Cupping

"Cupping is an art," wrote the London cupper Samuel Bayfield in 1823, "the

value of which every one can appreciate who has had opportunities of being

made acquainted with its curative power by observing its effects on the

person of others, or by realizing them in his own."[87] The curious

operation of taking blood by means of exhausted cups had been part of

Western medicine since the time of Hippocrates, and has been found in many

other cultures as well. It is still practiced in some parts of the world

today.

Since antiquity medical authors have distinguished two forms of cupping,

dry and wet. In dry cupping, no blood was actually removed from the body.

A cup was exhausted of air and applied to the skin, causing the skin to

tumefy. In wet cupping, dry cupping was followed by the forming of several

incisions in the skin and a reapplication of the cups in order to collect

blood. It was possible to scarify parts of the body without

cupping--through the nineteenth-century physicians recommended scarifying

the lips, the nasal passages, the eyes, and the uterus. In order to remove

any sizeable amount of blood, however, it was necessary to apply some sort

of suction to the scarifications, because capillaries, unlike arteries and

veins, do not bleed freely. (Figure 8.)

Cupping was generally regarded as an auxiliary to venesection. The

indications for the operation were about the same as the indications for

phlebotomy, except that there was a tendency to prefer cupping in cases of

localized pain or inflammation, or if the patient was too young, too old,

or too weak to withstand phlebotomy. "If cutting a vein is an instant

danger, or if the mischief is still localised, recourse is to be had

rather to cupping," wrote the encyclopedist Celsus in the first century

A.D.[88]

As noted above, the ancients usually recommended cupping close to the seat

of the disease. However, there were several examples in ancient writings

of cupping a distant part in order to divert blood. The most famous of

these examples was Hippocrates' recommendation of cupping the breasts in

order to relieve excessive menstruation.[89]

As was the case for phlebotomy, the number of ills that were supposedly

relieved by cupping was enormous. Thomas Mapleson, a professional cupper,

gave the following list of "diseases in which cupping is generally

employed with advantage" in 1801:

Apoplexy, angina pectoris, asthma, spitting blood, bruises, cough,

catarrh, consumption, contusion, convulsions, cramps, diseases of the

hip and knee joints, deafness, delirium, dropsy, epilepsy,

erysipelas, eruptions, giddiness, gout, whooping cough,

hydrocephalus, head ache, inflammation of the lungs, intoxication,

lethargy, lunacy, lumbago, measles, numbness of the limbs,

obstructions, ophthalmia, pleurisy, palsy, defective perspiration,

peripneumony, rheumatism, to procure rest, sciatica, shortness of

breath, sore throat, pains of the side and chest.[90]

_Early Cupping Instruments_

Mapleson believed that cupping was first suggested by the ancient practice

of sucking blood from poisoned wounds. In any case, the earliest cupping

instruments were hollowed horns or gourds with a small hole at the top by

which the cupper could suck out the blood from scarifications previously

made by a knife. The Arabs called these small vessels "pumpkins" to

indicate that they were frequently applied to a part of the body in which

the organs contained air or that they were vessels that had to be

evacuated before they could be applied.[91] The use of cattle horns for

cupping purposes seems to have been prevalent in all periods up to the

present. When Prosper Alpinus visited Egypt in the sixteenth century, he

found the Egyptians using horns that were provided with a small valve of

sheepskin to be maintained in place by the cupper's tongue and serving to

prevent the intake of air once the cup was exhausted.[92]

In nineteenth-century America, at least one physician still recommended

horns as superior to glass cups for rural medical practice. A Virginia

physician, Dr. W. A. Gillespie, disturbed by the high cost of cupping

instruments, suggested to his readers in _The Boston Medical and Surgical

Journal_ for 1834 that since glass cups were often broken when carried

from place to place, "an excellent substitute can be made of a small cow

horn, cornicula, which may be scraped or polished until perfectly

diaphanous or transparent."[93]

The Smithsonian collection contains a cow's horn from Madaoua, Niger

Republic (West Africa), used for drawing blood in the 1960s. The director

of the Baptist Mission, who sent the horn, noted that he had often seen

Africans sitting in the market place with such horns on their backs or

their heads. Scarifications were made with a handmade razor.[94]

[Illustration: FIGURE 8.--Scarification without cupping in Egypt in the

16th century. To obtain sufficient blood, 20 to 40 gashes were made in the

legs and the patient was made to stand in a basin of warm water. (From

Prosper Alpinus, _Medicina Aegyptorum_, Leyden, 1719. Photo courtesy of

NLM.)]

