CHAPTER I.

Transcriber’s Notes

Text printed in italics, bold face and small capitals in the source

document have been transcribed between _underscores_, between =equal

signs= and as ALL CAPITALS respectively. ~V~ represents a V-shape

rather than the character V.

More Transcriber’s Notes may be found at the end of this text.

_“WORK” HANDBOOKS._

BOOT MAKING AND MENDING

“WORK” HANDBOOKS.

A Series of Practical Manuals.

_Edited by_ PAUL N. HASLUCK, _Editor of “WORK.”_

=House Decoration.= Comprising WHITEWASHING, PAPERHANGING, PAINTING,

etc. With 79 Engravings and Diagrams. 1s.; post free, 1s. 2d.

_Contents._--On Colour and Paints. Pigments. Oils, Driers, Varnishes,

etc. Tools used by Painters. How to Mix Oil Paints. Distemper or

Tempera Painting. Whitewashing and Decorating a Ceiling. Painting a

Room. Papering a Room. Embellishment of Walls and Ceilings.

=Boot Making and Mending.= Including REPAIRING, LASTING, and

FINISHING. With 179 Engravings and Diagrams. 1s.; post free, 1s. 2d.

_Contents._--Repairing Heels and Half-Soling. Patching Boots and Shoes.

Re-Welting and Re-Soling. Boot Making. Lasting the Upper. Sewing and

Stitching. Making the Heel. Knifing and Finishing. Making Riveted Boots

and Shoes.

=How to Write Signs, Tickets, and Posters.= With 170 Engravings and

Diagrams. 1s.; post free, 1s. 2d.

_Contents._--The Formation of Letters, Stops, and Numerals. The

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With Engravings and Diagrams. 1s.; post free, 1s. 2d.

_Contents._--Processes of Finishing Wood. Processes of Staining

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and Spiriting Off. Glazing and Wax Finishing. Oil Polishing and Dry

Shining. Re-polishing and Reviving. Hard Stopping or Beaumontage.

Treatment of Floors. Stains. Processes of Varnishing Wood. Varnishes.

Re-polishing Shop-Fronts.

=Dynamos and Electric Motors.= How to Make and Run them. With 142

Engravings and Diagrams. 1s.; post free, 1s. 2d.

_Contents._--Introduction. Siemens Dynamo. Gramme Dynamo. Manchester

Dynamo. Simplex Dynamo. Calculating the Size and Amount of Wire for

Small Dynamos. Ailments of Small Dynamo Electric Machines: their Causes

and Cures. Small Electro-motors without Castings. How to Determine the

Direction of Rotation of a Motor. How to Make a Shuttle-Armature Motor.

Fifty-Watt Undertype Dynamo. Four-Hundred-and-Forty-Watt Manchester

Type Dynamo.

=Cycle Building and Repairing.= With Engravings and Diagrams. 1s.;

post free, 1s. 2d.

_Contents._--Introductory, and Tools used. How to Build a Front Driver.

Building a Rear-driving Safety. Building Tandem Safeties. Building

Front-driver Tricycle. Building a Hand-driven Tricycle. Fittings and

Accessories. Making a Gear Case. Brazing Cycle Work. Wheel Building.

Enamelling Cycles. Miscellaneous Repairs.

CASSELL & COMPANY, LIMITED, _Ludgate Hill, London_.

BOOT MAKING AND

MENDING

INCLUDING

REPAIRING, LASTING, AND FINISHING

_WITH NUMEROUS ENGRAVINGS AND DIAGRAMS_

EDITED BY

PAUL N. HASLUCK

EDITOR OF “WORK” NEW SERIES, AUTHOR OF “HANDYBOOKS FOR

HANDICRAFTS,” ETC. ETC.

[Illustration]

SIXTH THOUSAND

CASSELL AND COMPANY, LIMITED

LONDON, PARIS & MELBOURNE

1898

ALL RIGHTS RESERVED

_Weekly. 1d._

WORK.

The Illustrated

Journal for all

Mechanics.

“=_WORK_ is a vast and very valuable repertory of information as to

the practical and ornamental, or minor, arts. To all devotees of

such pursuits, whether professional or amateur, this _WORK_ will be

worth much more than its price=; for there are very few mechanical or

art-technical pursuits which are not very fully described in it here

and there, ‘up to date,’ with details of the most recent discoveries

or improvements in them. . . . =The illustrations are copious,

and generally so well designed and engraved as to merit special

commendation.=. . . Something new crops up in every branch every day,

be it turning wood, photography, staining metals, gesso-work, frames,

varnishes, polishings, veneering, piano-making, gilding, hydraulic

motors, or illuminating, be it on parchment or by electricity; and

=_WORK_= gives us not only the novelties, but in all cases solid

instruction in these arts. =It is a curious reflection, but soundly

true, that there is not a person of ordinary average intelligence and

strength living who could not learn from this . . . how in a short time

to make a living.=”--_Saturday Review._

WORK _is also published in Monthly Parts, each of which now contains a

Coloured Plate, =6d.=_

CASSELL & COMPANY, LIMITED, _Ludgate Hill, London_.

PREFACE.

This Handbook contains, in a form convenient for everyday use, a

comprehensive digest of the knowledge of How to Make and Repair Boots

and Shoes, scattered over ten thousand columns of WORK, the weekly

journal it is my fortune to edit--and supplies concise instruction in

the general principles of the craft on which it treats.

