[1] I suppose no apology is needed for giving my quotations in the

original language. Now that everyone is a good French scholar, it is

obviously unnecessary to spoil good work by translations.

[2] _Histoire de la Sainte-Chapelle._ Morand, canon of the chapel.

[3] The bust was given to the chapel by Philippe le Bel in 1304.

Another, of silver-gilt, containing the upper part of the head, used to

be at the Abbey of Poissy. The little church of la Montjoie rejoices in

a portion of the sainted king's hand, enclosed in a 14th century

reliquary; and the cathedral of Meaux possesses a chalice said to have

belonged to him.

[4] The _enfants de choeur_ of the S. Chapelle seem to have been employed

in singing elsewhere for the _divertissement_ of the King: "Les Enfans

de Choeur de la Sainte-Chapelle illec disoient de beaux virelets,

Chansons et autres Bergerettes, moult mélodieusement."

[5] The _Chevecier_, or _Chefcier_, was the official who had charge of

the altar, the linen, the vases, the ornaments, &c., and who took care

of the sacristy and its contents. The treasurer usually held the two

offices.

[6] It has also been designated as Titus, and Constantine the Great. It

is without doubt of the 4th century (Chabouillet).

[7] "Vin de la couleur des vitres de la Sainte-Chapelle."--(_Old

proverb._)

[8] _Pour deniers paiés à Jehan de Lille, orfèvre, pour j siège qu'il

fist du commandement du Roy pour séoir de lez les saintes reliques en la

Saincte Chapelle de Paris-iiij escus. (Comptes royaux.)_

[9] Religious, Benedictine of the convent (congregation) of S. Maur,

Order of S. Benedict.

[10] All the river Seine from the _ru de Séve_ (Sèvres) near S. Cloud,

to S. Germain-en-Laye.

[11] Hulduin, abbot of S. Denis, commencement of 9th century, who took

possession the same day as that upon which Charlemagne died.--_Les

Areopagitiques._

[12] See the Inventory of the Treasury of Laon, from which we cull the

following: In 1523, when François I. wanted money to carry on his war

against Charles V. and Henry VIII., we read in _Journal d'un Bourgeois

de Paris_, his manner of getting it. "Le roy envoya aussi quérir trois

ou quatre appostres d'or qui estoient ès-reliques en l'église épiscopale

à Laon, en Picardie, dont il y en avoit douze, mais les aultres

n'estoient que d'argent, parquoy furent délaissez; et valloient iceux

III. ou IIII. appostres environ quatre mille escus; et fit ce le roy

pour subvenir et ayder en ses guerres de Picardie qu'il avoit contres

les Anglais." Louis XIV. also, when his star had paled a little, put

various cathedral chapters under contribution; the church of Notre-Dame

de Liesse sending silver to the royal treasury to the amount of 28,600

livres.

[13] See pages 18, 19.

[14] _Musée des Monuments Français._

[15] It seems that one object in electing the king as abbot was to have

some lay element in the chapter, and thus disarm the enemies of the

Church. Charles le Chauve was abbot for about sixteen years; he chose

his provost, treasurer, and dean, and gave into their keeping all the

working of the monastery, with the exception of the military contingent,

which was given over to the _maire_ or _avoué_. Adjoining the abbey was

a palace for the use of the kings.

[16] The _oriflamme_, or _enseigne_ derived its name from being made of

scarlet silk, and covered with flames of gold. When it was to be taken

from its depository, the king and princes first went to Notre-Dame and

offered up some prayers to the Blessed Virgin; then they proceeded to

the abbey, where, after being solemnly received by the religious, they

descended ("_sans chaperon et sans ceinture_") into the crypt, where the

bodies of the holy martyrs lay, and where the _oriflamme_ was kept. The

abbot then delivered the flag into the king's own hands, and the king

presented it to the Count de Vesin, who carried it to the altar. The

standard-bearer was always a _Chevalier_ of undoubted loyalty, courage,

and piety. Previously to receiving the charge, he confessed his sins,

obtained absolution, received the Holy Eucharist, and took a solemn oath

to be faithful to his trust, and never to suffer the flag to be torn

from his hands, except at the cost of his life. But at the battle of

Rosbec it mysteriously disappeared. And to think that the red flag is

now the emblem of all that is Revolutionary, Communistic, and Anarchist!

