Corinne hoped to find the same effect from visiting the churches
of fair Florence. She walked beneath the fine trees of the river's
bank, in a lovely eve of June. Roses embalmed the air, and every face
expressed the general felicity from which she felt herself excluded;
yet she unenvyingly blessed her God for his kind care of man. "I am
an exception to universal order," she said; "there is happiness for
every one but me: this power of suffering, beneath which I die, is
then peculiar to myself. My God! wherefore was I selected for such a
doom? May I not say, like thy Divine Son, 'Father, let this cup be
taken from me?'" The active air of the inhabitants astonished her:
since she had lost all interest in life, she knew not why others seemed
occupied; and, slowly pacing the large stoned pavement of Florence,
she forgot where she had designed to go. At last, she found herself
before the far-famed gate of brass, sculptured by Ghiberti, for the
front of St. John's, which stands beside the cathedral. For some time
she examined this stupendous work; where, wrought in bronze, the
divers nations, though of minute proportions, are distinctly marked by
their varied physiognomies; all of which express some thought of their
artist. "What patience!" cried Corinne; "what respect for posterity!
yet how few scrutinize these doors, through which so many daily pass,
in heedlessness, ignorance, or disdain! How difficult it is to escape
oblivion! how vast the power of death!"
In this cathedral was Julian de Medicis assassinated. Not far thence,
in the church of St. Lorenzo, is shown the marble chapel, enriched
with precious stones, where rise the tombs of that high family, and
Michael Angelo's statues of Julian and Lorenzo: the latter, meditating
vengeance on the murder of his brother, deserves the honor of having
been called "_la pensée de Michel Angelo_!" At the feet of these
figures are Aurora and Night. The awaking of the one is admirable;
still more so is the other's sleep. A poet chose it for his theme,
and concluded by saying: "Sound as is her slumber, she lives: if you
believe not, wake her, she will speak." Angelo, who cultivated letters
(without which imagination of all kinds must soon decay) replied:----
"Grato m'è il sono, e più l'esser di sasso.
Mentre che il danno e la vergogna dura,
Non veder, non sentir m'è gran ventura,
Perô non mi destar, deh parla basso!"
"It is well for me to sleep, still better to be stone; while shame and
injustice last: not to see, not to hear, is a great blessing; therefore
disturb me not! speak low!"
This great man was the only comparatively modern sculptor who neither
gave the human figure the beauty of the antique nor the affected air
of our own day. You see the grave energy of the Middle Ages--its
perseverance, its passions, but no ideal beauty. He was the genius
of his own school; and imitated no one, not even the ancients. This
tomb is in the church of Santa Croce. At his desire, it faces a
window whence may be seen the dome built by Filippo Brunelleschi: as
if his ashes would stir, even beneath the marble, at the sight of a
cupola copied from that of St. Peter's. Santa Croce contains some of
the most illustrious dead in Europe. Galileo, persecuted by man, for
having discovered the secrets of the sky--Machiavel, who revealed the
arts of crime rather as an observer than an actor; yet whose lessons
are more available to the oppressors than, the oppressed--Aretino,
who consecrated his days to mirth, and found nothing serious in life
except its end--Boccaccio, whose laughing fancy resisted the united
scourges of civil war and plague--a picture in honor of Dante, showing
that the Florentines, who permitted him to perish in exile, were not
the less vain of his glory,[1] with many other worthy names, and some
celebrated in their own day, but echoing less forcibly from age to
age, so that their sound is now almost unheard.[2] This church, adorned
with noble recollections, rekindled the enthusiasm of Corinne, which
the living had repressed. The silent presence of the great revived,
for a moment, that emulation which once she felt for fame. She stepped
more steadfastly, and the high thoughts of other days arose within her
breast. Some young priests came slowly down the aisle, chanting in
subdued tones: she asked the meaning of this ceremony. "We are praying
for our dead," said one of them. "Right," thought Corinne; "your dead!
well may you boast them; they are the only noble relics left ye. Ah!
why then, Oswald, have you stifled all the gifts Heaven granted me,
with which I ought to excite the sympathy of kindred minds? O God!" she
added, sinking on her knees, "it is not in vanity I dare entreat thee
to give me back my talents: doubtless the lowly saints who lived and
died for thee alone are greatest in thy sight; but there are different
careers for mortals: genius, which illustrates our noblest virtues,
devotes itself to generous humanity and truth, may trust to be received
in some outer heaven." She cast her eyes to earth, and, on the stone
where she had knelt, read this inscription:----
"Alone I rose, alone I sank, I am alone e'en here."
"Ah!" cried Corinne, "that is mine answer. What should embolden me to
toil? what pride can I ever feel? who would participate in my success,
or interest himself in my defeats? Oh, I should need _his_ look for
my reward." Another epitaph fixed her attention, that of a youth, who
says:--
"Pity me not, if you can guess how many pangs the grave hath
spared me."
How did those words wean her from life! amid the tumult of a city,
this church opened to teach mankind the best of secrets, if they would
learn: but no; they passed it by, and the miraculous forgetfulness of
death kept all the world alive.
[1] After the death of Dante, the Florentines, ashamed of having
permitted him to perish far from his home, sent a deputation to the
pope for his remains, interred at Ravenna. The pope refused; rightly
deeming that the land which had sheltered him in exile must have become
his country, and deserved not to be thus robbed of the glory that shone
around his tomb.
[2] Alfieri said, that it was in the church of Santa Croce he first
felt a love for fame. The epitaph he composed for himself and the
Countess d'Albani is most simply and affectingly expressive of long and
perfect friendship.
CHAPTER IV.
The spring of feeling which had consoled Corinne for a few moments, led
her next morning to the Gallery: she hoped to recover her taste, and
draw some pleasure from her former pursuits. Even the fine arts are
republican in Florence. Pictures and statues are shown at all hours,
with the greatest ease. Well-informed men, paid by the government,
like public functionaries, explain all these _chefs-d'œuvre_. This
lingering respect for talent has ever pervaded Italy; particularly
Florence, where the Medicii extorted pardon for their power over human
actions, by the free scope they left for human minds. The common
people love the arts, and blend this taste with their devotion, which
is more regular in Tuscany than in any other Italian state; but they
frequently confound mythologic figures with Scripture history. One of
the guides used to show a Minerva as Judith, and an Apollo as David;
adding, when he explained a _bas-relief_, which represented the fall of
Troy, that "Cassandra was a good Christian." Many days may be passed
in the gallery ere half its beauties are known. Corinne went from one
to the other, mortified at her own indifference and abstraction. The
calm dignity which shines through the deep grief of Niobe, however,
recalled her attention. In such a case, the countenance of a living
mother would doubtless be more agitated; but the ideal arts preserve
beauty even in despair; and what affects us most in works of genius, is
not grief's self, but the soul's power o'er grief. Not far from this
is a head of the dying Alexander. These two countenances afford rich
material for thought. The conqueror looks astonished and indignant at
not having achieved a victory even over nature. The anguish of maternal
love is depicted on all the traits of Niobe: she presses her daughter
to her heart with the most touching eagerness; her fine face bearing
the stamp of that fatality which left the ancients no resource, even
in religion. Niobe lifts her eyes to heaven, but without hope; for the
gods themselves are her enemies.
On her return home, Corinne strove to reflect on what she had seen,
and retrace her impressions, as she had formerly done; but her mental
distraction was uncontrollable. How far was she now from the power
of improvisation! In vain she sought for words, or wrote unmeaning
ones, that dismayed her on perusal, as would the ravings of delirium.
Incapable of turning her thoughts from her own situation, she then
strove to describe it; but no longer could she command those universal
sentiments that find echoes in all hearts. Hers were now but long
unvaried wailings, like the cry of the night bird; her expressions were
too impetuous, too unveiled--they were those of misery, not of talent.
To write well, we require to feel truly, but not heart-breakingly.
The best melancholy poetry is that inspired by a kind of rapture,
which still tells of mental strength and enjoyment. Real grief is a
foe to intellectual fertility: it produces a gloomy agitation, that
incessantly returns to the same point, like the knight who, pursued by
an evil genius, sought a thousand roads for escape, yet always found
himself at the spot from whence he started.
The state of Corinne's health completed the confusion of her mind.
The following are a few of the reflections she wrote, while making a
fruitless effort to become capable of a connected work.
CHAPTER V.
FRAGMENTS OF CORINNE'S THOUGHTS.
My genius lives no longer: I regret
Its death: I own I should have loved that yet
My lays had waked _his_ sympathy; my name
Might still have reach'd him, heralded by fame.
I err'd by hoping that in his own land
The thoughts, the feelings--that our fate united--
The influence of habit could withstand--
Amid such scenes love's flower must soon be blighted.
There is so much to say 'gainst maid like me!
How futile must the only answer be!
"Such was her heart--her mind;" a poor reply
For hosts who know not what I was, nor why.
Yet are they wrong to fear superior mind,
The more it towers, more _morally_ refined:
The more we know, the better we forgive;
Whoe'er feels deeply, feels for all who live.
How can two beings who confided all,
Whose converse was the spirit's griefs, its dangers,
And immortality, bear this swift fall,
Thus to each other become once more strangers?
What a mysterious sentiment is love!
Nothing, if not all other ties above--
Vying in faith with all that martyrs feel--
Or--colder than the simplest friendship's zeal.
This most involuntary sense on earth,
Doth heaven or mortal passion give it birth?
What storms it raises deep within the breast!
Must we obey, or combat such wild guest?
Talent should be a refuge; as when one[1]
Imprison'd to a cloister, art's true son,
Bequeath'd its walls such traces of his doom,
That genius glorified monastic gloom!
But he, though captive, suffer'd from without;
His bosom was not torn by dread or doubt;
When grief is there, all efforts lose their force,
The spring of comfort's poison'd from its source.
Sometimes I view myself as one apart,
Impartially, and pity my own heart;
Was I not mental, kind to others' pain,
Generous, and frank? Then why all this in vain?
Is the world really so vile, that charms
Like these but rob us of our needful arms?
'Tis pitiful! Spite all my youth hath shown,
Despite my glory, I shall die unknown;
Nor leave one proof of what I might have been.
Had I learnt happiness, or could defy
This all-devouring fever--men had seen
Me contemplate them from a station high.
Tracking the hidden links between yon heaven
And human nature; but the clue is riven.
How, how think freely, while each painful breath
But bids me feel the woe that weighs me down to death?
Oh! why would he forbear to render blest
A heart whose secret he alone possess'd?
To him--him only spoke my inmost soul!
'Tis easy to leave those chance may control,
The common herd--but she who must admire,
Yet judge ere fancy kindles love's chaste fire,
Expansive as it is, to soul like hers,
There's but one object in the universe!
I learnt life from the poets; 'tis not thus;
Vainly they strive to change the truth, for us
Who live to wake from their soft dreams, and see
The barrenness of life's reality!
Remembering what I was but chafes my pride.
Why tell me I could charm, if not for love?
