CHAPTER XXII.

INA KLOSKING'S cure was retarded by the state of her mind. The excitement

and sharp agony her physician had feared died away as the fever of the

brain subsided; but then there settled down a grim, listless lethargy,

which obstructed her return to health and vigor. Once she said to Rhoda

Gale, “But I have nothing to get well for.”

As a rule, she did not speak her mind, but thought a great deal. She

often asked after Zoe; and her nurses could see that her one languid

anxiety was somehow connected with that lady. Yet she did not seem

hostile to her now, nor jealous. It was hard to understand her; she was

reserved, and very deep.

The first relief to the deadly languor of her mind came to her from

Music. That was no great wonder; but, strange to say, the music that did

her good was neither old enough to be revered, nor new enough to be

fashionable. It was English music too, and _passe'_ music. She came

across a collection of Anglican anthems and services--written, most of

it, toward the end of the last century and the beginning of this. The

composers' names promised little: they were Blow, Nares, Green, Kent,

King, Jackson, etc. The words and the music of these compositions seemed

to suit one another; and, as they were all quite new to her, she went

through them almost eagerly, and hummed several of the strains, and with

her white but now thin hand beat time to others. She even sent for

Vizard, and said to him, “You have a treasure here. Do you know these

compositions?”

He inspected his treasure. “I remember,” said he, “my mother used to sing

this one, 'When the Eye saw Her, then it blessed Her;' and parts of this

one, 'Hear my Prayer;' and, let me see, she used to sing this psalm,

'Praise the Lord,' by Jackson. I am ashamed to say I used to ask for

'Praise the Lord Jackson,' meaning to be funny, not devout.”

“She did not choose ill,” said Ina. “I thought I knew English music, yet

here is a whole stream of it new to me. Is it esteemed?”

“I think it was once, but it has had its day.”

“That is strange; for here are some immortal qualities. These composers

had brains, and began at the right end; they selected grand and tuneful

words, great and pious thoughts; they impregnated themselves with those

words and produced appropriate music. The harmonies are sometimes thin,

and the writers seem scarcely to know the skillful use of discords; but

they had heart and invention; they saw their way clear before they wrote

the first note; there is an inspired simplicity and fervor: if all these

choice things are dead, they must have fallen upon bad interpreters.”

“No doubt,” said Vizard; “so please get well, and let me hear these pious

strains, which my poor dear mother loved so well, interpreted worthily.”

The Klosking's eyes filled. “That is a temptation,” said she, simply.

Then she turned to Rhoda Gale. “Sweet physician, he has done me good. He

has given me something to get well for.”

Vizard's heart yearned. “Do not talk like that,” said he, buoyantly;

then, in a broken voice, “Heaven forbid you should have nothing better to

live for than that.”

“Sir,” said she, gravely, “I have nothing better to live for now than to

interpret good music worthily.”

There was a painful silence.

Ina broke it. She said, quite calmly, “First of all, I wish to know how

others interpret these strains your mother loved, and I have the honor to

agree with her.”

“Oh,” said Vizard, “we will soon manage that for you. These things are

not defunct, only unfashionable. Every choir in England has sung them,

and can sing them, after a fashion; so, at twelve o'clock to-morrow, look

out--for squalls!”

He mounted his horse, rode into the cathedral town--distant eight

miles--and arranged with the organist for himself, four leading boys, and

three lay clerks. He was to send a carriage in for them after the morning

service, and return them in good time for vespers.

Fanny told Ina Klosking, and she insisted on getting up.

By this time Doctress Gale had satisfied herself that a little excitement

was downright good for her patient, and led to refreshing sleep. So they

dressed her loosely but very warmly, and rolled her to the window on her

invalid couch, set at a high angle. It was a fine clear day in October,

keen but genial; and after muffling her well, they opened the window.

While she sat there, propped high, and inhaling the pure air, Vizard

conveyed his little choir, by another staircase, into the antechamber;

and, under his advice, they avoided preludes and opened in full chorus

with Jackson's song of praise.