In preparing for publication in book form the mass of relevant matter

already published in the volumes of WORK, much that was tautological

in character had to be rejected. The remainder necessarily had to be

arranged anew, altered and largely re-written. From these causes the

contributions of many are so blended that the writings of individuals

cannot be distinguished for acknowledgment.

However, it may be mentioned that a number of articles from the pen

of Mr. William Greenfield, an acknowledged adept in the craft, are

incorporated in the text.

Readers who may desire additional information respecting special

details of the matters dealt with in this Handbook, or instruction on

kindred subjects, should address a question to WORK, so that it may be

answered in the columns of that journal.

P. N. HASLUCK.

CONTENTS.

CHAP. PAGE

I.--Repairing Heels and Half-soling 9

II.--Patching Boots and Shoes 32

III.--Re-welting and Re-soling 50

IV.--Boot Making 62

V.--Lasting the Upper 75

VI.--Sewing and Stitching 84

VII.--Making the Heel 99

VIII.--Knifing and Finishing 120

IX.--Making Riveted Boots and Shoes 148

LIST OF ILLUSTRATIONS.

FIG. PAGE

1.--Worn Heel prepared for Mending 10

2.--New Half Heel, with Rivets to Resist Wear 11

3.--Half-heel Piece Holed and Hammered 12

4.--Home-made Awl 13

5.--Top of Awl Handle 13

6.--Cut Bill 13

7.--French Brad 13

8.--Half-heel Piece Bradded 14

9.--Snow’s Leather-plugged Half-tip 15

10.--Heel prepared for Half-tip 15

11.--Fixing Heel with Screws 16

12.--Sharpening Strop 17

13.--End View of Strop 17

14.--Shoemaker’s Bench 19

15.--Heel prepared for Repairing 20

16.--Rivets in a Boot Sole 21

17.--Iron Foot used in Re-soling 22

18.--Iron Last and Stand 22

19, 20.--Last Stands, with Reversible Foot 23

21.--Old Sole Removed 24

22.--New Sole partly Fitted 24

23.--New Sole Fastened in Groove 25

24.--New Sole finally Fitted 25

25.--Position for Rivets 26

26.--Edge of Sole Pened 26

27.--Shoemaker’s Rasp 27

28.--Enlarged View of Pened Work 27

29.--Top Piece on Heel 27

30.--Glazing Iron 29

31.--Leather Skived to form Patch 33

32.--Putting on a Patch 33

33.--Patch Completed 34

34.--How to hold the Boot whilst Sewing 35

35, 36.--Leather Skived to form Patches 37

37.--Preparing the Boot to receive the Patch 38

38.--Crack mended with Cross and Zigzag Stitches 40

39.--Cross Stitch 41

40.--Blind Stabbing 41

41.--Blind Stabbing 42

42.--Upholsterer’s Needle 42

43.--Needle in Handle 43

44.--Makeshift Blind Stabbing 43

45.--Sole raised to receive Underlay 44

46.--Leather Skived to form Underlay 45

47.--Skiver for Levelling 45

48.--Toe-piece and Underlay 46

49.--Loop Stitching 47

50.--Seat Stitching 47

51.--Stitch Drawing 48

52.--Grafting Sole to Waist 51

53.--Cutting Welts 52

54.--Welt prepared for Sewing 53

55.--Sewn Graft 53

56.--Fitting, Stitching, and Sewing 55

57.--Sewing-awl 57

58.--Blade of Stitching-awl 57

59.--Section of Boot 58

60.--Rubbing down Channel 59

61.--Fudge-wheel 59

62.--Waxing the Thread 60

63.--Hand-leather 61

64.--Shape of Foot Drawn on Paper 62

65.--Shoemaker’s Tape Measure 63

66.--Measuring a Stockinged Foot 63

67.--Measuring a Last 64

68.--A Last 64

69.--Bottom of Last 65

70.--Long Leather 66

71.--Instep Leather 66

72.--Joint Leather 66

73.--Heel-pin 66

74.--Last in Parts 67

75.--Peg-awl 67

76.--Gent.’s Lace Boot 70

77.--Oxford Shoe 71

78.--Inner Sole, Filled and Holed 72

79.--Prick-stitch 73

80.--Awl Holing the Inner Sole 73

81.--Stiffener 74

82.--Skiving-knife 74

83.--Side Lining 74

84.--Ready for Lasting 75

85.--Sole of Last showing Tacks 76

86.--Lasting Tack 76

87.--Lasting the Toe 78

88.--Shoemaker’s Pincers 79

89.--Side of Lasted Toe 80

90.--Sewing the Welt 84

91.--Welt enlarged 85

92.--Awl and Bristle 86

93.--Welt Sewn in 87

91.--Sole 89

95.--Rounding up the Sole 90

96.--Channel for the Stitches 90

97.--Channel laid open 92

98.--Stitching-awl 93

99.--Stitching the Boot 94

100.--Making the Stitch 95

101.--Rubbing the Channel down 96

102.--Sole-piece 98

103.--Cutting Split-lifts 99

104.--Turning the Split-lift 100

105.--Split-lift in position 100

106.--Heel ready for Sewing 101

107.--Flat-waisted Last 102

108.--Alteration of Last for High Heels 103

109.--Another way of Altering Last 103

110.--Heels Contrasted 104

111.--Stitching the Lift 104

112.--Method of Making the Stitch 104

113.--Pening to cover the Stitch 106

114.--Trimming the Seat 106

115.--Metal Guard used when Trimming 107

116.--Seat-breaker 107

117.--Welt-file 108

118.--Pegging a Seat 108

119.--Seat Sewn for Pegging 109

120.--Pegged Seat and Split-lift 109

121.--Flexura Spring 110

122.--Inner Sole for Pegged Waist 111

123.--Pegged Waist Enlarged 112