Why inspire confidence, to make me prove
But the more fearful anguish when it died?
Will he, in any other, meet more mind
Than was my own? a heart more true and kind?
No! but--congenial with heartlessness--
He will be _more_ content in finding _less_.
In presence of the sun, or starry spheres,
To deserve love we need but to desire--
For love ennobles all that it endears;
Conscious of mutual worth, we look no higher.
But ah, society! where each must owe
His fate but to factitious joy or woe--
Where what is said of him becomes the test--
How soon it hardens e'en the trifler's breast.
Could men once meet, free from this false control,
How pure an air were breathed into the soul!
How would the mind, refresh'd by feelings true,
Teem with ideas natural and new!
E'en Nature's cruel; this praised face
Is fading: what avails it now
That still I pour affection's vow,
Without one look my prayer to grace?
These tear-dimm'd eyes no more express,
As once they might, my tenderness.
Within my bosom is a pain
No language ever can explain--
I have no strength for task like this;
Love, only love, could sound the abyss.
How happy men! in honor's strife
They burst the chains of hated life.
_We_ hope no solace from the throng;
Our torture is to bear,
Stirless and mute, a lone life long,
The presence of Despair.
Sometimes, when listing music's tone,
It tells of powers so late mine own,
Song, dance, and poesie--I start,
As I could fly from this sad heart,
To joy again; a sudden chill
Reminds me that the world would say,
"Back, lingering ghost! it fits thee ill
To brave the living, and the day!"
I wish I now could find a spell
'Gainst misery in the crowd: 'twas well
To mix there once, lest solitude
Should bear my thoughts too far through fate,
My mind grew flexible, imbued
With gay impressions; 'tis too late;
Features and feelings fix for aye:
Smiles, fancies, graces! where are they?
Ah! if't were in a moment o'er,
Fain would I taste of hope once more!
But all is done: life can but be
A burning desert now to me;
The drop of water, like the river,
Sullied with bitterness forever,
A single day's enjoyment is
Impossible, as years of bliss.
Guilty towards me as I must deem
My love--compared with other men
What mindless things of art they seem!
How does he rise an angel then!--
E'en though his sword of flame consume
My life, and devastate my doom;
Heaven lends the one beloved his power
Thus to avenge each misspent hour.
'Tis not first love that must endure;
It springs but from the dreams of youth;
But if, with intellect mature,
We meet the mind long sought in vain,
Fancy is then subdued by truth,
And we have _reason_ to complain.
"What maniacs!" the many cry,
"Are those for love who live or die!
As if, when such frail boon is reft,
A thousand blessings were not left!"
Enthusiasm, though the seed
Of every high heroic deed,
Each pious sacrifice--its lot
Is scorn, from those who feel it not.
All then is folly, if they will,
Save their own selfish care
Of mortal life; this nobler thrill
Is madness everywhere.
Alas! it is my worst distress
That _he_ alone my thoughts could guess;
Too late and vainly may he find
That I alone could read _his_ mind.
Mine own should thus be understood;
In friendship's varying degrees
Easy, yet difficult to please:
With cordial hours for all the good,
But with affection deep and true,
Which but for _one_, for _him_ I knew.
Feeling and fancy, wit and reason,
Where now such union can I find,
Seek the world through--save his--whose treason
'Gainst love hath slain me? Oswald's mind
Blends all these charms; unless I dream'd
He was the wonder he but seem'd.
How, then, to others should I speak?
In whom confide? what subjects seek?
What end, aim, interest remains?
The sweetest joys, the bitterest pains,
Already known, what should I fear?
Or what expect? before me cast
A future changeless, wan, and drear,
As but the spectre of my past!
Why, why is happiness so brief?
Life's weeds so strong, its flowers so frail?
Is nature's natural order grief?
Unwonted pain soon finds relief
When its strange throes our frames assail--
Joy to the soul's less usual: there
The habitual state is this despair.
How mutable the world appears
Where nothing lasts, but pain and tears![2]
Another life! another life
That is my hope! but still such force
Hath this we bear, that we demand
In heaven the same rebellious band
Of passions that _here_ caused our strife.
The northern zealots paint the shade
Still hunting, with his hound and horse,
The phantom stag, through cloudy glade;
Yet dare we call such shapes unreal?
Naught here is sure save that Distress--
Whose power all suffer who can feel--
Keeps _her_ unpitying promises!
I dream of immortality!
No more of that which man can give;
Once in the future did I live,
The present seem'd too old for me.[3]
All I now ask of Him on high,
Is, that my heart may never die!
Father! the offering and the shrine
A mortal spurns; with grace divine,
Deign to receive--'tis thine!--'tis thine!
I know my days will be but few;
That thought restores a sense of rest:
'Tis sweet to feel, as now I do,
Death draw Grief's barb from out my breast.
'Tis Superstition's sad retreat,
More than the home of pious trust;
Devotion to the blest is sweet.--
What gratitude to the All Just
Ought Oswald's wife to feel! O God, she must.
And yet misfortune oft improves,
Corrects us, teaches us to weigh
Our errors with our sufferings: they
Are wedded: we repent the loves
Of earth, when salutary time
And solitude inspires love more sublime.
'Tis this I need, ere yet I can fulfil
A tranquil voyage to life more tranquil still:--
What innocence is in the thoughts of those
About to leave this life of passion's woes!
The secret which not genius' self can share,
The enigma, may it be reveal'd to prayer?
May not some simple thought, by reverie
Full oft approach'd, disclose the mystery?
Vast as the efforts which the soul may make
They weary her in vain; she cannot take
This latest step; life must be still unknown
Till its last hour on earth be well-nigh flown I
'Tis time mine should repose; and who will sigh--
'Tis still, at last, the heart that beat so high!
[1] Domenichino.
[2] "Ahi! null' altro che pianto al mondo dura."--PETRARCH.
[3] That idea is Dante's.
CHAPTER VI.
Prince Castel Forte quitted Rome, to settle near Corinne. She felt
most grateful for this proof of friendship, and yet ashamed that
she could not requite it, even by such conversation as of yore: now
she was silent and abstracted; her failing health robbed her of
all the strength required, even for a momentary triumph over her
absorbing griefs. That interest, which the heart's courtesy inspires,
she could still at times evince; but her desire to please was lost
forever. Unhappy love freezes all our affections: our own souls grow
inexplicable to us. More than we gained while we were happy, we lose
by the reverse. That added life which made us enjoy nature, lent an
enchantment to our intercourse with society; but the heart's vast hope
once lost, existence is impoverished, and all spontaneous impulses
are paralyzed. Therefore, a thousand duties command women, and men
still more, to respect and fear the passion they awaken, since it may
devastate the mind as well as the heart.
Sometimes Castel Forte might speak for several minutes to Corinne
without a reply, because she neither understood nor even heard him.
When she did, her answers had none of that glowing animation once so
remarkable; they merely dragged on the dialogue for a few seconds,
and then she relapsed into silence. Sometimes, as she had done at
Naples, she would smile in pity over her own failures. The amiable
prince humored her on all her favorite topics. She would thank him, by
pressing his hand, and once, after a walk on the banks of the Arno,
began to jest with her accustomed grace: he gazed, and listened in glad
surprise; but she abruptly broke off, and rushed from the room in
tears. On returning, she said, gently: "Pardon me, my generous friend;
I would fain make myself agreeable; it will not be: bear with me as
I am." What most distressed him, was the shock her constitution had
received: no immediate danger threatened her, yet it was impossible
that she could live long, unless she regained some vigor. If she
endeavored to speak on aught that concerned the soul, her wan tremor
was painful to behold; and he strove to divert her from this strain. He
ventured to talk of Oswald, and found that she took a perverse pleasure
in the subject; but it left her so shaken, that he was obliged to
interdict it. Castel Forte was a susceptible being: but not even the
most magnanimous of men knows how to console the woman he has loved
under the pangs thus inflicted by another. Some little self-love on his
side, must aid her timidity, in preventing perfect confidence. Besides,
what would it avail? It can only be of service to those wounds which
would cure themselves without it.
At this time the prince received a letter from Lord Nevil, replete with
professions, which would have deeply affected Corinne: he mused for
hours together on the propriety of showing it to her; but anticipating
the violence of its effects on a creature so feeble, he forbore. Even
while he was thus deliberating, another letter reached him, announcing
his Lordship's departure for America. Castel Forte then decided on
saying nothing to Corinne. Perhaps he erred: one of her greatest griefs
was Nevil's silence; she scarce dared own it to herself: but though
forever separated from him, one recollection, one regret, would have
been very precious to her: as it was, he gave her, she thought, no
opportunity of hearing his name, left her no excuse for breathing it.
The sorrow, of which no one speaks to us, which gains no change from
time, cuts deeper than reiterated blows; the good prince followed the
usual maxim, which bids us do our utmost towards teaching a mourner to
forget; but there is no oblivion for the imaginative: it were better
to keep alive their memories, weary them of their tears, exhaust their
sighs, and force them back upon themselves, that they may reconcentrate
their own powers.
BOOK XIX.
OSWALD'S RETURN TO ITALY.
CHAPTER I.
Let us now return to the events which occurred in Scotland, after
the sad fête at which Corinne made her self-sacrifice. Lord Nevil's
servant carried his letters to the ball-room. Oswald retired to
read them. He opened several which his agent had sent from London,
little guessing that among them was one which would decide his fate;
but when he beheld the writing of Corinne, and saw the ring, the
words--"You are free!"--he felt at once the most cruel grief and the
most furious irritation. He had not heard from her for two months, and
now her silence was broken by this laconic decision. He remembered
what Lady Edgarmond had said of her instability, and entered into all
the step-dame's feeling against her; for he still loved enough to be
unjust; forgetting how long he had renounced the idea of marrying her,
how much Lucy had pleased him, he looked on himself as the blameless
victim of an inconstant woman; perplexity and despair beset him; but
over them both towered his proud soul, prompting him to rise superior
to his wronger. This boasted pride rarely exists unless self-love
predominates over affection. Had Nevil now valued Corinne as in their
days at Rome and Naples, not all his "wrongs supposed" could have torn
her from his heart.