In addition to horn cups, the ancients employed bronze cups in which a

vacuum was obtained by inserting a piece of burning flax or linen into the

cup before its application to the skin. Most Greek and Roman cups were

made of metal.[95] Although Galen already preferred glass cups to metal

cups for the simple reason that one could see how much blood was being

evacuated, metal cups were used until modern times. Their main virtue was

that they did not break and thus could be easily transported. For this

reason, metal cups were especially useful to military surgeons. Brass and

pewter cups were common in the eighteenth century, and tin cups were sold

in the late nineteenth century.

Since the latter part of antiquity, cups have been made of glass. The

Smithsonian possesses two Persian opaque glass cups dating from the

twelfth century, called "spouted glasses" because of the spout protruding

from the side of the cup by which the cupper exhausted the air with his

mouth. Similar spouted glasses were illustrated by Prosper Alpinus

(sixteenth century), so designed that the blood would collect in a

reservoir instead of being sucked into the cupper's mouth. Like the horn

cups illustrated by Alpinus, the glass cups were provided with a small

valve made of animal skin. It appears that the sixteenth-century Egyptians

were not familiar with the use of fire for exhausting cups. (Figure 9.)

Cupping and leeching were less frequently practiced in the medieval

period, although general bloodletting retained its popularity.[96] When

the eastern practice of public steam baths was reintroduced into the West

in the late sixteenth and early seventeenth centuries, cupping tended to

be left in the hands of bath attendants (Bagnio men) and ignored by

regular surgeons. Some surgeons, such as Pierre Dionis, who gave a course

of surgery in Paris in the early eighteenth century, saw little value in

the operation. He felt that the ancients had greatly exaggerated the

virtues of the remedy.[97] Another French surgeon, Rene de Garengeot,

argued in 1725 that those who resorted to such outdated remedies as

cupping had studied the philosophical systems of the ancients more than

they had practiced medicine. He accused the admirers of the ancients of

wishing to kill patients "with the pompous apparatus of wet cupping."[98]

(Figure 10.)

[Illustration: FIGURE 9.--Persian spouted cupping glass, 12th century.

(NMHT 224478 [M-8037]; SI photo 73-4215.)]

Nineteenth-century cuppers tended to blame the baths for the low status of

cupping among surgeons. Dionis had described the baths in Germany as great

vaulted halls with benches on two sides, one side for men and the other

for women. Members of both sexes, nude except for a piece of linen around

the waist, sat in the steamy room and were cupped, if they so desired, by

the bath attendants. The customers' vanity was satisfied by making the

scarifications (which left scars) in the form of hearts, love-knots, and

monograms.[99] Mapleson's complaint against the baths in 1813 was typical

of the reaction of the nineteenth-century professional cupper:

The custom which appears to have become prevalent of resorting to

these Bagnios, or Haumaums, to be bathed and cupped, appears to have

superseded the practice of this operation by the regular surgeons.

Falling into the hands of mere hirelings, who practiced without

knowledge, and without any other principle than one merely mercenary,

the operation appears to have fallen into contempt, to have been

neglected by Physicians, because patients had recourse to it without

previous advice, and disparaged by regular Surgeons, because, being

performed by others, it diminished the profits of their

profession.[100]

[Illustration: FIGURE 10.--Cupping in the bath, 16th century. (From a

woodcut held by the Bibliotheque Nationale. Photo courtesy of NLM.)]

After a period of neglect, cupping enjoyed renewed popularity in the late

eighteenth and early nineteenth centuries. In that period a number of

professional cuppers practiced in the cities of Europe and America. Both

Guy's and Westminster Hospitals in London employed a professional cupper

to aid physicians and surgeons. Of these hospital cuppers, at least four,

Thomas Mapleson, Samuel Bayfield, George Frederick Knox, and Monson Hills

published treatises on the art of cupping, from which we gain the clearest

account of cupping procedure.[101] Knox, who succeeded Mapleson as Cupper

at Westminster Hospital, was petitioned by 59 medical and surgical

students to write his practical and portable text.[102]

_Instruments of the Professional Cupper_

Cupping instruments in the eighteenth and nineteenth centuries were

generally simple dome-shaped glass cups provided with thick rims so that

the cups would be less painful when applied and removed. Cups were sold in

various sizes, ranging from about 45 mm to 75 mm high. Some were made with

a smaller diameter and a larger belly for cupping on parts of the body

with a limited surface area. For the same reason, cups with an oval rim

were recommended. (Figure 11.)