124.--Split Strip for light Pegged Work 113

125.--Completing the Heel 114

126.--Shape of Lifts for Blinding 115

127.--Top Piece Bradded 115

128.--Pitch of Heel 116

129.--Heel Pitching on Breast 116

130.--Heel Pitching on Back 116

131.--Correct Range for Spring Waist on Last 117

132.--Spring Waist off the Last 118

133.--Square Military Heel 118

134.--Smart Military Heel 118

135.--Heel in the Rough 120

136.--Knifing-up the Heel 121

137.--Paring Waist and Buffing Edge 121

138.--Peening Waist and Breaking Heel Corners 121

139.--Welt-beater 122

140.--Corner-beater 122

141.--Peening the Heel 123

142.--Rasping the Heel 123

143.--Yankee Heel Shave 124

144.--Peening Edge of Sole 125

145.--Rasping Edge of Sole 125

146.--Sole-plane 126

147.--Shoemaker’s Buffing-knife 126

148.--Welt Knife 128

149.--Breasting the Heel and Marking the Waist 129

150.--Sole, Waist, and Top-piece set up 130

151.--Seat wheel 131

152.--Handle for Waist Iron made from a chair leg 131

153.--Hollow Waist-iron 132

154.--Side-view of Waist-iron 132

155.--Round Waist-Iron 132

156.--Blind Double Iron 132

157.--Double Iron 132

158, 159.--Forepart Iron: Front and Side Views 133

160.--Double Iron 134

161.--Improved Fudge-wheel 135

162.--Portion of Boot for Pricking up the Stitch 136

163.--Spirit Lamp for Heating Irons 137

164.--Holding Heel-ball Cloth 139

165.--Double-handed Burnisher or Glazer 140

166.--How to Mark Waist 141

167.--Creasing for Flexura Waist 143

168.--Section of Boot 143

169.--Last Hook 144

170.--Round-headed Peg Rasp 145

171.--Peg Knife 145

172.--Seat-sock for Gent.’s Boots 145

173.--Sock for Ladies’ Boots and Shoes 146

174.--Putting in Sock not to Crease it 146

175.--Thin Sheet Iron to cover Last 148

176.--Boot Bottom with Blinders and Split-lift on Heel 149

177.--Boot Lasted Ready for Riveting 150

178.--The Riveted Sole 151

179.--Rivet Driver 152

BOOT MAKING AND MENDING.

CHAPTER I.

REPAIRING HEELS AND HALF-SOLING.

Soling and heeling are very necessary operations; for boots and shoes

are amongst the necessaries of life, and soles and heels will wear out.

A man who does his own repairs at once increases his income, or at

least saves a continual outlay.

For the processes of heeling and soling, not many tools are needed to

start with, and the leather can be bought in small quantities; and all

the necessary grindery (such as rivets, brads, pegs, hemp, paste, etc.)

can be bought, also in small quantities, and at a very low rate.

Suppose gentlemen’s boots want heeling and soling, the price at which

they are done by low-priced repairers is 2s. 6d., and then the work is

inferior and the leather nearly always foreign. Though there are some

good tannages and parts in foreign stuff, yet low-priced repairers use

only what are called first-cuts (the neck end of the butt), which is

the lightest leather both in substance and weight, and consequently

the cheapest. A pair of soles of this material costs 4d. or 5d., the

top-pieces for the heel 1¹⁄₂d. or 2d.; so the leather does not cost

more than 7d. at the most; and if such material does not last long in

wear, it is not surprising. Besides, the soles are often put on badly

and with long rivets, so that they cannot be got off again without

pulling the boots all to pieces.

There is great importance in keeping heels level, for if they are

allowed to wear down low, the evil that is caused is difficult to

remedy; for this not only tends to throw the heel itself on one side,

but also causes the sole to wear away much quicker, runs the stiffener

down at G G (Fig. 1), and throws the boot or shoe out of position,

generally beyond recovery.

[Illustration: Fig. 1.--Worn Heel Prepared for Mending.]

Nearly everybody in walking wears down his boot heels at one particular

spot. Usually the wear occurs most at A (Fig. 1), though with some

it is at the back of the heel; while a few wear most on the inside.

The repair of these defects is one of the best jobs that a novice at

the craft can start upon, as the grafting in half-heeling only means

butting the new piece of leather against the old, and there is no play

or friction to cause them to come asunder. The leather in very cheap

boots and shoes is not properly “worked”; this term meaning wetted,

dried, hammered, etc.

This explains why a new pair of cheap boots worn in the wet are, when

taken off the feet, lower on one side of the heel than on the other,

although the leather is not actually worn away. It is because the

unworked leather yields to the pressure caused by the weight of the

body in walking, and this yielding is the first stage to ruin. To

prevent this, always have a few extra nails put into new boots round

the part where most wear occurs.