Lady Edgarmond detected his distress. The fatal malady beneath which
she labored increased her ardent interest in her daughter. She knew the
poor child's heart, and feared that she had compromised her happiness
forever; therefore, she seldom lost sight of Nevil, but read his
secrets with that discernment which is deemed peculiar to our sex, but
which belongs solely to the continual observance which a real interest
teaches us. On the pretext of transferring Corinne's inheritance,
she besought Lord Nevil's company next morning, and shortly guessed
that he was much dissatisfied; she flattered his resentment by the
prospect of a noble vengeance, offering to recognize her husband's
daughter. This sudden change amazed him; yet though its condition
was unexplained, he comprehended it; and, in one of those moments in
which we act more quickly than we can think, demanded Lucy's hand. Her
mother, scarcely able to restrain her joy, so as not to say _yes_ too
hastily, consented; and he left her presence, bound by an engagement,
which, when he made it, he had not dreamed of undertaking. While
Lady Edgarmond prepared Lucy to receive him, he paced the garden in
violent agitation, telling himself that she had merely pleased him,
because he knew little of her, and that it was madness to found the
happiness of his life on the charm of a mystery that must inevitably
be dissipated. He then retraced his letters to Corinne, too plainly
showing his internal struggles. "She's right!" he sighed: "I have not
the courage fit to make her blest; but yet it should have cost her
more to lose me--that cold brief line--yet who knows but her tears
might have fallen on it!" His own burst forth in spite of him. These
reveries hurried him on unconsciously so far, that he was long sought
in vain by the servant, sent to tell him that Lady Edgarmond desired
his return. Astonished at his own lack of eagerness, he obeyed. On
re-entering the drawing-room, he found Lucy kneeling, her head reclined
on the bosom of her parent, with a most touching grace. As she heard
his footsteps, she raised her flowing eyes, and, extending her hand to
him, said simply: "My Lord, I know you will not separate me from my
mother." This innocent manner of announcing her consent much interested
Oswald, who, sinking on his knees, besought Lady Edgarmond's permission
to imprint on that blushing forehead the first kiss which had ever
awakened more than childlike emotions in the breast whose beauty less
enchanted him than did its celestial modesty. The days which preceded
that chosen for their marriage were spent in the needful arrangements.
Lucy spoke more than usual; but all she said was so nobly natural,
that Oswald loved and approved her every word, and yet he felt a
void beside her. Their conversation consisted but of questions and
answers; she neither started nor prolonged any subject: all went well:
but without that exhaustless animation with which it is so difficult
for those who have once enjoyed it to dispense. Lord Nevil thought of
Corinne; but, as he no longer heard her named, hoped that her image
would at last become merely an object of his vague regret. When Lucy
learned from her mother that her sister still lived in Italy, she much
wished to talk of her with Oswald, but Lady Edgarmond forbade; and the
girl, habitually submissive, asked not the reason of this prohibition.
On the morning of his marriage, the hapless Corinne haunted Nevil
fearfully; but be addressed his father's spirit, confessing that it
was to win _his_ heavenly benediction, his son accomplished thus his
will on earth. Reassured by those meditations, he sought his bride,
reproaching himself for having allowed his thoughts to wander from her.
A descending angel could not have chosen a face more fit than hers to
give mortality a dream of heavenly virtue. At the altar, Lady Edgarmond
was even more agitated than her daughter; for all-important steps alarm
us the more, the greater our experience. Lucy was all hope; childhood
still mingled with her youth, and blended joy with love. In leaving the
church she leaned timidly on Oswald's arm, as if to assure herself of
his protection: he looked on her tenderly, feeling, at the bottom of
his heart, a foe who menaced her repose, and from whom he had promised
to defend her. Lady Edgarmond, on their return, said to her son-in-law:
"My mind is easy. I have confided to you the happiness of my daughter;
and have so short a time to live, that it is a comfort for me to think
my place will be so well supplied." Lord Nevil was much affected by
these words, and anxiously mused on the duties they imposed. A few days
elapsed: Lucy had begun to meet her husband's eye with confidence, and
make her mind known to him, when unlucky incidents disturbed the union
commenced under these favorable auspices.
CHAPTER II.
Mr. Dickson paid his respects to the young couple, apologizing for not
having been present at their marriage. He had been ill, he said, from
the effects of a fall, though kindly assisted by the most charming
woman in the world. Oswald, at this moment, was playing battledore
and shuttlecock with Lucy, who was very graceful at this exercise.
Her bridegroom gazed on her, and listened not to Mr. Dickson, who,
at last, called to him from the other end of the room. "My Lord, the
fair unknown, who came to my aid, had certainly heard much about you,
for she asked me many questions concerning your fate."--"Whom do you
mean?" said Nevil, continuing his game.--"A lovely creature, my Lord,
although she looked changed by suffering, and could not speak of you
without emotion."[1] These words attracted Oswald's attention; but
Lucy, perfectly unconcerned, joined her mother, who had just sent
for her. Lord Nevil now asked Mr. Dickson what lady it was who had
thus spoken of him. "I know not," he replied: "her accent proved her
English, though I have rarely found so obliging and easy a person
among our countrywomen. She took as much care of a poor old man like
me as if she had been my own child: while I was beside her, I did
not feel my bruises; but, my dear Oswald, have you been faithless
here as well as in Italy? My beauteous benefactress trembled and
turned pale at naming you."--"Just heaven!" exclaimed Nevil, "you
said an Englishwoman?"--"Oh yes: you know foreigners never pronounce
our language without a certain intonation."--"And her face?"--"The
most expressive I ever saw, though fearfully pale and thin." This
description suited not the bright Corinne; yet might she not have
suffered much, if in England, and unable to find the being she sought?
This dread fell suddenly on Oswald, who continued his questions with
extreme uneasiness. Mr. Dickson replied that the lady conversed with
an elegance which he had never before met, that the gentlest kindness
spoke from her sad and languid eyes. "Did you notice their color?"
asked Oswald.--"Magnificently dark!" The catechist trembled. "From time
to time," continued Mr. Dickson, "she interrogated, or answered, me,
and what she _did_ say was delightful." He would have proceeded, but
Lady Nevil, with her mother, rejoined them; and Oswald hastily retired,
hoping soon again to find Mr. Dickson alone. Struck by his sadness,
Lady Edgarmond sent Lucy away, that she might inquire its cause: her
guest simply repeated what had passed. Terrified at anticipating the
despair of Oswald, if he were assured that Corinne had followed him
to Scotland; foreseeing, too, that he would resume this topic, she
instructed Mr. Dickson as to what she wished said to her son-in-law.
Thus, the old gentleman only increased the anxiety it was too late
to remove. Oswald now asked his servant if all the letters sent him
within the last three weeks had come by post.[2] The man "believed
they had," and was leaving the room; but, turning back, added, "I
remember that, on the ball night, a blind man gave me one for your
Lordship. I supposed it a petition for charity."--"I received none
such: could you find this man?"--"Yes, my Lord, directly; he lives in
the village."--"Go, bring him to me!" said Nevil; and, unable to wait
patiently, walked out to meet him at the end of the avenue. "So, my
friend," he said, "you brought a letter here for me, on the evening of
the ball: who gave it to you?"--"My Lord, ye see I'm blind, how wad I
ken?"--"Do you think it was a female?"--"Ech fine that, my Lord! for I
hard weel eneuch that she was vera soft voiced, though I jaloused the
while that she was greeting."--"And what did she say to you?"--"Oh,
sir, she said, 'Gude auld man, gide this to Oswald's servant,' and
there stopped, but syne she added, 'I mean Lord Nevil's.'"--"Ah,
Corinne!" exclaimed Oswald, and grew so faint that he was forced to
support himself on the poor creature's arm, who continued; "I was
sitting under a tree just, and wished to do the leddy's bidding diract,
but could scarce raise mysel, being auld the noo: weel, after giein
me mair siller than I'd had for lang, she was that free she lent me
her hand, puir thing! it trembled just as your Lordship's does this
minute."--"Enough!" sighed Nevil. "Here, my good friend, as she gave
you money, let me do so too; go, and pray for us both!" He withdrew.
From this moment a terrible agitation preyed on his mind: he made a
thousand useless inquiries, unable to conceive the possibility of
Corinne's having been in Scotland without seeking him. He formed
various conjectures as to her motives; and, in spite of all his
endeavors to conceal it, this affliction was evident to Lady Edgarmond,
nay, even to Lucy. All was constraint and silence. At this time Oswald
wrote first to Castel Forte. Had Corinne read that letter, it would
much have softened her resentment.
Count d'Erfeuil joined the Nevils ere the Prince's reply arrived. He
said no more of Corinne than was necessary, yet felt vexed at their
not perceiving that he _had_ an important secret in his power, though
too discreet to betray it. His insinuations at first took no effect
upon Oswald; but, when he detected that they referred to Corinne, he
was all curiosity. The Count having brought him to this, defended his
own trust pretty bravely; at last, however, his friend drew forth the
whole truth. It was a pleasure for d'Erfeuil to relate how grateful
Corinne had felt, and in what a wretched state he had found her; he
ran on, without observing how he agonized Lord Nevil; his only object
was that of being the hero of his own story; when he had ceased, he
was much afflicted at the mischief he had done. Oswald had commanded
himself till then, but suddenly became distracted with regret; accused
himself as the most barbarous and ungrateful of men; raved of Corinne's
devoted tenderness: her generosity at the very moment when she believed
him most culpable. He contrasted this with the heartless fickleness
by which he had requited her; incessantly repeating that no one ever
loved him as she did; and that he should in some way be ultimately
punished for his cruelty. He would have set forth to see her, if only
for a day, an hour; but Rome and Florence were already occupied by the
French: his regiment was about to embark; he could not forfeit his own
honor, nor break the heart of his wife: indeed, no faults he might now
commit could repair the past; they would but add to the misery he _had_
occasioned. The only hope that calmed him was derived from the dangers
he was about to brave. In this mood he wrote again to Castel Forte,
whose replies represented Corinne as sad, but resigned; his pride in
her softened rather than exaggerated the truth. Oswald believed that
he ought not to torture her by his regrets, after having so wronged
her by his love--and left Britain with a sense of remorse which nearly
rendered life insupportable.
[1] Even had not Mr. Dickson been aware of Oswald's circumstances,
such a speech before his bride would have been bad enough. It is
unpardonable, as he knew so much.--TR.
[2] I wonder he had not observed that Corinne's bore no post-mark.--TR.
CHAPTER III.
Lucy was afflicted by his departure; yet his recent gloom had so
increased her natural timidity, that she had never found courage to
confide in him her hopes of becoming a mother; but left it for Lady
Edgarmond to send these tidings after him. Nevil, unable to guess what
passed in his wife's heart, had thought her farewell cold; compared
her silent submission with the eloquence of Corinne, and hesitated not
to believe that Lucy loved him but feebly; yet, during his absence,
scarcely could even the birth of their daughter divert her mind from
his perils. Another grief was added to all this. D'Erfeuil spent a
year in Scotland, strongly persuaded that he had not revealed the
secret of Corinne's sojourn there; but he said so much that implied
it, and found such difficulty, when conversation flagged, in avoiding
the theme most interesting to Lady Nevil, that she at last learned
the whole truth. Innocent as she was, it required even less art than
she possessed to draw d'Erfeuil out upon a favorite subject. Lady
Edgarmond was too ill to be present at these conversations; but when
she questioned her daughter on the melancholy she detected, Lucy told
all. Her mother spoke very severely on Corinne's pursuit of Oswald.
