WHILE THE LAMP HOLDS OUT TO BURN

There is a town on the Nile which Fielding Bey called Hasha, meaning

"Heaven Forbid!" He loathed inspecting it. Going up the Nile, he would

put off visiting it till he came down; coming down, he thanked his fates

if accident carried him beyond it. Convenient accidents sometimes did

occur: a murder at one of the villages below it, asking his immediate

presence; a telegram from his Minister at Cairo, requiring his return;

or a very low Nile, when Hasha suddenly found itself a mile away from the

channel and there was no good place to land. So it was that Hasha, with

little inspection, was the least reputable and almost the dirtiest town

on the Nile; for even in those far-off days the official Englishman had

his influence, especially when Kubar Pasha was behind him. Kubar had his

good points.

There were certain definite reasons, however, why Fielding Bey shrank

from visiting Hasha. Donovan Pasha saw something was wrong from the

first moment Hasha was mentioned.

On a particular day they were lying below at another village, on the

Amenhotep. Hasha was the next place marked red on the map, and that

meant inspection. When Dicky Donovan mentioned Hasha, Fielding Bey

twisted a shoulder and walked nervously up and down the deck. He stayed

here for hours: to wait for the next post, he said-serious matters

expected from head quarters. He appeared not to realise that letters

would get to Hasha by rail as quickly as by the Amenhotep.

Every man has a weak spot in his character, a sub-rosa, as it were, in

his business of life; and Dicky fancied he had found Fielding Bey's.

While they waited, Fielding made a pretence of working hard--for he

really was conscientious--sending his orderly for the mamour--

[magistrate]--and the omdah--[head of a village]--, and holding fatuous

conferences; turning the hose on the local dairymen and butchers and

dategrowers, who came with backsheesh in kind; burying his nose in

official papers; or sending for Holgate, the Yorkshire engineer, to find

out what the run would be to the next stopping-place beyond Hasha. Twice

he did this; which was very little like Fielding Bey. The second time,

when Holgate came below to his engine, Dicky was there playing with a

Farshoot dog.

"We don't stop at Hasha, then?" Dicky asked, and let the Farshoot fasten

on his leggings.

Holgate swung round and eyed Dicky curiously, a queer smile at his lips.

"Not if Goovnur can 'elp, aw give ye ma woord, sir," answered Holgate.

Fielding was affectionately called "the Governor" by his subordinates and

friends.

"We all have our likes and dislikes," rejoined Dicky casually, and blew

smoke in the eyes of the Farshoot. "Aye, aw've seen places that bad!

but Hasha has taaste of its own in Goovnur's mouth, ma life on't!"

"Never can tell when a thing'll pall on the taste. Hasha's turn with the

Governor now, eh?" rejoined Dicky.

Dicky's way of getting information seemed guileless, and Holgate opened

his basket as wide as he knew. "Toorn, didst tha sway" (Holgate talked

broadly to Dicky always, for Dicky had told him of his aunt, Lady

Carmichael, who lived near Halifax in Yorkshire), "toorn, aw warrant!

It be reg'lar as kitchen-fire, this Hasha business, for three years, ever

sin' aw been scrapin' mud o' Nile River."

"That was a nasty row they had over the cemetery three years ago, the

Governor against the lot, from mamour to wekeel!"

Holgate's eyes flashed, and he looked almost angrily down at Dicky, whose

hand was between the teeth of the playful Farshoot.

"Doost think--noa, tha canst not think that Goovnur be 'feared o' Hasha

fook. Thinks't tha, a man that told 'em all--a thousand therr--that he'd

hang on nearest tree the foorst that disobeyed him, thinks't tha that

Goovnur's lost his nerve by that?"

"The Governor never loses his nerve, Holgate," said Dicky, smiling and

offering a cigar. "There's such a thing as a man being afraid to trust

himself where he's been in a mess, lest he hit out, and doesn't want to."

