A curious instance occurred of a witness confounding a counsel, at

Gloucester, England, some years ago. The witness, on being asked his

name, gave it as Ottiwell Woodd. The learned counsel did not seem to

catch it, though it was several times pronounced. "Spell it, sir, if you

please," he said, somewhat angrily. The witness complied as follows:

"O-double t-i-double you-e-double l-double you-double o-double d." The

spelling confounded the lawyer more than ever, and in his confusion,

amid the laughter of the court, he took the witness aside to help him to

spell it after him.

_Duels Fought by Clergymen._

In England, in 1764, the Rev. Mr. Hill was killed in a duel by Cornet

Gardener, of the carbineers. The Rev. Mr. Bates fought two duels, and

was subsequently created a baronet, and preferred to a deanery after he

had fought another duel. The Rev. Mr. Allen killed a Mr. Delany in a

duel in Hyde Park, without incurring ecclesiastical censure, though the

judge, on account of his extremely bad conduct, strongly charged his

guilt upon the jury.

_A Singular Coincidence._

On the 13th of February, 1746, as the records of the French criminal

jurisprudence inform us, one Jean Marie Dunbarry was brought to the

scaffold for murdering his father; and, strangely enough, on the 13th of

February, 1846, precisely one hundred years later, another Jean Marie

Dunbarry, a great-grandson of the first-mentioned criminal, paid the

same penalty for the same crime.

_Tavern Screens._

Centuries ago, the doors of taverns had an interior screen, similar to

those in use at the present day. Lounging was just as much in vogue. In

Clare's "Shepherd's Calender," we read—

"Now, musing o'er the changing scene,

Farmers behind the tavern screen

Collect; with elbow idly press'd

On hob, reclines the corner's guest,

Reading the news, to mark again

The bankrupt lists, or price of grain,

Puffing the while his red-tipt pipe,

He dreams o'er troubles nearly ripe;

Yet, winter's leisure to regale,

Hopes better times, and sips his ale."

_Ancient Antipathy to Red Hair._

Ages before the time of Judas, red hair was thought a mark of

reprobation, both in the case of Typhon, who deprived his brother of the

sceptre in Egypt, and Nebuchadnezzar, who acquired it in expiation of

his atrocities. Even the donkey tribe suffered from this ill-omened

visitation, according to the proverb of "wicked as a red ass." Asses of

that color were held in such detestation among the Copths, that every

year they sacrificed one by hurling it from a high wall.

_Lightning-Prints._

Lightning-prints are appearances sometimes found on the skin of men or

animals that are struck by lightning, and are currently believed to be

photographic representations of surrounding objects or scenery.

At Candelaria, in Cuba, in 1828, a young man was struck dead by

lightning near a house, on one of the windows of which was nailed a

horse-shoe; and the image of the horse-shoe was said to be distinctly

printed upon the neck of the young man. On the 14th of November, 1830,

lightning struck the Chateau Benatonière, in Lavendèe. At the time a

lady happened to be seated on a chair in the salon, and on the back of

her dress were printed minutely the ornaments on the back of the chair.

In September, 1857, a peasant-girl, while herding a cow in the

department of Seine-et-Marne, was overtaken by a thunder-storm. She took

refuge under a tree, and the tree, the cow and herself were struck with

lightning. The cow was killed, but she recovered, and on loosening her

dress for the sake of respiring freely, she saw a picture of the cow

upon her breast.

_No Buttons but Brass Buttons._

There is a curious law extant in England in regard to brass buttons. It

is, by Acts of Parliament passed in three reigns, (William III., Anne

and George I.), illegal for a tailor to make, or mortal to wear, clothes

with any other buttons appended thereto but buttons of brass. The law

was put in force for the benefit of the button-makers of Birmingham; and

it further enacts, not only that he who makes or sells garments with any

but brass buttons thereto affixed, shall pay a penalty of forty

shillings for every dozen, but that he shall not be able to recover the

price he claims, if the wearer thinks proper to resist payment. The Act

is not a dead letter. Not more than thirty years ago a Mr. Shirley sued

a Mr. King for nine pounds sterling due for a suit of clothes. King

pleaded non-liability on the ground of an illegal transaction, the

buttons on the garments supplied being made of cloth, or bone covered

with cloth, instead of glittering brass, as the law directs. The judge

allowed the plea; and the defendant having thus gained a double suit

without cost, immediately proceeded against the plaintiff to recover his

share of the forty shillings for every dozen buttons which the poor

tailor had unwittingly supplied. A remarkable feature in the case was,

that the judge who admitted the plea, the barrister who set it up, and

the client who profited by it, were themselves all buttoned contrary to

law!