Lucy was alternately jealous of her sister, and indignant against her
husband, for deserting one to whom he had been so dear. She could not
help trembling for her own peace, with a man who had thus wrecked that
of another. She had ever cherished a grateful recollection of her
early instructress, which now blended with sympathy: far from feeling
flattered by Oswald's sacrifice, she was tormented by the idea that
he had chosen her merely because her position in the world was more
advantageous than that of Corinne. She remembered his hesitation before
marriage, his sadness so soon after, and everything confirmed the cruel
belief that her husband loved her not. Lady Edgarmond might have been
of great service to her daughter, had she striven to calm her; but she
too intolerantly anathematized all sentiments that deviated from the
line of duty; nor dreamed of tenderly leading a wanderer back, thinking
that the only way to awake conscience was by just resentment. She was
mortified that so lovely a woman should be so ill appreciated; and
aggravated Lucy's fears, in order to excite her pride. Lady Nevil, more
gentle and enlightened than her mother, could not rigorously follow
such advice; yet her letters to Oswald were always far colder than
her heart. Meanwhile he was distinguishing himself nobly, exposing
his life, not merely in honorable enthusiasm, but in a positive love
of peril. He appeared most gay when most actively employed, and would
blush with pleasure when the tumult of battle commenced. At such
moments a weight seemed lifted from his heart, and he could breathe
with ease. The popularity he enjoyed among his fellow-soldiers animated
the existence it could not render happy, and almost blinded him
both to the past and the future. He grew accustomed to the lukewarm
correspondence of his wife, whom he did not suppose offended with him.
When he remembered her, it was as a being worthy of his protection,
and whose mind he ought to spare from all deeply serious thoughts.
But in those splendid tropic nights, that give so grand an idea of
nature and its Author, the image of Corinne was often with him; yet,
as both war and climate menaced his life each hour, he excused his
lingering memory. At the approach of eternity, we forgive and hope to
be forgiven. He thought but of the tears his death would cause her,
not upon those his errors had extorted. It was natural he should think
most of her; they had so often talked of immortality, and sounded every
depth of solemn feeling: he fancied that he still conversed with her,
while occupied by the great thoughts the spectacles of war invariably
suggest. It was to Corinne he spoke in solitude, although he knew that
she must sadly blame him. Despite absence, distance, time, and every
change, they seemed to understand each other still.
At last his regiment was ordered home. The monotony of shipboard
pleased him less than had the stir of arms. External excitement
supplied some of the imaginative joys he owed to his intercourse with
Corinne. He had not yet attempted to live calmly without her. The
proofs of devotion his soldiers gave him somewhat beguiled the voyage;
but even that interest failed on their landing in England.
CHAPTER IV.
Nevil had now to renew his acquaintance with his own family, after
four years' separation. He arrived at Lady Edgarmond's castle in
Northumberland. Lucy presented her child with as much diffidence as if
she had deemed herself guilty. Her imagination had been so occupied by
her sister, during the period of her maternal expectations, that little
Juliet displayed the dark eyes and hair of Corinne. Her father, in wild
agitation, pressed her to his heart; and from that instant, Lucy could
not take unqualified delight in his affection for his daughter. The
young wife was now nearly twenty. Her beauty had attained a dignity
which inspired Nevil with respect. Lady Edgarmond was too infirm to
leave her bed; yet, though this tried her temper, she received her
son-in-law with satisfaction; having feared that she should die in
his absence, and leave her daughter alone upon the world. Oswald,
so long accustomed to a military career, found it very difficult to
remain nearly all day in the chamber of an invalid, who received no
one but himself and wife. Lucy dearly loved her lord; but, believing
her affection unprized, concealed what she knew of his passion for
Corinne, and became more silent than ever. Mild as she was, her mother
had so influenced her, that when Oswald hinted at the added charm she
would gain by a little animation, she received this but as a proof
that he still preferred her sister, and was too hurt to profit by it:
he could not speak of the fine arts without occasioning her a sadness
that repressed his enthusiasm. Had she been better taught, she would
have treasured up his lightest word, that she might study how to please
him. Lady Edgarmond evinced a growing distaste for all deviations from
her habitual routine: her irritated nerves shrunk from every sound.
She would have reduced life to a state of stagnation, as if the less
to regret its loss: but, as few like to confess their personal motives
for certain opinions, she supported hers on the general principles of
exaggerated morality; and disenchanted life, by making sins of its
least amusements--by opposing some duty to every employment which would
have made to-day differ from yesterday or to-morrow. Lucy, duteous as
she was, had so much flexibility of mind that she would have joined her
husband in gently reasoning with this exacting austerity, had she not
been persuaded that it was adopted merely to discountenance Oswald's
Italian predilections. "You must struggle most perseveringly," would
her mother say, "against any return of that dangerous infatuation."
Lord Nevil had a great reverence for duty; but he understood it in a
wider sense than that of Lady Edgarmond: tracing it to its source, he
found that it might perfectly accord with natural inclination, instead
of requiring perpetual combats and sacrifices. Virtue, he thought,
far from rendering life a torture, contributes to the duration of its
happiness, and may be considered as a sort of prescience granted "to
man alone beneath the heaven." Sometimes, in explaining these ideas,
he yielded to the pleasure of quoting Corinne; but such language
always offended his mother-in-law. New doctrines ever displease the
old. They like to fancy that the world has been losing wisdom, instead
of gaining it, since they were young. Lucy's heart instinctively
detected the echoes of her sister's voice in the sentiments Oswald
breathed with so much ardor. She would cast down her eyes to hide this
consciousness; her husband, utterly unaware of it, attributed her
apparent insensibility to want of comprehension; and not knowing where
to seek congeniality sank into despondence. He wrote to Castel Forte
for news of Corinne; but the war prevented the letter's arrival. His
health suffered from the cold of England; and the physicians assured
him that his chest would be again attacked, if he did not pass the
winter in Italy. He told this to his wife and mother, adding, that
the war between France and England must at present prevent his tour.
"And when peace is concluded," said Lady Edgarmond, "I should hope,
my Lord, that you would not think of returning to Italy."--"If his
health depends on it," ventured Lucy, "he could not do better." Oswald
expressed much gratitude for her kindness. Alas! his thanks but assured
her of his love for another.
War ceased; and every time Oswald complained, Lucy's heart was divided
between her dread of his departure for Italy, and her fondness, which
overrated his indisposition. He attributed her doubt of the necessity
for this voyage to selfishness: thus each wounded the other's feelings,
because neither dared confess their own. All these interests were soon
absorbed in the state of Lady Edgarmond, who was now speechless, and
could only express herself by tears, or by the manner in which she
pressed their hands. Lucy was in despair. Oswald sat up every night
with her. It was now December; and these cares were highly injurious
to him, though they seemed much to gratify the sufferer, whose
faults disappeared just as her agonies would have excused them. The
approach of death stills all the tumults of soul from which most of
our errors proceed. On her last night, she joined the hands of Oswald
and Lucy, pressed them to her heart, and raised her eyes to heaven;
no longer deploring the voice which could have added nothing to the
impressiveness of that action--that look. In a few seconds she expired.
Lord Nevil, who had supported himself by great effort, for her
sake, now became dangerously ill, and poor Lucy's distress was thus
redoubled. In his delirium, he often named Corinne, and Italy, sighing:
"Oh, for the southern sun! it is so cold in the north here: I shall
never be warm again." When he recovered his senses, he was surprised at
finding that Lucy had prepared everything for his voyage: she merely
repeated the advice of his physicians, adding: "If you will permit
it, I shall accompany you; and our child ought not to be parted from
her parents."--"No, no, we will not part," he answered; "but if this
journey would pain you, I renounce it."--"_That_ will not pain me," she
replied. Oswald took her hand, and gazed inquiringly on her: she would
have explained herself; but the memory of her mother's advice, never
to betray a sign of jealousy, reproved her, and she added: "You must
be sure, my Lord, that my first object is the re-establishment of your
health."--"You have a sister in Italy," continued he.--"I know it: have
you any tidings of her?"--"Never, since I left for America."--"Well,
my Lord, we shall learn all in Italy."--"Are you then interested in
her still?"--"Yes: I have not forgotten the tenderness she showed my
childhood."--"We ought not to forget," sighed Nevil; and both again
were silent. Oswald had too much delicacy to desire a renewal of his
former ties with Corinne; but he thought that it would be sweet to
die in Italy, after receiving her pardon and adieu. He little deemed
that his delirium had betrayed him, and did injustice to the mind of
his wife; because it had rather shown him the opinion of others than
what she felt herself, he believed she loved him as much as she could
love, but he knew nothing of her sensibility; at present, her pride
disguised it; but, had she been perfectly happy, she would have thought
it improper to avow a passionate affection even for her own husband;
capable as she was of it, education had convinced her that it would be
immodest to profess this feeling; but nothing could teach her to take
pleasure in speaking of anything else.
CHAPTER V.
Oswald, disliking all recollections of France, crossed it very hastily.
Lucy evinced neither wish nor will of any kind, but left it for him
to decide everything. They reached the base of the mountains that
separate Dauphiny from Savoy, and ascended the Pas des Echelles on
foot: this road is dug in the rocks; its entrance resembles a deep
cavern; it is dark throughout, even in the brightest days of summer.
As yet, they found no snow; but autumn, the season of decay, was
herself fast fading. The road was covered with dead leaves, borne to
this region on the gale, from the distant trees. Thus they saw the
wreck of nature without beholding any promise of her revival. The
sight of the mountains charmed Lord Nevil: while we live among plains,
the earth seems only made to bear and nourish man; but in picturesque
countries we see the impress of their Creator's power and genius; yet
man is everywhere familiarized with nature: the roads he frames ascend
the steep, or fathom the abyss; nothing is inaccessible to him, save
the great mystery of his own being. In Morienne, the winter was more
rigorously felt at every step: one might fancy one's self wending
northward, in approaching Mont Cenis. Lucy, who had never travelled
before, was alarmed at finding the ice render the horses' pace
unsteady: she hid her fears, but reproached herself for having brought
her little one with her: often doubting whether the resolve to do so
had been purely moral, or whether the hope of growing dearer to Oswald,
by constantly associating her image with that of their beloved child,
had not deadened her to the risks Juliet would thus incur. Lucy was
apt to perplex her mind with secret scruples of conscience; the more
virtuous we are, the more this kind of fastidiousness increases: she
had no resource, save in her long and silent prayers, which somewhat
tranquillized her spirit. The landscape now took a more terrific
character: the snow fell heavily on ground already covered with it.
They seemed entering the Hell of Ice described by Dante. From the foot
of the precipices to the mountain-tops, all varieties were concealed.
The pines, now clothed in white, were mirrored in the winter like
spectral trees. Oswald and Lucy gazed in silence; speech would have
seemed presumptuous; nature was frozen into dumbness, and they were
mute like her. Suddenly they perceived, on an immense extent of snow,
a long file of darkly clad figures carrying a bier towards a church.
These priests, the only living beings who broke this desert solitude,
preserved their wonted pace. The thought of death lent it a gravity
which not even the bleakness of the air tempted them to forget. Here
was the mourning of nature and of man for vegetable and for human life.
