In fact, during the last half-dozen decades a new feverish and nervous

disease has spread over England in a terrifying manner. We may call it

Turbamania, or the passion for crowds, and, like the influenza, it

attacks the upper classes more, it would appear, than the lower. No cure

for it has yet been found, and it has not received, as a specific

disease, the attention it deserves. This is curious: for in this

inquisitive age, though it was a disease that only manifested itself in,

let us say, slight redness of the little finger, and was perfectly

harmless, we should probably by this time be possessed of a hospital for

treatment of the cases, and dozens of savants squinting themselves

purblind in the hope of discovering its bacillus. Many daily, and

especially weekly, papers have columns devoted to its symptoms, though

they apparently do not know that they are speaking of it. But whenever I

see that the Marquis of ---- entertained the following distinguished

company to dinner, I recognise Turbamania. For whom (except the

sufferers from this distressing malady) can such an announcement

concern? Not the diners, surely, for they were aware of it before. Nor,

as far as I can see, those who were not asked, for the simple reason

that they were not asked. Or who (except Turbamaniacs) care to hear how

Lady ---- was dressed? She herself, those who saw her, or those who did

not see her? For the life of me I cannot tell. Yet how great must be the

demand for such information, if we consider in what enormous quantities

it is supplied! It must be read and looked for by thousands who do not

know Lady ---- by sight. Her mother, her sister, her daughter perhaps, if

in India, might have gentle emotions raised by the knowledge of how she

was dressed. But who else?

The theme is not worth consideration, except from my own standpoint, my

own private view of it, which at this moment occupies me enormously.

Six months ago I decided to leave London, that most jealous of all

mistresses, who exacts from us not merely our conscious thoughts, but

pervades us in a way that no Cleopatra ever did yet. To anyone who has

not known London the idea is unintelligible; to anyone who has, all

explanations fall short of what he knows.

Think of it! Five million people, awake or asleep, round one--five

million, each of whom is as important to himself as I to me, stealing

about like thoughts in the brain of this busy city, intent, alert, as

are no other five million people in the world. My God! how I love the

sense of it! how each street is to me a room, a passage, in a great

house to which I have but lately succeeded, and is crammed with

treasures, some few of which I know by sight, but of which as yet I do

not know the thousandth part. What are they? Men and women, that is all;

and is that not enough?

What is it? What is it, I vainly ask myself, that stirs me so? Me, who

know unconsciously the drone of the four-wheeler as it passes up this

huge beating artery of life, and, without distraction of thought, can

distinguish it from the quick cloop-cloop of the hansom, and can

recognise the boom of the omnibus, and divine the meaning of a hundred

noises in the street without raising my eyes or losing the thread of

what I am doing. Life, jostling, vulgar, crowded, commonplace (God

forgive me!) life. Oh, how excellent! I do not look at the placards of

the latest news; I look at the seedy man who carries them about like a

plaster on his usually weak chest. How can I convey it all? The wet

asphalt of the roadway, the streaked mud of the roadway, the smell of

the Twopenny Tube, the reek from the restaurant next door, the reprints

of Cosway in the shop-window adjoining, my own door with a circling

lock, which is always upside down to my key. What does it all mean to

the person who does not know what it means? and what can that which I

say mean to the person who does know?

Yet, drunk as I am with crowds (here indeed is Turbamania), I propose

to-morrow to go forth to a house in a sleepy county town, where no one

is ever in a hurry, though many have the impression that they are, and

there are oiled wheels of existence continually gently turning, which,

as far as I know at present, find no particular grist, instead of these

grating, roaring, spinning fly-wheels of the world. There is a hotel bus

there, and no hansoms; no vomiting of crowds from embowelled stations,

no--no anything, as it seems to me this moment, except--and this is in

the main the reason for which I go--there is as much time there as in

London (all the time there is, in fact), and less to do in it. I want,

in fact, to arrive at a greater simplicity of life than seems to me

possible in London, to get into what I believe to be more normal and

healthy conditions, instead of living an existence which, however

delightful and absorbing, is yet slightly feverish. I want to get out of

the habit of thinking of the next delightful thing I am going to do in

the course of the one which I am doing, and so largely missing its

point--not to be in a hurry, not to clutch so much at pleasures.