_Curious Signs in New York._

One may see in the shop-windows of a Fourth avenue confectioner, "Pies

Open All Night." An undertaker in the same thoroughfare advertises,

"Everything Requisite for a First-class Funeral." A Bowery placard

reads, "Home-made Dining Rooms, Family Oysters." A West Broadway

_restaurateur_ sells "Home-made Pies, Pastry and Oysters." A Third

avenue "dive" offers for sale "Coffee and Cakes off the Griddle," and an

East Broadway caterer retails "Fresh Salt Oysters" and "Larger Beer." A

Fulton street tobacconist calls himself a "Speculator in Smoke," and a

purveyor of summer drinks has invented a new draught, which he calls by

the colicky name of "Æolian Spray." A Sixth avenue barber hangs out a

sign reading "Boots Polished Inside," and on Varick street, near

Carmine, there are "Lessons Given on the Piano, with use for Practice.",

"Cloth Cutt and Bastd" is the cabalistic legend on the front of a

millinery shop on Spring street; on another street the following catches

the eye: "Washin Ironin and Goin Out by the Day Done Here."

_Recipes from Albertus Magnus._

"If thou wylt see that other men cannot see: Take the gall of a male

cat, and the fat of a hen all whyte, and mixe them together, and anoint

thy eyes, and thou shalt see it that others cannot see.

"If the hart, eye or brayne of a lapwyng or blacke plover be hanged upon

a man's neck, it is profitable agaynste forgetfulnesse, and sharpeth

man's understanding."—_Black letter copy—very old._

_Infamous Nankeen._

The wearing of nankeen at one time was so popular among gentlemen in

England, that it also became the fashion in France. English nankeen

threatened to drive all French manufactured articles of summer wear out

of the market. Louis XVI., however, was equal to the emergency. He

ordered all the executioners and their assistants to perform their

terrible office in no other dress but one made out of nankeen, which

rendered the material so "infamous" that its use was discarded.

_The Military Salute._

The military salute, which consists of the hand being brought to a

horizontal position over the eyebrows, has a very old origin, dating, in

fact, from the very commencement of the history of the English army. Its

origin is founded on the tournaments of the Middle Ages, and was as

follows: After the queen of beauty was enthroned, the knights who were

to take part in the sports of the day, marched past the dais on which

she sat, and as they passed they shielded their eyes from the rays of

her beauty.

_Book-keeping in Norway._

The process of keeping accounts among the Norway lumbermen is unique in

style. The time-keeper, after comparing accounts with the workman, sends

him to the cashier for his wages, with the amount due to him chalked on

his back; and when the cashier has paid it, he takes his receipt by

brushing off the chalk-marks.

_Curious Post-Office._

The smallest post-office in the world is kept in a barrel, which swings

from the outermost rock of the mountains overhanging the Straits of

Magellan, opposite Terra del Fuego. Every passing ship opens it to place

letters in or take them out. Every ship undertakes to forward all

letters in it that it is possible for them to transmit. The barrel hangs

by its iron chain, beaten and battered by the winds and storms, but no

locked and barred office on land is more secure.

_Inordinate Self-Esteem._

Some Frenchmen who landed on the coast of Guinea, found a negro prince

seated under a tree on a block of wood for his throne, and three or four

negroes, armed with wooden spears, for his guards. His sable majesty

anxiously inquired: "Do they talk much of me in France?"

_He's a Brick._

If this is slang, it is classical slang. Of the thousands who use the

expression, very few know its origin or its primitive significance.

Truly, it is a heroic thing to say of a man to call him a brick. The

word so used, if not twisted from its original intent, implies all that

is brave, patriotic and loyal. Plutarch, in his life of Agesilaus, King

of Sparta, gives us the original of the quaint and familiar expression.

On a certain occasion an ambassador from Espirus, on a diplomatic

mission, was shown by the king over his capital. The ambassador knew of

the monarch's fame—knew that though only nominally king of Sparta, he

was ruler of Greece—and he had looked to see massive walls rearing

aloft their embattled towns for the defence of the town; but he found

nothing of the kind. He marvelled much at this, and spoke of it to the

king.