No color was left--that black, that white, thus united, struck the soul
with awe. "What a sad omen!" sighed Lady Nevil.--"Lucy," interrupted
Oswald, "trust me, it is not for you."--"Alas!" he thought, "it was
not beneath such auspices I travelled with Corinne. Where is she now?
may not these gloomy objects be but warnings of what I am to suffer?"
Lucy's nerves were shaken by the terrors of her journey. This kind
of fear is almost unknown to an intrepid man; and she mistook for
carelessness of her, Oswald's ignorance of such alarm's possible
existence. The common people, who have no better exercise for fancy,
love to exaggerate all hazards, and delight in the effect they thus
produce on their superiors. The inn-keepers, every winter, tell their
guests wild tales of "_le Mont_," as if it were an immovable monster,
guarding the vales that lead to the land of promise. They watch the
weather for formidable symptoms, and beg all foreigners to avoid
crossing Mont Cenis during _la tourmente_. This is a wind announced by
a white cloud, spread like a sheet in the air, and by degrees covering
the whole horizon. Lucy had gained all possible information, unknown to
Nevil, who was too much occupied by the sensation of re-entering Italy
to think on these reports. The possible end and aim of his pilgrimage
agitated his wife still more than did the journey itself, and she
judged everything unfavorably. In the morning of their ascent, several
peasants beset her with forebodings; those hired to carry her up the
mountain, however, assured her that there was nothing to apprehend:
she looked at Nevil, and saw that he laughed at these predictions;
therefore, piqued by his security, she professed herself ready to
depart. He knew not how much this resolution cost her, but mounted a
horse and followed the litter which bore his wife and child. The way
was easy, till they were about the centre of the flat which precedes
the descent, when a violent hurricane arose. Drifts of snow blinded
Lucy's bearers, and often hid Oswald from her view. The religious men
who devote their lives to succor travellers on the Alps began to ring
their alarm-bell; yet, though this sound proclaimed the neighborhood of
benevolent pity, its rapid and heavy repetition seemed more expressive
of dismay than assistance. Lucy hoped that Oswald would propose passing
the night at this monastery; but, as she said nothing, he thought it
best to hasten on, while daylight lasted. Lucy's bearers inquired,
with some uneasiness, if she wished them to descend. "Yes," she said,
"since my Lord does not oppose it." She erred in thus suppressing her
feelings: the presence of her child would have excused them; but, while
we love one by whom we cannot deem ourselves beloved, each instant
brings its own sense of humiliation. Oswald remained on horseback,
though that was the least safe method of descent, but he believed
himself thus secure against losing sight of his wife and child. From
the summit, Lucy looked down on the abrupt road which she would have
taken for a precipice, had not steeps still more perpendicular been
close at hand. She pressed her darling to her heart with strong
emotion. Oswald observed this, and, quitting his saddle, joined the
men who carried her litter. The graceful zeal with which he did this
filled her eyes with tears; but, at that instant, the whirlwind rose
so furiously that her bearers fell on their knees, exclaiming: "O
God, protect us!" Lucy regained her courage; and, raising herself,
held Juliet towards Lord Nevil. "Take your child, my love!" she said.
Oswald received it, answering: "And you too---come, I can carry ye
both!"--"No," she said, "only save _her!_!"--"Save!" he repeated: "is
there any danger? Unhappy wretches--why did you not tell us?"--"They
did," interrupted Lucy.--"And you concealed it from me? How have I
merited is cruel reserve?" He wrapped his cloak round Juliet, and
cast down his eyes in deep disquietude; but heaven most mercifully
appeased the storm, and lent a ray which showed them the fertile plains
of Piedmont. In another hour they arrived unharmed at Novalaise, the
first Italian town after crossing Mont Cenis. On entering the inn, Lucy
embraced her child, and returned her fervent thanks to God. Oswald
leaned pensively near the fire, and, when she rose, held out his hand
to her, saying: "You were alarmed then, love?"--"Yes, dear."--"Why
would you go on?"--"You seemed impatient to proceed."--"Do you not know
that, above all things, I dread exposing you to pain or danger?"--"It
is for Juliet that they are to be dreaded," she replied, taking the
little one on her lap to warm it, and twisting round her fingers the
beautiful black curls that the snow had matted on that fair brow.[1]
The mother and child formed so charming a picture, that Oswald gazed on
them with tender admiration; but Lucy's silence discouraged the feeling
which might else have led to a mutual understanding. They arrived at
Turin, where the season was unusually severe. The vast apartments of
Italy were destined to receive the sun. Their freshness in summer is
most welcome; but, in the depth of winter, they seem cheerless deserts;
and their possessors feel like pigmies in the abode of giants. The
death of Alfieri had just occasioned a general mourning among his proud
countrymen. Nevil no longer recognized the gayety formerly so dear to
him. The absence of her he loved disenchanted both nature and art: he
sought intelligence of her, and learned that for five years she had
published nothing, but lived in seclusion at Florence. He resolved on
going thither; not to remain, and thus violate the affection he owed
to Lucy, but to tell Corinne how ignorant he had been of her residence
in Scotland. In crossing Lombardy, he sighed: "How beautiful this
was, when all those elms were in full leaf, with vines linking them
together!"--"How beautiful it was," thought Lucy, "while Corinne shared
it with you!" A humid fog, such as oft arises in so well-watered a
land, obscured their view of the country. During the night they heard
the deluge of southern rain fall on, nay, through the roof, as if water
was pursuing them with all the avidity of fire. Lucy sought in vain for
the charm of Italy: it seemed that everything conspired to veil it in
gloom for Oswald and herself.
[1] Madame de Staël gave Lucy, at three years of age, hair long enough
to make a bracelet. She was thinking of French children. The formal
Edgarmonds were not more likely to deviate from the English fashion
than to christen Nevil's daughter Juliette.--TR.
CHAPTER VI.
Since Lord Nevil had been in Italy, he had not spoken a word of the
language; it even made him ill to hear it. On the evening of his
arrival at Milan, he heard a tap at the door, which was followed by
the entrance of a man, whose dark and prominent face would have been
expressive, if animated by natural enthusiasm: it wore an unvaryingly
gracious smile, and a look that strove to be poetical. He stood at
the door, improvising verses in praise of the group before him, but
such as might have suited any other husband, wife, or child, just as
truly; and so exaggerated, that the speaker seemed to think poetry
_ought_ to have no connection with truth. Oswald perceived that he was
a Roman; yet, harmonious as were the sounds he uttered, the vehemence
of his declamation served but to indicate more plainly the unmeaning
insipidity of all he said. Nothing could be more painful for Oswald
than to hear the Roman tongue thus spoken, for the first time after so
long an interval; to see his dearest memories travestied, and feel his
melancholy renewed by an object so ridiculous. Lucy guessed all this,
and would have dismissed the improvisatore; but it was impossible to
make him hear her: he paced the chamber all gesture and exclamation,
heedless of the disgust he dealt his hearers, proceeding like a machine
that could not stop till after a certain moment. At last that time
arrived and Lucy paid him to depart. "Poetic language," said Oswald,
"is so easily parodied here, that it ought to be forbidden all save
those who are worthy to employ it."--"True," observed Lucy, perhaps a
little too pointedly: "it is very disagreeable to be reminded of what
you admire, by such a burlesque as we have just endured."--"Not so,"
he answered; "the contrast only makes me more deeply feel the power
of genius. This same language, which may be so miserably degraded,
became celestial poetry from the lips of Corinne--_your sister_." Lucy
felt overwhelmed; he had not pronounced that _name_ to her before; the
addition of _your sister_ sounded as if conveying a reproach. She was
half suffocated; and had she given way to her tears, this moment might
have proved the sweetest in her life; but she restrained them, and the
embarrassment between herself and husband became more painful than
before. On the next day the sun broke forth, like an exile returning
to his own land. The Nevils availed themselves of his brightness to
visit Milan cathedral, the _chef-d'œuvre_ of Gothic architecture: it is
built in the form of a cross--fair, melancholy image in the midst of
wealth. Lofty as it is, the ornaments are elaborate as those lavished
on some minute object of admiration. What time and patience must it
have cost! This perseverance towards the same aim is transmitted from
age to age, and the human race, stable at least in thought, can leave
us proofs of this, imperishable almost as thought itself. A Gothic
building engenders true religion: it has been said that the popes have
consecrated more wealth to the building of modern temples than devotion
to the memory of old churches. The light, falling through colored
glass, the singular forms of the architecture, unite to give a silent
image of that infinite mystery which the soul forever feels, and never
comprehends.
Lord and Lady Nevil left Milan when the earth was covered with snow.
This is a sadder sight in Italy than elsewhere, because it is unusual:
the natives lament bad weather as a public calamity. Oswald was vain of
his favorite country, and angry that it would not smile its best for
Lucy. They passed through Placenta, Parma, and Modena. The churches and
palaces of each are too vast, in proportion to the number and fortune
of the inhabitants: all seems arranged for the reception of the great,
who as yet have but sent some of their retinue forward. On the morning
of their reaching Taro, the floods were thundering from the Alps
and Apennines, with such frightful rapidity, that their roar scarce
announced them ere they came. Bridges are hardly practicable over
rivers that so often rise above the level of the plain. Oswald and Lucy
found their course suddenly checked. All boats had been washed away
by the current; and they were obliged to wait till the Italians, who
never hurry themselves, chose to bring them back. The fog confounded
the water with the sky; and the whole spectacle rather resembled the
descriptions of Styx than the bounteous streams lent as refreshments to
the burning south. Lucy, trembling lest the intense cold should hurt
her child, bore it into a fisher's hut, in the centre of which a fire
had been kindled, as is done in Russia.
"Where is your lovely Italy?" she asked Oswald, with a smile. "I
know not when I shall regain her," he answered sadly. Approaching
Parma, and all the cities on that road, they perceived from afar the
flat-terraced roofs that give Italy so original an air. Churches and
spires stand forth boldly amid these buildings; and, after seeing them,
the northern-pointed roofs, so constructed to permit the snow to run
off, create a very unpleasant sensation. Parma still preserves some
fine pictures by Correggio. Oswald took Lucy to a church which, boasts
a _fresco_ of his _La Madonna della Scala_: while he drew the curtain
from before it, Lucy raised Juliet in her arms, that she might better
see the picture; and by chance their attitude was nearly the same with
that of the Virgin and Child. Lucy had so much of the modest grace
which Correggio loved to paint, that Oswald looked from the ideal to
the real with surprise. As she noticed this her lids declined, and the
resemblance became still more strong. Correggio is, perhaps, the only
painter who knew how to give downcast eyes an expression affecting as
that of those raised to heaven. The veil he throws over such looks, far
from decreasing their thoughtful tenderness, lends it the added charm
of heavenly mystery. The Madonna is almost detached from the wall.
