Parallel between the Diamond and the Sun.--Taste of the Marquise for
Precious Stones.--The King's Collection of Medals.--The Crown of
Agrippina.--The Duchess of York.--Disappointment of the Marquise.--To
Lend Is Not to Give.--The Crown Well Guarded.--Fright of the
Marquise.--The Thief Recognised.--The Marquise Lets Him Hang.--The
Difference between Cromwell and a Trunkmaker.--Delicate
Restitutions.--The Bourbons of Madame de Montespan.
The diamond is, beyond contradiction, the most beautiful creation of the
hands of God, in the order of inanimate objects. This precious stone, as
durable as the sun, and far more accessible than that, shines with the
same fire, unites all its rays and colours in a single facet, and
lavishes its charms, by night and day, in every clime, at all seasons;
whilst the sun appears only when it so pleases; sometimes shining,
sometimes misty, and shows itself off with innumerable pretensions.
From my tenderest childhood, I was notable amongst all my brothers and
sisters for my distinct fondness for precious stones and diamonds. I have
made a collection of them worthy of the Princes of Asia; and if my whole
fortune were to fail me to-day, my pearls and diamonds, being left to me,
would still give me opulence. The King, by a strange accident, shares
this taste with me. He has in his third closet two huge pedestals,
veneered in rosewood, and divided within, like cabinets of coins, into
several layers. It is there that he has conveyed, one by one, all the
finest diamonds of the Crown. He consecrates to their examination, their
study, and their homage, the brief moments that his affairs leave him.
And when, by his ambassadors, he comes to discover some new apparition of
this kind in Asia or Europe, he does all that is possible to distance his
competitors.
When he loved me with a tender love, I had only to wish and I obtained
instantly all that could please me, in rare pearls, in superfine
brilliants, sapphires, emeralds, and rubies. One day, his Majesty
allowed me to carry home the famous crown of Agrippina, executed with
admirable art, and formed of eight sprays of large brilliants handsomely
mounted. This precious object occupied me for several days in
succession, and the more I examined the workmanship, the more I marvelled
at its lightness and excellence, which was so great that our jewellers,
compared with those of Nero and Agrippina, were as artisans and workmen.
The King, having never spoken to me again of this ornament, I persuaded
myself that he had made me a present of it,--a circumstance which
confirmed me in the delusions of my hope. I thought then that I ought
not to leave in its light case an article of such immense value, and
ordered a strong and solid casket in which to enshrine my treasure.
The imperial crown having been encased and its clasps well adjusted by as
many little locks of steel, I shut the illustrious valuable in a cupboard
in which I had a quantity of jewelry and precious stones. This beautiful
crown was the constant object of my thoughts, my affections and my
preference; but I only looked at it myself at long intervals, every six
months, very briefly, for fear of exciting the cupidity of servants, and
exposing the glory of Agrippina to some danger.
When the Princess of Mantua passed through France on her way to marry the
Duke of York, whose first wife had left him a widower, the King gave a
brilliant reception to this young and lovely creature, daughter of a
niece of Cardinal Mazarin.
The conversation was uniformly most agreeable, for she spoke French with
fluency, and employed it with wit. There was talk of open-work crowns
and shut crowns. The Marquis de Dangeau, something of a savant and
antiquary, happened to remark that, under Nero, that magnificent prince,
the imperial crown had first been wrought in the form of an arch, such as
is seen now.
The King said then: "I was ignorant of that fact; but the crown of the
Empress, his mother, was not closed at all. The one which belongs to me
is authentic; Madame la Marquise will show it to us:"
A gracious invitation in dumb show completed this species of summons, and
I was obliged to execute it. I returned to the King in the space of a
few minutes, bringing back in its new case the fugitive present, which a
monarch asked back again so politely and with such a good grace.
The crown of Agrippina, being placed publicly on a small round table,
excited general attention and admiration. The Italian Princess, Madame
de Maintenon, the Duc de Saint Aignan, and Dangeau himself went into
raptures over the rare perfection of these marvellously assorted
brilliants. The King, drawing near, in his turn examined the masterpiece
with pleasure. Suddenly, looking me in the face, he cried:
"But, madame, this is no longer my crown of Agrippina; all the diamonds
have been changed!"
Imagine my trouble, and, I must say, my confusion! Approaching the
wretched object, and casting my eyes over it with particular attention, I
was not slow in verifying the King's assertion. The setting of this fine
work had remained virtually the same; but some bold hand had removed the
antique diamonds and substituted--false!
I was pale and trembling, and on the verge of swooning. The ladies were
sorry for me. The King did me the honour of declaring aloud that I had
assuredly been duped, and I was constrained to explain this removal of
the crown into a more solid and better case for its preservation.
At this naive explanation the King fell to laughing, and said to the
young Princess: "Madame, you will relate, if you please, this episode to
the Court of London, and you will tell the King, from me, that nothing is
so difficult to preserve now as our crowns; guards and locks are no more
of use."
Then, addressing me, his Majesty said, playfully:
"You should have entrusted it to me sooner; I should have saved it. It
is said that I understand that well."
My amour-propre, my actual honour, forbade me to put a veil over this
domestic indignity. I assembled all my household, without excepting my
intendant himself. I was aggrieved at the affront which I had met with
at the King's, and I read grief and consternation on all faces. After
some minutes' silence, my intendant proposed the immediate intervention
of authority, and made me understand with ease that only the casket-maker
could be the culprit.
This man's house was visited; he had left Paris nearly two years before.
Further information told us that, before disposing of his property, he
had imprudently indulged in a certain ostentation of fortune, and had
embarked for the new settlements of Pondicherry.
M. Colbert, who is still living, charged our governor to discover the
culprit for him; and he was sent back to us with his hands and feet
bound.
Put to the question, he denied at first, then confessed his crime. One
of my chamber--maids, to whom he had made feigned love, introduced him
into my house while I was away, and by the aid of this imprudent woman he
had penetrated into my closets. The crown of Agrippina, which it had
been necessary to show him because of the measures, had become almost as
dear to him as to myself; and his ambition of another kind inspired him
with his criminal and fatal temerity.
He did no good by petitioning me, and having me solicited after the
sentence; I let him hang, as he richly deserved.
The King said on this occasion: "This casketmaker has, at least, left us
the setting, but M. Cromwell took all."
The fortunate success of this affair restored me, not to cheerfulness,
but to that honourable calm which had fled far away from me. I made a
reflection this time on my extreme imprudence, and understood that all
the generosities of love are often no more than loans. I noticed amongst
my jewels a goblet of gold, wrought with diamonds and rubies, which came
from the first of the Medici princesses. I waited for the King's fete to
return this magnificent ornament to him nobly. I had a lily executed,
all of emeralds and fine pearls; I poured essence of roses into the cup,
placed in it the stem of the lily, in the form of a bouquet for the
prince, and that was my present for Saint Louis's day.
I gave back to the King, by degrees, at least three millions' worth of
important curiosities, which were like drops of water poured into the
ocean. But I was anxious that, if God destined me to perish by a sudden
death, objects of this nature should not be seen and discovered amid my
treasure.
As to my other diamonds, either changed in form or acquired and collected
by myself, I destine them for my four children by the King. These pomps
will have served to delight my eyes, which are pleased with them, and
then they will go down to their first origin and source, belonging again
to the Bourbons whom I have made.