CHAPTER XXVI

SHE was mistaken about Martha, who never had the definite hope Lena’s

imagination attributed to her. Martha was steadfast because she could

not help it, having been born with this endowment evidently; and her

tenderness for the boy she had loved so heartily was imperishable; but

the Dan Oliphant of the middle years did not seem to her to be that boy.

What she felt for the big middle-aged man, she felt only because he had

long ago been the beloved youth; she was not in love with him, nor with

anybody. This was the explanation she still found it necessary to make

to his brother about once a year—usually on New Year’s Day; for it was

Harlan’s habit to select that hopeful anniversary as a good time to

dwell a little upon his patience.

“You call it your patience, but it became only your habit long ago,” she

told him. “It would really unsettle you badly if I ever said I’d marry

you, Harlan; and it would unsettle you even more if I not only said I

would, but went ahead and did it. You’d find you’d never forgive me for

upsetting your routine. If we were married, where in the world would you

ever _go_? You haven’t been anywhere for so long, except to see me, that

you’d be left without the destination you’ve been accustomed to. It’s

gallant of you to still mention your willingness, every now and then,

and I own up that I rather expect it and should miss it if you didn’t;

but if you want to marry, you ought to look about for—well, say a

pretty widow of twenty-nine, Harlan. She’d be better for you than one of

the ‘buds,’ though you could have whichever you chose;—they’d jump at

the chance! The trouble with me is that I’m too old—and I’m horribly

afraid I look my age.”

The fear was warranted, though it need not have been a fear. She had

escaped the portliness that seemed to threaten her at thirty, and had

escaped too far, perhaps; but her thinness was not angular; and if she

looked her age, then that age was no more than a pleasantly responsible

age, as Harlan told her, and neither a careworn nor a gray-haired age.

In fact, it must be the perfect age, he said—and he wondered if it

mightn’t be as kind as it looked, and be the perfect age for him.

At that, she became more serious. “I’m surprised at myself every year I

grow older,” she said. “I’m so much more romantic than I was at twenty,

and it seems I keep growing more so. At twenty how I’d have laughed if

I’d heard of a woman of forty who said she couldn’t marry because she

was in love with no one! I suppose what would have struck me as funniest

would have been the idea of a woman of forty talking about marrying at

all.”

She was “in love with no one,” but she could still be Harlan’s brother’s

champion, if need arose; and after George McMillan took up his residence

in the town, and began his mild rivalry, she had this amiable bachelor

to second her. Moreover, it is to be admitted for her that she, who in

the bloom of youth had never known how to display the faintest symptoms

of coquetry, now sometimes enjoyed tokens of disturbance unwillingly

exhibited by Harlan when the rival appeared to win an advantage.

McMillan, dark and growing a little bald, counterbalanced what was

lacking above by a decoration below already rare in the land, but not

yet a curiosity, a Van Dyke beard, well suited to his face. In manner,

too, he was equal to the flavour of a fine old portrait, and he had

spoken from his childhood in the accent Harlan had carefully acquired.

Thus the latter was sometimes but too well encountered on his own

ground.

He met one of these defeats in an early April twilight when he had

expected to find Martha alone, as he knew a meeting of the board of

directors of the “Ornaby Four” had been called for that evening, and

George McMillan was a member of the board. The air was warm with one of

the misplacements of this season, when sometimes a midsummer day wanders

from its proper moorings and irrationally ascends almost to the chilly

headwaters of spring. Martha was upon the veranda, occupied with a fan

and the conversation of Mr. McMillan when Harlan arrived; and the

newcomer was so maladroit as to make his disappointed expectations

plain.

“I thought you had a directors’ meeting,” he said, almost with his

greeting and before he had seated himself in one of the wicker chairs

brought out upon the veranda by the unseasonable warmth. “I thought

there was——”

George assented placidly. “There was, but it couldn’t be held. Our

president had to go to another one that he’s president of—the Broadwood

Interurban. It’s in difficulties, I’m afraid, because of too high wages

and too much competition by motorcycles and small cars. I hope Dan can

straighten it out.”

“I hope so,” Harlan said. “That is, strictly as his brother I hope so.

As a human being still trying to exist in what was once a comfortable

house, I might take another attitude. I live deep in the downtown

district now, for my worst sins, and those long Broadwood cars screech

every hour, night and day, on a curve not a hundred yards from my

library.” He sighed. “But why should I waste my breath, still

complaining? It all grows steadily worse and worse, year after year, and

if one happens to like living in a city in his own native land, there’s

nowhere to escape to. I suppose National Avenue—poor thing, look at the

wreck of it!—I say I suppose it couldn’t have hoped to escape the fate

of Fifth Avenue; for the same miserable ruction is going on all over the

country. My illustrious brother and his kind have ruined everything that

was peaceful and everything that was clean—they began by murdering the

English language, and now they’ve murdered all whiteness. Beauty is

dead.”

“Isn’t that only a question of your definition?” McMillan inquired.