Holgate, being excited, was in a fit state to tell the truth, if he knew

it; which was what Dicky had worked for; but Holgate only said:

"It bean't fear, and it bean't milk o' human kindness. It be soort o'

thing a man gets. Aw had it once i' Bradford, in Little Cornish Street.

Aw saw a faace look out o' window o' hoose by tinsmith's shop, an' that

faace was like hell's picture-aye, 'twas a killiagous faace that! Aw

never again could pass that house. 'Twas a woman's faace. Horrible

'twas, an' sore sad an' flootered aw were, for t' faace was like a lass

aw loved when aw wur a lad."

"I should think it was something like that," answered Dicky, his eyes

wandering over the peninsula beyond which lay Hasha.

"Summat, aw be sure," answered Holgate, "an' ma woord on't . . . ah,

yon coomes orderly wi' post for Goovnur. Now it be Hasha, or it be not

Hasha, it be time for steam oop."

Holgate turned to his engine as Dicky mounted the stairs and went to

Fielding's cabin, where the orderly was untying a handkerchief

overflowing with letters.

As Fielding read his official letters his face fell more and more. When

he had read the last, he sat for a minute without speaking, his brow very

black. There was no excuse for pushing past Hasha. He had not been

there for over a year. It was his duty to inspect the place: he had a

conscience; there was time to get to Hasha that afternoon. With an

effort he rose, hurried along the deck, and called down to Holgate:

"Full-steam to Hasha!"

Then, with a quick command to the reis, who was already at the wheel, he

lighted a cigar, and, joining Dicky Donovan, began to smoke and talk

furiously. But he did not talk of Hasha.

At sunset the Amenhotep drew in to the bank by Hasha, and, from the deck,

Fielding Bey saluted the mamour, the omdah and his own subordinates, who,

buttoning up their coats as they came, hurried to the bank to make

salaams to him. Behind them, at a distance, came villagers, a dozen

ghaffirs armed with naboots of dom-wood, and a brace of well-mounted,

badly-dressed policemen, with seats like a monkey on a stick. The

conferences with the mamour and omdah were short, in keeping with the

temper of "Fielding Saadat"; and long into the night Dicky lay and looked

out of his cabin window to the fires on the banks, where sat Mahommed

Seti the servant, the orderly, and some attendant ghaffirs, who, feasting

on the remains of the effendi's supper, kept watch. For Hasha was noted

for its robbers. It was even rumoured that the egregious Selamlik Pasha,

with the sugar plantation near by--"Trousers," Dicky called him when he

saw him on the morrow, because of the elephantine breeks he wore--was not

averse to sending his Abyssinian slaves through the sugar-cane to waylay

and rob, and worse, maybe.

By five o'clock next day the inspection was over. The streets had been

swept for the Excellency--which is to say Saadat--the first time in a

year. The prison had been cleaned of visible horrors, the first time in

a month. The last time it was ordered there had been a riot among the

starving, infested prisoners; earth had been thrown over the protruding

bones of the dear lamented dead in the cemetery; the water of the

ablution places in the mosque had been changed; the ragged policemen had

new putties; the kourbashes of the tax-gatherers were hid in their

yeleks; the egregious Pasha wore a greasy smile, and the submudir, as he

conducted Fielding--"whom God preserve and honour!"--through the prison

and through the hospital, where goat's milk had been laid on for this

especial day, smirked gently through the bazaar above his Parisian

waistcoat.

But Fielding, as he rode on Selamlik Pasha's gorgeous black donkey from

Assiout, with its crimson trappings, knew what proportion of improvement

this "hankypanky," as Dicky called it, bore to the condition of things at

the last inspection. He had spoken little all day, and Dicky had noticed

that his eye was constantly turning here and there, as though looking for

an unwelcome something or somebody.