At the first burst of sacred harmony, Ina Klosking was observed to quiver

all over.

They sung it rather coarsely, but correctly and boldly, and with a

certain fervor. There were no operatic artifices to remind her of earth;

the purity and the harmony struck her full. The great singer and sufferer

lifted her clasped hands to God, and the tears flowed fast down her

cheeks.

These tears were balm to that poor lacerated soul, tormented by many

blows.

“O lacrymarum fons, tenero sacros Ducemtium ortus ex animo, quater Felix,

in imo qui scatentem Pectore, te, pia nympha, sensit.”

Rhoda Gale, who hated music like poison, crept up to her, and, infolding

her delicately, laid a pair of wet eyes softly on her shoulder.

Vizard now tapped at the door, and was admitted from the music-room. He

begged Ina to choose another composition from her book. She marked a

service and two anthems, and handed him the volume, but begged they might

not be done too soon, one after the other. That would be quite enough for

one day, especially if they would be good enough to repeat the hymn of

praise to conclude; “for,” said she, “these are things to be digested.”

Soon the boys' pure voices rose again and those poor dead English

composers, with prosaic names, found their way again to the great foreign

singer's soul.

They sung an anthem, which is now especially despised by those great

critics, the organists of the country--“My Song shall be of Mercy and

Judgment.”

The Klosking forgave the thinness of the harmony, and many little faults

in the vocal execution. The words, no doubt, went far with her, being

clearly spoken. She sat meditating, with her moist eyes raised, and her

face transfigured, and at the end she murmured to Vizard, with her eyes

still raised, “After all, they are great and pious words, and the music

has at least this crowning virtue--it means the words.” Then she suddenly

turned upon him and said, “There is another person in this house who

needs this consolation as much as I do. Why does she not come? But

perhaps she is with the musicians.”

“Whom do you mean?”

“Your sister.”

“Why, she is not in the house.”

Ina Klosking started at that information, and bent her eyes keenly and

inquiringly on him.

“She left two days ago.”

“Indeed!”

“To nurse a sick aunt.”

“Indeed! Had she no other reason?”

“Not that I know of,” said Vizard; but he could not help coloring a

little.

The little choir now sung a service, King in F. They sung “The

Magnificat” rudely, and rather profanely, but recovered themselves in the

“Dimittis.”

When it was over, Ina whispered, “'To be a light to lighten the

Gentiles.' That is an inspired duet. Oh, how it might be sung!”

“Of course it might,” whispered Vizard; “so you have something to get

well for.”

“Yes, my friend--thanks to you and your sainted mother.”

This, uttered in a voice which, under the healing influence of music,

seemed to have regained some of its rich melody, was too much for our

cynic, and he bustled off to hide his emotion, and invited the musicians

to lunch.

All the servants had been listening on the stairs, and the hospitable old

butler plied the boys with sparkling Moselle, which, being himself reared

on mighty Port; he thought a light and playful wine--just the thing for

women and children. So after luncheon they sung rather wild, and the

Klosking told Vizard, dryly, that would do for the present.

Then he ordered the carriage for them, and asked Mademoiselle Klosking

when she would like them again.

“When _can_ I?” she inquired, rather timidly.

“Every day, if you like--Sundays and all.”

“I must be content with every other day.”

Vizard said he would arrange it so, and was leaving her; but she begged

him to stay a moment.

“She would be safer here,” said she, very gravely.

Vizard was taken aback by the suddenness of this return to a topic he was

simple enough to think she had abandoned. However, he said, “She is safe

enough. I have taken care of that, you may be sure.”

“You have done well, sir,” said Ina, very gravely.

She said no more to him; but just before dinner Fanny came in, and Miss

Gale went for a walk in the garden. Ina pinned Fanny directly. “Where is

Miss Vizard?” said she, quietly.