“Why is it?”

“For one reason, because everything’s a question of definitions.”

“No, it isn’t,” Harlan returned somewhat brusquely; and Martha sat in

silence, amused to perceive that her two callers had straightway resumed

a tilting not infrequent when they met. A lady’s part was only to

preside at the joust. “There’s only one definition of beauty,” Harlan

added to his contradiction.

“What is it?”

“The one Athens believed in.”

“It won’t do for that brother of yours,” his antagonist returned. “The

Greeks are dead, and you can’t tie Dan and his sort down to a dead

definition. The growth isn’t beautiful to you, but it is to them, or

else they wouldn’t make it. Of course you’re sure you’re right about

your own definition, but they’re so busy making what _they_’re sure is

beautiful they don’t even know that anybody disagrees with them. It

won’t do you the slightest good to disagree with them, either.”

“Why not?”

“Because they’ve got everything in their hands,” George McMillan replied

cheerfully;—“and they’re too busy to listen to any one who isn’t making

something besides criticisms.”

“And for that reason,” Harlan began, “all of us who care for what’s

quiet and cool and charming in life are to hold our peace and let——”

He was interrupted, unable to make himself heard because of a shattering

uproar that came from beyond the iron fence to the south. A long and

narrow motor car, enamelled Chinese red, stood in the Oliphants’

driveway, and an undersized boy of sixteen had just run out of the house

and jumped into the driver’s seat. Dusk had not fallen darkly; he saw

the group upon the neighbouring veranda well enough, but either thought

it too much effort to salute Martha and his uncles, or was preoccupied

with the starting of his car;—he gave no sign of being aware of them.

Evidently the unmuffled machine-gun firing of his exhaust was delightful

to his young ears, for he increased its violence to the utmost, although

the noise was unlawful, and continued it as he shot the car down the

drive, out of the gates and down the street at a speed also unlawful.

“There, at least,” Harlan said, “is something of which criticism might

possibly be listened to with good effect—even by my busy brother.”

But George laughed and shook his head. “No. That’s the very last thing

he’d allow you to criticize. He’d only tell you that Henry is ‘the

finest young man God ever made!’ In fact, that’s what he told me

yesterday evening when I dined there; and I had more than a suspicion

I’d caught a whiff of something suggesting a cocktail from our mutual

nephew, as he came in for a hurried dinner between speedings. But that

isn’t Dan’s fault.”

“Yes, it is,” Harlan said. “Giving a sixteen-year-old boy a car like

that!”

“No, the fault is my sister’s. What’s a boy to do when his mother keeps

him hanging around Paris so long in the autumn that it’s too late for

him to make up his class-work, and he has only a tutor to cajole? I

don’t blame Henry much. In fact, the older I grow the less I blame

anything.”

“No?” Harlan said. “I’m afraid the world won’t get anywhere very fast

unless there are some people to point out its mistakes.”

But the other bachelor jouster was not at all disconcerted by this

reproof, nor by the tone of it, which was incautiously superior. “By

George, Oliphant, I always _have_ believed you were really a true

Westerner under that surface of yours! The way you said ‘the world won’t

get anywhere very fast’ was precisely in the right tone. You’re

reverting to type, and if the reversion doesn’t stop I shan’t be

surprised to hear of your breathing deep of the smoke and calling it

‘Prosperity’ with the best of them!”

Harlan was displeased. “I suppose the smoke comes under your definition

of beauty, too, doesn’t it?”

“It isn’t my definition,” George explained. “I was groping for Dan’s.

Yes, I think the smoke’s beautiful to him because he believes it means

growth and power, and he thinks they’re beautiful.”

“I dare say. Would you consider it a rational view for any even

half-educated man to hold—that soft-coal smoke is beautiful? Do you

think so, Martha, when it makes pneumonia epidemic, ruins everything

white that you have in your house and everything white that you wear? Do

you?”

“It’s pretty trying,” she answered, as a conscientious housewife, but

added hopefully: “We’ll get rid of it some day, though. So many people

are complaining of it I’m sure they’ll do something about it before

long.”

Harlan laughed dryly, for he had hoped she would say that. “I’ve been

re-reading John Evelyn’s diary,” he said. “Evelyn declared the London

smoke was getting so dreadful that a stop would have to be put to it

somehow. The king told him to devise a plan for getting rid of it, and

Evelyn set about it quite hopefully. That was in the latter part of the

seventeenth century. Evelyn is dead, but the smoke’s still there.”

“And yet,” George McMillan said coolly, “I’m told they’ve made quite a

place of London, in spite of that!”

Martha laughed aloud, and Harlan was so unfortunate as to be annoyed.

“It seems rather a childish argument in view of the fact that we sit

here in the atmosphere of what might well be a freight yard,” he said;

and, turning to Martha he spoke in a lowered voice, audible to his

opponent, yet carrying the implication that McMillan was excluded from

the conference. “My committee have at last got the symphony organization

completed,” he said. “The orchestra knows it can depend on a reliable

support now, and the first concert will be two weeks from to-night. I

hope you won’t mind going with me.”