At last the thing was over, and they were just crossing the canal, the

old Bahr-el-Yusef, which cuts the town in twain as the river Abana does

Damascus, when Dicky saw nearing them a heavily-laden boat, a cross

between a Thames house-boat and an Italian gondola, being drawn by one

poor raw-bone--raw-bone in truth, for there was on each shoulder a round

red place, made raw by the unsheathed ropes used as harness. The beast's

sides were scraped as a tree is barked, and the hind quarters gored as

though by a harrow. Dicky was riding with the mamour of the district,

Fielding was a distance behind with Trousers and the Mudir. Dicky pulled

up his donkey, got off and ran towards the horse, pale with fury; for he

loved animals better than men, and had wasted his strength beating

donkey-boys with the sticks they used on their victims. The boat had now

reached a point opposite the mudirieh, its stopping-place; and the raw-

bone, reeking with sweat and blood, stood still and trembled, its knees

shaking with the strain just taken off them, its head sunk nearly to the

ground.

Dicky had hardly reached the spot when a figure came running to the poor

waler with a quick stumbling motion. Dicky drew back in wonder, for

never had he seen eyes so painful as these that glanced from the tortured

beast to himself--staring, bulbous, bloodshot, hunted eyes; but they were

blue, a sickly, faded blue; and they were English! Dicky's hand was, on

his pistol, for his first impulse had been to shoot the rawbone; but it

dropped away in sheer astonishment at the sight of this strange figure in

threadbare dirty clothes and riding-breeches made by shearing the legs of

a long pair--cut with an unsteady hand, for the edges were jagged and

uneven, and the man's bare leg showed above the cast-off putties of a

policeman. The coat was an old khaki jacket of a Gippy soldier, and,

being scant of buttons, doubtful linen showed beneath. Above the hook-

nose, once aristocratic, now vulture-like and shrunken like that of

Rameses in his glass case at Ghizeh, was a tarboosh tilting forward over

the eyes, nearly covering the forehead. The figure must have been very

tall once, but it was stooped now, though the height was still well above

medium. Hunted, haunted, ravaged and lost, was the face, and the long

grey moustache, covering the chin almost, seemed to cover an immeasurable

depravity.

Dicky took it all in at a glance, and wondered with a bitter wonder; for

this was an Englishman, and behind him and around him, though not very

near him, were Arabs, Soudanese, and Fellaheen, with sneering yet

apprehensive faces.

As Dicky's hand dropped away from his pistol, the other shot out

trembling, graceful, eager fingers, the one inexpressibly gentlemanly

thing about him.

"Give it to me--quick!" he said, and he threw a backward glance towards

the approaching group--Fielding, the egregious Pasha, and the rest.

Dicky did not hesitate; he passed the pistol over. The Lost One took the

pistol, cocked it, and held it to the head of the waler, which feebly

turned to him in recognition.

"Good-bye, old man!" he said, and fired.

The horse dropped, kicked, struggled once or twice, and was gone.

"If you know the right spot, there's hardly a kick," said the Lost One,

and turned to face the Pasha, who had whipped his donkey forward on them,

and sat now livid with rage, before the two. He stood speechless for a

moment, for his anger had forced the fat of his neck up into his throat.

But Dicky did not notice the Pasha. His eye was fixed on Fielding Bey,

and the eye of Fielding Bey was on the Lost One. All at once Dicky

understood why it was that Fielding Bey had shrunk from coming to Hasha.

Fielding might have offered many reasons, but this figure before them was

the true one. Trouble, pity, anxiety, pride, all were in Fielding's

face. Because the Lost One was an Englishman, and the race was shamed

and injured by this outcast? Not that alone. Fielding had the natural

pride of his race, but this look was personal. He glanced at the dead

horse, at the scarred sides, the raw shoulders, the corrugated haunches,

he saw the pistol in the Lost One's hand, and then, as a thread of light

steals between the black trees of a jungle, a light stole across

Fielding's face for a moment. He saw the Lost One hand the pistol back

to Dicky and fix his debauched blue eyes on the Pasha. These blue eyes

did not once look at Fielding, though they were aware of his presence.

"Son of a dog!" said the Pasha, and his fat forefinger convulsively

pointed to the horse.

The Lost One's eyes wavered a second, as though their owner had not the

courage to abide the effect of his action, then they quickened to a point

of steadiness, as a lash suddenly knots for a crack in the hand of a

postilion.