Perhaps if the Government gave it the old name, we might see it burnt in

the Place de la République.

[17] The Chapter formerly consisted of a _Primicier_, _Chanoines

évêques_, non-resident; and Canons residentiary. The office of

_Primicier_ was, I think, abolished only a few years ago, and now the

chapter simply consists of canons in residence.

[18] How fine the effect must have been when the great cross of S. Eloy

stood upon the _grille_, shutting off the nave from the choir! It was of

gold, enriched with precious stones and pearls.

[19] This custom of dividing bodies is of very ancient date, and was

sanctioned by the church in order that the remains might benefit, by

their miraculous powers, as many places as possible. Sometimes the

superiors of divers monasteries agreed to exchange "a rib of one saint

for a cubit bone of another, an eye for an eye, a tooth for a tooth,

&c." At other times these fragments had to be purchased for very

considerable sums.--_History of St. Denis._

[20] The original urn was cast in bronze by Benoist Boucher from the

design of Domenico da Firenze, who also designed the relief on the

pedestal.

[21] Some of its sculptures are now in the Renaissance Museum of the

Louvre. The recumbent alabaster statue of Philippe de Chabot, by Jean

Cousin; a white marble column and three Genii, by Etienne Lehongre, from

the tomb of Louis de Cossé, duc de Brissac, and of his brother, J. A. de

Cossé; a column with allegorical statues, &c., in bas relief, by Prieur

Barthélemy, from the monument erected for the reception of the heart of

Anne de Montmorency; sepulchral Genii, by Jean Cousin, from the tomb of

Philippe de Chabot; a Fortune, by the same sculptor and from the same

tomb; sepulchral monument of the Ducs de Longueville, by François

Anguier; and the recumbent statue of Anne de Bourgogne, daughter of

Jean-sans-Peur, wife of the Duke of Bedford. In the same museum of the

Louvre is a bas-relief from S. Denis of the 14th century with traces of

colour, the subject being the three martyrs, SS. Denis, Rusticus, and

Eleutherius.

[22] Henri IV. also abjured "his accursed heresy" at S. Denis.

[23] That Louis XVI. was not simple weak-minded and vacillating, but

treacherous and double-faced, there can be little doubt. A print

exhibited at the Exposition Historique de la Révolution, held in the

Salle des Etats of the Tuileries in 1889, represents the opening of an

iron closet after the slaughter of the 10th of August, and the display

of numberless documents--letters to Pitt, asking for help to reinstate

the monarchy; plans and projects for a counter-revolution; and

correspondence to and from the _emigrés_ and foreign princes.

[24] The _procès verbal_ of these villainies, giving the most hideous

and disgusting details, and the names of the distinguished persons who

were present at the entertainments, were to be seen and read in the

prison department of the Centenary Exhibition of 1889, together with

accounts of some of the doings within the walls of the Bastille in the

happy days when _lettres de cachet_ were kept ready signed for

distribution.

[25] See note, page 52.

[26] Bossuet's panegyric upon the queen reads like a satiric ode: "Elle

va descendre à ces sombres lieux, à ces demeures souterraines pour y

dormir dans la poussière avec les grands de la terre, comme parle Job;

avec ces rois et ces princes anéantis, parmi lesquels à peine peut on la

placer, tant les rangs y sont pressés, tant la mort est prompte à

remplir ces places."

[27] Alexandre Lenoir made a coloured drawing of the body at the time,

representing the entire skeleton wrapped up in white stuff embroidered

in gold.

[28] Philippe de Commynes.

[29] Guilhermy.

[30] G. Millet.

[31] In the Cathedral of Dol the remains of a monument by Juste are

signed: _Magister Johannes cujus cognomen est Justus et Florentinus_,

possibly indicating that the Justes were of Italian origin (Giusto).

[32] Through the flames of purgatory, we attain the crown. See page 62.

[33] Unfortunately, this being metal, was melted up in 1793.

[34] This still exists.

[35] This is curious as showing the antiquity of the fashion of plaiting

surplices which is customary in France.

[36] Dom Millet.