There were several common methods for exhausting cups, of which the

simplest and most widely used was that of throwing burning lint or tow

(the coarse part of flax, hemp, or jute) inside the glass before applying

the glass to the skin of the patient. The professional cuppers vehemently

disapproved of this clumsy practice, for the patient could easily be

scorched.[103] Various improvements were suggested to avoid burning the

patient. Dionis (1708) had recommended placing a small card with lighted

candles over the scarifications, and then applying the cup.[104] Other

methods included the brief introduction of a wire holding a bit of sponge

soaked with alcohol and ignited, or attaching a bit of sponge to the

inside of the glass by means of wax and a piece of wood. All such methods

were deemed "clumsy expedients" by professional cuppers,[105] who

preferred to employ a lamp or torch especially made for cupping.

Eighteenth-century surgical texts illustrated brass grease lamps with

covers to regulate the flame. Probably less difficult to maneuver was the

alcohol lamp first introduced in the 1790s. Alcohol lamps for cupping were

made of metal, shaped like teapots, and contained a heavy cotton wick

protruding from the spout.[106]

[Illustration: FIGURE 11.--Typical glass cupping cups, late 19th century.

(NMHT 152130 [M-4766-68]; SI Photo 61135-C.)]

Although Mapleson (1813) employed an alcohol lamp, the cuppers writing

after him preferred the more recently-introduced cupping torch. This

consisted of a piece of hollow metal tubing cut obliquely at one end and

provided with a metal bulb or ring at the other end. A cotton wick was

stuffed as compactly as possible into the tube so that a small piece of

wick protruded from the oblique end. The wick was dipped in alcohol,

ignited, and inserted briefly into the cup. The torch was more convenient

than the older teapot lamp because it was easier to insert into the cup,

and was small enough to hold in the hand at the same time as one held the

scarificator.[107]

The introduction of the scarificator represented the major change in the

art of cupping between antiquity and the nineteenth century. Unlike later

attempts at improving cupping technology, the scarificator was almost

universally adopted. Previous to its invention, the cupper, following

ancient practice, severed the capillaries by making a series of parallel

incisions with a lancet, fleam, or other surgical knife.[108] This was a

messy, time consuming, and painful procedure. Ambroise Pare (1510?-1590)

was the first to employ the word "scarificator" and the first to

illustrate a special instrument for scarification in his compendium of

surgical instruments.[109] However, a precursor to the scarificator had

been suggested by Paulus of Aegina (625-690), who described an instrument

constructed of three lancets joined together so that in one application

three incisions could be made in the skin. The instrument, recommended for

the removal of coagulated blood in the wake of a blow, was considered

difficult to use and was not generally adopted.[110] Pare's scarificator

had a circular case and eighteen blades attached to three rods projecting

from the bottom. A pin projecting from the side may have served to lift

the blades and a button on the top to release them although Pare did not

describe the spring mechanism.[111] Pare did not recommend the instrument

for cupping, but rather for the treatment of gangrene. Several sixteenth-

and seventeenth-century surgical texts made reference to Pare's

instrument, among them Jacques Delechamps (1569) and Hellkiah Crooke

(1631).[112]

It is not known who made the first square scarificator and adapted it to

cupping. The instrument was not found in Dionis (1708), but it did appear

in Heister (1719) and in Garengeot (1725). Thus it appears that the

scarificator was invented between 1708 and 1719. Garengeot disliked

cupping in general and he had little good to say of the new mechanical

scarificator. "A nasty instrument," he called it, "good only for

show."[113] The German surgeon, Lorenz Heister, was more appreciative of

the innovation. After describing the older method of making sixteen to

twenty small wounds in the skin with a knife, he announced that "The

modern surgeons have, for Conveniency for themselves and Ease to the

Patient, contrived a Scarificator ... which consists of 16 small

Lancet-blades fixed in a cubical Brass Box, with a Steel Spring."[114]

Heister noted that while Pare had used the scarificator only for incipient

mortification, it was now "used with good success by our Cuppers in many

other Diseases, as I myself have frequently seen and experienced."[115]

The earliest scarificators were simple square brass boxes, with cocking

and release levers and 16 pointed blades. By 1780, illustrations in

surgical works showed that the bottom of the scarificator was detachable.