A breath might blow its hues away; this fear gives it a melancholy
interest: its adorers oft return to bid such fleeting beauty a fond
farewell. As they left the church, Oswald said to Lucy, "A little
while, and that picture will be no more! but its model is mine own
forever." These soft words touched her heart: she pressed his hand,
about to ask him if he could not trust her tenderness; but as when he
spoke coldly her pride forbade complaint, so when his language made her
blest, she dreaded to disturb that moment's peace, in an attempt to
render it more durable. Thus always she found reasons for her silence,
hoping that time, resignation, and gentleness, might bring at last the
happy day which would disperse her apprehensions.
CHAPTER VII.
Lord Nevil's health improved, yet cruel anxiety still agitated his
heart. He constantly sought tidings of Corinne; but everywhere heard
the same report: how different from the strain in which _her_ name had
once been breathed! Could the man who had destroyed her peace and fame
forgive himself? Travellers drawing near Bologna are attracted by two
very high towers; the one, however, leans so obliquely as to create a
sensation of alarm; vainly is it said to have been built so, and to
have lasted thus for centuries; its aspect is irresistibly oppressive.
Bologna boasts a great number of highly-informed men; but the common
people are disagreeable. Lucy listened for the melodious Italian,
of which she had been told; but the Bolognese dialect painfully
disappointed her. Nothing more harsh can exist in the north. They
arrived at the height of the Carnival, and heard, both day and night,
cries of joy that sounded like those of rage. A population like that of
the Lazzaroni, eat and sleep beneath the numerous arcades that border
the streets: during winter, they carry a little fire in an earthen
vessel. In cold weather, no nightly music is heard in Italy: it is
replaced in Bologna by a clamor truly alarming to foreigners. The
manners of the populace are much more gross in some few southern states
than can be found elsewhere. In-door life perfects social order: the
heat that permits people to live thus in public engenders many savage
habits.[1] Lord and Lady Nevil could not walk forth without being
assailed by beggars, the scourge of Italy. As they passed the prisons,
whose barred windows look upon the streets, the captives demanded
alms with immoderate laughter. "It is not thus," said Lucy, "that our
people show themselves the fellow-citizens of their betters. O, Oswald!
can such a country please you?"--"Heaven forbid," he replied, "that I
should ever forget my own! but when you have passed the Apennines you
will hear the Tuscans--meet intellectual and animated beings, who, I
hope, will render you less severe."
Italians, indeed must be judged according to circumstances. Sometimes
the evil that has been spoken of them seems but true; at others, most
unjust. All that has previously been described of their governments
and religion proves that much may be asserted against them generally,
yet that many private virtues are to be found amongst them. The
individuals chance throws on the acquaintance of our travellers
decide their notions of the whole race; such judgment, of course, can
find no basis in the public spirit of the country. Oswald and Lucy
visited the collections of pictures that enrich Bologna. Among them
was Domenichino's Sibyl; before which Nevil unconsciously lingered so
long, that his wife at last dared ask him, if this beauty said more to
his heart than Correggio's Madonna had done. He understood, and was
amazed at so significant an appeal: after gazing on her for some time,
he replied, "The Sibyl utters oracles no more: her beauty, like her
genius, is gone; but the angelic features I admired in Correggio have
lost none of their charms; and the unhappy wretch who so much wronged
the one will never betray the other." He left the place, to conceal his
agitation.
[1] It was announced at Bologna that a solar eclipse would take place
one day at two. The people flocked to see it; and, impatient at its
delay, called on it to begin, as if it were an actor, who kept them
waiting. At last it commenced; but, as the cloudy weather prevented its
producing any great effect, they set up the most violent _hissings_,
angry that the spectacle fell so far short of their expectations.
BOOK XX.
CONCLUSION.
CHAPTER I.
Oswald now, for the first time, comprehended that Lucy was aware of
his affection for her sister, and deemed that her coolness might have
sprung from secret disquietude: yet now he feared an explanation as
much as she had done; and now she would have told him all, had he
required it; but it would have cost him too much to speak of Corinne,
just as he was about to rejoin her, especially with a person whose
character he so imperfectly knew. They crossed the Apennines, and
regained the sweet climate of Italy. The sea-breeze, so glowing in
summer, now spread a gentle heat. The turf was green, the autumn hardly
over, and yet the spring already peeping forth. The markets teemed
with oranges and pomegranates. The Tuscan tongue was audible; and all
Oswald's dearest memories revived, though now unmixed with hope. The
mild air would have rendered Lucy confiding, had he encouraged her. Had
a Corinne been with them, she would soon have learned their secrets;
but the more congenial they were, in natural and national reserve, the
less easy was it for them to break the ice which kept their hearts
asunder.
CHAPTER II.
As soon as they arrived in Florence, Nevil wrote to Castel Forte; and
in a few minutes the Prince came to him. It was some time ere either
spoke; at last Nevil asked for Corinne. "I have none but sad news
for you," said her friend: "she grows weaker every day; sees no one
but myself, and can scarce attempt any occupation; yet I think she
has been calmer since we learned you were in Italy; though I cannot
disguise from you, that at first her emotions on that intelligence
caused her a relapse of fever. She has not told me her intentions,
for I carefully avoid your name."--"Have the goodness, Prince," said
Oswald, "to give her the letter I wrote you nearly five years since: it
contained a detail of all the circumstances that prevented my hearing
of her journey to Scotland before I married. When she has read it, ask
her to receive me. I long to justify myself with her, if possible.
Her esteem is essential to me, though I can no longer pretend to
more."--"I will obey your desires, my Lord," said Castel Forte, "and
wish that I may in any way be of service." Lady Nevil now entered
the room. Oswald made her known to his friend. She met him coldly.
He gazed on her with much attention, sighed, thought of Corinne, and
took leave. Oswald followed him. "Lady Nevil is very beautiful," said
the Prince: "so fresh and young! Alas! my poor love is no longer so;
yet forget not, my Lord, that she was a brilliant creature when you
saw her first."--"Forget!" exclaimed Oswald: "no, nor ever forgive
myself." He could utter no more, and for the rest of the day was
gloomily silent. Lucy sought not to disturb him: her forbearance was
unlucky; for he only thought: "Had Corinne beheld me sad, she would
have striven to console me." The next morning his anxiety early led him
to Castel Forte. "Well!" he cried, "what says she?"--"That she will
not see you," answered the Prince.--"And her motives?"--"I found her
yesterday, in spite of her weakness, pacing the room all agitation, her
paleness sometimes giving way to a vivid blush, that faded as suddenly
as it rose. I told her your request: after some instants' silence, she
said--if you exact from me her own words: 'That man has done me too
much wrong already; but the foe who threw me into prison, banished and
proscribed me has not yet brought my spirit quite so low as he may
think. I have suffered more than woman ever endured beside--alternate
fondness and indignation making thought a perpetual torture. Oswald
should remember that I once told him it would cost me more to renounce
my admiration than my love. He has despoiled the object of my worship:
he deceived me, voluntarily or otherwise--no matter: he is not what
I believed him. He sported for nearly a year with my affection; and,
when he ought to have defended me, when his actions should have
proved he had a heart, how did he treat me? Can he boast of having
made one generous sacrifice? No! he is happy now, possessing all the
advantages best appreciated by the world. I am dying, let him leave
me in peace!'"--"These words are very harsh," sighed Oswald.--"She is
changed by suffering," admitted Castel Forte; "yet I have often found
her so charitable, that, let me own, she has defended you against
me."--"You think me unpardonable, then?"--"If you permit me to say so.
The injuries we may do women hurt not us in public opinion. The fragile
idol of to-day may be broken to-morrow, without finding one protector;
for that very reason do I respect the sex, whose moral welfare can
find its safety but in our bosoms. A mortal stab is punished by the
law; but breaking a tender heart is a theme for jest. I would forgive
murder by poniard soonest."--"Believe me," cried Nevil, "I, too, have
been wretched--that is my sole extenuation; but formerly she would have
listened to it, now it avails me nothing; yet I will write to her: I
still believe, in spite of all that parts us, she may yet understand
me."--"I will bear your letter, my Lord; but I entreat you temper
it well; you guess not what you are to her. Years can but deepen an
impression, when no new idea has divided its empire. Would you know in
what state she is at present? A fantasy, from which my prayers could
not divert her, enables me to show you." He opened the door of another
room; and Nevil first beheld a portrait of Corinne as she appeared
in Juliet, on the night, of all others, when he felt most enamored
of her. The confidence of happiness breathed from each feature. The
memories of that festal time came back on Oswald's heart; but as he
yielded to them, the Prince took his hand, drew aside a crape from
another picture, and showed him Corinne, painted that same year, in
the black dress, such as she had never abandoned since her return from
England. Her lost lover recollected the figure which had passed him in
the Park: but above all was he struck with the total change in her
appearance. The long black lashes veiled her languid eyes, and threw a
shadow over the tintless cheek: beneath was written this line, from the
Pastor Fido:----
"A pena si pudò dir: 'Questa fu rosa!'"
"Scarcely can we now say: 'This was a rose!'"
"How!" cried Lord Nevil; "looks she like this?"---"Within the last
fortnight still worse," returned the Prince; and Oswald rushed from
him, as if distracted.
CHAPTER III.
The unhappy man shut himself in his room. At the dinner hour, Lucy,
leading Juliet by the hand, tapped gently at his door; he opened it,
saying: "Think not the worse of me, my dear, for begging that I may
be left to myself to-day." His wife raised her child in her arms, and
retired without a word. He now looked at the letter he had written to
Corinne, and, bursting into tears exclaimed: "Shall I, then, make poor
Lucy wretched too? What is my life worth, if it serves but to render
all who love me miserable?"
_Letter from Lord Nevil to Corinne._
"Were you not the most generous of human beings, what could
I say to you, who might weigh me so low by reproaches,
or still lower by your griefs? I have done such ill to
her I loved, that I almost believe myself a monster. Am
I, Corinne? I suffer so much, that I cannot think myself
an utter barbarian! You know, when first I met you, I
was a prey to despair, that nearly brought me to the
grave: I sought not happiness, but struggled long against
your attraction; even when it triumphed, presentiments
of misfortune lingered still. Sometimes I believed you
destined by my father to make me once more feel myself
as well beloved as I had been by him; then did I fear to
disobey his will, in marrying a foreigner. On my return to
England, this sentiment prevailed, sanctioned as it was
by parental authority. Had he still lived, I should have
felt a right to combat it; but the dead cannot hear us, and
the irrevocable commands of those now powerless, possess a
touching and a sacred force.--Once more surrounded by the
ties of country, I met your sister, selected for me by my
sire, and well according with my wish for a regular, a quiet
life. My weakness makes me dread some kinds of agitation:
my mind is easily seduced by new hopes; but my sick soul
shrinks from resolves that interfere with its original
habits or affections. Yet, Corinne, had I known you were in
England, that proof of tenderness would have decided me.