"Sire," he said, "I have visited most of the principal towns, and I find

no walls reared for defence. Why is this?"

"Indeed, Sir Ambassador," replied Agesilaus; "thou canst not have looked

carefully. Come with me to-morrow morning, and I will show you the walls

of Sparta."

Accordingly, on the following morning, the king led his guest out upon

the plain where his army was drawn up in full array, and pointing

proudly to the serried hosts, he said—

"There thou beholdest the walls of Sparta—ten thousand men, and EVERY

MAN A BRICK!"

_Punch and Judy in 1669._

Although Punch was not originally French, he has always been greatly

esteemed in France. The following entries are found in the registers of

the royal treasury:—

"Paid to Brioché, the puppet-player, for sojourning at St.

Germain-en-Laye, during September, October and November, 1669, to divert

the royal children, 1365 livres."

"Paid to François Daitelin, puppet-player, for the fifty-six days he

remained at St. Germain, to amuse Monseigneur le Dauphin (July and

August, 1669), 820 livres."

Five successive months must almost have been enough of such amusement

for the royal children of France.

_Offending Barbers._

On the 20th of November, 1746, fifty-one barbers were convicted before

the commissioners of excise, and fined twenty pounds each, for having in

their custody hair-powder not made of starch, contrary to Act of

Parliament.

_Primitive Tavern Signs._

In Ireland, in the taverns by the road-side, in which illicit whiskey

can be obtained, the traveler is informed of the fact by a piece of turf

unobtrusively placed in the window. In the Middle Ages, road-side ale

houses in England were indicated by a stake projecting from the front of

the house, from which some object was suspended. Sometimes a garland was

hung upon the stake, to which occasional reference is made in Chaucer's

poems. The bush, however, was more common than the stake, and was often

composed of ivy. The saying "Good wine needs no bush," no doubt

originated from this custom.

_Watch-Papers._

Years ago it was the custom for watch-makers to put their business cards

inside of the case. These cards were sometimes enlivened with a couplet

or a verse, of each of which we subjoin a sample—

He that wears a watch, two things must do;

_Pocket_ his _watch_ and _watch_ his _pocket_ too.

I labor here with all my might,

To tell the hours of day and night;

Therefore, example take by me,

And serve the Lord as I serve thee.

_Echo Verse._

It was a sharp bit of echo verse that the _Sunday Times_ of London threw

off in 1831, when tickets to hear the great violinist were very high—

What are they who pay three guineas

To hear a tune of Paganini's?

Echo—Pack o' ninnies.

_Signature of the Cross._

The mark which persons who are unable to write are required to make

instead of their signatures, is in the form of a cross; and this

practice having formerly been followed by kings and nobles, is

constantly referred to as an instance of the deplorable ignorance of

ancient times. This signature is not, however, invariably a proof of

ignorance. Anciently, the use of the mark was not confined to illiterate

persons; for among the Saxons the mark of the cross, as an attestation

of the good faith of the persons signing, was required to be attached to

the signature of those who _could_ write, as well as to stand in the

place of the signature of those who could not write.

_Simply on Account of her Name._

Herrera, the Spanish historian, records an anecdote in which the choice

of a queen entirely arose from her name. When two French ambassadors

negotiated a marriage between one of the Spanish princesses and Louis

VIII., the names of the royal females were _Urraca_ and _Blanche_. The

former was the elder and the more beautiful, and intended by the Spanish

court for the French monarch; but they resolutely preferred Blanche,

observing that the _name_ of _Urraca_ would never do! And for the sake

of a more mellifluous sound, they carried off the happier-named but less

beautiful princess.

_Richelieu's Boast._

Richelieu one day boasted among his courtiers that out of any four

indifferent words he could extract matter to send any one to a dungeon.

One of his attendants immediately wrote upon a card: "_One and two make

three._." "_Three_ make only _One!_" exclaimed the cardinal. "To the

Bastile with him. It is a blasphemy against our Holy Trinity."

_Curious Parallel._

The story of Alnaschar, which is in the "Arabian Nights," tells how one

Alnaschar had invested all his money in a basket of glassware, which he

calculated to sell at a profit, and got into a day-dream of a splendid

future.

Out of the profits of his glass he was to rise into the position of a

merchant-prince, with the Grand Vizier's daughter for his wife.

