MY DEAR ANTONY,

Some of the most eloquent orators in the world have been Irishmen,

and among them Henry Grattan was supreme.

The Irish Parliament in the later half of the eighteenth century

frequently sat spell-bound under the magic of his voice.

In 1782, at the age of thirty-two, he achieved by his amazing

eloquence a great National Revolution in Ireland. But eighteen years

later all that he had fought for and achieved was lost in the Act of

Union. In these days I suppose few will be found to defend the means

whereby that Act was passed; but the public assertions that the people

of Ireland were in favour of it wrung from Grattan the following cry of

indignation and wrath:--

"To affirm that the judgment of a nation is erroneous may mortify,

but to affirm that her judgment _against_ is _for_; to assert that

she has said _ay_ when she has pronounced _no_; to affect to refer

a great question to the people; finding the sense of the people,

like that of the parliament, against the question, to force the

question; to affirm the sense of the people to be _for_ the

question; to affirm that the question is persisted in, because the

sense of the people is for it; to make the falsification of the

country's sentiments the foundation of her ruin, and the ground of

the Union; to affirm that her parliament, constitution, liberty,

honour, property, are taken away by her own authority,--there is,

in such artifice, an effrontery, a hardihood, an insensibility,

that can best be answered by sensations of astonishment and

disgust, excited on this occasion by the British minister, whether

he speaks in gross and total ignorance of the truth, or in

shameless and supreme contempt for it.

"The constitution may be _for a time_ so lost; the character of

the country cannot be so lost. The ministers of the Crown will, or

may, perhaps, at length find that it is not so easy to put down

for ever an ancient and respectable nation, by abilities, however

great, and by power and by corruption, however irresistible;

liberty may repair her golden beams, and with redoubled heat

animate the country; the cry of loyalty will not long continue

against the principles of liberty; loyalty is a noble, a

judicious, and a capacious principle; but in these countries

loyalty, distinct from liberty, is corruption, not loyalty.

"The cry of the connexion will not, in the end, avail against the

principles of liberty. Connexion is a wise and a profound policy;

but connexion without an Irish Parliament is connexion without its

own principle, without analogy of condition; without the pride of

honour that should attend it; is innovation, is peril, is

subjugation--not connexion.

"The cry of the connexion will not, in the end, avail against the

principle of liberty.

"Identification is a solid and imperial maxim, necessary for the

preservation of freedom, necessary for that of empire; but,

without union of hearts--with a separate government, and without a

separate parliament, identification is extinction, is dishonour,

is conquest--not identification.

"Yet I do not give up the country--I see her in a swoon, but she

is not dead--though in her tomb she lies helpless and motionless,

still there is on her lips a spirit of life, and on her cheeks a

glow of beauty--

"Thou art not conquered; beauty's ensign yet

Is crimson in thy lips, and in thy cheeks,

And death's pale flag is not advanced there."

"While a plank of the vessel sticks together, I will not leave

her. Let the courtier present his flimsy sail, and carry the light

bark of his faith, with every new breath of wind--I will remain

anchored here--with fidelity to the fortunes of my country,

faithful to her freedom, faithful to her fall."

Of another character, but not less admirable than his eloquence in the

Senate, was Grattan's achievement with the pen. His description of the

great Lord Chatham lives as one of the most noble panegyrics--it not

the most noble--in the world. No writer, before or since, has offered

anyone such splendid homage as this--that he never sunk "to the

vulgar level of the great."

"The Secretary stood alone. Modern degeneracy had not reached him.

Original and unaccommodating, the features of his character had

the hardihood of antiquity, his august mind overawed majesty, and

one of his sovereigns thought royalty so impaired in his presence

that he conspired to remove him, in order to be relieved from his

superiority. No state chicanery, no narrow systems of vicious

politics, no idle contest for ministerial victories sunk him to

the vulgar level of the great; but, overbearing, persuasive, and

impracticable, his object was England,--his ambition was fame;

without dividing, he destroyed party; without corrupting, he made

a venal age unanimous; France sunk beneath him; with one hand he

smote the House of Bourbon, and wielded in the other the democracy

of England. The sight of his mind was infinite, and his schemes

were to affect, not England, not the present age only, but Europe

and posterity. Wonderful were the means by which these schemes

were accomplished, always seasonable, always adequate, the

suggestions of an understanding animated by ardour, and

enlightened by prophecy.