When the heel is worn down on one side only, it is not necessary to

take the whole of the top-piece off, but only half of it, which can

be replaced with any corner of hard sole leather that would be almost

useless for any other purpose. To remove half of the top-piece, cut it

across at B C, and should the lift be worn, saw or cut that through as

well at D E; tack a piece of leather on to take the place of the worn

piece of lift, putting the tacks in at F and F. Then trim it round, and

put some odd corner of hard sole leather on in like manner, to take

the place of the worn part of the top-piece. Trim this also, and nail

it as shown in Fig. 2. In this case, four of the rivets put in at A,

B, C, and D should be quite ³⁄₄ in. long, so as to hold the

lift as well as the top-piece. One, two, three, or four rows of rivets

may be put in near the edge, but they are not much use unless close

together. Rivets should be put in as shown at E, F, G, and H.

This done, file them up, and finish in the ordinary way. Do not neglect

to keep the heel level. This is of special importance to those who mend

their own boots.

[Illustration: Fig. 2.--New Half Heel with Rivets to Resist Wear.]

Half-heeling, with plenty of nails close together, regularly done, will

keep boot heels in proper order; but it is not everyone who can spare

his boots or who can spare the time to do them properly in this way,

and when this job is once started, the boots cannot be worn until they

are finished. It is advisable never to wear a top-piece quite through,

for the lift is then worn away; and, no matter how little this may be,

it will need either replacing as described above, or repairing by means

of a skived piece of leather put under.

Before letting new heels wear away, take a piece of paper with one

straight line and lay this across the heel, from J to H (Fig. 2);

hold it with two fingers of the left hand quite firm at F and G; then

with the right hand smooth it down over the edge from J, passing A,

B, C, and D on to I; this will leave a mark on the paper. Cut

out to this mark, and it will give a good pattern of a half-heel piece,

as Fig. 3, without the outside line A. To this cut another pattern out

of stiff cardboard, as it will very often be wanted for use.

[Illustration: Fig. 3.--Half-Heel Piece Holed and Hammered.]

When leisure occurs cut sole leather to pieces of this pattern, leaving

¹⁄₄ in. on all round the curved side A (Fig. 3), to give room for

nailing. Here it will be necessary to explain how to make an awl for

this purpose, as, unlike all other awls, such awls cannot be bought

ready for use, but it is a tool that saves much time and disappointment.

[Illustration: Fig. 4.--Home-made Awl.]

To make this tool, an ordinary handle is used for a peg-awl, A (Fig.

4); two pieces of sole leather are put on top, as B and C. To secure

these, put one short stout screw in the centre, and then put a third

piece on, as D, first cutting a hole in the centre, a little larger

than the head of the screw, as A (Fig. 5), and then put about five

rivets in, as B, C, D, E, and F. This is done because the awl, when

finished, is very stumpy, and requires such hard blows to get it in

that these would split the wood; but by means of the leather this is

avoided, and the hole in the centre will admit of tightening the screw

when necessary. The edge is trimmed up all round, and a carpenter’s

large bradawl is put into the other end. This awl has a shoulder to it,

therefore the heavy blows will not drive it into the handle. When the

awl has been put into the handle, break it off to about an inch from

the shoulder; then with a fine file, or on a grindstone, taper it to a

long, flat, square point, as E (Fig. 4); it should be the shape of a

French brad (Fig. 7), only about ¹⁄₄ in. longer, and, of course, smooth.

[Illustration: Fig. 5.--Top of Awl Handle.]

The piece of leather in Fig. 3 should be of good substance, and should

be wet, but not soddened. On it mark a line round the curved line from

B to C, ¹⁄₄ in. from the edge, and from these two points make two rows

of holes with the awl just described, which should be dipped into a

piece of soap each time before using. A hole can be missed in the

second line of holes at each of the four places D, D, D, D, and a small

round hole made instead, and four more also made at E, E, E, E; then

let the leather get nearly dry before hammering it. This hammering will

make the holes smaller and more irregular-looking than shown in Fig.

3; but this does no harm, for so long as the awl is held in the same

position for each hole, the brads are sure to follow into their proper

places.

[Illustration: Fig. 6.--Cut Bill.]

[Illustration: Fig. 7.--French Brad.]

It has been stated above that the awl should be of the same shape as

a French brad, which is shown in Fig. 7; but there is another kind of

brad of similar shape, only it is much shorter and a little stouter,

as shown in Fig. 6. This is called a cut-bill, and it is this brad

that must be used to put into the holes made in Fig. 3. Let the length

of the brads be as nearly equal to the substance of the leather as

possible; lay the leather upon a piece of wood, and knock the brads in

the square holes one at a time. When they are all in, take the leather

off the wood, and lay it on the lap-iron with the points of the brads

upwards. These, if they are not too far through, can be clenched and

made smooth by tapping with a hammer; but if they are through far

before trying to clench them, they must be cut off with a pair of

cutting tongs close to the leather.

[Illustration: Fig. 8.--Half-Heel Piece Bradded.]

This done, the half-heel is ready for use. Several may be prepared,

and then all that is necessary to half-heel the boots is to cut the

top-piece across, as shown, from J to H (Fig. 2), take away the worn

part, and replace it with the new piece. Fig. 8 shows where it should

be bradded, and also the places for eight ⁵⁄₈ in. rivets; these are all

that is necessary to hold the piece on, and will allow it be taken off

easily when another heel-piece is wanted.

It will be found that the small margin, A B (Fig. 8), after the brads

have been put in, has become somewhat contracted. This is why the extra

¹⁄₄ in. of leather was left, for it would break if nailed close to the

edge. Now you can trim up the edge of the piece to the edge of the

heel, cutting close to the brads, on the line C to D, and finish in

the ordinary way. The first time the boots are half-heeled, it will be

necessary to put four rivets in the old leather at E, F, G,

and H (Fig. 8), to keep it from ripping off.