[37] "Ensépouturé fut en l'église Saint-Denis en France à cui il avoit

donnez maint biau don, mis fu en costé le mestre autel en un riche sarcu

d'alebastre." (Chronicle of S. Denis.) And yet, soon after Charles's

death, S. Eucher is supposed to have seen, by revelation, the sufferings

of the Maire du Palais in Hell, where for his sins he was precipitated

before the Day of Judgment. The tomb was opened in the presence of

Bishop Eucher, Boniface the legate, and Fulrad, abbot of S. Denis, when

behold! a great dragon jumped out, and the coffin had the appearance of

having been burned.

[38] Helgaud, _Vie de Robert le Pieux_.

[39] Idem.

[40] Robert was abbot of S. Denis.

[41] Suger, _Vie de Louis-le-Gros_.

[42] Adèle ou Alix, daughter of Thibaut le Grand, comte de Champagne,

third wife of Louis VII.

[43] Near Melun.

[44] Mézeray.

[45] _Vie de Louis-le-Gros._

[46]

"If zealous love should go in search of virtue,

Where should he find it purer than in Blanche?

* * * * *

Such as she is, in beauty, virtue, birth,

Is the young Dauphin every way complete."

_Shakespeare. King John._

[47] Millin, _Antiquités Nationales_.

[48] Le corps de Saint-Louis fut porté une partie du chemin depuis

Saint-Denis par Henri III., roi d'Angleterre, et par les barons de

France et d'Angleterre sur leurs épaules, cérémonie qui est représentée

sur le tombeau, où le prince est couvert d'un drap d'or bordé d'une

bande d'étoffe bleue, semée de fleurs de lis d'or, la tête soutenue par

le roi saint Louis, et les pieds par le roi d Angleterre.--P. Anselme,

_Histoire de la Maison de France_.

[49] This does not quite agree with Dom Millet's account of the Huguenot

depredations already given upon page 33.

[50] He could not have found much more rest at S. Denis, for which he

had a great respect, although he desired to be buried at Cléry. Many a

time this king perambulated from Paris to S. Denis barefooted, for he

held the Saint to be the "Holy Protector of his dominions, the Guide of

his councils, and the Guardian of his soul."

[51] This was a sort of posthumous decapitation. Cardinal Richelieu's

statue at the Sorbonne was treated in the same way.

[52] There is a queer story told by Félibien of Marie's desire to

possess some marbles left at S. Denis, after the building of the Henri

II. tomb by Catherine de' Medici. Marie was about to build her a house,

and she demanded of her son permission to carry off the marbles; but the

monks objected, and appealed to the Parliament. The king, however,

having quarrelled with his mother, was not sorry to make peace at

another's cost, so he commanded the monks to deliver the marbles; but

the latter were not to be conquered so easily, and another appeal was

made which ended as fruitlessly as the first, and the poor convent

eventually lost its marbles.

[53] "History and description of the Royal Abbaye of St. Denis, and of

the vast riches which have been accumulating for ages in the celebrated

abbaye. Extracted from the records of S. Denis," London, 1795.

[54] The holy oil was brought from heaven by a dove, in the very same

phial in which it is kept. It has continued unwasted and unimpaired from

the time of Clovis, for whose use it was sent, A.D. 500.

[55] Viollet le Duc, who attributes the picture to van Eyck, states that

the cross was given by Suger (it is engraved in Félibien). In the

_Dictionnaire raisonné d'Architecture_, le Duc has engraved the altar.

Dom Doublet also gives a minute description of the gold retable with its

ornaments of precious stones. The reliquary behind was destroyed by the

Huguenots.

[56] _See Notice des Émaux et de l'Orfévrerie_, by Alfred Darcel.

_Gemmes et Joyaux_, by Barbet de Jouy. _Handbook of the Louvre_; S.

Beale.

[57] In the Salle d'Apollon; one of the centre cases.

[58] Suger was abbot from 1122 to 1151.

[59] Salle d'Apollon, centre case.

[60] _Catalogue des Camées_, by M. Chabouillet.

[61] O Christ, Charles III. of the name upon the throne of France

consecrates this cup to thee!

[62] From a German breviary, printed at Nürnberg, 1515, quoted by Mrs.