Also, in spite of my passion for crowds, I have desired all this last

year, with a haunting intensity which I cannot hope to convey, to watch

the bursting of the spring, to see it mix into the great triumph of the

summer, to follow step by step the fruition of the sun, and, to round

the perfect circle, see the accomplished and completed year fall to

sleep again in the arms of winter--the year which, since the beginning

of time, has been waiting among the crowds of the uncounted centuries

for its turn to give to the sons of men sweet and bitter, ecstasy, and

life and death, as God has ordained.

APRIL

I have been here nearly a month without spending a single night

away--that in itself is a sign of improvement, for I suppose (to my

shame I own it) that it must be years since I have slept thirty

consecutive nights in the same bed. And what I believe is a greater sign

of improvement is that I have not wanted to go away, and I do not want

to go away. I like these level, uneventful days: these mornings of work,

followed by a few hours of out-of-doors, and in the evening ‘the face of

a friend,’ in this house or another. How dull I should have thought it,

not long ago; how antipodal to dull I find it!

I said ‘uneventful’ just now--that was a mistake. I have been through

fiery trials, in the shape of a cook, who could not only not cook

decently, but could not cook at all. In any case, she didn’t, and I have

eaten raw flesh on the altar of rusticity. Then there was a personage

who represented herself as a charwoman. Though I cannot say she was a

housebreaker, she was certainly nearer that than anything else; for

though she did not actually break the house, she broke everything inside

it. She began ‘cleaning,’ as she called it, before it was yet day, and

till nightfall the house was resonant with fracture. When there was

nothing left to break, she upset her washpail over anything that came

handy, brocade for choice. She upset, also, permanganate of potash, with

which I was staining a floor, over a green carpet, and one evening I

found her eating asparagus (my asparagus, too!) in the scullery.

Thereupon I said ‘Board-wages,’ and it is my belief that she simply

added board-wages to her ordinary diet, which she ate at my expense.

Otherwise, there is no possible way of accounting for the fact that a

sirloin of beef, which had come in in the morning---- Enough! She is

gone.

Stevenson recommends weeding and cacao-seed planting as a suitable

pursuit for anyone who thinks he can make his living out of writing

‘measly yarns.’ But now I have one advantage over that divine author: I

know a far better employment. It is to paint floors with permanganate

of potash (otherwise known as Condy’s fluid; but you can get much more

of it for your money, though it is cheap anyhow, if you buy it in the

raw). For a shilling you get enough to stain all the floors in your

house (unless you live in an exceptionally large one) the most beautiful

brown. The very process reminds one of the scene of the powder-mixing in

‘Jekyll and Hyde.’ It is laid on dark purple; before your eyes it

changes to a livid angry green, and while yet it is wet it becomes a

dark brown. You lay it on with a large paste-brush, and feel you are

saving money. Incidentally you get a quantity on to your hands, and it

is apparently indelible. Then you rub it with beeswax, and your deal

floor becomes positively ancestral. A few Persian rugs on the top bring

you back from a villa to the gorgeous East.

But even before I stained the floors I bought seeds, and planted

sweet-peas and nasturtiums broadcast, also (these in seedlings)

Jackmanni,[A] and tropæolum and tobacco-plant, and two Crimson Ramblers.

Then, on a day to be marked with red in the annals of scarification, I

took a trowel and a pocket-knife, and went into the highways and hedges

to cut standards for rose-trees. But I took no gloves. _Hinc illæ

lacrimæ._ Anyhow, I cut seven standards. This is the way _not_ to do it.

[A] Purple clematis.

I started cheerfully along an unfrequented lane. Larks hovered trilling:

spring was bursting in numberless buds, and the green mist of leaves

hung round the hedgerows. Before long I saw in the hedge by which I went

a suitable standard. It was rather inaccessible, but the lust of the

gardener burned in me, and I took a sort of header into the hedge. A

shoot from the coveted standard playfully retained my cap, another took

one arm in keeping, a third gently fixed itself to my left hand. That

had to be very carefully disengaged, since the thorns were encompassing

it, and in disengaging it I dropped the trowel. An incautious recovery

of the trowel drew the first blood. Then I began.

