Fire Succession: Key to Continuity

Most of Glacier’s fires are lightning-caused. Strikes may flare up

immediately; or fires may smolder in the forest duff for days until

fanned into flame by wind. _Ground fires_ may race through the

forest understory, causing minor damage; or they may bridge the

understory and reach the canopy, thus becoming rapidly spreading

_crown fires_. Under certain conditions, uncontrollable infernos may

develop, generating terrific winds and heat. These rare

conflagrations are called _fire storms_.

Every type of forest habitat has _climax vegetation_—trees and

shrubs that are best suited to the site and thus maintain themselves

indefinitely if not disrupted.

After a major fire, habitat conditions are usually so altered that

the site must pass through several _seral stages_ before conditions

are such that climax vegetation can return. A _sere_ is a series of

plant communities that follow one another in orderly fashion until

climax conditions are again reached.

[Illustration: Lightning fires occur most often during the hot, dry

weeks of late summer.]

[Illustration: When the forest is dry, lightning often causes quick

flare-ups.]

[Illustration: The forest may continue to burn for days after the

main conflagration has passed.]

[Illustration: After a major fire, sun-loving grasses, shrubs, and

wildflowers quickly invade the former forest. Deer and wapiti

benefit from these new food sources.]

[Illustration: Lodgepole pine, a pioneer species quick to take over

burned areas at lower elevations, grows rapidly. These trees are

five years old.]

[Illustration: This is a Glacier National Park forest 80 years after

a major fire.]

Sudden hammering made me jump. Above the forest darkness, a pileated

woodpecker leaned out from a high larch snag, braced against the trunk

by its specialized, stiff tail feathers. This was the first time I had

seen this big white-and-black bird, the “cock-of-the-woods.” There was

ample evidence of his work: the deep, oblong excavations in the trunk

and the pile of large wood chips at its base, both characteristic of

this species. Again he hammered, and I could see the chips falling.

After a little edge-work around the hole, he extracted a grub and flew

off, yammering against the advancing dark.

Near a stream I stopped to sit down, to listen to the water and maybe

catch sight of some small animal. Across the narrow defile, from a slope

dense with young hemlock, came the buzzing note of a varied thrush.

Several notes followed, all on a different pitch, all drawn out, level

and clear; the quality was pure but songless, disjointed, deliberate,

like someone testing the reed of a strange woodwind. There seemed no

gladness in the heart of this thrush. The song was dark, haunting,

lonely.

On the trail ahead I could make out a bird hopping rapidly along. After

passing the spot I could hear its song. There couldn’t be a hundred

meters between us, yet it seemed to be coming from a great distance. I

listened for as long as it would sing. I tried to hear it for what it

was, a male Swainson’s thrush proclaiming its territory. But the

ethereal, flute-like phrases seemed an evensong made not for man’s ears

but only for the forest itself.

I hurried on after the bird had ceased. It was getting dark beneath the

trees, but I was beginning to be aware of creatures underfoot, the mad

dartings of shrew and vole, more imagined than seen. When a deer mouse

jumped away I got out my flashlight. Soon the beam caught a woodrat

sitting atop a fallen log. The light didn’t bother him in the least; as

I approached, he picked up his bushy tail in his forepaws. Whiskers

twitching, he looked more caricature than real. Then he bounded off the

log with graceful, arching hops, and disappeared into the night.

Against a patch of sky that appeared in a clearing, I could make out

bats, circling and dipping like swallows. Locating a hovering moth, I

kept the light beam on it until it vanished into a furry streak of

silence. It was time to head back.

By now it had become utterly dark within the trees, a moonless,

sightless, alien world, given over to the marble-black eyes of the small

night mammals and the creatures that hunt them. I thought of the

strange, unseen societies of the flying squirrels, the nocturnal

counterparts of red squirrels; of the great-horned owls, inspecting the

same ground the goshawks scanned during the day. Perhaps a foraging red

fox moved through the darkness nearby, or a coyote on night patrol.

The flashlight beam probed ahead along the trail. The exposed roots were

given unnatural shading and they seemed to thicken and squirm as I

approached. On either side the tree trunks appeared to step backward

from the dim glow of the light. I felt lost in this night, thinking of

the great darkness in all the timbered ridges that ran westward from the

Divide. In this vast cathedral of crowded tree and peak, night was stood

on end, the stars shrunken to a circle overhead, as if seen from the

bottom of a well. Mouselike, shivering, insignificant in this

wilderness, I scurried back to find a fire and fill my empty senses with

its heat and snap and light, holding off the fright of night and

thinking of tomorrow’s sun.

Many-Storied Mountains: The Life of Glacier National Park · 第 35 / 54 题