Ah! wherefore vaunt I what I would have done? Should we
have been content? Am I capable of being so? Could I ever
have chosen any one fate, without still pining after some
other? When you restored my liberty, I fell into the common
error, telling myself that so superior a woman might easily
be estranged from me. Corinne, I have wounded your heart, I
know; but I thought mine the only sacrifice: I deemed you
would forget me. I cannot deny that Lucy is worthy of a
still warmer attachment than I could give her; but since I
learned your voyage to England, and the sorrow I had dealt
you, my life has been a perpetual pain. I sought for death,
certain that when you heard I was no more, you would forgive
me. Doubtless, you can oppose to this years of fidelity and
regret, such as my ingratitude ill merits; yet think--a
thousand complicated circumstances invade the constancy of
man. Imagine, if possible, that I have neither given nor
received felicity; that my heart has been lonely since I
left you, scarce daring even to commune with itself; that
the mother of my child, who has so many titles to my love,
is a stranger to my history and feelings; in truth, that
my habitual sadness has reduced me to the state from which
your cares, Corinne once extracted me. If I have returned to
Italy, not for my health (you cannot suspect me of any love
for life), but to bid you farewell, can you refuse to see
me but once more? I wish it, because I think that it would
benefit you; my own sufferings less prompt this desire. What
use were it that I am miserable, that a dreadful weight
presses upon my heart, if I came hither without obtaining
pardon from you? I ought to be unhappy, and am sure of being
so; but I feel certain that you would be solaced, if you
could think upon me as your friend, and read, in Oswald's
looks and accents, how dear you are to the criminal whose
fate is far more altered than his heart. I respect the
ties I have formed, and love your sister; but the human
breast, wild and inconsistent as it is, can reconcile that
tenderness with what I feel for you. I have nothing to say
for myself that can be written; all I might explain would
but condemn me; yet, if you saw me prostrate before you,
through all my faults and duties, you would perceive what
you are to me still, and that conversation would leave a
balm for both. Our health is failing: Heaven may not accord
us length of days. Let, then, whichever may be destined to
precede the other, feel regretted by the dear friend left
behind. The innocent alone deserve such joy: but may it not
be granted to the guilty? Corinne, sublime soul! you who can
read all hearts, guess what I cannot add, and comprehend
me, as you used to do. Let me but see you; let my pallid
lips touch your weak hand! It was not I alone who wrought
this ruin. No; the same sentiment consumed us both: destiny
struck two hearts, devoting one to crime; that one, Corinne,
may not be the least pitiable."
_Answer._
"If I required but to see and pardon you, I could not for
an instant refuse. Why is it that I do not feel resentment,
although the pangs you have caused me are so dreadful? I
must still love you, not _to hate_. Religion alone would not
disarm me thus. There have been moments when my reason has
left me; others, far sweeter, when I hoped to die before
the day could end; and some in which I have doubted even
virtue: you were to me its image here below: there was no
guide for either my thoughts or feelings, when the same
blow struck both my admiration and my love. What would
have become of me without Heaven's help? Everything in
this world was poisoned by your image: one sole asylum was
left, and God received me. My strength decays, but not that
supporting enthusiasm. I joy to think that the best aim in
life is to become worthy of eternity: our bliss, our bane,
alike tend to this purpose: and you were chosen to uproot
the too strong hold I had on earth. Yet, when I saw your
handwriting, learned that you were but on the other side of
the river, a fearful tumult rose within me: incessantly was
I obliged to tell myself, 'My sister is his wife.' To see
you again appeared felicity: I will not deny that my heart,
inebriated afresh, preferred these indefinite raptures to
an age of calm: but Providence has not abandoned me in this
peril. Are you not the husband of another? What then have I
to say to you? Is it for me to die in your arms? What would
my conscience suffer, if I made no sacrifice? if I permitted
myself another hour with you? I can only appear before my
God with anything like confidence by renouncing it. This
resolution may appease my soul. Such happiness as I felt
while you loved me is not in harmony with our mortal state;
it agitates us, because we feel its fleetness: but religious
meditation, that aims at self-improvement, and refers every
cause to duty, is a state of peace; and I know not what
ravages the mere sound of your voice would make on the
repose I believe I have regained. Why do you tell me that
your health is impaired? Alas! I am no longer your nurse;
but still, I suffer with you. May God bless and prolong your
days, my Lord! Be happy, but be so through piety. A secret
communion with Divinity gives us in ourselves the power of
confiding to a being who consoles us: it makes two friends
of one spirit. Do you still seek for what the world calls
happiness? Where will you find more than my tenderness would
have bestowed? Know you that in the deserts of the New World
I should have blessed my lot had you permitted me to follow
you? I could have served you like a slave, have knelt before
you as a heavenly being, had you but loved me truly. What
have you done with so much faith? You have changed it into
an affliction peerless as itself. Outrage me not, then, by
one hope of happiness, except in prayer: let our thoughts
meet in heaven! Yet when I feel myself about to die, perhaps
I will be taken somewhere whence I may behold you pass.
Assuredly, when my failing eyes can see no more, your image
will be with me; but might not a recent review of your
features render it more distinct? Deities of old were never
present at the hour of death, so I forbid you mine; but I
should like to see you perfectly when Oswald, Oswald! behold
how weak I am, when abandoned to your recollection! Why has
not Lucy sought me? Though she is your wife, she is still my
sister. I have some kind and even generous things to tell
her. And your child--I ought not to meet you; but you are
surrounded by my family. Do they disown me still? or fear ye
that poor little Juliet would be scared at seeing me? Ghost
as I look, I yet could smile upon your daughter. Adieu, my
Lord, adieu! Remember that I might call you brother. At
least you will mourn for me externally, and, as a kinsman,
follow my remains to Rome: let them be borne by the road
where my car passed; and pause upon the spot where you
restored my crown. Yet no, I am wrong, Oswald: I could exact
nothing that could afflict you, only one tear, and sometimes
a fond look towards the heaven where I shall soon await you."
CHAPTER IV.
Many days elapsed ere Oswald could regain his composure: he avoided
the presence of his wife, and passed whole hours on the banks of the
river that separated him from Corinne; often tempted to plunge amid its
waves, that they might bear his body to the abode he never must enter
living. Amazed as he was at Corinne's wish to see her sister, he longed
to gratify it; yet how introduce the subject? He saw that Lucy was
hurt by his distress, and hoped that she would question him; but she
forbore, merely expressing a desire to visit Rome or Naples: he always
begged a brief delay, and Lucy, with cold dignity, was silent.
Oswald, at least, could secure Corinne the presence of his little
daughter, and secretly bade the nurse take Juliet to her. He met
them on their return, and asked the child how she had enjoyed her
visit. She replied by an Italian phrase, and with an accent so
resembling Corinne's that her father started. "Who taught you that,
dear?" he asked.--"The lady," she replied.--"And how did she behave
to you?"--"Oh, she kissed me, and cried; I don't know why; but it
made her worse, for she looks very ill, papa."--"Do you love her,
darling?"--"That I do. I'll go to her every day. She has promised to
teach me all she knows; and says, that she will make me grow like
Corinne: what's that, pa? the lady did not tell me." Lord Nevil could
not answer: he withdrew, to conceal his agitation, but bade the nurse
take Juliet daily to Corinne. Perhaps he erred in disposing of his
child without her mother's consent; but in a few days the young pupil's
progress was astonishing: her masters for Italian and music were all
amazed. Nothing had ever pained Lucy more than her sister's influence
over Juliet's education. The child informed her that, ill as the lady
seemed, she took great pains with her. Lucy's heart would have melted,
could she have seen in all this anything but a design to win Nevil
back. She was divided between the natural wish of being sole directress
for her daughter, and self-reproach at the idea of withholding her
from such valuable instructions. One day Oswald came in as Juliet was
practising a music lesson. She held a lyre proportioned to her size;
and her pretty arms fell into Corinne's own attitude so perfectly, that
he felt gazing on the miniature copy of a fine picture, with the added
grace of childish innocence. He could not speak, but sank, trembling,
on a seat. Juliet then played the Scotch air which he had heard at
Tivoli, before the design from Ossian; he listened breathlessly. Lucy,
unseen, stole behind him: as Juliet ceased, her father took her on his
knee, and said: "The lady on the banks of the Arno taught you this, did
she not?"--"Yes, papa; but it hurt her very much: she was so ill while
she taught me, that I begged her to leave off, but she would not.
She made me promise to play you that tune every year, on a particular
day, I believe it was the 17th of November."--"My God!" cried Oswald
bursting into tears. Lucy now stepped forward, and, taking Juliet by
the hand, said, hastily: "My Lord, it is too much to rob me of my
child's affection; that solace, at least, is due to my misfortunes."
She retired. Oswald would have followed her, but was refused. At the
dinner hour he was told that she had been out for some time, not
saying where. He was fearfully alarmed at her absence; but she shortly
returned, with a calm and gentle air, such as he little expected. He
would now have confided in her, and gained her pardon by sincerity,
but she replied: "Explanation, indeed, is needful to us both; yet, my
dear Lord, permit me still to defer it: you will soon know my motives
for this request." Her address, he perceived, was more animated than
usual; and every day its warmth, its interest, increased. He could not
understand this change: its cause is soon told. And that Lucy so long
had hidden in her heart escaped in the brief reproach she made her
husband; and, as usually happens to persons who suddenly break from
their habitual character, she now ran into extremes, resolving to seek
Corinne, and ask her if she had determined perpetually to disturb her
wedded peace; but, as she arrived at her sister's door, her diffidence
returned; nor would she have had courage to enter, had not the invalid,
who saw her from a window, sent Thérésina to entreat her. Lucy ascended
to the sick chamber, and all her anger vanished at sight of its
occupant. The sisters embraced in tears. Corinne then set an example
of frankness which it was impossible for Lucy not to follow. Such was
that mind's ascendency over every one, that, in her presence, neither
dissimulation nor constraint could be preserved. Pallor and weakness
confirmed her assertion, that she had not long to live: this sad truth
added weight to her counsels. All Castel Forte had told her, and all
she had guessed from Oswald's letters, proved that reserve and coldness
separated the Nevils from each other. She entered very simply on this
delicate subject: her perfect knowledge of the husband's character
enabled her to point out why he required to find spontaneously in
those he loved the confidence which he could not solicit, and to be
received with cheerfulness proportioned to his own susceptibility
of discouragement. She described her past self impartially, as if
speaking of another, and showed how agreeable it must be for a man to
find, united with moral conduct, that desire to please which is often
inspired by a wish to atone for the loss of virtue. "Many women," she
said, "have been beloved, not merely in spite of, but for the sake of
their very errors; because they strove to extort a pardon by being ever
agreeable, and having so much need of indulgence dared impose no laws
on others. Therefore, dear sister, pride not in your perfections; let
your charms consist in seeming to forget them; be Corinne and Lucy in
one: nor let your own worth excuse to you a moment's neglect of your
graces, nor your self-respect render your manners repulsive. Were your
dignity ill founded, it might wound _him_ less; for an over-exertion
of certain rights chills the heart more than do unjust pretensions.
Love delights in paying more than is due, where nothing is exacted."