Thus, although the illustrations do not show the screw for regulating the

height of the blade cover, provision may already have been made for

adjusting the depth of cut of the blades.[116] Square or German-style

scarificators continued to be sold in Germany throughout the nineteenth

century. The earlier models (late eighteenth, early nineteenth century)

were frequently embellished with ornate decoration, and had pointed

blades. Some were quite tall. A specimen dated 1747, in the Wellcome

Medical Museum collection, is 14.4 cm high and 4.5 cm wide at the base.

(Figure 12.)

[Illustration: FIGURE 12.--Lavishly decorated scarificator, 18th century.

(Held by the Wellcome Institute of the History of Medicine, London. Photo

courtesy of the Wellcome.)]

The later models (mid- to late nineteenth century) were wider and plainer

and had arched or crescent shaped blades (which made a cleaner lesion),

but the internal mechanism remained the same. Square scarificators all had

16 steel blades that cut in the same direction and were arranged on three

rods of five, six, and five blades respectively. At one end of each rod

was a gear pinion. The cocking lever, protruding through an aperture at

the top of the scarificator, broadened out into a flat plate with as many

gear sectors as blade rods. The plate was held against the interior of the

scarificator by a heavy support rod running the width of the scarificator,

in such a way that the gear sectors of the cocking lever meshed with the

pinions on the blade rods. Pulling up on the cocking lever turned the

blades 180 degrees. A heavy flat cantilever spring, attached at one end to

the bottom of the case, was caught under a protuberance on the cocking

lever and bent as the cocking lever was pulled. As the blades were turned,

a catch slipped over a tooth on the cocking lever, and held the blades in

place. Nineteenth-century octagonal scarificators generally had two

catches, the first exposing the blades, and the second rotating them a

full 180 degrees. Pressure on the release lever pushed the catch off the

tooth on the cocking lever, thereby releasing the lever and allowing the

spring to snap the apparatus back to its original position. Releasing the

spring brought the blades around so quickly that their movement could not

be seen. (Figure 13.)

[Illustration: FIGURE 13.--Interior of square scarificator. (NMHT 152130

[M-4771]; SI photo 76-9111.)]

In the square scarificators, the top and two sides were detachable from

the bottom and the other two sides. Turning the wing-tip nut on the top of

the scarificator lowered, by means of a yoke, the bottom of the

scarificator that was fitted by grooves into the top. By raising and

lowering the bottom, one could regulate the length of blade protruding

beyond the bottom, and hence the depth of cut.

In the 1790s, the octagonal scarificator that was to become the standard

English-American model began to appear in surgical texts. The early

octagonal scarificator, as illustrated in Latta (1795) and Bell (1801),

had sixteen rounded blades arranged as in the square scarificator, an iron

triggering lever similar to that of the square scarificator, a button

release on the side, and a flat key on top for regulating depth of

cut.[117] Early in the nineteenth century the flat keys were replaced by

round screws. Only the bottom or blade cover of the octagonal scarificator

was detachable. In some of the octagonal scarificators, the round screw on

top ran the height of the scarificator and screwed directly into an

internally threaded post inside the blade cover. In other scarificators,

the screw raised and lowered a yoke whose two sides were attached by

additional screws to side projections of the blade cover.

A notable improvement was made in the early nineteenth century when John

Weiss, a London instrument maker, introduced a 12 blade octagonal

scarificator whose blades, arranged on two rods or pinions, were made to

cut in opposite directions. This advance was mentioned by Mapleson in 1813

and adopted by London professional cuppers thereafter. The advantage of

the innovations was that the skin was thereby stretched, and a smoother,

more regular cut could be made. Weiss's Improved Scarificator also

featured blades that could easily be removed for cleaning and repair. In

place of two rows of six blades, one could insert a single row of four

blades to adopt the scarificator for cupping on small areas such as the

temple.[118] The feature of inserting a pinion with clean and sharp blades

permitted the cupper to own only two scarificators. For cleansing the

blades the manufacturer supplied a thin piece of wood covered with wash

leather or the pith of the elder tree.[119]

Scarificators in which the blade rods turned in opposite directions

(called "reversible" scarificators in trade catalogs) were more

complicated to manufacture and therefore somewhat more expensive than

unidirectional scarificators. The cocking lever meshed directly with only

the first blade rod. To make the second blade rod turn in the opposite

direction, an extra geared plate (or idler lever) was necessary to act as

an intermediary between the cocking lever and the second blade pinion. The

cocking lever turned the idler lever, which then turned the second pinion.