Fanny colored up; but seeing in a moment that fibs would be dangerous,

said, mighty carelessly, “She is at Aunt Maitland's.”

“Where does _she_ live, dear?”

“In a poky little place called 'Somerville Villa.'”

“Far from this?”

“Not very. It is forty miles by the railway, but not thirty by the road;

and Zoe went in the barouche all the way.”

Mademoiselle Klosking thought a little, and then taking Fanny Dover's

hand, said to her, very sweetly, “I beg you to honor me with your

confidence, and tell me something. Believe me, it is for no selfish

motive I ask you; but I think Miss Vizard is in danger. She is too far

from her brother, and too far from me. Mr. Vizard says she is safe. Now,

can you tell me what he means? How can she be safe? Is her heart turned

to stone, like mine?”

“No, indeed,” said Fanny. “Yes, I will be frank with you; for I believe

you are wiser than any one of us. Zoe is not safe, left to herself. Her

heart is anything but stone; and Heaven knows what wild, mad thing she

might be led into. But I know perfectly well what Vizard means: no, I

don't like to tell it you all; it will give you pain.”

“There is little hope of that. I am past pain.”

“Well, then--Miss Gale will scold me.”

“No, she shall not.”

“Oh, I know you have got the upper hand even of her; so if you promise I

shall not be scolded, I'll tell you. You see, I had my misgivings about

this very thing; and as soon as Vizard came home--it was he who took her

to Aunt Maitland--I asked him what precautions he had taken to hinder

that man from getting hold of her again. Well, then--oh, I ought to have

begun by telling you Mr. Severne forged bills to get money out of

Harrington.”

“Good Heavens!”

“Oh, Harrington will never punish him, if he keeps his distance; but he

has advertised in all the papers, warning him that if he sets foot in

Barfordshire he will be arrested and sent to prison.”

Ina Klosking shook her head. “When a man is in love with such a woman as

that, dangers could hardly deter him.”

“That depends upon the man, I think. But Harrington has done better than

that. He has provided her with a watch-dog--the best of all

watch-dogs--another lover. Lord Uxmoor lives near Aunt Maitland, and he

adores Zoe; so Harrington has commissioned him to watch her, and cure

her, and all. I wish he'd cure _me_--an earl's coronet and twenty

thousand a year!”

“You relieve my mind,” said Ina. Then after a pause--“But let me ask you

one question more. Why did you not tell me Miss Vizard was gone?”

“I don't know,” said Fanny, coloring up. _“She_ told me not.”

“Who?”

“Why, the Vixen in command. She orders everybody.”

“And why did she forbid you?”

“Don't know.”

“Yes, you do. Kiss me, dear. There, I will distress you with no more

questions. Why should I? Our instincts seldom deceive us. Well, so be it:

I have something more to get well for, and I will.”

Fanny looked up at her inquiringly.

“Yes,” said she; “the daughter of this hospitable house will never return

to it while I am in it. Poor girl; she thinks _she_ is the injured woman.

So be it. I will get well--and leave it.”

Fanny communicated this to Miss Gale, and all she said was, “She shall go

no further than Hillstoke then; for I love her better than any man can

love her.”

Fanny did not tell Vizard; and he was downright happy, seeing the woman

he loved recover, by slow degrees, her health, her strength, her color,

her voice. Parting was not threatened. He did not realize that they

should ever part at all. He had vague hopes that, while she was under his

roof, opportunity might stand his friend, and she might requite his

affection. All this would not bear looking into very closely: for that

very reason he took particular care not to look into it very closely; but

hoped all things, and was happy. In this condition he received a little

shock.

A one-horse fly was driven up to the door, and a card brought in--

“MR. JOSEPH ASHMEAD.”

Vizard was always at home at Vizard Court, except to convicted Bores. Mr.

Ashmead was shown into his study.

