While I wrote out this plan with philosophical text to support it,

I imagined what Count André would think, if he could, as in the old

legends, from the depths of his garrison town decipher the words which

I had traced with my pen.

At the same time, the idea alone of directing at will the subtle

movements of a woman’s brain, all this sentimental and intellectual

clockwork so complicated and so tenuous, made me compare myself

to Claude Bernard, to Pasteur and to their pupils. These savants

vivisected animals. Was not I going to vivisect at length, a human soul?

In order to draw from this pity which had been surprised rather than

provoked, all the result demanded, it must first be prolonged. To this

end, I resolved to keep up the comedy of sadness by preparing for the

day of an explanatory conversation, more or less distant, a long,

touching romance of false confidences.

I devoted myself, during the week following our walk, to feigning a

melancholy more or less absorbing, and to feigning it, not only in the

presence of Charlotte, but also during the hours in which I was alone

with my pupil, sure that the child would report to his sister the

impressions of our _tête-à-tête_.

You see here, my dear master, the proof of the useless machinery I was

preparing to employ. Was there any need of involving this boy, who had

been confided to me, in this sad intrigue, and why should I join this

ruse with the others, when Mlle. de Jussat did not for a moment doubt

my sincerity?

We had our lessons, Lucien and I, in a large room dignified by the

name of library, because of the shelves which furnished one side of

the wall. There, behind the gratings lined with green linen, were

innumerable volumes bound in sheepskin, notably all the volumes of the

Encyclopedia. This was a legacy from the founder of the château, a

great philosopher, who had built this habitation among the mountains

for the purpose of bringing up his children in the midst of nature and

after the precepts of Emile.

The portrait of this gentleman free-thinker, a mediocre painting in the

taste of the period, with its powder, and a smile both sceptical and

sensible, adorned one side of the door; on the other side was that of

his wife, quite coquettish under a high coiffure and with patches on

her cheeks.

In looking at these two paintings, while Lucien translated a bit from

Ovid or from Titus Livius, I asked myself what my ancestors were doing

for me during the century in which these two persons lived who were

represented in these portraits. I imagined, these rustics from whom I

am descended pushing the plow, pruning the vine, harrowing the ground

in the foggy plains of Lorraine, like the peasants who passed on the

road in front of the château, in all weathers, and who with boots to

their knees, dragged a metal-tipped stick fastened to the wrist by a

strap.

This mental picture gave the charm of a kind of lawful vengeance to the

care I took to compose my physiognomy. It is a singular thing, that

although I might detest in theory the doctrines of the Revolution and

the mediocre spiritualism which they conceal, I became again a plebeian

in my profound joy in thinking that I, the great-grandson of these

farmers, should perhaps by the force of my mind alone bring to disgrace

the great-granddaughter of this great lord and this great lady.

I leaned my chin upon my hand, I forced my brow and my eyes to look

sad, knowing that Lucien was watching the expression of my face, in

the hope of interrupting his task by a talk. When he had several times

observed that he did not see the welcoming smile, nor the indulgent

look, he himself became very anxious. As is natural, the poor boy took

my sadness for severity, my silence for displeasure One morning he

ventured to ask:

“Are you angry with me, monsieur?”

“No, my child,” I replied, patting his fresh cheek with my hand; and I

continued to preserve my troubled look, while contemplating the snow

which beat against the panes. It fell now from morning till evening in

large whirling stars, covering and putting to sleep the whole country,

and in the warm rooms of the château there was the silent charm of

intimacy, a distant death of all the noises of the mountains; while

through the window panes, covered with frost on the outside and a vapor

within, the light sifted languorously.

This gave a background of mystery to the figure of melancholy which

I made, and which I imposed on the observation of Charlotte whenever

we met. When the breakfast bell reunited us in the dining-room, I

surprised in the eyes with which she received me the same timid and

compassionate curiosity which I had noticed during our walk, whence

dated what I called in my journal my entrance into my laboratory.