Jameson: _Sacred and Legendary Art_.

[63] President of the court of Clermont. He gave up his appointment to

devote himself to the education of his son.

[64] Sauval professed to see the portraits of Pope Paul III., of Charles

V., of François I^{er.}, and of Henry VIII., in some of the numerous

worthies.

[65] The eight days (octave) devoted to her festival.

[66] Thomas Frognall Dibden, F.R.S., S.A.: _Picturesque Tour in France

and Germany_, 1821.

[67] This is now in the Renaissance Museum of the Louvre, but it is no

longer attributed to D. da Volterra.

[68] See page vii.

[69] _Histoire de Saint-Eustache._

[70] An altar erected at various points along the route taken by the

procession, at which a pause is made for prayer, and the benediction

given.

[71] The pew for clergy and officials during sermon.

[72] Vol. vii. p. 35.

[73] Carlyle, _French Revolution_, vol. III. p. 194.

[74] Hincmar (Archbishop of Reims, 9th century) tells us that S. Remy,

who was at Reims at the time, received a spiritual revelation from the

Holy Spirit, at the very moment of Clovis' death.

Many early sculptures and frescoes commemorate the life and deeds of

Clovis, at Reims, at Rome, and at Siena, but they are all of much later

date than the king.

Grégoire of Tours gives a picturesque account of the last days of

Clotilde: "La reine Chrotechilde après la mort de son mari, vint à

Tours: et là servant Dieu dans la basilique de Saint-Martin, avec une

grande chasteté et une extrême bonté, elle demeura en ce lieu tous les

jours de sa vie, et visita rarement Paris.... Pleine de jours et riche

en bonnes oeuvres, elle mourut à Tours du temps de l'évêque Injuriosus.

Elle fut transportée à Paris, suivie d'un choeur nombreaux qui chantait

des hymnes, et ensevelie par ses fils, les rois Childebert et Clotaire,

dans le sanctuaire de la basilique de Saint-Pierre, à côté du roi

Clovis. Elle avait construit cette basilique où repose aussi la très

bienheureuse Geneviève."

[75] The finding of the statue of Clovis was the reward of well-doing.

The Cardinal de la Rochefoucault, desiring to honour the old king and

the founder of the abbey, set up a fine marble image in the place of the

old stone one "_mangé et difformé d'antiquité_" This the Revolution

destroyed; but the old stone statue, which was shunted to the crypt, was

found later on, and sent to S. Denis--an illustration of the exaltation

of the humble; in this case, a clumsy gentleman with long hair, with his

feet upon a feeble-looking lion. Although not contemporary with Clovis,

the work and design prove it to be not later than the 12th century. A

Latin epitaph once accompanied the statue in its old resting-place:

HIC EST illustrissimus rex Ludovicus qui et Clodoveus ante

baptismum est dictus

Francorum rex quintus sed verus christianus qui ab Anastasio

imperatore consul et Augustus est creatus

Hunc sanctus Remigius baptisavit et in baptismate ejus angelus

ampullam sacri chrismatis detulit

Vi Aquitania arianos expulit et totam illam terram usque ad

montes Pirenaeos subjugavit

Huic per Viennam fluvium cervus miræ magnitudinis viam

ostendit

Post quem rex ac milites vadum transierunt et in ejus adventu

muri Angolismae civitatis corruerunt

Alamanniam Tornigiam et Burgundiam tributarias fecit et terram

adjacentem transivit

Parisiis sedem regni constituit ecclesiam istam fundavit in

honore apostolorum Petri et Pauli

monitis sanctissimae et non satis commendandae Clotildis uxoris

suae et beatae Genovefae

quam sanctus Remigius dedicavit in qua post laudabilia opera

Rex sepultus est

A quatuor filiis suis regibus Theodorico Clodomiro Childeberto et

Clotario

Anno Domini V. XIII regni sui XXX.

[76] Dibden

[77] _The American in Paris, 1838._

[78] Victor Hugo.

[79] Of Mr. W. B. Richmond's work, undertaken since the above was

written, it is as yet impossible to form an opinion.

[80] _Chronicles of the Ancient British Church._ James Yeowell.