Offended, in this day-dream, with the lady, he fancied that he would

spurn her before forgiving her, and kicked out his foot, which broke all

his glass and left him beggared.

Rabelais makes Echepron, an old soldier, tell the advisers of King

Picrochole, who wanted him to go to war, that a shoemaker bought a

ha'p'orth of milk. This he intended to make into butter, and buy a cow

with the money thus obtained. In due time the cow would have a calf;

this calf would be sold, and so on money would pile up, until, having

become a nabob, he should wed a princess. Only, just at this crisis, the

jug fell, the milk was lost, and the dreamer sneaked, supperless, to

bed.

_Earliest Clocks._

The first clock which appeared in Europe was probably that which

Eginhard (Secretary to Charlemagne) describes as sent to his royal

master by Abdallah, King of Persia. "A horologe of brass, wonderfully

constructed, for the course of the twelve hours, while as many little

brazen balls dropped upon bells underneath, and sounded each other." The

Venetians had clocks in 872, and sent a specimen of them that year to

Constantinople.

_Famous Astronomical Clock._

This clock, in the Strasburg Cathedral, was invented by Isaac Habrecht,

a Jewish astrologer, in 1439. He called it the "Clock of the Three

Sages," because once in every hour the figures of the Three Kings of

Orient came out from a niche in its side, and made a reverential bow

before an image of the Virgin Mary, seated just above the dial-plate, on

the front of the clock. It is built of dark wood, gilded and carved, and

is sixty feet high. In shape it is somewhat similar to a church, with a

tower on either side of the entrance; and these towers of the clock are

encircled by spiral staircases, which are used when repairs are

necessary. When Isaac Habrecht invented this wonderful clock, he meant

it to run forever, always displaying to the good people of Strasburg the

days of the month, phases of the sun and moon, and other celestial

phenomena; and while he lived it worked admirably, but when he had been

dead awhile, the clock stopped; and as nobody else understood its

machinery, it had quite a vacation, which lasted until 1681, when it was

repaired and improved.

It will now not only give the time of Strasburg, but every principal

city in the world; also the day of the week and month, the course of the

sun and planets, and all the eclipses of the sun and moon, in their

regular order. In an alcove above the dial is an image of the Saviour,

and every day, at noon, figures of the twelve apostles march around it

and bow, while the holy image, with uplifted hands, administers a silent

blessing. A cock, on the highest point of the right-hand tower, flaps

his wings and crows three times; and when he stops, a beautiful chime of

bells rings out familiar and very musical tunes. A figure of Time, in a

niche on one side, strikes the quarter hours from twelve to one, and

four figures—Childhood, Youth, Manhood and Old Age—pass slowly before

him. In a niche on the other side is an angel turning an hour-glass.

_Clock that Strikes Thirteen._

The Duke of Bridgewater was very fond of watching his men at work,

especially when any enterprise was on foot. When they were boring for

coal at Worsley, the duke came every morning, and looked on for a long

time. The men did not like to leave off work while he remained there,

and they became so dissatisfied at having to work so long beyond the

hour at which the bell rang, that Brindley had difficulty in getting a

sufficient number of hands to continue the boring. On inquiry, he found

out the cause and communicated it to the duke, who from that time made a

point of immediately walking off when the bell rang—returning when the

men had resumed work, and remaining with them usually until six o'clock.

He observed, however, that though the men dropped work promptly as the

bell rang, when he was not by, they were not nearly so punctual in

resuming work—some straggling in many minutes after time. He asked to

know the reason, and the men's excuse was, that though they could always

hear the clock when it struck twelve, they could not so readily hear it

when it struck only one. On hearing this, the duke had the mechanism of

the clock altered so as to make it strike thirteen at one o'clock, which

it continues to do to this day.

_Westminster Clock._

The winding up of the going part of the great clock at Westminster,

London, takes ten minutes, the weight of the pendulum being six hundred

and eighty pounds; but the winding up of the striking parts—the quarter

part and the hour part—takes five hours each, and this has to be done

twice a week. The contract cost of winding up the clock is $500 a year.

The error of the clock amounts to only about one second for eighty-three

days in the year, and there is probably no other clock in the world of

which the same can be said.