[Illustration: Fig. 9.--Snow’s Leather-plugged Half-tip.]

[Illustration: Fig. 10--Heel Prepared for Half-tip.]

Another good and easy way to half-heel boots is to get a pair of Snow’s

patent leather-plugged half-tips (Fig. 9), price 1¹⁄₂d. Put one on the

heel in its proper position, mark round the inside from A to B (Fig.

10), and cut away the part, C, that the tip is going to replace. Lay

the tip on the lap-iron face down, and hollow it in the centre, that it

may grip well at both ends, then dip it in water to soften the leather

plugs, and put it on the heel. With a fine awl make a hole through the

centre of each plug, and put a long rivet, which would be supplied with

the tips, in each hole. Smooth it up with a file where rough, and you

have a new lease of heel wear for 1¹⁄₂d., and a very little trouble.

If it is found difficult to cut the curved line to fit the tip from A

and B, cut the heel straight across, as in Fig. 2, from J to H, and

after the tip is on cut a small piece, as D (Fig. 10), and nail it in

with four rivets. To get D the proper shape, let it have one straight

side, and press that against the old leather. Hammer the leather on the

tip--this will make a mark underneath--cut through this line, and you

have the shape required.

Perhaps it is well to mention here that for beginners heeling and

underlaying--that is, placing pieces under the soles--is better work

to start upon, as by such work the use of the tools will be gradually

acquired, and sufficient skill obtained to warrant attempting the

harder task of soling and heeling throughout.

[Illustration: Fig. 11.--Fixing Heel with Screws.]

Suppose, as is often the case, your boots want the heels set up on one

side only, and a piece is wanted under the side of the soles, or a

toe-piece is wanted. A job like this can be done with very few tools.

But it is well always to buy a tool when you want it, and always to try

and do the work as well as possible; for by taking pains with the work,

you will soon be making progress. Boot repairing comes under every

man’s notice, so he has some idea how it should look when finished.

In the case of a heel that has given way by parting from the shoe, the

best way to repair it is to bore two holes from inside the shoe, each

large enough to admit a joiner’s screw to pass though, as at A in Fig.

11, and then make two small holes into the heel at B, as a lead for

the screws, which can be about ³⁄₄ in. or 1 in. long. From the inside

screw the two well into the heel, as at C; then put the shoe on an

iron foot, and drive in a long French nail from the top, just behind

the screws, as at D, and the heel will be as solid as it was at first.

Perhaps, by putting in another screw the nail may be dispensed with,

and if so, so much the better, as then nothing of the repair can be

seen from the outside.

[Illustration: Fig. 12.--Sharpening Strop.]

[Illustration: Fig. 13.--End View of Strop.]

A sharpening strop (Fig. 12) is indispensable to the shoemaker. It is

generally a solid piece of square wood, about 16 in. long, shaped at

one end to form the handle, A, about 4 in. long. A useful hollow one

may be made in this way: Take four pieces of wood, ¹⁄₄ in. thick, 12

in. long, and about 1³⁄₄ in. wide: place them together, as shown at

Fig. 13, and fix them with screws, illustrated at B, B, B,

B. Then cut a square piece, as C, and fix it with two French

nails at each side, as D D (Fig. 13). Then have a square piece of wood,

the same substance, about 6 in. long, and shape it for the handle, as A

(Fig. 12), leaving about 2 in. square to form a stopper for the square

case, which will be found very handy to keep spare awls in and also

broken awls, the use of which will be explained later on. It is also

very convenient to keep a sharp knife in, for if left with other tools,

this gets blunt, and when picking up another tool, you are apt to cut

your hand if the knife is lying on the bench.

When the strop has been completed, as shown in Fig. 12, paste a

piece of leather on one side, and on the other three sides paste

emery-cloth, Nos. 1¹⁄₂, 1, and F F. For putting a fine edge to the

knife use the F F, dip the blade of the knife in water, and finish on

the leather side. In sharpening a knife, always hold the blade quite

flat on the strop, or you will produce a round edge, which makes it

hard to use.

Paste is very often wanted. A halfpennyworth can be bought at any

grindery shop. But it so soon gets dry, and some of it is sure to be

wasted. The better way is to make paste thus: put a table-spoonful of

rye-flour into a jar, add a little _boiling_ water to it, and well

stir; this is economical, and you can always have paste in a few

minutes.

To sole and heel a pair of boots, procure a pair of soles of English

tannage, costing from 9d., and top-pieces from 3d.; a halfpennyworth of

iron rivets, at 3d. lb.: ¹⁄₂ in. is a very useful size; sand-paper, 1

sheet, size 1¹⁄₂, cost ¹⁄₂d.; and shoemakers’ ink, ¹⁄₂d. A better sole

would not be got at many full-priced shops.

Most important and most needed tools are an iron foot (Fig. 17), a

shoemaker’s hammer, knife (Fig. 82), nippers, glazing iron (Fig. 30),

and rasp (Fig. 27). This list of tools does not include sufficient to

turn out all kinds of work properly, but the number is cut down so that

the first four or five repairing jobs, including tools, shall cost no

more than if they had been done by an ordinary repairer.

Now we have leather and tools, we will start work. If you sit on an

ordinary chair, it should be cut down to about 14 in.; or any seat that

height will do. Your tools, for the present, can be put on the floor

or on the box you keep them in; but a shoemaker’s bench is of course

better.

