up."

Beulah erected himself with an unctuous groan and spoke his favorite

jest: "Wa'al, le's go out an' see what the neighbors has brought in."

The meal over, Mrs. Laithe again found herself with Pierce in the living

room. She sat on the bearskin before the open fire, her hands clasped

about her knees. Through the dancing jets of flame she observed the kid

of Ewing with his downward, troubled face. Pierce, tucking shreds of

tobacco into the bowl of his pipe, glanced toward her, the light of

coming talk in his eyes.

"How'd you like that there little red roan you're ridin', Mis' Laithe?"

he began.

"Cooney? Oh, Cooney's a dear, generally. Sometimes he's stubborn and

pretends to know the way better than I do."

"Sound and kind, though, I bet you."

"Oh, yes; but when I want to ride down the east side of the valley, why

does he always try to go up that steep trail to the left? Sometimes I've

quite a struggle to keep him in the valley road."

"Wa'al, you see I bought him off'n Ewing's kid an' he wants to git back

home. Sure's ever we dast let him loose with the saddle band, he's over

to Ewing's place, come sun-up. You give him his head any time--he'll

carry you straight there."

"He will?"

"Surest thing _you_ know! When that kid breaks a pony he gits it all

gentled up so's it hones to git back to him."

"How interesting!"

"Naw--makes lashin's o' trouble fur them that buys off'n him. Say, Mis'

Laithe, you was askin' about Ewing's kid."

"Was I?" She looked politely blank.

"Sure you was--jest 'fore supper. Wa'al, Ewing's kid is the son of a man

named--now hear me _talk_! Course he's his father's son. Wa'al, anyway,

this man Ewing comes in here with this kid about fifteen, sixteen year

ago, an' takes that place over there by the lake to git cured up o' the

consumption. He was a painter, painted pitchers an' all sech,

understand?--puts up a big stoodio with a winder in it six feet high to

paint by. But he was puny. He couldn't fat up none. You never seen a

critter so gaunted as he was. Some said he never got over losin' his

wife. Anyway, 't wa'n't no surprise when he was took off, seven, eight

year ago. An' since he died that there kid has sort o' half run the

place along with a feller named Ben Crider that the old man had got fur

help. O' course we all kind o' looked in on the boy at first to make

sure he wa'n't in need, an' done a day's work now an' then, an' they

raised a few horses an' a few cattle an' one thing an' another. Trouble

with that boy, though, he's always putterin' round with his dad's paint

brushes, an' talkin' about portrayin' art an' all like that, understand?

I've told that kid time an' time again, 'Kid,' I says, 'never _you_ mind

about portrayin' art an' depictin' the linnerments an' the varied

aspecks o' nature,' I says; 'you jes' burn up them foolish little

long-shanked paint brushes in your Charter Oak cookstove,' I says, 'an'

ten' to portrayin' a good little bunch of cattle an' depictin' Ben

Crider to work also, an' you'll _git_ somewhur's,' I says. But him--why,

he jes' moons along. An' Ben Crider ain't much better. Ben ain't no

_stimulant_ to him. Ben had ort to been the only son of a tenderhearted

widow lady of means. That's what he'd ort to been. You give him a new

coon song out of a Sunday supplement an' his guitar, an' Ben's fixed fur

half a day at least. _He_ ain't goin' to worry none about a strayed

yearlin' or two. Why, one time, I rec'lect----"

"Then young Mr. Ewing is a painter, too?" she interrupted.

"Wa'al"--Pierce became judicial--"yes an' _no_. He ain't a reg'ler one,

like you might say--not like his pa was. Still, he can do hand

paintin'--if you want to call it that. Made a pitcher o' me this summer,

bein' buckjumped by old Tobe. Tobe was cert'n'y actin' high, wide an'

handsome, comin' down with his four hoofs in a bunch, an' me lookin'

like my works was comin' all apart the next minute. A _lively_

pitcher--yes; but, my Lord! it wa'n't a thing you could show! It made me

out that reediculous. Course, I ain't Mrs. Langtry, but you got to draw

the line somewhurs, hain't you? Now there"--Beulah pushed an informing

thumb toward crayon portraits of himself and Mrs. Pierce that graced the

opposite wall in frames of massive gilt, one on either side of the

organ--"that's what you can call art--drawn by a reg'ler one down to

Durango--everything showin' like it ort to, expressions _an'_ all, even

down to Ma Pierce's breastpin an' my watch chain, made out o' my own

mother's hair. They're _decent_ pitchers. That other one was plumb

indecent, I can tell you. Ma she up an' hid it away, quick as she seen

it."

"And has he done other things?"

"Hey?"

"Painted other pictures?"

"Slathers--horses an' animals an' Ben Crider with his gun an' all sech,

an' deer. Say now, I seen another artist down to the Durango fair last

fall that was a genuine wonder an' no mistake. He was writin' callin'

cards at a little table, an' he could draw a runnin' deer all in

flourishes an' curlycurves, without liftin' his pen from the card, all

slick an' natural as you'd want to----"

"Did you know his mother?"

"No-o-o--didn't even know him. I jest stopped to look an' he drawed a

fine big bird right while I watched, havin' a ribbon in its bill with my

name on it in red ink; about as tasty a thing as you'd care to see, fur

a quarter of a dollar. It's round the house somewhur now, I reckon, if

you----"

"Ewing's kid's mother?"

"Hey? Oh, no, I never knew that lady. She passed away sommers off up the

state before these other parties moved in."

"Does the boy resemble his father?"

"Ewing? Wa'al, not to _say_ resemble. In fact he didn't favor him, not

at all, that I can rec'lect. He must of been most like his ma."

The lady had been speaking as from a distance, staring fixedly into the

fire, with the distraction of one engaged in some hopeless feat of

memory. So intently aloof was she that Pierce had to repeat his next

remark.

"I say, you don't never want to let Cooney git you started up that trail

you was speakin' about. First place, it's steeper'n the side of a house.

Next place, ever let him git you to the top, he'd land you slambang over

to Ewing's, spite of all you could do."

"Thank you! I'll be sure to remember that. Good night!"

She left him, still with the far-centered, puzzled look on her face--the

shadow of some resemblance, indefinite, nameless, but insistent.

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