_Wonderful Clock._

Toward the end of the last century a clock was constructed by a Geneva

mechanic named Droz, capable of performing a variety of surprising

movements, which were effected by the figures of a negro, a shepherd and

a dog. When the clock struck, the shepherd played six tunes on his flute

and the dog approached and fawned upon him. This clock was exhibited to

the King of Spain, who was highly delighted with the ingenuity of the

artist. The king, at the request of Droz, took an apple from the

shepherd's basket, when the dog started up and barked so loud that the

king's dog, which was in the same room, began to bark also. We are,

moreover, informed that the negro, on being asked what hour it was,

answered the question in French, so that he could be understood by those

present.

_Vocal Clock._

The subjoined description of a curious clock is given in the journal of

the Rev. J. Wesley: "On Monday, April 27, 1762, being at Lurgan, in

Ireland, I embraced the opportunity, which I had long desired, of

talking to Mr. Miller, the contriver of that statue which was in Lurgan

when I was there before. It was the figure of an old man standing in a

case, with a curtain drawn before him, over against a clock which stood

on the opposite side of the room. Every time the clock struck he opened

the door with one hand, drew back the curtain with the other, turned

his head, as if looking round on the company, and then said, with a

clear, loud, articulate voice: 'Past 1,' or 2 or 3, and so on. But so

many came to see this (the like of which all allowed was not to be seen

in Europe), that Mr. Miller was in danger of being ruined, not having

time to attend to his own business. So, as none offered to purchase it,

or reward him for his pains, he took the whole machine to pieces."

_Harrison's Clock._

In 1735, John Harrison, a rural clock-maker, invented a time-piece which

scarcely ever lost five seconds in six months. To him, in 1767, was paid

$100,000, as the first prize for all but an infallible time-keeper.

_A Cat-Clock._

The following curious incident is to be found in Hue's "Chinese

Empire:"—

"One day when we went to pay a visit to some families of Chinese

Christian peasants, we met, near a farm, a young lad who was taking a

buffalo to graze along our path. We asked him carelessly, as we passed,

whether it was yet noon. The child raised his head to look at the sun,

but it was hidden behind thick clouds, and he could read no answer

there. 'The sky is so cloudy,' said he; 'but wait a moment;' and with

these words he ran toward the farm, and came back a few minutes

afterward with a cat in his arms. 'Look here,' said he, 'it is not noon

yet;' and he showed us the cat's eyes, by pushing up the lids with his

hands. We looked at the child with surprise, but he was evidently in

earnest. 'Very well,' said we; 'thank you;' and we continued on our

way.

"To say the truth, we had not at all understood the proceeding, but we

did not wish to question the little pagan, lest he should find out that

we were Europeans by our ignorance. As soon as we reached the farm,

however, we made haste to ask our Christian friends whether they could

tell the clock by looking into a cat's eyes. They seemed surprised at

the question; but as there was no danger in confessing to them our

ignorance of the properties of a cat's eyes, we related what had just

taken place. That was all that was necessary; our complaisant neophytes

immediately gave chase to all the cats in the neighborhood. They brought

us three or four, and explained in what manner they might be made use of

for watches. They pointed out that the pupils of their eyes went on

constantly growing narrower until twelve o'clock, when they became like

a fine line, as thin as a hair, drawn perpendicularly across the eye,

and that after twelve the dilation recommenced."

_Curious Time-Piece._

About 1679 Nicholas Grallier de Servierre, an old soldier who had served

in the Italian army, constructed a whimsical clock. A figure of a

tortoise, dropped into a plate of water, having the hours marked on the

rim, would float around and stop at the proper time, telling what

o'clock it was. A lizard ascended a pillar, on which the hours were

marked, and pointed to the time as it advanced. A mouse did the same

thing by creeping along an hour-marked cornice.

_Clock Presented to Charlemagne._

The French historians describe a clock sent to Charlemagne in the year

807, by the famous eastern caliph, Haroun-al-Raschid, which was

evidently furnished with some kind of wheel-work, although the moving

power appears to have been produced by the fall of water. In the dial of

it were twelve small doors forming the divisions for the hours, each

door opened at the hour marked by the index, and let out small brass

balls which, falling on a bell, struck the hours—a great novelty at

that time. The doors continued open until the hour of twelve, when

twelve figures, representing knights on horseback, came out and paraded

around the dial-plate.

_Delicate Machinery._

The Queer, the Quaint and the Quizzical: A Cabinet for the Curious · 第 4 / 23 段