The illustration Fig. 14 shows that it is not very hard to construct

a shoemaker’s bench, though, if the one shown is too elaborate, the

drawers can be dispensed with. Even a sugar-box will suffice, taking

the lid off and laying it on its side, the open top being A, where one

or even more drawers can be made to fit in. The lid will make the

back, and the beads for the two sides and front marked B B B and B,

which are about 1¹⁄₂ in. above the side of the box. Compartments can be

made at C C to receive the grindery in use, one especially to fit the

ink-bottle, that it may not get knocked over.

[Illustration: Fig. 14.--Shoemaker’s Bench.]

To tell a hand-sewn boot from one that is machine-sewn, first take the

sock out, and if there are stitches all round inside, on the inner

sole, the boots are machine-sewn. If the inner sole is smooth, they

are either hand-sewn, standard-screw, or a combination. If they are

standard-screw, the marks of a small round disc show on the inner

sole. The screw wire is put in so that it seldom shows on the inside,

but if the centre of this impression is scraped away, the brass screw

wire will be brought to light and prove the make. A machine-sewn welt

(the nearest approach to hand-sewn) will show a real and good stitch

all round the outside. Machine-sewn boots or shoes are much heavier

than hand-sewn. Another guide is the inside of the heel, for generally

machine-sewn boots have heels that are put on by a heeling machine, in

which you can see either the heads or clenched points on the inner sole

of the seat. Or the heels are nailed on by hand, which can be told in

the same way. For this reason machine-made boots often have a whole

or half inner sole in them, but if this is taken out it can soon be

replaced. Men who do hand-sewn work do not build theirs in this way,

for if not sewn they are pegged.

[Illustration: Fig. 15.--Heel prepared for Repairing.]

Now to sole and heel a pair of riveted or machine-sewn boots, which

require new soles to be riveted on. First dip into water the old soles

and heels of the boots and hold them in for a few minutes; let them dry

a little, so as to have them just mellow. The new leather must be put

in water, and thoroughly wetted through; then taken out, and allowed to

get nearly dry, but not by the fire, if this can be helped. Rasp off

all rough flaky stuff from the flesh side. Place the lap-iron--which

is simply a laundress’s iron with the handle off--on your thighs,

just above the knees, put the leather on it, grain side down, and,

commencing from the centre, hammer it well, evenly and gently. This

makes the leather more dense and more resistive to wear, and also more

impervious to dampness. While the leather dries, take off the old

top-pieces that are worn, and if the lifts are worn, cut or saw them

through the centre, and take away the portion that is worn, as _a_

(Fig. 15). This can then be replaced by a piece of new leather, which

need not be of the best quality. There are other ways of building up

heels, which will be explained as we make progress.

[Illustration: Fig. 16.--Rivets in a Boot Sole.]

This operation of taking off the old soles requires some care. If

the boots are wetted, they are far less likely to fall to pieces and

otherwise give trouble than if they are worked upon in a dry state.

When taking off the sole, a last can be put in the boot, to make a

solid foundation to work on; the old sole can be prised off with a

blunt chisel when it is wet, commencing at the toe or the thinnest

part; this will enable you to catch hold of it with nippers. By means

of these pull off the sole with the nippers in one hand, and at the

same time hold down with the other the under leather (often termed

welt, or runner). Should the under part still have a tendency to give

way from the uppers, knock back the sole, so that it leaves the rivets

sticking out; with the pincers or nippers pull out the rivets, and

repeat the processes till the sole is got off without disturbing the

boot. Before putting the new sole on, the under part can be nailed down

with a few short rivets to make it solid. If in the making or previous

repairing very long rivets have been used, taking off the sole will

need great care to avoid causing the boot to fall to pieces. As your

own repairer, never let your boots wear low, for here “a stitch in time

saves nine”; and the cheaper the boots, the more applicable this adage.

For re-soling machine-sewn boots and shoes, follow the advice given

in connection with hand-sewn work. The following is another system

for sewn work:--When the lasts are in, and the boots wet, skive off

the edge of the sole: not right through, or you may spoil the welt,

but deep enough to cut through the stitches and cut their loops off.

Then, as before, the toe can be raised or prised up from the welt, when

taking off the sole is an easy matter.

[Illustration: Fig. 17.--Iron Foot used in Re-Soling.]

[Illustration: Fig. 18.--Iron Last and Stand.]

If the under-sole should come away whilst taking off the outer one, the

damage must be made good. This can be done in the following manner:--If

you are repairing on an iron last or an iron-bottom last, hammer the

middle or under-sole back into its place, first taking out all the old

nails; then, supposing A A in Fig. 16 to show the line where the rivets

which fix the new sole will pass through the middle sole, put through

the line B B a few short rivets or long tingles, according to the

substance of the bottom. The dots, B B, show where the tingle should be

put. They should be only just long enough to clench on the bottom of

the last.

When repairing on a wooden last, and this under-sole is being fixed,

take the shoe off and slip it on the iron foot to clench the tingles,

for they must be clenched before the new sole is put on. When putting

the new sole on and knocking in the rivets, put extra long ones in, say

an inch apart: just long enough to clench through the whole thickness

of the new sole, middle sole, tops, inner sole, etc. The long rivets

should be of brass, so that when the shoe is again re-soled these will

draw out with the thin old sole, and not disturb the middle sole in so

doing.

[Illustration: Figs. 19, 20.--Last Stands, with Reversible Foot.]