Vizard knew him at a glance. The velveteen coat had yielded to tweed; but

another loud tie had succeeded to the one “that fired the air at

Homburg.” There, too, was the wash-leather face, and other traits Vizard

professed to know an actress's lover by. Yes, it was the very man at

sight of whom he had fought down his admiration of La Klosking, and

declined an introduction to her. Vizard knew the lady better now. But

still he was a little jealous even of her acquaintances, and thought this

one unworthy of her; so he received him with stiff but guarded

politeness, leaving him to open his business.

Ashmead, overawed by the avenue, the dozen gables, four-score chimneys,

etc., addressed him rather obsequiously, but with a certain honest

trouble, that soon softened the bad impression caused by his appearance.

“Sir,” said he, “pray excuse this intrusion of a stranger, but I am in

great anxiety. It is not for myself, but for a lady, a very distinguished

lady, whose interests I am charged with. It is Mademoiselle Klosking, the

famous singer.”

Vizard maintained a grim silence.

“You may have heard of her.”

“I have.”

“I almost fancy you once heard her sing--at Homburg.”

“I did.”

“Then I am sure you must have admired her, being a gentleman of taste.

Well, sir, it is near a fortnight since I heard from her.”

“Well, sir?”

“You will say what is that to you? But the truth is, she left me, in

London, to do certain business for her, and she went down to this very

place. I offered to come with her, but she declined. To be sure, it was a

delicate matter, and not at all in my way. She was to write to me and

report progress, and give me her address, that I might write to her; but

nearly a fortnight has passed. I have not received a single letter. I am

in real distress and anxiety. A great career awaits her in England, sir;

but this silence is so mysterious, so alarming, that I begin actually to

hope she has played the fool, and thrown it all up, and gone abroad with

that blackguard.”

“What blackguard, sir?”

Joseph drew in his horns. “I spoke too quick, sir,” said he; “it is no

business of mine. But these brilliant women are as mad as the rest in

throwing away their affections. They prefer a blackguard to a good man.

It is the rule. Excuse my plain speaking.”

“Mr. Ashmead,” said Vizard, “I may be able to answer your questions about

this lady; but, before I do so, it is right I should know how far you

possess her confidence. To speak plainly, have you any objection to tell

me what is the precise relation between you and her?”

“Certainly not, sir. I am her theatrical agent.”

“Is that all?”

“Not quite. I have been a good deal about her lately, and have seen her

in deep distress. I think I may almost say I am her friend, though a very

humble one.”

Vizard did not yet quite realize the truth that this Bohemian had in his

heart one holy spot--his pure devotion and unsexual friendship for that

great artist. Still, his prejudices were disarmed, and he said, “Well,

Mr. Ashmead, excuse my cross-questioning you. I will now give myself the

pleasure of setting your anxieties at rest. Mademoiselle Klosking is in

this house.”

Ashmead stared at him, and then broke out, “In this house! O Lord! How

can that be?”

“It happened in a way very distressing to us all, though the result is

now so delightful. Mademoiselle Klosking called here on a business with

which, perhaps, you are acquainted.”

“I am, sir.”

“Unfortunately she met with an accident in my very hall, an accident that

endangered her life, sir; and of course we took charge of her. She has

had a zealous physician and good nurses, and she is recovering slowly.

She is quite out of danger, but still weak. I have no doubt she will be

delighted to see you. Only, as we are all under the orders of her

physician, and that physician is a woman, and a bit of a vixen, you must

allow me to go and consult her first.” Vizard retired, leaving Joseph

happy, but mystified.

He was not long alone. In less than a minute he had for companions some

well-buttered sandwiches made with smoked ham, and a bottle of old

Madeira. The solids melted in his mouth, the liquid ran through his veins

like oil charged with electricity and _elixir vitoe._

By-and-by a female servant came for him, and ushered him into Ina

Klosking's room.

She received him with undisguised affection, and he had much ado to keep

from crying. She made him sit down near her in the vast embrasure of the

window, and gave him a letter to read she had just written to him.

