WALNUT OIL.

By THOMAS T. P. BRUCE WARREN.

This oil, which I obtained from the fully ripened nut of the _Jugluns

regia_, has so many excellent properties, especially for mixing with

artists' colors for fine art work, that I am surprised at the small

amount of information available on this interesting oil.

Walnut oil is largely used for adulterating olive oil, and to

compensate for its high iodine absorption it is mixed with pure lard

oil olein, which also retards the thickening effect due to oxidation.

The marc left on expression of the oil is said to be largely used in

the manufacture of chocolate. Many people, I am told, prefer walnut

oil to olive oil for cooking purposes.

The value of this oil for out-door work has been given me by a friend

who used it for painting the verandas and jalousies of his house (near

Como, Italy) some twenty years ago, and which have not required

painting since. In this country, at least, walnut oil is beyond the

reach of the general painter, and I do not know that the pure oil is

to be obtained as a commercial article, even on a small scale.

It was in examining the properties of this and other oils, used as

adulterants of olive oil, that I was obliged to prepare them so as to

be sure of getting them in a reliable condition as regards purity. The

walnuts were harvested in the autumn of 1887, and kept in a dry airy

room until the following March. The kernels had shrunk up and

contracted a disagreeable acrid taste, so familiar with old olive oil

in which this has been used as an adulterant. Most oxidized oils,

especially cotton seed oil, reveal a similar acrid taste, but walnut

oil has, in addition, an unmistakable increase in viscosity. The nuts

were opened and the kernels thrown into warm water, so as to loosen

the epidermis; they were then rubbed in a coarse towel, so as to

blanch them. The decorticated nuts were wiped dry and rubbed to a

smooth paste in a marble mortar. The paste was first digested in CS2,

then placed in a percolator and exhausted with the same solvent, which

was evaporated off. The yield of oil was small, but probably, if the

nuts had been left to fully ripen on the trees without knocking them

off, the yield might have been greater. It is by no means improbable

that oxidation may have rendered a portion of the oil insoluble. The

decorticated kernels gave a perfectly sweet, inodorous, and almost

colorless oil, which rapidly thickens to an almost colorless,

transparent, and perfectly elastic skin or film, which does not darken

or crack easily by age. These are properties which, for fine art

painting, might be of great value in preserving the tinctorial purity

and freshness of pigments.

Sulphur chloride gives a perfectly white product with the fresh oil,

but, when oxidized, the product is very dark, almost black. The iodine

absorption of the fresh oil thus obtained is very high, but falls

rapidly by oxidation or blowing. A curious fact has been disclosed

with reference to the oxidation of this and similar oils. If such an

oil be mixed with lard oil, olive oil, or sperm oil, it thickens by

oxidation, but is perfectly soluble. Such a mixture is largely used in

weaving or spinning. Commercial samples of linseed oil, when

cold-drawn, have a much higher iodine absorption, probably due to the

same cause. Oils extracted by CS2 are very much higher than the same

oils, especially if hot-pressed.--_Chem. News._

* * * * *

Scientific American Supplement, No. 717, September 28, 1889 · 第 29 / 38 题