CHAPTER XXII.

He talked with open heart and tongue,

Affectionate and true;

A pair of friends, though I was young

And Matthew seventy-two.--WORDSWORTH.

Meanwhile the young artist proceeded rapidly with his picture. Devoured

by his enthusiasm, and utterly engrossed by the sanguine anticipation

of a fame which appeared to him already won, he allowed himself no

momentary interval of relaxation; his food was eaten by starts, and

without stirring from his easel; his sleep was brief and broken by

feverish dreams; he no longer roved with Clarence, when the evening

threw her shade over his labours; all air and exercise he utterly

relinquished; shut up in his narrow chamber, he passed the hours in a

fervid and passionate self-commune, which, even in suspense from his

work, riveted his thoughts the closer to its object. All companionship,

all intrusion, he bore with irritability and impatience. Even Clarence

found himself excluded from the presence of his friend; even his nearest

relation, who doted on the very ground which he hallowed with his

footstep, was banished from the haunted sanctuary of the painter; from

the most placid of human beings, Warner seemed to have grown the most

morose.

Want of rest, abstinence from food, the impatience of the strained

spirit and jaded nerves, all contributed to waste the health while they

excited the genius of the artist. A crimson spot, never before seen

there, burned in the centre of his pale cheek; his eye glowed with a

brilliant but unnatural fire; his features grew sharp and attenuated;

his bones worked from his whitening and transparent skin; and the soul

and frame, turned from their proper and kindly union, seemed contesting,

with fierce struggles, which should obtain the mastery and the triumph.

But neither his new prospects nor the coldness of his friend diverted

the warm heart of Clarence from meditating how he could most effectually

serve the artist before he departed from the country, It was a peculiar

object of desire to Warner that the most celebrated painter of the day,

who was on terms of intimacy with Talbot, and who with the benevolence

of real superiority was known to take a keen interest in the success

of more youthful and inexperienced genius,--it was a peculiar object of

desire to Warner, that Sir Joshua Reynolds should see his picture before

it was completed; and Clarence, aware of this wish, easily obtained from

Talbot a promise that it should be effected. That was the least service

of his zeal touched by the earnestness of Linden’s friendship, anxious

to oblige in any way his preserver, and well pleased himself to be the

patron of merit, Talbot readily engaged to obtain for Warner whatever

the attention and favour of high rank or literary distinction could

bestow. “As for his picture,” said Talbot (when, the evening before

Clarence’s departure, the latter was renewing the subject), “I shall

myself become the purchaser, and at a price which will enable our friend

to afford leisure and study for the completion of his next attempt; but

even at the risk of offending your friendship, and disappointing your

expectations, I will frankly tell you that I think Warner overrates,

perhaps not his talents, but his powers; not his ability for doing

something great hereafter, but his capacity of doing it at present. In

the pride of his heart, he has shown me many of his designs, and I am

somewhat of a judge: they want experience, cultivation, taste, and,

above all, a deeper study of the Italian masters. They all have the

defects of a feverish colouring, an ambitious desire of effect, a

wavering and imperfect outline, an ostentatious and unnatural strength

of light and shadow; they show, it is true, a genius of no ordinary

stamp, but one ill regulated, inexperienced, and utterly left to its own

suggestions for a model. However, I am glad he wishes for the opinion

of one necessarily the best judge: let him bring the picture here by

Thursday; on that day my friend has promised to visit me; and now let us

talk of you and your departure.”

The intercourse of men of different ages is essentially unequal: it must

always partake more or less of advice on one side and deference on

the other; and although the easy and unpedantic turn of Talbot’s

conversation made his remarks rather entertaining than obviously

admonitory, yet they were necessarily tinged by his experience, and

regulated by his interest in the fortunes of his young friend.

“My dearest Clarence,” said he, affectionately, “we are about to bid

each other a long farewell. I will not damp your hopes and anticipations

by insisting on the little chance there is that you should ever see me

again. You are about to enter upon the great world, and have within

you the desire and power of success; let me flatter myself that you can

profit by my experience. Among the ‘Colloquia’ of Erasmus, there is a

very entertaining dialogue between Apicius and a man who, desirous of

giving a feast to a very large and miscellaneous party, comes to consult

the epicure what will be the best means to give satisfaction to all.

Now you shall be this Spudaeus (so I think he is called), and I will be

Apicius; for the world, after all, is nothing more than a great feast of

different strangers, with different tastes and of different ages, and

we must learn to adapt ourselves to their minds, and our temptations to

their passions, if we wish to fascinate or even to content them. Let me

then call your attention to the hints and maxims which I have in this

paper amused myself with drawing up for your instruction. Write to me

from time to time, and I will, in replying to your letters, give you

the best advice in my power. For the rest, my dear boy, I have only to

request that you will be frank, and I, in my turn, will promise that

when I cannot assist, I will never reprove. And now, Clarence, as the

hour is late and you leave us early tomorrow, I will no longer detain

you. God bless you and keep you. You are going to enjoy life,--I

to anticipate death; so that you can find in me little congenial to

yourself; but as the good Pope said to our Protestant countryman,

‘Whatever the difference between us, I know well that an old man’s

blessing is never without its value.’”

As Clarence clasped his benefactor’s hand, the tears gushed from his

eyes. Is there one being, stubborn as the rock to misfortune, whom

kindness does not affect? For my part, kindness seems to me to come with

a double grace and tenderness from the old; it seems in them the hoarded

and long purified benevolence of years; as if it had survived and

conquered the baseness and selfishness of the ordeal it had passed; as

if the winds, which had broken the form, had swept in vain across the

heart, and the frosts which had chilled the blood and whitened the thin

locks had possessed no power over the warm tide of the affections. It

is the triumph of nature over art; it is the voice of the angel which

is yet within us. Nor is this all: the tenderness of age is twice

blessed,--blessed in its trophies over the obduracy of encrusting and

withering years, blessed because it is tinged with the sanctity of the

grave; because it tells us that the heart will blossom even upon

the precincts of the tomb, and flatters us with the inviolacy and

immortality of love.

The Disowned — Complete · 第 22 / 88 章