They compared notes very rapidly; but their discourse will not be given

here, because so much of it would be repetition.

They were left alone to talk, and they did talk for more than an hour.

The first interruption, indeed, was a recitativo with chords, followed by

a verse from the leading treble.

Mr. Ashmead looked puzzled; the Klosking eyed him demurely.

Before the anthem concluded, Vizard tapped, and was admitted from the

music-room. Ina smiled, and waved him to a chair. Both the men saw, by

her manner, they were not to utter a sound while the music was going on.

When it ceased, she said, “Do you approve that, my friend?”

“If it pleases you, madam,” replied the wary Ashmead.

“It does more than please me; it does me good.”

“That reconciles me to it at once.”

“Oh, then you do not admire it for itself.”

“Not--very--much.”

“Pray, speak plainly. I am not a tyrant, to impose my tastes.”

“Well then, madam, I feel very grateful to anything that does you good:

otherwise, I should say the music was--rather dreary; and the

singing--very insipid.”

The open struggle between Joseph's honesty and his awe of the Klosking

tickled Vizard so that he leaned back in his chair and laughed heartily.

The Klosking smiled superior. “He means,” said she, “that the music is

not operatic, and the boys do not clasp their hands, and shake their

shoulders, and sing passionately, as women do in a theater. Heaven forbid

they should! If this world is all passion, there is another which is all

peace; and these boys' sweet, artless tones are the nearest thing we

shall get in this world to the unimpassioned voices of the angels. They

are fit instruments for pious words set by composers, who, however

obscure they may be, were men inspired, and have written immortal

strains, which, as I hear them, seem hardly of this world--they are so

free from all mortal dross.”

Vizard assented warmly. Ashmead asked permission to hear another. They

sung the “Magnificat” by King, in F.

“Upon my word,” said Ashmead, “there is a deal of 'go' in that.”

Then they sung the “Nuno Dimittis.” He said, a little dryly, there was

plenty of repose in that.

“My friend,” said she, “there is--to the honor of the composer: the

'Magnificat' is the bright and lofty exultation of a young woman who has

borne the Messiah, and does not foresee His sufferings, only the boon to

the world and the glory to herself. But the 'Dimittis' is the very

opposite. It is a gentle joy, and the world contentedly resigned by a

good old man, fatigued, who has run his race, and longs to sleep after

life's fever. When next you have the good fortune to hear that song,

think you see the sun descending red and calm after a day of storms, and

an aged Christian saying, 'Good-night,' and you will honor poor dead King

as I do. The music that truly reflects great words was never yet small

music, write it who may.”

“You are right, madam.” said Ashmead. “When I doubted its being good

music, I suppose I meant salable.”

“Ah, _voil'a!”_ said the Klosking. Then, turning to Vizard for sympathy,

“What this faithful friend understands by good music is music that can be

sold for a good deal of money.”

“That is so,” said Ashmead, stoutly. “I am a theatrical agent. You can't

make a silk purse out of a sow's ear. You have tried it more than once,

you know, but it would not work.”

Ashmead amused Vizard, and he took him into his study, and had some more

conversation with him. He even asked him to stay in the house; but

Ashmead was shy, and there was a theater at Taddington. So he said he had

a good deal of business to do; he had better make the “Swan” his

headquarters. “I shall be at your service all the same, sir, or

Mademoiselle Klosking's.”

“Have a glass of Madeira, Mr. Ashmead.”

“Well, sir, to tell the truth, I have had one or two.”

“Then it knows the road.”

“You are very good, sir. What Madeira! Is this the wine the doctors ran

down a few years ago? They couldn't have tasted it.”

“Well, it is like ourselves, improved by traveling. That has been twice

to India.”

“It will never go again past me,” said Ashmead, gayly. “My mouth is a

cape it will never weather.”

He went to his inn.

Before he had been there ten minutes, up rattled a smart servant in a

smart dogcart.

“Hamper--for Joseph Ashmead, Esquire.”