Two support rods and two cantilever springs were needed in place of the

one in unidirectional scarificators.

The brass, octagonal scarificator with 8, 10, and particularly 12 blades

became the standard scarificator sold in England and America.[120] Both

unidirectional ("plain") and reversible scarificators were offered through

trade catalogs. Smaller octagonal scarificators with four to six blades

were sold for cupping parts of the body with limited surface area.

_Cupping Procedure_

The art of cupping, it was generally agreed, required a high degree of

dexterity that could be maintained only by constant practice. Professional

cuppers were concerned with avoiding any appearance of clumsiness, else

the patient might come to fear an operation essential to his health. In

the hands of an inexperienced physician or surgeon, cupping could be

highly painful to the patient, and yet fail to produce the requisite

amount of blood. While expert cuppers were usually available in cities,

the rural doctor was not trained in the operation. It was to these rural

practitioners that the treatises of the professional cuppers were

addressed. One cupper, George Frederick Knox, offered in addition personal

instruction in cupping procedures. His charge was a guinea for medical

students and three guineas for non-medical students for a three month

course.[121]

Physicians and surgeons took a renewed interest in cupping in the early

nineteenth century. Cupping was no longer regarded as merely a useful

substitute for bloodletting. Recent physiological research seemed to prove

to the advocates of cupping that the effects of slow withdrawal of blood

from the capillaries produced a different effect on the constitution than

the quick withdrawal of blood from a vein. Thus, Knox was convinced by the

results of this research that, while phlebotomy was indicated in cases of

high fever, "particular phlegmasiae" specifically required the

intervention of cupping.[122]

The procedure that the experts followed in wet cupping was as follows.

First, the cups were immersed in hot water. Bayfield recommended that one

glass be used for every four ounces of blood required. Thus, to abstract

18 to 20 ounces, as was common in cupping on the back or abdomen, four or

five glasses were needed. The spot chosen for placement of the cups should

be free of bone, but also not overly fatty. Cupping over the belly of a

muscle was especially recommended. After the spot was fomented with hot

water, the torch was dipped in alcohol, lit, and inserted into the cup for

about two seconds. Once the torch was removed, the cup was allowed to sink

of its own weight into the skin. During the minute that the skin was

allowed to tumefy under the cup, the scarificator was warmed in the palm

of the hand in preparation for the most difficult part of the operation.

It required great skill to manage torch, scarificator, and cups in such a

way as to lift the cup, scarify, and recup before the tumefaction had

subsided. Monson Hills (1834) described the manipulations involved thus:

The torch is held in and across the palm of the right hand, by the

little and ring finger, leaving the thumb, the fore and middle

fingers free to hold the scarificator, which may be done by the thumb

and fore finger only; the glass is then grasped by the thumb, fore

and middle fingers of the left hand, leaving the little and ring

fingers free; the edge of the glass is then detached from the skin by

the middle finger of the right hand; the scarificator being set, care

must be taken not to press upon the button with the thumb too

quickly; directly the glass comes off, we apply the scarificator,

spring it through the integuments, and then placing it between the

free little and ring fingers of the left hand, we apply the torch to

the glass, and glass to the skin over the incisions, as before

recommended.[123]

Hills recommended practicing on a table, "taking care, of course, that the

lancets are not allowed to strike the table."