"The ordinary feelings which make life amiable and indolent--those

sensations which soften, and allure, and vulgarise--were unknown

to him; no domestic difficulties, no domestic weakness reached

him; but, aloof from the sordid occurrences of life, and unsullied

by its intercourse, he came occasionally into our system to

counsel and decide.

"A character so exalted, so strenuous, so various, so

authoritative, astonished a corrupt age, and the Treasury trembled

at the name of Pitt through all her classes of venality.

Corruption imagined, indeed, that she had found defects in this

statesman, and talked much of the inconsistency of his glory, and

much of the ruin of his victories--but the history of his country,

and the calamities of the enemy, answered and refuted her.

"Nor were his political abilities his only talents; his eloquence

was an era in the senate, peculiar and spontaneous, familiarly

expressing gigantic sentiments and instinctive wisdom--not like

the torrent of Demosthenes, or the splendid conflagration of

Tully; it resembled sometimes the thunder, and sometimes the music

of the spheres. Like Murray, he did not conduct the understanding

through the painful subtilty of argumentation; nor was he, like

Townshend, for ever on the rack of exertion, but rather lightened

upon the subject, and reached the point by the flashings of his

mind, which, like those of his eye, were felt, but could not be

followed.

"Yet he was not always correct or polished; on the contrary, he

was sometimes ungrammatical, negligent, and unenforcing, for he

concealed his art, and was superior to the knack of oratory. Upon

many occasions he abated the vigour of his eloquence, but even

then, like the spinning of a cannon ball, he was still alive with

fatal, unapproachable activity.

"Upon the whole, there was in this man something that could

create, subvert, or reform; an understanding, a spirit, and an

eloquence to summon mankind to society, or to break the bonds of

slavery asunder, and rule the wildness of free minds with

unbounded authority; something that could establish or overwhelm

empire, and strike a blow in the world that should resound

through its history."

Grattan died in 1820, and twenty years later, in 1844, another great

English writer, Lord Macaulay, wrote a world-famous passage upon the

great Lord Chatham in the _Edinburgh Review_:--

"Chatham sleeps near the northern door of the church, in a spot

which has ever since been appropriated to statesmen, as the other

end of the same transept has long been to poets. Mansfield rests

there, and the second William Pitt, and Fox, and Grattan, and

Canning, and Wilberforce. In no other cemetery do so many great

citizens lie within so narrow a space. High over those venerable

graves towers the stately monument of Chatham, and, from above,

his effigy, graven by a cunning hand, seems still, with eagle face

and outstretched arm, to bid England be of good cheer, and to hurl

defiance at her foes.

"The generation which reared that memorial of him has disappeared.

The time has come when the rash and indiscriminate judgments

which his contemporaries passed on his character may be calmly

revised by history. And history, while, for the warning of

vehement, high, and daring natures, she notes his many errors,

will yet deliberately pronounce that, among the eminent men whose

bones lie near his, scarcely one has left a more stainless and

none a more splendid name."

It is a great race, Antony, that can produce a man of such a character

as Chatham, and also writers who can dedicate to him such superb

tributes as these.

Macaulay's prose has been much criticised as being too near to easy

journalism to be classed among the great classic passages of English;

but this much must be recognised to his great credit--he never wrote

an obscure sentence or an ambiguous phrase, and his works may be

searched in vain for a foreign idiom or even a foreign word. He

possessed an infallible memory, absolute perspicuity, and a scholarly

taste. He detested oppression wherever enforced, and never exercised

his great powers in the defence of mean politics or unworthy practices.

Such a writer to-day would blow a wholesome wind across the tainted

pools of political intrigue.

We can salute him, Antony, as a fine, manly, clean writer, who was an

honour to letters.

Your loving old

G.P.

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The Glory of English Prose Letters to My Grandson · 第 31 / 54 题