The cause of boots falling to pieces, as they sometimes do after a

short period of wear, is frequently the want of a good solid inner

sole. If not gone too far, and if when pulling the sole off the boots

are not pulled to pieces, remedy this defect by putting a new half

inner sole in the forepart, and then re-sole the boots on the iron

foot. If they are past this, and the uppers are good enough, re-last

the forepart on a pair of iron lasts or a pair of iron-plated ones.

To obtain the required lasts, the size of foot must be taken in inches.

Draw the tape measure just a little tighter than you would like the

boot, and then send off the order thus: 1 pr. gent’s (boot or shoe)

lasts, joint 9 in., instep 9¹⁄₂ in., as the case may be. Iron-plated

ones are the cheaper, as iron stem and stand, which cost 2s., are

wanted with the iron lasts; but an iron-plated last, screwed to a

bench, gives you the advantage of being able to stand at work. Figs. 17

and 18 show last and stand, which can be got at any leather warehouse.

Figs. 19 and 20 show a useful stand for repairing purposes which allows

the foot to be fixed firmly in either of the two positions.

[Illustration: Fig. 21.--Old Sole Removed.]

[Illustration: Fig. 22.--New Sole partly Fitted.]

The old sole should be cut off at the waist to within about ³⁄₄ in.

from where the new sole is to come. Mark off the exact length of the

new sole, and then start to skive off from this mark, tapered to where

the old sole was cut off. From the line scoop it out evenly with a

knife, until about one-third of the way through (as A, in Fig. 21).

Then lightly tap down the leather, right across where hollowed out;

this should be done with the pene end of the hammer. This process

hardens the leather to receive the pegs or rivets and, without

weakening the old leather, gives an extra drop to receive the new

sole. The new sole to be spliced to this part of the waist of the

boot must be skived, but not very thin; and it is best to skive on

the flesh side for light work, and on the grain side for heavy work.

Slightly paste the groove in the old leather, and also the new sole,

where it has been skived; this tends to make the graft sound and

firm when finished. It is all important to properly work the leather

before using--that is, by wetting, fleshing, drying, and hammering, as

explained on p. 20.

[Illustration: Fig. 23.--New Sole Fastened in Groove.]

[Illustration: Fig. 24.--New Sole finally Fitted.]

In levelling up for re-soling, the proper way is to make the sole

just a little rounded, putting in just enough filling to make

this difference. The bottom of a boot, if too round, is sometimes

uncomfortable, and wears away quickly, whilst one hollow in the centre

is uncomfortable and unsolid. A last should be somewhat round at the

bottom, so that it fits the bottom or sole of the foot. The sole of

the boot will be made round enough by placing a layer of felt in the

middle, to prevent creaking, and make it impervious to dampness as far

as possible. This applies both to making and to repairing.

To fix on the new sole, place the boot or shoe on an iron foot. The

sole should be put on with the skived end to overlap the groove about

¹⁄₈ in., as shown at A (Fig. 22). When riveted, it should be well into

the groove, as shown at A (Fig. 23). If the graft is well done, the end

of the new sole will project above the old leather. This part must be

pared off neatly level with the waist, then pened with the hammer and

rasped off. When all these processes are carried out, you will have a

neat and a permanently solid seam, as shown at A (Fig. 24).

[Illustration: Fig. 25.--Position for Rivets.]

[Illustration: Fig. 26.--Edge of Sole Pened.]

Before putting in the rivets, pare up the sole--not closely, but

leaving a small margin all round. About ³⁄₈ in. from the edge, draw a

line all round with a pair of compasses or with a pencil, which will

answer the purpose, held between the thumb and finger, placing the

second finger against the edge of the sole. Then with an awl prick

on the line, all round the sole, small holes to receive the rivets,

putting them closest where most wear comes; generally, this is at the

toe and outside joint, where it is best to use iron rivets; elsewhere

brass rivets should be used. Fig. 25 shows about the form in which the

rivets should be put in.

[Illustration: Fig. 27.--Shoemaker’s Rasp.]

[Illustration: Fig. 28.--Enlarged View of Pened Work.]

Trim up the sole’s edge with the knife, being very careful not to cut

the uppers; then damp the edge, and pene it all round with the hammer.

This should be done with the shoe on the knees, the heel being towards

you and the edge of the sole upwards, and pened by hammering, as shown

in Fig. 26 at A B, commencing at A, and going right round the sole.

This process is important, as it hardens the edge, tends to make it

hollow, and prepares it to receive the next tool, which is the rasp

(Fig. 27). The toe end of a shoe is illustrated on a larger scale at

Fig. 28, which shows how the pening strokes should be laid to weld the

new and old leather together, and keep the edge hollow, as at A (Fig.

28). Then let the whole boot dry, while you proceed with the other one.

[Illustration: Fig. 29.--Top Piece on Heel.]

When you repair your own boots, never let the heels wear more than just

through the top-piece: then the heels keep in shape; but if you have to

repair the lifts when putting the pieces on, let the nails be a little

way from the edge, or when the top-piece is nailed on one set of nails

will come in contact with those below, and produce unpleasant results.

When building up the heel, ready for the top-piece, it is well to make

that side where the most wear is a little higher, as it tends to make

the wear more even. Tack the top-piece on the heel (Fig. 29), putting

a nail at A and one at B, and round it up with the knife, leaving a

little stuff on all round, more particularly at that part which is to

receive the most nails, as shown by the dotted line. The rivets should

then be put in, as shown at C C, but first mark round the heel and hole

it, as was done for the sole, then pare and pene, as described above;

the edges of the soles and heels should then be rasped, then buffed

with a scraper or buffing-knife.