She regarded me with the same look when we were all again together,

in the salon at tea, under the light of the early lamps, then at the

dinner table and again in the long solitude of the evening, unless,

under pretext of having work to finish, I retired to my room.

The monotony of life and of conversation was so complete that there was

nothing to help her to shake off the impression of mournful mystery

which I had inflicted upon her.

The marquis, a prey to the contrasts of his character, cursed his fatal

resolution to remain in this isolation. He announced for the next clear

day a departure which he knew would be impossible. It would cost too

much now, and beside, where could he go? He calculated the chances of

seeing his Clermont friends who had several times breakfasted with him,

but it was before the four hours between Aydat and the city had been

doubled by the bad weather.

Then he installed himself at the card table, while the marquise,

the governess and the _religieuse_ applied themselves to their

unending work.

It was my duty to look after Lucien who turned the leaves of a book

of engravings or played at patience. I placed myself so that when

she raised her eyes from the cards which she held in her hands while

playing with her father, the young girl was obliged to see me. I had

been interested in hypnotism, and I had in particular studied in all

its details, in your “Anatomy of the Will,” the chapter devoted to the

singular phenomena of certain moral denominations, which you have

entitled: “Some demi-suggestions.” I depended on taking possession

of this unoccupied mind, until the propitious moment in which, to

complete this work of daily intercourse, I should decide to relate to

her my story which, justifying my sadness, should end by engrossing her

imagination.

This story I had manufactured upon two principles which you lay down,

my dear master, in your beautiful chapter on Love. This chapter, the

theories of the Ethics on the passions, and M. Ribot’s book on the

“Maladies of the Will,” had become my breviaries. Permit me to recall

these two principles, at least in their essence.

The first is that the majority of beings have sentiment only by

imitation; abandoned to simple nature, love, for example, would be for

them as for the animals, only a sensual instinct, dissipated as soon as

satiated.

The second is that jealously may exist before love; consequently it

may sometimes create it, and may often survive it. Much struck by the

justness of this double remark, I argued that the romance which I

should relate to Mlle. de Jussat ought to excite her imagination and

irritate her vanity. I had succeeded in touching the cord of pity, I

wished to touch that of sentimental emulation and that of self-love.

I had then, founded my story on this idea, that every woman interested

in a man, is wounded in her vanity if this man shows that he is

thinking of another woman. But twenty pages would be necessary to show

you how I studied over the problem of the invention of this fable.

The occasion to relate it to her was furnished by the victim herself,

fifteen days after I had begun to put at work what I proudly called

my experience. The marquis had been told that one volume of the

Encyclopedia was devoted to cards. He wished to find there how to play

some old games such as Imperiale, Ombre, and Manilla. This brilliant

idea had come to him after breakfast, on seeing in a journal a report

of a new game called Poker, apropos of which the journalist gave a list

of old-fashioned games.

When this maniac had conceived a fancy he could not wait, and his

daughter was obliged to go at once to the library, where I was occupied

in taking notes. I laid aside Helvétius upon the “Mind,” which I had

discovered among some other books of the eighteenth century. I placed

myself at the disposition of Mlle. de Jussat to take down the volume

which she desired, and, when she took it from my hands, she said with

her habitual grace:

“I hope that we shall find here some game in which you can take a hand

with us. We are so afraid that you do not feel at home here, you are

always so sad.”

She said these words as if asking pardon for an indelicacy, which had

impressed me before, and escaping the familiarity of her remark by a

“we” which I too well knew to be untruthful. Her voice was so gentle,

we were so alone that the time seemed to have come to explain my

feigned sadness.

“Ah! mademoiselle,” I answered, “if you only knew my history.”

If Charlotte had not been the credulous creature, the romantic child

that she was, in spite of her two or three seasons in Paris, she would

have seen that I was beginning a tale prepared beforehand, by this

introduction, by the turn of the sentences with which I continued. I

was too clumsy, too awkwardly affected.

I told her then that I had been betrothed at Clermont to a young girl,

but secretly. I thought to make this adventure more poetical in her

eyes by insinuating that this girl was a foreigner, a Russian visiting

one of her relations. I added that this girl had allowed me to tell her

that I loved her, and she had also told me that she loved me. We had

exchanged vows, then she had gone away. A rich marriage offered, and

she had betrayed me for money.