“Anything to pay?”

“What for?--it's from Vizard Court.”

And the dog-cart rattled away.

Joseph was in the hall, and witnessed this phenomenon. He said to

himself, “I wish I had a vast acquaintance--ALL COUNTRY GENTLEMEN.”

That afternoon Ina Klosking insisted on walking up and down the room,

supported by Mesdemoiselles Gale and Dover. The result was fatigue and

sleep; that is all.

“To-morrow,” said she, “I will have but one live crutch. I must and will

recover my strength.”

In the evening she insisted on both ladies dining with Mr. Vizard. Here,

too, she had her way.

Vizard was in very good spirits, and, when the servants were gone,

complimented Miss Gale on her skill.

_“Our_ skill, you mean,” said she. “It was you who prescribed this new

medicine of the mind, the psalms and hymns and spiritual songs; and it

was you who administered the Ashmead, and he made her laugh, or

nearly--and that _we_ have never been able to do. She must take a few

grains of Ashmead every day. The worst of it is, I am afraid we shall

cure her too quickly; and then we shall lose her. But that was to be

expected. I am very unfortunate in my attachments; I always was. If I

fall in love with a woman, she is sure to hate me, or else die, or else

fly away. I love this one to distraction, so she is sure to desert me,

because she couldn't misbehave, and I won't _let_ her die.”

“Well,” said Vizard, “you know what to do--retard the cure. That is one

of the arts of your profession.”

“And so it is; but how can I, when I love her? No, we must have recourse

to our benevolent tyrant again. He must get Miss Vizard back here, before

my goddess is well enough to spread her wings and fly.”

Vizard looked puzzled. “This,” said he “sounds like a riddle, or female

logic.”

“It is both,” said Rhoda. “Miss Dover, give him the _mot d'e'nigme._ I'm

off--to the patient I adore.”

She vanished swiftly, and Vizard looked to Fanny for a solution. But

Fanny seemed rather vexed with Miss Gale, and said nothing. Then he

pressed her to explain.

She answered him, with a certain reluctance, “Mademoiselle Klosking has

taken into her head that Zoe will never return to this house while she is

in it.”

“Who put that into her head, now?” said Vizard, bitterly.

“Nobody, upon my honor. A woman's instinct.”

“Well?”

“She is horrified at the idea of keeping your sister out of her own

house, so she is getting well to go; and the strength of her will is such

that she _will_ get well.”

“All the better; but Zoe will soon get tired of Somerville Villa. A

little persuasion will bring her home, especially if you were to offer to

take her place.”

“Oh, I would do that, to oblige you, Harrington, if I saw any good at the

end of it. But please think twice. How can Zoe and that lady ever stay

under the same roof? How can they meet at your table, and speak to each

other? They are rivals.”

“They are both getting cured, and neither will ever see the villain

again.”

“I hope not; but who can tell? Well, never mind _them._ If their eyes are

not opened by this time, they will get no pity from me. It is you I think

of now.” Then, in a hesitating way, and her cheeks mantling higher and

higher with honest blushes--“You have suffered enough already from women.

I know it is not my business, but it does grieve me to see you going into

trouble again. What good can come of it? Her connection with that man, so

recent, and so--strange. The world _will_ interpret its own way. Your

position in the county--every eye upon you. I see the way in--no doubt it

is strewed with flowers; but I see no way out. Be brave in time,

Harrington. It will not be the first time. She must be a good woman,

somehow, or faces, eyes and voices, and ways, are all a lie. But if she

is good, she is very unfortunate; and she will give you a sore heart for

life, if you don't mind. I'd clinch my teeth and shut my eyes, and let

her go in time.”

Vizard groaned aloud, and at that a tear or two rolled down Fanny's

burning cheeks.