It is necessary in cutting a standard to get a piece of real root. This

particular standard, however, seemed to have no particular roots. It

went on and on below ground without object, so far as I could judge;

infirm of purpose, it could not begin. When it did begin, it was

already mixed up with a bramble, the thorns of which were set on the

parent stem on a perfectly different principle, and I did not want the

bramble. But, with a totally undeserved popularity on my part, the

bramble wanted me. It got me--in pieces which I hope were no use to it;

and I began to see that, under certain circumstances and to a certain

extent, as Mr. Gladstone might have said, gloves were, if not necessary

to human life, at any rate a protective agent against possibly fatal

hæmorrhage. Just then the root began.

I destroyed the bramble, root and branch; I destroyed a hazel (branch),

and I destroyed the standard (root). That was all at present.

Clearly this would not do: I was as far from standards as ever, but I

was bleeding like a pig. So I went home, got some gloves, and became

successful. But to be successful in a tale of adventure is to become

dull, and with a view to avoiding this as much as is possible, short of

not writing at all, I will merely say that I cut seven standards on that

divine afternoon, and--but that I can’t sing--went home singing.

The cat next door, so it appeared, had observed the planting of the

Jackmanni with a disapproving eye, and even as I went into the garden

with my seven standards (like a Roman Emperor) I saw a stealthy form

moving slowly away from the corner where I had put one of them. Now, I

know something about cats, though nothing, it appears, about standards,

and, without the least hurry, I walked into the garden and said ‘Poor

puss,’ and saw, out of the corner of my eye (I dared not look honestly

round for fear ‘Poor puss’ should see), that my Jackmanni was entirely

disinterred, and a scurry of freshly-dug earth lay round it. There were

therefore two courses open to me: either the direct, which lay in taking

the cat, which (with the shallow diplomacy of its species) had advanced

towards me, straight to the disinterred Jackmanni and there slapping it,

or the subtle course. I chose the subtle. The cat was a knave--I knew

that perfectly well--I chose to be the knave set to catch it. So I said

‘Poor puss’ again, and went to the uprooted Jackmanni and planted it

again in the sight of ‘Poor puss.’ Then I went slowly indoors, a very

Bismarck. Once arrived inside, I flew to the lumber-room, and with

feverish hands unearthed a large garden squirt, and, filling it with

cold water (I wish it had been iced), flew to what we may call the wing

of the house--it consists merely of a bootroom, which commands,

strategically speaking, the Jackmanni. The window was open, and with

great caution I advanced to it and looked out. Already, once more that

very stupid knave of a cat was busy in the bed. I took careful aim, and

the cold water drenched the knave. I will teach it--at least, I think I

have taught it--that I do _not_ plant Jackmanni merely to give it a few

moments’ senseless amusement. Besides, to-morrow I shall have a

fox-terrier; so the garden squirt was the kindest sort of cruelty.

I am afraid that, in talking thus vaguely of ‘the house’ and ‘the

garden,’ the reader may have formed a totally erroneous impression of

scale, and I must inform him at once that ‘the house’ is the kind of

house which is called The Cedars, because, apparently, it has one

withered furze-bush in the garden. It is semi-detached, stands on the

outskirts of the town, and is of an external appearance which is better

forgotten. Inside, however, the rooms are good, high and airy, and,

anyhow, it suits me. There is a small strip of garden in front, in which

at present I take no interest, and a square of garden behind measuring

some sixty or seventy feet by thirty, encompassed by a wall of old and

very large brick. A strip of border, sown from end to end with

sweet-peas, runs up one side. At the far end is a small raised terrace

of grass, on which grow an apple-tree and a plum-tree, by which I have

planted the Crimson Ramblers. The seven standards, to be budded in June,

stand in a formal row below the terrace, and parallel to the border of

sweet-peas stand half a dozen tubs, in which are sown nasturtiums of the

large climbing kind. This leaves a space of grass, twenty feet by forty,

and on this is being now erected ‘the shelter,’ a wooden room with

trellis on two sides, match-boarding on one, and entirely open on the

other. Felt will be laid down over the grass, and over the felt rugs.