“No; I won’t mind,” she said, and hospitably explained to McMillan:

“We’ve been trying for years to expand our week of the ‘April Festival’

into something more permanent. Mr. Oliphant has done most of the work,

and it’s really a public service. It will be good news for your

sister;—I understand she’s always felt we were a lost people, in music

particularly.”

“We’ll have a start at any rate,” Harlan said, as he rose to go. “That

is, if the smoke doesn’t throttle our singers. Venable is back from

South America and there ought to be some interest to hear him.”

“Venable?” George repeated. “Did you say Venable?”

“Yes; the baritone. He’s still just in his prime; at least so his agent

says. Have you ever heard him?”

“Long ago,” the other returned. “I——” He stopped abruptly.

“Did you know him?” Martha asked.

“No. That is, I had a short interview with him once, but—no, I

shouldn’t say I know him.” He rose, in courtesy to the departing Harlan,

and extended his hand. “You mustn’t wait behind the next corner and leap

out on me with a bowie-knife, Oliphant,” he said. “I didn’t mean to be

such a disagreeable arguer.”

“Not at all,” Harlan returned, somewhat coldly, though he added an

effect of geniality to his departure by a murmur of laughter, and got

away without any further emphasis upon his disappointment at finding his

rival in possession. The latter gentleman, however, made little use of

the field left open to him. Not long after Harlan had gone Martha

noticed that her remaining guest seemed to be rather absent-minded, and

she rallied him upon it.

“I’m afraid you thrive upon conflict, Mr. McMillan.”

“Why?”

“Peace doesn’t seem to stimulate you—or else _I_ don’t! You’ve hardly

spoken since Mr. Oliphant left. I’m afraid you’re——”

“You’re afraid I’m what?” he said, as she paused; and although the dusk

had fallen now, it was not too dark for her to see that his

preoccupation was serious.

“Are you troubled about anything?” she asked.

“No. Why?”

“I thought you looked——”

“Oh, no,” he said. “It’s nothing. Perhaps I am a little bothered,” he

admitted. “But it’s only about business.”

“Not about the ‘Ornaby Four?’” she said, surprised. “I thought it was

established as a tremendous success.”

“Oh, it is,” he assured her promptly. “It is. It’s an extraordinary

little car and nothing can stop it—except temporarily. It’s bound to

climb over any little temporary difficulties. We may have made mistakes,

but they won’t amount to anything in the long run.”

“You say you _have_ made mistakes?”

“Not until this year, and even then nothing we can’t remedy. You see

Dan’s a great fellow for believing in almost anything that’s new, and an

inventor came along last summer with a new type of friction clutch; and

we put it in our car. Then I’m afraid we built a fairly enormous number

of ‘Fours’ during the winter, but you see we were justified in that,

because we knew there’d be a demand for them.”

“And there wasn’t?”

“Oh, yes; there was. But——” he paused; then went on: “Well, the people

haven’t seemed to like the new clutch, and that gives us rather a black

eye for the time being. Of course we’re going to do our best to

straighten things out; we’ll put our old clutch back on all the new

cars, but——”

He paused uncomfortably again, and she inquired: “But won’t that make

everything all right again?”

“Oh, yes—after a time. The trouble is, I’m afraid it’s stopped our

sales rather flat—for the time being, that is. You see, there’s a lot

of money we expected would be pouring in on us about now—and it doesn’t

pour. I’m not really worried, but I’m a little afraid Dan might need it,

because his inter-urban ventures appear to have been—well, rather

hazardous. You told me once that his brother’s description of him was

‘dancing on the tight-rope’ and in a way that’s not so far wrong. Of

course he’ll pull through.” George suddenly struck the stone railing

beside him a light blow with his open hand, and jumped up. “Good

gracious! What am I doing but talking business to a lady on a spring

evening? I knew I was in my dotage!” And he went to the steps.

“Wait,” Martha said hurriedly. “You don’t really think——”

“That Dan Oliphant’s affairs are in any real danger? No; of course

not;—I don’t know what made me run on like that. Men go through these

little disturbances every day; it’s a part of the game they play, and

they don’t think anything about it. You can be sure _he_ isn’t worrying.

Did you ever know him to let such things stop him? He’s been through a

thousand of ’em and walked over ’em. He’s absolutely all right.”

“You’re sure?” she said, as he went down the steps.

“He’s absolutely all right, and I’d take my oath to it,” George said;

but he added: “That is, he is if the banks don’t call him.”

“If the banks don’t what?”

He laughed reassuringly. “If the banks don’t do something they have no

reason to do and certainly won’t do. Good-night. I’m going to stop in

next door and see my sister a little while before she goes to bed.”

His figure grew dimmer as he went toward the gate, and Martha, staring

after him, began to be haunted by that mysterious phrase of his, “if the

banks don’t call him.”

The Midlander · 第 26 / 31 章