“You are a good little girl,” said Vizard, affectionately; “but I

_cannot.”_

He hung his head despondently and muttered, “I see no way out either. But

I yield to fate. I feared her, and fled from her. She has followed me. I

can resist no more. I drift. Some men never know happiness. I shall have

had a happy fortnight, at all events. I thank you, and respect you for

your advice; but I can't take it. So now I suppose you will be too much

offended to oblige me.”

“Oh dear, no.”

“Would you mind writing to Aunt Maitland, and saying you would like to

take Zoe's place?”

“I will do it with pleasure to oblige you. Besides, it will be a fib, and

it is so long since I have told a good fib. When shall I write?”

“Oh, about the end of the week.”

“Yes, that will be time enough. Miss Gale won't _let_ her go till next

week. Ah, after all, how nice and natural it is to be naughty! Fibs and

flirtation, welcome home! This is the beauty of being good--and I shall

recommend it to all my friends on this very account--you can always leave

it off at a moment's notice, without any trouble. Now, naughtiness sticks

to you like a burr.”

So, with no more ado, this new Mentor became Vizard's accomplice, and

they agreed to get Zoe back before the Klosking could get strong enough

to move with her physician's consent.

As the hamper of Madeira was landed in the hall of the “Swan” inn, a

genial voice cried, “You are in luck.” Ashmead turned, and there was

Poikilus peering at him from the doorway of the commercial room.

“What is the game now?” thought Ashmead. But what he said was, “Why, I

know that face. I declare, it is the gent that treated me at Homburg.

Bring in the hamper, Dick.” Then to Poikilus, “Have ye dined yet?”

“No. Going to dine in half an hour. Roast gosling. Just enough for two.”

“We'll divide it, if you like, and I'll stand a bottle of old Madeira. My

old friend, Squire Vizard, has just sent it me. I'll just have a splash;

dinner will be ready by then.” He bustled out of the room, but said, as

he went, “I say, old man, open the hamper, and put two bottles just

within the smile of the fire.”

He then went upstairs, and plunged his head in cold water, to clear his

faculties for the encounter.

The friends sat down to dinner, and afterward to the Madeira, both gay

and genial outside, but within full of design--their object being to pump

one another.

In the encounter at Homburg, Ashmead had an advantage; Poikilus thought

himself unknown to Ashmead. But this time there was a change. Poikilus

knew by this time that La Klosking had gone to Vizard Court. How she had

known Severne was there puzzled him a good deal; but he had ended by

suspecting Ashmead, in a vague way.

The parties, therefore, met on even terms. Ashmead resolved to learn what

he could about Severne, and Poikilus to learn what he could about Zoe

Vizard and Mademoiselle Klosking.

Ashmead opened the ball: “Been long here?”

“Just come.”

“Business?”

“Yes. Want to see if there's any chance of my getting paid for that job.”

“What job?”

“Why, the Homburg job. Look here--I don't know why I should have any

secrets from a good fellow like you; only you must not tell anybody

else.”

“Oh, honor bright!”

“Well, then, I am a detective.”

“Ye don't mean that?”

“I'm Poikilus.”

“Good heavens! Well, I don't care. I haven't murdered anybody. Here's

your health, Poikilus. I say, you could tell a tale or two.”

“That I could. But I'm out of luck this time. The gentleman that employed

me has mizzled, and he promised me fifty pounds. I came down here in

hopes of finding him. Saw him once in this neighborhood.”

“Well, you won't find him here, I don't think. You must excuse me, but

your employer is a villain. He has knocked a lady down, and nearly killed

her.”

“You don't say that?”

“Yes; that beautiful lady, the singer, you saw in Homburg.”

“What! the lady that said he should have his money?”

“The same.”

“Why, he must be mad.”

“No. A scoundrel. _That is all.”_

“Then she won't give him his money after that.”

“Not if I can help it. But if she likes to pay you your commission, I

shall not object to that.”

“You are a good fellow.”

“What is more, I shall see her to-morrow, and I will put the question to

her for you.”

