HIGH (BEERBOHM) TREESON!

DEAR MR. PUNCH,--I see that Mr. BEERBOHM TREE in his recent production

of _Hamlet_ has introduced a novelty into the tragedy by inventing

fresh business. Unauthorised by the text, he has included _Ophelia_

amongst the Court "attendants," and, finding her on the stage, has

indulged in a dignified flirtation (in dumb show), worthy of the hero

of _L'Enfant Prodigue_ himself. Now I think this a great improvement,

and were the masterpiece to be "written up" throughout on the same

lines, I am sure the representation would be received with enthusiasm.

It might be that the performance would be a little longer, but think

of the enormous gain in interest. To show you what I mean, I take the

first five lines of the opening Act:--

Punch, or the London Charivari, Volume 102, February 6, 1892 · 第 12 / 36 题