THE FOURTH ACT

_The hall at Markswayde is square; in decoration strictly eighteenth

century. The floor polished. Then comes six feet of soberly painted

wainscot and above the greenish blue and yellowish green wall painted

into panels. At intervals are low relief pilasters; the capitals of

these are gilded. The ceiling is white and in the centre of it there is

a frosted glass dome through which a dull light struggles. Two sides

only of the hall are seen._

_In the corner is a hat stand and on it are many cloaks and hats and

beneath it several pairs of very muddy boots._

_In the middle of the left hand wall are the double doors of the

dining-room led up to by three or four stairs with balusters, and on

either side standing against the wall long, formal, straight backed

sofas._

_In the middle of the right hand wall is the front door; glass double

doors can be seen and there is evidently a porch beyond. On the left of

the front door a small window. On the right a large fireplace, in which

a large fire is roaring. Over the front door, a clock (the hands

pointing to half-past one.) Over the fireplace a family portrait (temp.

Queen Anne) below this a blunderbuss and several horse-pistols. Above

the sofa full-length family portraits (temp. George I.) Before the front

door a wooden screen, of lighter wood than the wainscot, and in the

middle of it a small glass panel. Before this a heavy square table on

which are whips and sticks, a hat or two and brushes; by the table a

wooden chair. On either side the fire stand tall closed-in armchairs,

and between the fireplace and the door a smaller red-baize screen._

_When the dining-room doors are thrown open another wooden screen is to

be seen._

_There are a few rugs on the floor, formally arranged._

MRS. OPIE _stands in the middle of the hall, holding out a woman's brown

cloak: she drops one side to fetch out her handkerchief and apply it to

her eye_. DIMMUCK _comes in by the front door, which he carefully closes

behind him. He is wrapped in a hooded cloak and carries a pair of boots

and a newspaper. The boots he arranges to warm before the fire. Then he

spreads the Chronicle newspaper upon the arm of a chair, then takes off

his cloak and hangs it upon a peg close to the door._

DIMMUCK. Mrs. Opie . . will you look to its not scorching?

MRS. OPIE _still mops her eyes_. DIMMUCK _goes towards the dining-room

door, but turns_.

DIMMUCK. Will you kindly see that the _Chronicle_ newspaper does not

burn?

MRS. OPIE. I was crying.

DIMMUCK. I leave this tomorrow sennight . . thankful, ma'am, to have

given notice in a dignified manner.

MRS. OPIE. I understand . . Those persons at table . .

DIMMUCK. You give notice.

MRS. OPIE. Mr. Dimmuck, this is my home.

LORD ARTHUR CARP _comes out of the dining-room. He is a thinner and more

earnest-looking edition of his brother_. MRS. OPIE _turns a chair and

hangs the cloak to warm before the fire, and then goes into the

dining-room_.

LORD ARTHUR. My chaise round?

DIMMUCK. I've but just ordered it, my lord. Your lordship's man has give

me your boots.

LORD ARTHUR. Does it snow?

DIMMUCK. Rather rain than snow.

LORD ARTHUR _takes up the newspaper_.

DIMMUCK. Yesterday's, my lord.

LORD ARTHUR. I've seen it. The mails don't hurry hereabouts. Can I be in

London by the morning?

DIMMUCK. I should say you might be, my lord.

LORD ARTHUR _sits by the fire, while_ DIMMUCK _takes off his pumps and

starts to put on his boots_.

Three Plays by Granville-Barker The Marrying of Ann Leete; The Voysey Inheritance; Waste · 第 16 / 66 题