Lucy thanked her sister with much tenderness for the interest thus
generously evinced in her welfare; and Corinne resumed: "If I were
doomed to live, I might not be capable of it; but now my only selfish
wish is, that Oswald should find some traces of my influence in you
and in his child; nor ever taste one rapture that reminds him not of
Corinne." Lady Nevil returned to her every day, and with the most
amiable delicacy, studied to resemble the being so dear to her Lord.
His curiosity increased, as he remarked the fresh attractions she thus
acquired: he knew that she must owe them to Corinne; yet Lucy having
promised to keep the secret of their meetings, no explanation occurred.
The sufferer proposed yet to see the wedded pair together, but not
till she was assured that she had but a few moments to live; but she
involved this plan in so much mystery, that Lucy knew not in what
manner it was to be accomplished.
CHAPTER V.
Corinne desired to bid Nevil and Italy such a farewell as might recall
the days on which her genius shone with its full splendor. A pardonable
weakness. Love and glory were ever blended in her mind; and, at that
moment when her heart was about to resign all earthly ties, she wished
Oswald to feel, once more, that it was the greatest woman of her day
he had destroyed--the woman who best knew how to love and think--whose
brilliant success he had obscured in misery and death.
She had no longer the strength required by an improvisatrice; but in
solitude, since Oswald's return, had resumed her zest for writing
poetry; she therefore named a day for assembling in one of the
galleries all who desired to hear her verses, begging Lucy to bring
her husband; adding, "I feel I may demand this of you now." Oswald
was fearfully agitated, wondering what subject she had chosen, and
whether she would recite herself: the bare possibility of looking on
her threw him into extreme confusion. The morning came, and winter
frowned on it with all the sternness of the north: the wind howled,
the rain beat violently against the windows, and by an eccentricity
more frequent in Italy than elsewhere, the thunder added a sense of
dread to all this gloom. Oswald could not speak: everything around him
increased the desolation of his soul. He entered the hall with Lucy: it
was immensely crowded. In an obscure recess was placed a sofa, whereon
Corinne was to recline, being too ill to read her own verses. Dreading
to show herself, changed as she was, she had chosen those means of
seeing Oswald unseen. As soon as she knew that he was there, she veiled
her face, and was supported to this couch; from time to time staying
to take breath, as if that short space had been a painful journey:
the last steps of life are ever slow and difficult. Seating herself,
her eyes sought Oswald, found him, and involuntarily starting up, she
spread her arms; but instantly fell back, turning away her face, like
Dido when she met Æneas in a world which human passions should not
penetrate. Castel Forte detained Lord Nevil, who now, utterly beside
himself, would have flown to fall at her feet: the Prince reminded him
of the respect he owed Corinne before the world.[1]
A young girl, dressed in white, and crowned with flowers, now appeared
on the stage which had been erected. Her meek and peaceful face
touchingly contrasting the sentiments she was about to breathe; it was
Corinne's taste, which thus mingled something sweet with thoughts in
themselves too dreary. Music nobly and affecting prepared the auditors.
The hapless Oswald could not tear his eyes from Corinne: she was to him
as an apparition that haunts a night of fever: it was through his own
deep sighs that he heard the death-song of the swan, which the woman he
had so much wronged addressed to his heart.
THE LAST SONG OF CORINNE.
Take ye my solemn farewell! O, my friends,
Already night is darkening on my eyes;--
But is not heaven most beautiful by night?
Thousands of stars shine in the kindling sky,
Which is an azure desert during day.
Thus do the gathering of eternal shades
Reveal innumerable thoughts, half lost
In the full daylight of prosperity.
But weaken'd is the voice which might instruct;
The soul retires within itself, and seeks
To gather round itself its failing fire.
From my first days of youth, my inward hope
Was to do honor to the Roman name;
That name at which the startled heart yet beats.
Ye have allow'd me fame, O generous land!
Ye banished not a woman from the shrine!
Ye do not sacrifice immortal gifts
To passing jealousies, Ye who still yield
Applause to Genius in its daring flight;
Victor without the vanquished--Conqueror,
Yet without spoil;--who, from eternity,
Draws riches for all time.
Nature and Life! with what deep confidence
Ye did inspire me! I deem'd all grief arose
For what we did not feel, or think enough:
And that we might, even on this our earth,
Beforehand taste that heavenly happiness,
Which is--but length in our enthusiasm,
But constancy in love.
No, I repent it not, this generous faith;
No, that caused not the bitter tears I've shed,
Watering the dust which doth await me now.
I had accomplish'd all my destiny--
I had been worthy all the gifts of Heaven,
If I had only vow'd my sounding lyre
To celebrate that goodness all divine,
Made manifest throughout the universe.
And thou, my God!--Oh, thou wilt not reject
The offering of the mind; for poetry,
Its homage is religious, and the wings
Of thought but serve to draw more near to thee.
Religion has no limits, and no bonds;--
The vast, the infinite, and the eternal,
Never from her may Genius separate.
Imagination from its earliest flight,
Past o'er the bounds of life: and the sublime
Is the reflection of divinity.
Alas! my God, had I loved only thee;[2]
If I had raised my head aloft in heaven--
From passionate affections shelter'd there,
I had not now been crush'd before my time--
Phantoms had not displaced my brilliant dreams
Unhappy one, if yet my genius lives,
I only know it by my strength of grief:
Under the features of an enemy
I recognize it now.
Farewell, my birthplace! farewell, my own land!
Farewell, remembrances of infancy,
Farewell! Ah, what have ye to do with death?
And ye who in my writings may have found
Feelings, whose echo was within your soul,
Oh, friends of mine--where'er ye be--farewell!
Corinne has suffer'd much--but suffer'd not
In an unworthy cause: she has not lost
At least her claim on pity.
Beautiful Italy! it is in vain
To promise me your loveliness; my heart
Is worn and wasted; what can ye avail?
"Would ye revive my hopes, to edge my griefs!
Would ye recall my happiness, and thus
Make me revolt against my fate?
Meekly I do submit myself. Oh, ye
Who may survive me--when the spring returns,
Remember how I loved its loveliness!
How oft I sung its perfume and its air.
I pray you sometimes to recall a line
From out my songs--my soul is written there:
But fatal Muses, love and misery,
Taught my best poetry.
When the designs of mighty Providence
Are work'd in us, internal music marks
The coming of the angel of the grave:
Nor fearful, nor yet terrible he spreads
His white wings; and, though compass'd by night,
A thousand omens tell of his approach.
If the wind murmurs, then they seem to hear
His voice; and when night falls, the shadows round
Seem the dark foldings of his sweeping robe.
At noon, when life sees only the clear sky,
Feels only the bright sun, the fated one
Whom Death hath called, upon the distance marks
The heavy shade is so soon to shroud
All nature from their eyes.
Youth, hope, emotions of the heart--ye all
Are now no more. Far from me--vain regrets;
If I can yet obtain some falling tears,
If I can yet believe myself beloved,
It is because I am about to die.
Could I recall my fleeting life--that life,
Soon would it turn upon me all its stings.
And Rome! Rome, where my ashes will be borne!
Thou who hast seen so many die, forgive,
If, with a trembling step, I join the shades,
The multitude of your illustrious dead!
Forgive me for my pity of myself.[3]
Feelings, and noble thoughts, such thoughts perchance
As might have yielded fruit--expire with me.
Of all the powers of mind which nature gave,
The power of suffering has been the sole one,
Which I have used to its extent.
It matters not.--I do obey.--Whate'er
May be the mighty mystery of death,
That mystery at least must give repose.
Ye do not answer me, ye silent tombs!
Merciful God, thou dost not answer me!
I made my choice on earth, and now my heart
Has no asylum. Ye decide for me,
And such a destiny is best. L. E. L.
Thus ended the last song of Corinne. The hall resounded with deep, sad
murmurs of applause. Lord Nevil could not support the violence of his
emotion, but fell senseless to the ground. Corinne, beholding him in
this condition, would have flown to him, but her strength failed as she
attempted to rise. She was borne home, and from that hour no hopes were
entertained of saving her. Lucy hastened to her, so afflicted by her
husband's grief, that she threw herself at her sister's feet, imploring
her to admit him; but Corinne refused. "I forgive him," she said, "for
having broken my heart. Men know not what they do; society persuades
them that it is sport to fill a heart with rapture, and then consign it
to despair; but God's free grace has given me back composure. The sight
of Oswald would revive sensations that ill befit a death-bed. Religion
only possesses the secret clue through this terrific labyrinth. I
pardon the being I so loved," she continued, with a failing voice; "may
he be happy with you! but when in his turn he is called on to die, then
may he recollect the poor Corinne. She will watch over him, if Heaven
permits; for those never cease to love, whose love has had the strength
to cost them life."
Oswald stood at her door, sometimes about to enter, spite her
prohibition, sometimes motionless with sorrow. Lucy passed from one
to the other, like an angel of peace, between despair and death. One
evening Corinne appeared more easy, and the parents went for a short
time to their child, whom they had not seen for three days. During
their absence the dying woman performed all the duties of religion;
then said to the reverend man who received her last solemn confession:
"Now, father, you know my fate. Judge me! I have never taken vengeance
on my foes; the griefs of others never asked my sympathy in vain;
my faults sprung but from passions not guilty in themselves, though
human pride and weakness led them to excess and error. Think you, my
father--you who have so much longer experience than I--that God will
pardon me?"--"Yes, child, I hope so; is not your heart now wholly
his?"--"I believe it, father; take away this portrait, it is Oswald's;
lay on my breast the image of Him who descended to this life--not for
the powerful, nor the inspired, but for the sufferer, the dying; they
need his mercy." She then perceived Castel Forte, who wept beside her
bed, and holding out her hand to him, exclaimed: "My friend! you only
are beside me now. I lived for love; yet, but for you, should die
alone." Her tears fell as she spoke, yet she added: "There is no help
for such a moment; friends can but follow us to the brink; there begin
thoughts too deep, too troubled, to be confided." She begged they would
remove her to a sofa, whence she could gaze upon the sky. Lucy now came
to her side; and the unhappy Oswald, following his wife, fell at the
feet of Corinne, who would have spoken to him, but her voice failed:
she raised her eyes to Heaven; the moon was covered with just such a
cloud as they had seen on their way to Naples. Corinne pointed to it
with a dying hand--one sigh--and that hand sank powerless.
Oswald fell into such distraction that Lucy trembled for his life. He
followed the funeral pomp to Rome; then retired to Tivoli, where he
remained long, without seeing even his wife and child. At last, duty
and affection restored him to them; they returned to England. Lord
Nevil's domestic life became most exemplary: but did he ever pardon his
past conduct? Could the approving world console him? After the fate he
had enjoyed, could he content himself with common life? I know not: nor
will I, on that head, either absolve or condemn him.
[1] Not a word of what he owed his wife.--TR.
[2] "Had I but served my God with half the zeal," &c.--_Wolsey_.
(SHAKSPEARE.)
[3] "J'a pitié de moi-même."--CORNEILLE.
THE END.
End of Project Gutenberg's Corinne; or, Italy, by Germaine, Madame de Staël