There will be a couple of basket-chairs there, an old French mattress

covered with rugs, a writing-table, and a small dining-table, with four

chairs. There I propose to live as soon as the summer comes. Over one

side the nasturtiums in the tubs will trail their green and ruddy arms,

and I shall look towards the seven standards and the Scarlet Ramblers.

In the evening an Arab lamp with electric light, brought on a long cord

from the house, will illuminate it.

The very planning of ‘the shelter’ was an absorbing joy; absorbing, too,

is it to see it rise, smelling clean of freshly-chiselled wood. Then it

will be painted green, and ready for habitation. In front of it, towards

the terrace, will stand a sundial, which will not get, as far as I can

see, any sun at all, since the stately shelter will entirely shade it.

However, I dare say it will do better in the shade, like lilies of the

valley. Besides, one never uses a sundial in order to tell the time.

I often wonder how large an area of house and garden it is possible to

get really fond of. The fact of broad acres and limitless corridors may

be, and often is, delightful to the possessor, especially if they are of

long-standing possession; but to be fond of a place in the way that I

mean implies to be intimate with every square inch of it. Your own

niche, your own particular _angulus terræ_, must, I think, be small; the

great reception-rooms, the huge lawns, are delightful to have, but you

will often find the owner of such choosing a small room for himself to

work in and live in, and making perfect, according to his own taste,

some sequestered angle of his garden, shut out from vastness, and

brought within the scope of his invention. The great lawns and

shrubberies he may plan and take pleasure in, but he will not be fond of

them with the personal affection he feels for his own room, his own

garden corner. And it is the personal aroma, the definite impress of an

individual taste on rooms and gardens, that makes them alive with their

own individual entity: they are parasitic, like mistletoe, drawing their

life from a parent stem. The large rooms, the rows of marbles, the acres

of signed canvas, are beautiful and wonderful things; but no one man can

appropriate them and fashion them to himself, or himself to them, for

they are too large, and are the setting not for one person, but for the

brilliant crowd. But his own ‘den,’ where he has the books he wants,

the chair he likes, the few pictures he loves, it is there that he is

_chez lui_--at home. That is the good part; to have the other is

enviable, no doubt, but one does not envy it with the sense of need. Of

course, no two people may have the same idea of a _chez lui_; and it is

always with a certain anxiety that one awaits the arrival of a friend

who has not seen one’s own. He may easily not like it at all (as I have

said, the appearance of the house outside is among the things to be

forgotten), and if he does not, it is part of me he does not like. But

it takes all sorts to make a world; if it were not so, the world would

be infinitely less entertaining than it is and infinitely less lovable.

Almost exactly opposite my windows is an old graveyard, the stones in

which are for the most part mossed and gray. A gravel path winds in and

out of the sleeping-places of men long dead, and round it stand a

half-dozen of fine elms. It borders on the road, and is separated from

it by only a low paling. And looking out of my window this morning, I

saw here one of those very simple little common things that give the

lie to cynics. It was a fine sunshiny morning and the road was populous,

and among others there came down it two big, strapping privates out of

the regiment that is stationed here, all trappings and scarlet, while

between them, with a hand in the arm of each, walked a little old lady

dressed in black. Each of the two men carried a cross of white flowers,

and they walked very slowly, hanging on their steps, and suiting their

pace to the woman. All three passed in at the cemetery gate, and went

across the grass to a tomb which lay underneath the elms, and had an old

weatherworn stone to mark it. On it the two soldiers laid down their

crosses, and took off their forage-caps, and all three knelt side by

side for a couple of minutes, it may be, at the foot of the grave, close

by the road. Then they rose, and the old lady kissed her tall sons very

tenderly, and stood with them there a minute more, a hand clasped by

each, while they talked together, I suppose of the dead. Then they

passed out of the cemetery gate again, and, for aught I know, out of my

life. But a little later I went across the road, and to the grave where

the crosses of lilies lay. The stone, as I had seen, was of old

standing, and I read that it was in memory of a man who had died in the

year 1880, on April 17, so that to-day was the twenty-second anniversary

of his death. Two days afterwards I happened to ask the Colonel of that

regiment whether there were two privates of a certain name among the

men.