I was careful to insist on my poverty, and let her understand that

my mother lived almost entirely on what I earned. This was a detail

invented on the spot, for hypocrisy doubles itself in expression. In

truth this was a scene of a childish and rascally comedy, which I

played with very little skill. But the reasons which determined me to

lie in this fashion were so special that they exacted an extraordinary

penetration to be comprehended, a total attention of my mind, almost

your genius, my dear master. The visible embarrassment of my position

could so easily be attributed to the trouble inseparable from such

remembrances. As I was perfectly cool while I was telling this fable,

I could observe Charlotte. She listened without any sign of emotion,

her eyes lowered on the big book which supported her hand. She took the

book when I had finished, and replied in a blank voice, as they say,

one of those voices which betrays no sentiment of the speaker:

“I do not understand how you could have had any confidence in this

young girl, since she listened to you without the knowledge of her

parents.”

And she went away with a simple inclination of her graceful head,

carrying the book with her. How pretty she was in her dress of fine,

light cloth, with her slender form, her small waist, her face quite

long and lighted up by her thoughtful gray eyes! She was like a Madonna

engraved after Memling, whose profile I had formerly so much admired,

fervent, lovely and mournful, on the first page of a large copy of the

“Imitation,” belonging to the Abbé Martel.

Explain to me this other enigma of the heart, you, the great

psychologist; never have I felt more the charm of this pure and gentle

being than at the moment when I had just lied to her, and lied so

uselessly as I imagined from her response.

Yes, I took this response literally, which, on the contrary, should

have encouraged me to hope. I did not guess that to have only listened

to a confidence so intimate was for a being so proud and so reserved,

so far above me, a proof of a very powerful sympathy. I did not

consider that this almost severe remark was dictated in part by the

secret jealousy which I had desired to arouse in her, in part by a need

to strengthen herself in her own principles so as to justify to herself

her excessive familiarity.

As she had not been able to read the falsehood in my story, so I had

not seen the truth behind her reply.

I felt all the hopes which I had been building up for the past

fortnight crumble before me. No. She was not interested in me with a

genuine interest which I could transform into passion. I drew up the

balance sheet of our relations. What proof had I of this interest? The

delicacy of the material cares with which she had surrounded me? This

was a simple effect of her goodness. Her attempt to find out the cause

of my melancholy? Ah, well! she had been curious, that was all. The

timid accent of her voice when she questioned me? I had been a fool

not to recognize the habitual modesty of a delicate girl. Conclusion:

my comedy of these two weeks, my grimaces _à la_ Chatterton, the

falsehood of my so-called drama, so many ridiculous maneuvers, had not

advanced me a line in the heart I wished to conquer.

I turned again to my book, but I was no longer capable of fixing

my attention on the abstract text of Helvétius. I recall this

childishness, my dear master, that you may the better perceive what a

strange mixture of innocence and depravity was elaborated in my mind.

What did this unexpected deception prove, if not that I had imagined I

could direct the thought of Charlotte, by applying to her the laws of

psychology borrowed from the philosophers, as absolutely as her brother

directed the billiard balls? The white touches the red a little to the

left, goes on the cushions, and returns to the other white. That is

outlined by the hand on the paper, that is explained by a formula, that

is foreseen and is done ten times, twenty times, a hundred times, ten

thousand times.

In spite of my enormous reading, perhaps because of it, I saw the play

of the passions in this state of ideal simplicity. I did not comprehend

till later how much I was deceived. In order to define the phenomena

of the heart we must go to the vegetable, and not to the mechanical

world for analogies, and to direct these phenomena we must employ the

methods of the botanist, patient graftings, long waiting, careful

training.

A sentiment is born, grows, expands, withers like a plant, by an

evolution sometimes retarded, sometimes rapid, but always unconscious.