Poikilus was profuse in his thanks, and said he began to think it was his

only chance. Then he had a misgiving. “I have no claim on the lady,” said

he; “and I am afraid I have been a bad friend to her. I did not mean it,

though, and the whole affair is dark to me.”

“You are not very sharp, then, for a detective,” said Ashmead. “Well,

shut your mouth and open your eyes. Your Mr. Severne was the lady's

lover, and preyed upon her. He left her; she was fool enough to love him

still, and pined for him. He is a gambler, and was gambling by my side

when Mademoiselle Klosking came in; so he cut his lucky, and left me

fifty pounds to play for him, and she put the pot on, and broke the bank.

I didn't know who he was, but we found it out by his photograph. Then you

came smelling after the money, and we sold you nicely, my fine detective.

We made it our business to know where you wrote to--Vizard Court. She

went down there, and found him just going to be married to a beautiful

young lady. She collared him. He flung her down, and cut her temple

open--nearly killed her. She lies ill in the house, and the other young

lady is gone away broken-hearted.”

“Where to?”

“How should I know? What is that to you?”

“Why don't you see? Wherever she is, he won't be far off. He likes her

best, don't he?”

“It don't follow that she likes him, now she has found him out. He had

better not go after her, or he'll get a skinful of broken bones. My

friend, Squire Vizard, is the man to make short work with him, if he

caught the blackguard spooning after his sister.”

“And serve him right. Still, I wish I knew where that young lady is.”

“I dare say I could learn if I made it my business.”

Having brought the matter to that point, Poikilus left it, and simply

made himself agreeable. He told Ashmead his experiences; and as they

were, many of them, strange and dramatic, he kept him a delighted

listener till midnight.

The next day Ashmead visited Mademoiselle Klosking, and found her walking

up and down the room, with her hand on Miss Gale's shoulder.

She withdrew into the embrasure, and had some confidential talk with him.

As a matter of course, he told her about Poikilus, and that he was

hunting down Severne for his money.

“Indeed!” said the Klosking. “Please tell me every word that passed

between you.”

He did so, as nearly as he could remember.

Mademoiselle Klosking leaned her brow upon her hand a considerable time

in thought. Then she turned on Ashmead, and said, quietly, “That Poikilus

is still acting for _him,_ and the one thing they desire to learn is

where to find Miss Vizard, and delude her to her ruin.”

“No, no,” cried Ashmead violently; but the next moment his countenance

fell. “You are wiser than I am,” said he; “it may be. Confound the sneak!

I'll give it him next time I see him! Why, he must love villainy for its

own sake. I as good as said you would pay him his fifty pounds.”

“What fifty pounds? His fifty pounds is a falsehood, like himself. Now,

my friend, please take my instructions, my positive instructions.”

“Yes, madam.”

“You will not change your friendly manner: show no suspicion nor anger.

If they are cunning, we must be wise; and the wise always keep their

temper. You will say Miss Vizard has gone to Ireland, but to what part is

only known to her brother. Tell him this, and be very free and

communicative on all other subjects; for this alone has any importance

now. As for me, I can easily learn where Somerville Villa is, and in a

day or two shall send you to look after her. One thing is clear--I had

better lose no time in recovering my strength. Well, my will is strong. I

will lose no time--your arm, monsieur;” and she resumed her promenade.

Ashmead, instructed as above, dined again with the detective; but out of

revenge gave him but one bottle of Madeira. As they sipped it, he

delivered a great many words; and in the middle of them said, “Oh,

by-the-by, I asked after that poor young lady. Gone to Ireland, but they

didn't know what part.”

After dinner Ashmead went to the theater. When he came back Poikilus was

gone.

So did Wisdom baffle Cunning that time.

But Cunning did not really leave the field: that very evening an aged

man, in green spectacles, was inquiring about the postal arrangements to

Vizard Court; and next day he might have been seen, in a back street of

Taddington, talking to the village postman, and afterward drinking with

him. It was Poikilus groping his way.

A Woman-Hater · 第 22 / 32 章