‘Yes,’ said he, ‘excellent steady fellows; they look after their old

mother, who lives here.’

So the reconstruction was simple enough. The father must have died while

the two sons were still boys of five or six; yet on the anniversary of

his death, so it seems, they still go to the grave with their mother,

quite simply and naturally, and say a prayer there with her. The grass,

too, on the grave itself was, I noticed, kept short and carefully

tended, so I suppose they go there not infrequently. I think the man who

lies there must have been a good husband. God keep all our memories as

green in loving hearts!

Meantime April is here, and it is good to be in England, for in no other

country that I have ever seen is the rush of colour more jubilant.

Flowers you may get in plenty on the Grecian hills when ‘blossom by

blossom the spring begins,’ but nowhere do you get such green as that in

which here April hangs the trees and hedgerows. Star-like the pink

petalled daisies shine in the grass of the water-meadows, and soon the

yellow shower of buttercups will make Danaë of the earth. In lonely

places the daffodils dance together for the joy of their renewed life,

and the warm wind shakes the snow of almond and apple-blossom on to the

thick-bladed turf. Morning by morning fresh spears of living stuff have

pierced the earth, rising upwards in obedience to the great law that

moves all life, to look on the kingdom of the sun; and every day the sap

of growth hums and tingles to the end of twig and tree, bursting forth

through pink-sheathed bud into stars and crescents of leaf and blossom.

On the great downs the grass of last year already shows gray and

withered by the newness of the excellent emerald, soon to be wrought

with tapestries of thyme, where the bee scrambles heavy-legged with the

pollen of its fragrant labour, and the chimes of the harebells, to

which, so the legend of the countryside has it, the fairies dance,

leaving a deeper green where their feet have trod.

Brimful from bank to grassy bank the chalk-streams drawn from the cool

deep brain of the downs hurry steadfastly through the meadows, setting

the reeds quivering and jerking. Here their courses lie over beds of

white chalk and gravel, each pebble shining lucently, jewel-like; here

the water-weeds, growing thickly from bank to bank, are combed and waved

by the passage of the water; here the stream is set on a more

industrious and earnest purpose, as it twirls itself together in the

bricked and narrowed passage that leads to the melodious thunder of a

mill, from which, having accomplished its work without any loss or

fatigue, it emerges in a soda-water of bubble from the dripping sides of

the sluice and the mist of its own outpouring. There in the pool below

lie its great mysterious citizens, the aldermen of the river, for whom

on many days I shall, with my heart in my mouth, cast flies upon the

water. Think, if I should catch the Lord Mayor himself--an eight-pounder

at least, so the miller tells me, who has broken as many lines, it

appears, as there are bubbles in the stream, or heads of racing

thistledown in a windy meadow. And if, as is highly probable, the lord

of the stream defends his own, and will put such slight wisdom into the

heads of his fish that not even the least cautious stripling among them

is lured by me, yet he cannot wean me from that fond hope that this cast

or this will meet its reward, or when evening comes, and the creel is

still unburdened, take away from me the benefit of those waterside

hours, the combing of the water-weeds, the translucency of sun-smitten

ripples, the infinite refreshment of companionship with things that are

quiet and alive. Nor at the end of the day will my machinations against

his citizens debar me from becoming for a moment one of them, and

dividing the frothy waters of his deepest pool.

MAY

May has come in with gleams of sunshine and gusty fits of tears: half

the time that one is out-of-doors, one is being soaked; the other half,

being dried by the sun and the boisterousness of west wind. The heavens,

indeed, are like some wayward woman, scolding and stormy, then suddenly

showing the divinest tenderness. ‘I didn’t mean it,’ say the sun and the

west wind. ‘I only wet you for fun. Oh, don’t go indoors and change; I

will make you quite dry in a minute.’

But for as long as I live, I think, every May that comes round in the

circle of months will be to me, not the May of the year whose course is

now running, but the May of three years ago. So, too, when we come to

June, you will find the June of two years ago. For to me now, and to me

always, as I think, May will mean the things that happened then, and

June will mean the things that happened thirteen months later. I will

tell you that story. It concerns three people only, and two of them are

dead.

The Book of Months · 第 3 / 14 段