This tool, which is illustrated on p. 126, is similar to a

cabinet-maker’s scraper, and it can be made of about 3 in. of old

stay-busk. Such a tool can be bought, but it is seldom ready for use,

so you might as well make one; and a piece of freshly-broken glass will

suffice. Then sand-paper the edges with a piece of No. 1¹⁄₂ sand-paper.

The faces of the sole and heel can be filed with the file side of the

rasp, to make the heads of the rivets smooth and even with the leather;

then buff off the grain of the leather with the scraper, and sand-paper

the sole all over. This produces what is called a rough bottom, and all

that is needed for own work. Rub a little paste on the edges with a

piece of rag, and ink the edges and the waist, using shoemaker’s ink,

American is best. This is allowed to get just dry, then the leather is

rubbed over with the glazing-iron (Fig. 30). This iron must not be very

hot; its proper heat is such that if it is put into water it should

just cause a hiss. Properly, a forepart iron should be used for the

soles, but the glazer will do for a makeshift. This ironing process

gives a nice gloss, which is increased and made more permanent by being

repeated, at the same time ironing on a thin coat of heel-ball, which

can be rubbed off smooth with a piece of old cloth, and will leave a

brilliant polish.

[Illustration: Fig. 30.--Glazing Iron.]

Always remember that any job in repairing can be finished much better

if a last is inside the boot; and that pening, rasping, buffing, and

all finishing, should be commenced from A for the soles (Fig. 26), and

from B (Fig. 24) for the heels. In using the knife, the action is the

reverse in both cases.

Gutta-percha makes by no means bad soles, and with it no great

difficulty will be found in either patching or entirely re-soling

boots. It is not recommended for use on neat light boots; but many an

old pair of boots which are looked on as past wear can thus be made

thoroughly useful for winter wear; for it must be remembered that

gutta-percha is waterproof. It is also light in weight, and is warm to

the feet. It is, however, chiefly on the grounds of economy and the

ease with which it can be used that gutta-percha is to be recommended.

The gutta-percha necessary can be got at any india-rubber shop. It is

sold in pieces about ¹⁄₄ in. thick, and only as much as may be wanted

need be bought. The measurement roughly can easily be got. Some cement

will also be required; that used for fastening the india-rubber tyres

on cycles, etc., is excellent for the purpose. Cuttings of gutta-percha

could be used instead, but would not be found so satisfactory, except

perhaps to stick a patch on a worn piece of gutta-percha sole. In this

case, though, a cement of any kind is hardly necessary, as the two

surfaces on being made sticky by heat, will adhere without a medium.

The soles to be repaired must be thoroughly dry before commencing

operations; for if they be in the slightest degree damp, the new soles,

though they may adhere for a time, will certainly come off ere long.

That any dirt or clay must be cleaned off, goes without saying. It may

be advisable to tear off the bottom layer of leather, in which case a

neater-looking job perhaps will result; or you may just take the boot

as it is, and lay the gutta-percha on. In either case, the work is the

same. It is well to heat the soles of the boots and put the cement on

while they are warm. The cement may be melted either in a ladle and

poured on, spreading it thinly, or be used like sealing-wax by melting

it as required and rubbing it on the boot; or pieces may be put on

the boot and melted, and spread with a piece of hot iron--the kitchen

poker, an old knife, or anything of the kind will do very well. Perhaps

this last method is the best, as the hot iron seems to work the cement

well into the leather, which, by the way, may first be roughened with

advantage by rasping; or even scoring and scratching with a knife will

suffice.

When cement is used it should be evenly spread upon the leather,

and while hot it is extremely tenacious. If it gets cold before the

gutta-percha is ready to apply, it may be heated by the hot iron or

over a gas or lamp flame, or at the fire. The great thing is to bring

the gutta-percha and the boots in contact while the cement is quite

hot. The gutta-percha also should be hot: on the side of adherence hot

enough to be soft and sticky. This can easily be managed by holding it

close to the fire for a short time just before putting it on the boot.

The gutta-percha should then be firmly, but gently, pressed to the

boot. It will be flexible enough to yield to pressure and follow the

curve of the sole if it has been sufficiently warmed.

When the new sole is firm and hard--as it will soon become if the boot

is put in a cool place--the edges may be trimmed off. This can be done

with a knife, as the gutta-percha can be easily cut. The cuttings

should be kept, as they come in useful for re-patching the sole as it

becomes worn in places, so that there need be little, if any, waste.

The final touches may be given by drawing a hot iron of any kind over

the edges, so as to smooth them down.

The sole as now made will wear a considerable time, though not so long

as leather, but the wear-resisting qualities of gutta-percha may be

much increased by the use of boot protectors. These are small pieces of

iron for fastening on to the sole in parts most susceptible to wear.

They can easily be fixed. The caution that boots with gutta-percha

soles should not be placed too near a fire may not be unnecessary, but

beyond this, no special precaution is necessary any more than in the

case of leather.

Briefly stated, the cost of the tools mentioned in this chapter is

as follows:--An iron foot may be bought at 1¹⁄₂d. per lb., and a

handle for 5d; or Snow’s Handy Last foot may be purchased for 2s.

A shoemaker’s knife costs 2¹⁄₂d., a hammer 6d., nippers 5¹⁄₂d.,

glazing-iron 6d., and a forepart iron 8d. These may be obtained at any

grindery shop.

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