According to Bayfield, the blades of the scarificator were generally set

at 1/4". If cupping behind the ears, they should be set at 1/7", if on the

temple at 1/8", and if on the scalp at 1/6". When the cups were two-thirds

full, they were removed and reapplied if necessary. This, too, was no easy

task. One had to manipulate cup and sponge deftly in order to avoid

spillage. Cupping was to be not merely a neat operation, but an elegant

one. After cupping, the wound was dabbed with alcohol or dressed, if

necessary. Scarificator blades could be used some twenty times. After each

use, the scarificator was to be cleaned and greased by springing it

through a piece of mutton fat.[124]

A great variety of bodily parts were cupped, just about any part that had

sufficient surface area to hold a small cup in place. Knox, for example,

gave directions for cupping on the temple, back of the head, behind the

ears, throat, back of the neck, extremities, shin, chest, side, abdomen,

back and loins, back of the thighs, perineum, sacrum, and on buboes.[125]

In reply to those who wondered if cupping hurt, Knox asserted that "those

who calculate the pain incurred in cupping by comparison with a cut finger

are very much deceived." The scarificator itself produced little pain, he

claimed, but he admitted that the pressure of the rims of the glasses

could cause a degree of discomfort.[126]

_Nineteenth Century Attempts to Improve Cupping Technology_

The story of nineteenth-century attempts to improve cupping technology is

an interesting one, in that a great deal of effort was expended on

comparatively short-lived results. For those who were adept at cupping,

the cups, torch, and standard scarificator were quite adequate.

Innovations were thus aimed at making the operation more available to the

less practiced. The new gadgets could not rival the traditional

instruments in the hands of an experienced cupper, and, moreover, they

were usually much more expensive.

Most of the attempts at innovation centered in eliminating the need for an

alcohol lamp or torch to exhaust the cups. As far back as Hero of

Alexandria,[127] we find directions for the construction of "a

cupping-glass which shall attract without the aid of fire." Hero's device

combined mouth suction with a system of valves. Another famous inventor of

assorted devices, Santorio Santorii (1561-1636), described a cup that

contained a syringe in the early seventeenth century.[128] From the 1780s

on, cups with brass syringes began to appear in compendia of instruments.

A cup with brass fixings would be screwed onto a brass pump, placed on the

skin, and the air within removed by a few strokes of the piston.[129] This

sounded better in theory than it worked in practice. Expert cuppers agreed

that they thoroughly disliked using the syringe. Mapleson (1813) offered

three strong objections to the instrument. First, exhaustion could easily

be carried too far, so as to obstruct the flow of blood. Second, the

operation become tedious and fatiguing to the bloodletter because of the

repeated screwing and unscrewing of syringe and glasses. Third, the valves

were liable to malfunction.[130] Twenty-three years later Knox continued

to disapprove of the syringe for the very same reasons. Of all the new

inventions for cupping, he declared in 1836, "the worst is the syringe, as

it makes that a most complicated and bungling operation that which, with

common care and attention is one of the most simple in surgery."[131]

Despite rejection by experienced cuppers, manufacturing of an air-tight

syringe continued to challenge inventors throughout the nineteenth

century. Some attempted to substitute stopcocks for valves, and some to

place long flexible tubes between pump and glasses so that the pumping

motions would not be communicated to the patient. Pumps were gradually

improved, and, although rarely recommended by experts, were sold in great

numbers as part of fancy and expensive cupping sets. These sets, with

prices as high as fifteen dollars, consisted of a mahogany or leather box

with brass latches, lined in plush, and containing compartments for

scarificators, a brass pump, and an assortment of glasses provided with

metal attachments. Some of the most elegant of the cupping sets were those

made by Maison Charriere of Paris. Today the luxury of these cupping sets

seems rather incongruous with the bloody purposes for which the

instruments were used. Yet, the beauty of the instruments and their

containers must have added to the esteem of the physician or surgeon in

the mind of the patient.

Syringes were not only useful in cupping but also were employed in a wide

variety of medical and surgical operations. Creating an all-purpose

syringe that would extract or inject liquids into any part of the body was

yet another inventor's dream. Two of the earliest English surgical patents

were awarded to two such syringes. John Read (1760-1847), surgical

instrument maker for the British Army and the East India Company, patented

a pump in 1820 for use in "extracting poison from the stomach,

administering clysters, introducing tabacco fumes into the bowels,

transfusion of blood, draining off the urine, injecting the bladder,

female injection, anatomical injection, administration of food and

medicine, cupping, drawing the breasts ... &c."[132] John Weiss, inventor

of the improved scarificator, invented his own patent syringe in 1825,

which he claimed to be superior to all previous syringes because it

employed stopcocks in place of valves, which were subject to leakage and

clogging. Cupping was only one of many operations that could be performed

with its aid. The Truax Surgical Pump is an example of a late

nineteenth-century all-purpose patent pump outfit that included cups among

its numerous optional attachments.[133] (Figure 14.)