"Swine!" said the Lost One into the Pasha's face, and his round

shoulders drew up a little farther, so that he seemed more like a man

among men. His hands fell on his hips as, in his mess, an officer with

no pockets drops his knuckles on his waist-line for a stand-at-ease.

The egregious Selamlik Pasha stood high in favour with the Khedive: was

it not he who had suggested a tax on the earnings of the dancing girls,

the Ghazeeyehs, and did he not himself act as the first tax-gatherer?

Was it not Selamlik Pasha also who whispered into the ear of the

Mouffetish that a birth-tax and a burial-tax should be instituted?

And had he not seen them carried out in the mudiriehs under his own

supervision? Had he not himself made the Fellaheen pay thrice over for

water for their onion-fields? Had he not flogged an Arab to death with

his own hand, the day before Fielding's and Dicky's arrival, and had he

not tried to get this same Arab's daughter into his harem--this Selamlik

Pasha!

The voice of the Lost One suddenly rose shrill and excited, and he

shouted at the Pasha. "Swine! swine! swine! . . . Kill your slaves

with a kourbash if you like, but a bullet's the thing for a waler!--Swine

of a leper!"

The whole frame of the Lost One was still, but the voice was shaking,

querulous, half hysterical; the eyes were lighted with a terrible

excitement, the lips under the grey moustache twitched; the nervous

slipshod dignity of carriage was in curious contrast to the disordered

patchwork dress.

The trouble on Fielding's face glimmered with a little ray of hope now.

Dicky came over to him, and was about to speak, but a motion of

Fielding's hand stopped him. The hand said: "Let them fight it out."

In a paroxysm of passion Selamlik Pasha called two Abyssinian slaves

standing behind. "This brother of a toad to prison!" he said.

The Lost One's eyes sought Dicky like a flash. Without a word, and as

quick as the tick of a clock, Dicky tossed over his pistol to the Lost

One, who caught it smoothly, turned it in his hand, and levelled it at

the Abyssinians.

"No more of this damned nonsense, Pasha," said Fielding suddenly. "He

doesn't put a high price on his life, and you do on yours. I'd be

careful!"

"Steady, Trousers!" said Dicky in a soft voice, and smiled his girlish

smile.

Selamlik Pasha stared for a moment in black anger, then stuttered forth:

"Will you speak for a dog of a slave that his own country vomits out?"

"Your mother was a slave of Darfur, Pasha," answered Fielding, in a low

voice; "your father lost his life stealing slaves. Let's have no airs

and graces."

Dicky's eyes had been fixed on the Lost One, and his voice now said in

its quaint treble: "Don't get into a perspiration. He's from where we

get our bad manners, and he messes with us to-night, Pasha."

The effect of these words was curious. Fielding's face was a blank

surprise, and his mouth opened to say no, but he caught Dicky's look and

the word was not uttered. The Pasha's face showed curious incredulity;

under the pallor of the Lost One's a purplish flush crept, stayed a

moment, then faded away, and left it paler than before.

"We've no more business, I think, Pasha," said Fielding brusquely, and

turned his donkey towards the river. The Pasha salaamed without a word,

his Abyssinian slaves helped him on his great white donkey, and he

trotted away towards the palace, the trousers flapping about his huge

legs. The Lost One stood fingering the revolver. Presently he looked up

at Dicky, and, standing still, held out the pistol.

"Better keep it," said Dicky; "I'll give you some peas for it to-night.

Speak to the poor devil, Fielding," he added quickly, in a low tone.

Fielding turned in his saddle. "Seven's the hour," he said, and rode on.

"Thanks, you fellows," said the Lost One, and walked swiftly away.

As they rode to the Amenhotep Dicky did not speak, but once he turned

round to look after the outcast, who was shambling along the bank of the

canal.

When Fielding and Dicky reached the deck of the Amenhotep, and Mahommed

Seti had brought refreshment, Dicky said: "What did he do?"

Donovan Pasha, and Some People of Egypt — Volume 1 · 第 7 / 19 题