ARABEL. What is the man about? (_following SHARP, L._)

PHOEBE. There'll be murder to a certainty. Help--help!--police!

_Runs out after ARABELLA, L._

_CAROLINE enters from door L. flat, in ball dress._

CARO. Mercy on me! what can be the matter?

_Enter CAPTAIN HARDAPORT, at the side, hurriedly, R._

CAPT. H. (_advancing towards CAROLINE_) Beg pardon, miss, but if I can

be of any service----

CARO. (_who has started, and turned round towards the CAPTAIN_)

Captain Hardaport!

CAPT. H. Beg pardon, I'm sure, miss; but hearing you, as I thought,

holding out signals of distress----

CARO. No such thing! Me!--oh, dear, no; no such thing.

CAPT. H. Well, miss, I've a little matter to overhaul with you. Ever

since I saw you at Plymouth, I've been thinking that you are just the

sort of craft that I should like to sail in company with.

CARO. (_modestly_) Oh, Captain!

CAPT. H. Yes, miss; so I bore up for London, and the first thing I

hear is that you're going to be spliced to some other lubber from

Cambridge.

CARO. Really, sir, I know very little about the matter; everything has

been arranged by my pa and Mr. Cockletop.

CAPT. H. Who's Cocklepot?

CARO. (_modestly_) He is the uncle of--the young man.

CAPT. H. And you love him?

CARO. I've never seen him yet.

CAPT. H. Then perhaps you wouldn't break your heart if I was to send

him to Davy Jones? (_savagely_)

CARO. Not I, indeed!

Drawing Rooms, Second Floor, and Attics: A Farce, in One Act · 第 12 / 20 题