The germ of pity, of jealousy, and of dangerous example planted by my

ruse in the soul of Charlotte must develop its action, but only after

days and days, and this action would be the more irresistible as she

believed me to be in love with another and that in consequence she

would not think to defend herself against me.

But to account in advance for this work and to discount the hope of it,

one would have to be a Ribot, a Horwicz, an Adrien Sixte, that is, a

connoisseur of souls, instead of one like me, ignorant that the plain

over which he is walking will be covered with grain and not suspecting

the approaching harvest.

The conviction that I had definitely failed in my first effort

increased during the days which followed this false confidence. For

Charlotte scarcely spoke to me.

I know now, from her own confession, that she concealed under this

coldness a growing agitation which disconcerted her by its novelty, its

force and its depth. In the meantime she appeared absorbed in the game

of backgammon which the marquis had discovered in the Encyclopedia.

Recollecting that this had been the favorite pastime of his

grandfather, the _emigré_, he had given up all other games. A

merchant of Clermont had been able to send him the necessary articles

with which to satisfy this caprice.

The backgammon table was installed in the salon and father and daughter

passed their evenings in throwing the dice, which made a dry noise

against the wooden ledge. The cabalistic terms of little table,

big table, outer table, double ace, double threes, two fives, were

intermingled now with the words of the marquise and her two companions.

Sometimes the curé of Aydat, the Abbé Barthomeuf, an old priest who

said mass in the chapel of the château on Thursdays when the weather

was very severe, would relieve Charlotte by playing with the marquis.

Although the marquis treated me with irreproachable politeness, he had

never asked me if I wished to learn to play. The difference which he

established between the abbé and myself humiliated me, by the oddest

contradiction, for I much preferred to remain in my low chair reading

a book, or observing the character of the different persons from their

physiognomies.

Is it not always so when one is in a position which is thought to be

inferior? Any inequality of treatment wounds the self-love. I took my

revenge in observing the ridiculousness of the abbé, who professed,

for the château in general and the marquis in particular, an almost

idolatrous admiration. His face which was always red became apoplectic

when he took his seat opposite the marquis, and the prospect of winning

the silver coins designed to make the game more interesting made the

dice-cup tremble in his hand at the decisive throws.

This observation did not occupy me long, and I turned to follow the

young girl, who seated herself at her work near her mother.

The failure of my attempt to win her love had made me more cruel, in

proportion to the admiration I had before felt for the innocent grace

of this child. To confess all, I began to feel, in her atmosphere,

emotions of an order more sensual than psychological. I was a young

man, and I had in my flesh, in spite of my philosophical resolutions,

the memory of sex of which you have so authoritatively analyzed the

persistent fatality and the invincible reviviscence.

How long this period of inertia at once impassioned and discouraged,

might have lasted, I do not know. We were, Mlle. de Jussat and I, in

a very peculiar situation, impelled one toward the other, she by a

budding love of which she was ignorant, I by all the confused reasons

which I have analyzed.

Although we were together so many hours of the day, neither of us then

suspected the sentiments of the other. In such circumstances, one does

not consider whether the events which mark a new crisis are effects or

causes, whether their importance resides in themselves or whether they

simply serve to manifest the latent conditions of the soul. But may we

not put this question apropos of each destiny taken in its whole? How

many times, above all since I consume my hours in this cell between

these four whitewashed walls, seeing only the empty sky through four

openings at the edge of the roof, in searching and searching again into

my short history, have I asked myself if our fate creates our mind, or

if it is not our mind which creates our fate, even our external destiny?

It happened one evening that the marquis, seated with his back to the

fire in the _robe-de-chambre_, which he sometimes wore all day,

spoke at length to his wife of an article in the morning paper. I was

holding this paper at the time, and M. de Jussat said to me quite

suddenly:

“Would you read this article, Monsieur Greslon?”

I admired, once more, the art with which this grand seigneur rendered

the most trifling demands insolent. His tone alone was sufficient to

chill me. I obeyed however, and began to read this chronicle, more

finely written than such articles usually are, and in which were

revived all the picturesqueness and coloring of a fancy ball, with a

curious mixture of reporting and poetry.

