Here I quote one paragraph of it, characteristic of the whole:--

"Darkness and light divide the course of time, and oblivion shares

with memory a great part even of our living beings; we slightly

remember our felicities, and the smartest strokes of affliction

leave but short smart upon us. Sense endureth no extremities, and

sorrows destroy us or themselves. To weep into stones are fables.

Afflictions induce callosities; miseries are slippery, or fall

like snow upon us, which notwithstanding is no unhappy stupidity.

To be ignorant of evils to come, and forgetful of evils past, is a

merciful provision in nature, whereby we digest the mixture of our

few and evil days, and, our delivered senses not relapsing into

cutting remembrances, our sorrows are not kept raw by the edge of

repetitions. A great part of antiquity contented their hopes of

subsistency with a transmigration of their souls,--a good way to

continue their memories, while having the advantage of plural

successions they could not but act something remarkable in such

variety of beings, and, enjoying the fame of their passed selves,

make accumulation of glory unto their last durations. Others,

rather than be lost in the uncomfortable night of nothing, were

content to recede into the common being, and make one particle of

the public soul of all things, which was no more than to return

into their unknown and divine original again. Egyptian ingenuity

was more unsatisfied, contriving their bodies in sweet

consistencies, to attend the return of their souls. But all was

vanity, feeding the wind, and folly. The Egyptian mummies, which

Cambyses or Time hath spared, avarice now consumeth. Mummy is

become merchandise. Mizraim cures wounds, and Pharaoh is sold for

balsams."

Milton was a contemporary of Sir Thomas Browne, and, like all great

poets, was a master of resounding prose. All that he wrote, both in

verse and prose, is severely classic in its form. His _Samson Agonistes_

is perhaps the finest example of a play written in English after the

manner of the Greek dramas.

Milton wrote _The Areopagitica_ in defence of the liberty of

publishers and printers of books. And it stands for all time as the

first and greatest argument against interference with the freedom of

the press.

The Areopagitæ were judges at Athens in its more flourishing time, who

sat on Mars Hill and made decrees and passed sentences which were

delivered in public and commanded universal respect.

I will quote one of the finest passages in this great and splendid

utterance:--

"I deny not but that it is of greatest concernment in the Church

and Commonwealth to have a vigilant eye how books demean

themselves as well as men; and thereafter to confine, imprison,

and do sharpest justice on them as malefactors: for books are not

absolutely dead things, but do contain a potency of life in them

to be as active as that soul was whose progeny they are; nay, they

do preserve as in a vial the purest efficacy and extraction of

that living intellect that bred them. I know they are as lively,

and as vigorously productive, as those fabulous dragons' teeth;

and being sown up and down, may chance to spring up armed men.

"And yet on the other hand, unless wariness be used, as good

almost kill a man as kill a good book; who kills a man kills a

reasonable creature, God's image; but he who destroys a good book

kills reason itself; kills the Image of God as it were in the eye.

Many a man lives a burden to the earth; but a good book is the

precious life-blood of a master-spirit; embalmed and treasured up

on purpose to a life beyond life.

"'Tis true, no age can restore a life, whereof, perhaps, there is

no great loss; and revolutions of ages do not oft recover the loss

of a rejected truth, for the want of which whole nations fare the

worse.

"We should be wary, therefore, what persecutions we raise against

the living labours of public men; how we spill that seasoned life

of man preserved and stored up in books; since we see a kind of

homicide may be thus committed, sometimes a martyrdom, and, if it

extend to the whole impression, a kind of massacre, whereof the

execution ends not in the slaying of an elemental life, but

strikes at that ethereal and fifth essence, the breath of reason

itself; slays an immortality rather than a life."

This is a fine defence of the inviolability of a good and proper book.

A bad book will generally die of itself, but there is something horribly

malignant about a wicked book, as it must always be worse than a

wicked man, for a man can repent, but a book cannot.

It is the men of letters who keep alive the books of the great from

generation to generation, and they are never likely to preserve a

wicked book from oblivion. Ultimately such go to light fires and

encompass groceries.

Your loving old

G.P.

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The Glory of English Prose Letters to My Grandson · 第 19 / 54 题