[81] Some of the bas-reliefs by Jean Goujon are now in the Renaissance

Museum of the Louvre: a Deposition from the Cross and the four

Evangelists, the latter having been discovered in 1850, embedded in the

wall of the staircase of No. 4, Rue S. Hyacinthe-S.-Honoré.

[82] Dibden.

[83] The fine recumbent statues of Louis de Poncher, _conseilleur et

receveur-trésorier du roi François Ier_, and his wife Roberte

Legende, now in the Renaissance Museum of the Louvre, were formerly in

S. Germain.

[84] "Après avoir," says Grégoire of Tours, "été longtemps malade à

Paris, le roi Childebert y mourut et fut enseveli dans la basilique de

Saint-Vincent qu'il avait lui-même construite." The bones of Childebert

and of his queen, Ultrogothe, were deposited (in 1656) in the centre of

the choir. The religious placed them in a new marble tomb, and

surmounted it with the antique one which had been repaired in the 11th

century, when the church was restored by abbot Morard and his

successors. Ultrogothe was a French S. Elizabeth: "Elle était la mère

des orphelins, la consolatrice des pupilles, la bienfaitrice des pauvres

et des serviteurs de Dieu, le secours des moines fidèles."

Another lady much vaunted by Grégoire de Tours was Ingoberge, the widow

of Chérebert. She called in the aid of Grégoire in her last moments, and

made many donations to churches; and what was better, "elle donna la

liberté à beaucoup de personnes." She was a woman "d'une grande sagesse,

vouée à la vie religieuse, assidue aux veilles, aux prières, aux

aumônes."

[85] In 1704, a tomb was found which Montfaucon, a Benedictine of the

congregation of S. Maur, considered to be that of Chérebert, but the

General of the order would not consent to its being opened. However, in

1799, less reverent hands searched the spot, found the coffin, and

opened it, only to discover a skeleton vested in a tunic and mantle, its

feet shod in leathern shoes, and by its side the fragments of what may

have been a crozier, thus proving the remains to have been those of an

abbot rather than of a sovereign, but whether of the 6th or the 9th

century it was impossible to decide.

[86] "Les tombeaux les plus considérables furent ceux du roy Childéric

II., de Bilihilde, son épouse, et du jeune Dagobert, leur fils, qui

furent tuez par Baudillon, dans le forêt de Liori. On trouva ces

tombeaux dans le choeur." In cleaning the coffin "Childre rex" was found

engraved by the side of the head.

[87] "L'on a placé à la porte du réfectoire une statue de pierre qui

représente Childebert, laquelle a été faite apparemment sur le modèle

d'une autre plus ancienne. Elle est haute de cinq pieds et demi.

Childebert a une couronne ornée de trèfles et une sceptre en la main

dont l'estrémité d'en haut est cassée. Il a une robe qui descend jusqu'à

la cheville du pied; sa ceinture est ornée, d'espace en espace, de

petites roses façon d'orfévrerie; son manteau, qui ne le couvre que par

derrière, est attaché au devant par un cordon qu'il tient de la main

gauche; ses souliers, pointus par le bout, sont échancrés en ovale par

le dessus, depuis la moitié du pied jusqu'à la ligature."

[88] The entire epitaph will be found upon page 7.

[89]

DESCARTES DONT TU VOIS ICY LA SÉPULTURE,

A DESSILLÉ LES YEUX DES AVEUGLES MORTELS,

ET GARDANT LE RESPECT QUE L'ON DOIT AUX AUTELS,

LEUR A DU MONDE ENTIER DÉMONTRÉ LA STRUCTURE.

SON NOM PAR MILLE ESCRITS SE RENDIT GLORIEUX;

SON ESPRIT MESURONT ET LA TERRE ET LES CIEUX,

EN PÉNÈTRA L'ABISME, EN PERÇA LES NUAGES.

CEPENDANT COMME UN AUTRE IL CÈDE AUX LOIS DU SORT,

LUY QUI VIVROIT AUTANT QUE CES DIVINS OUVRAGES,

SI LE SAGE POUVOIT S'AFFRANCHIR DE LA MORT.

[90] See _Les Lettres et Pensées d'Hippolyte Flandrin_, par II.

Delaborde.