During the reading the marquis regarded me in astonishment. I must tell

you, my dear master, that at the time of my friendship with Emile, I

had acquired a real talent for diction. During his illness my little

comrade had no greater pleasure than to hear me read.

“You read very well, very well!” cried M. de Jussat when I had finished.

His astonishment made his eulogy a new wound to my self-esteem. It

was too plain that he did not expect to find much talent in a silent

and timid young man of Clermont, who had come to the château on the

recommendation of old Limasset, to be a _valet de lettres_. Then,

following as usual, the impulse of his caprice, he continued:

“That is an idea. You shall read for us in the evening. That will amuse

us a little better than this _trictrac_. Little _jan_, big

_jan_, it is always the same thing, and then the noise of the dice

sets my teeth on edge. This beastly country! If the snow ever stops

again, we will not stay here eight days. And what book are you going to

begin with?”

Thus I found myself promoted to a new service, without even being

allowed to consider whether it would interfere with my studies or not,

for I often brought into the salon some of my books that I might study

a little without leaving Lucien. But I did not for a moment think of

evading this task. First the brusqueness of the marquis had brought me

a glance almost supplicating from Charlotte, one of those glances by

which a woman knows how to ask pardon, for the error of some one whom

she loves. Then, a new project took form in my mind. Might not this

task be utilized to the profit of the enterprise commenced, abandoned,

and which the look of Mlle. de Jussat made me think was still possible?

To the question of the marquis upon the choice of the book, I responded

that I would consider. And I looked for a work which would permit me to

approach the prey around which I turned, as I once saw, near the Puy du

Dôme, a kite wheel around and above a poor little bird.

Was not this an opportunity to try by another method this influence of

imitation, which I had vainly hoped from my false confidence? It is to

you, my dear master, that we owe the strongest pages which have been

written upon that which you so justly call the Literary Mind, upon this

unconscious modeling of our heart to the resemblance of the passions

painted by the poets.

I saw in this then, a means of acting upon Charlotte which I reproached

myself for not having thought of before. But how was I to find a

romance which was passionate enough to excite her, and outwardly

correct enough to be read before the assembled family? I literally

ransacked the library. Its incoherent and contrasted composition,

reflected the residence of its successive masters and the chances of

their taste.

There were all the principal works of the eighteenth century of which

I have spoken--then a hiatus. During the emigration the château had

remained unoccupied. Then a lot of romantic books in their first

editions attested the literary aspirations of the father of the

marquis, who had been the friend of Lamartine. Then came the worst

of contemporaneous romances, those which are bought on the railway,

half-bound, cut sometimes with the finger, or a page lost, and some

treatises on political economy, an abandoned hobby of M. de Jussat.

At last I discovered amid all this rubbish a “Eugénie Grandet,” which

appeared to me to fill the conditions desired. There is nothing more

attractive to a fresh imagination than these idyls at once chaste and

fervid in which innocence envelops passion in a penumbra of poesy. But

the marquis must have known this celebrated romance by heart, and I

apprehended that he would refuse to listen to it.

“Bravo!” he replied when I submitted my idea to him, “that is one of

the books that one reads once, talks about always and entirely forgets.

I saw this Balzac once in Paris, at the Castries. It is more than forty

years ago. I was a youngster then. But I remember him well, fat, short

and stubby, noisy, important, with beautiful bright eyes and a common

air.”

The fact is that after the first pages, he fell asleep, while the

marquise. Mlle. Largeyx and the _religieuse_ knit, and Lucien, who

had recently come into possession of a box of colors conscientiously

illuminated the illustrations of a large volume.

While reading I observed Charlotte, and it was not difficult to see

that this time my calculation had been correct, and that she vibrated

under the phrases of the romance as a violin under a skillful bow.

Everything was prepared to receive this impression, from her feelings

already stirred to her nerves strained by an influence of a physical

kind. One cannot live with impunity for weeks in such an atmosphere as

that of the château, always warm, nearly stifling.

The disciple · 第 10 / 18 段