[91] The statues of the four Evangelists were the first important works

of Simon Guillain, the sculptor of the fine bronze figures of Louis

XIII., Anne d'Autriche, and Louis XIV. as a child, which adorned the

Pont au Change, and which are now in the Renaissance Museum of the

Louvre.

[92] The word is probably derived from _créneaux_, as the battlements of

the Petit-Châtelet abutted upon one side of the street.

[93] In the quaint old French of the _Légende Dorée_ of Jacques de

Voragine: "_Tu me suys, toi qui occiras ton père et ta mère."_

[94] "Tout aussitôt, il apprend de sa femme, qui revenait de la messe,

qui il a tué."

"Et quand il ouyt ce, il fut à bien peu demy mort et commenca à plorer

très amèrement et à dire:

"'Las! chétif, que feray-je, car j'ay occis mes très doulx père et mère,

et ores est la parole du cerf accomplie.

"'Adieu, ma très aimée soeur, car je ne reposerai, dores en avant, devant

que je sache que Notre-Seigneur aura recue ma pénitence.' Elle lui

répondit: 'Loin de moi, ô mon très affectionné frère, la pensée de

t'abandonner: puisque j'ai partagé tes joies, je partagerai aussi tes

souffrances et ta pénitence.'

"Et alors, sa femme et lui s'en allèrent ensemble delez (_vers_) un

moult grand fleuve, où moult de gens périssaient, et firent un hospital

en ce désert pour faire pénitence et pour porter oultre tous ceulx qui y

voudraient passer, pour recevoir en hospital tous povres.

"Et moult de temps après ce, quant Julien se reposait tout lasse,

environ minuyt, que la gelée était griesve, il ouyt une voix qui plorait

piteusement, et appelait Julien pour passer, à voix piteuse.

"Et quant il se leva tout esmeu, il trouva icelluy qui mourait de froit,

il le porta en sa maison, et alluma du feu, et se estudia à le chauffer,

et comme il ne le pouvait eschauffer nullement, il se doubta qu'il ne

défaillit par froit, et le porta en son lict, et le couvrit

dilligemment. Et, un peu après, celui qui lui était apparu comme malade

et lépreux monta très resplendissant ès cieulx et dit à son oste:

'Julien, Notre-Seigneur m'a envoyé à toi et te mande qu'il a receu ta

pénitence, et tous deulx reposerez en Notre-Seigneur dedans un peu de

temps.' Tantost celluy s'évanouit (_disparut_). Et lors, un peu après,

Julien et sa femme, pleins de bonnes oeuvres et d'aulmônes, reposèrent en

Notre-Seigneur."--_Légende Dorée._

[95] L'abbé Guérin: _Les Petits Bollandists._

[96] So terrible were the Northmen, so outrageous the atrocities which

they committed, that the canons of S. Geneviève chanted a line in their

Litanies: "_A furore Normannorum, libera nos, Domine._"

[97] In 1648, there were 50 colleges, 16 hospitals, and 190 churches and

convents for the education of a population of 232,030 inhabitants.

[98] _Nefs_ or _Navettes_ were vessels in the shape of boats used by the

church for incense--hence incense-boat. Later on, they took the form of

complete ships, with ropes, yards, &c., often upon wheels, and placed in

the centre of the table at banquets. They contained spices, wine,

drinking-cups, and spoons, in order to guard the guests against that

bugbear of the Middle Ages, poison.

[99] There was another Lupus, bishop of Troyes, who accompanied S.

Germain of Auxerre to Britain, to confute the Pelagian heretics.

[100] A Religious of the abbey of S. Germain des Prés.

[101] The summer festival of the Saint, being the day of his ordination,

and also of his translation, 4th July.

[102] Metrical legend in the Auchinleck MS. quoted by Mrs. Jameson.

[103] _The American in Paris._

[104] De Bellis Parisiacae urbis (M. F. de Guilhermy, _Inscriptions_).

[105] See page 335.

[106] From time immemorial, the space to the West of the church was

called _Parvis paradisus_, the terrestrial paradise which led by the

celestial Jerusalem.

[107] This is the date given by Mézeray. Hénaut gives it as the 17th

December.

The Churches of Paris, from Clovis to Charles X · 第 27 / 28 段