Those who went a step further in their efforts to improve cupping

procedure attempted to combine cup, lancet, and exhausting apparatus all

in one instrument. Bayfield described and rejected several such devices in

1823, including perhaps the earliest, that of the Frenchman, Demours.

Demours' instrument, first introduced in 1819, consisted of a cupping

glass with two protruding tubes, one containing a lancet, and the other an

exhausting syringe. The lancet, surrounded by leather to keep air out of

the cup, could be supplemented by a cross with four additional blades, if

more than one puncture was desired.[134] In 1819, Thomas Machell, a member

of the Royal College of Surgeons in London, described a similar apparatus

in which the glass cup was separated from the tin body of the apparatus by

a flexible tube. The facility and precision of the instrument, claimed

Machell, "are incalculably surpassed by the power of its application to

any part whatever of the surface, under any circumstances indicating its

propriety, and by any person untrained to the manual dexterity of a

professed cupper."[135]

Professional cuppers who took pride in their skill naturally avoided such

novelties. Bayfield found the complex instruments objectionable because

even "the most trifling degree of injury is generally sufficient to render

the whole apparatus useless."[136]

The Smithsonian collection contains two patent models of American wet

cupping devices. The first is an ingenious cupping set patented by a

Philadelphia navy surgeon, Robert J. Dodd, in 1844. It consisted of a

metal syringe provided with a plate of lancets that screwed on to a glass

tube with a protuberance for collecting blood. The most interesting

feature of the apparatus was the provision made for cupping internal parts

of the body such as the vagina, throat, or rectum. One could attach to the

pump either a curved or a straight tapering glass tube, seven to eight

inches long, and corresponding flexible metal lancet rod. The pump could

also be adapted for extracting milk from the breasts of women by attaching

a metal cap with a hole just large enough to accommodate the nipple.[137]

The second patent model is that of W. D. Hooper of Liberty, Virginia, who

invented in 1867 an apparatus combining cup, pump, and scarificator. The

novel part of the instrument was the tubular blades that were injected

into the flesh and then left in place while the blood was being removed,

"by which means the punctures are kept from being closed prematurely, as

frequently happens with the ordinary device."[138]

It is unlikely that any of these ingenious devices were marketed in

quantity. For those skilled in the art of cupping, the torch, cups, and

scarificator were more effective. For those not experienced in the art,

the new devices were simply too expensive, inconvenient to carry about,

and fragile. While doubtless some surgeons bought fancy equipment in order

to impress their patients, other surgeons, and the professional cuppers,

realized that expensive and unfamiliar gadgets could inspire more dread

than awe, especially among rural patients. The cupper Monson Hills advised

his readers:

A person about to be cupped, is often needlessly alarmed by the

arrival of his operator, with a capacious box of instruments; and he

measures the severity of the pain he is about to undergo, by the

seeming multitude of instruments required to inflect it. If, on the

contrary, the few implements used are carried in the pocket, and

produced when about to be used, unobserved by the patient, this evil

is easily avoided.[139]

In seconding Hills' sentiments, W. A. Gillespie, the Virginia country

physician mentioned earlier, went a step further. Gillespie felt that the

rural physician could dispense with the glass cups, torch, and

scarificator and substitute in their place a simple thumb lancet and cow's

horn. Not only would these instruments save money, but they would also

"excite less dread in the mind of the patient than a formidable display of

numerous and complicated instruments."[140]

Some inventors concentrated on more modest improvements in cupping

technology, namely, modification of cups and scarificators. One of the

simplest improvements was that of Dr. Francis Fox, House Surgeon to the

Derbyshire General Dispensary. In 1827, Dr. Fox introduced a new glass cup

with a short, curved, wide neck and an oval belly that hung downwards.

When applied to the skin, the glass hung in the manner of a leech, and so

the glass was called "The Glass Leech." Since the burning tow could be

placed in the hanging belly of the glass, away from the skin, it was

easier to apply and remove the ordinary cup.[141] Other modifications of

the cupping cup included the addition of a stopcock to let the air back

in, graduations to measure the blood, and the attachment of a metal bar

inside the cup in order to hold the burning sponge or wick away from the

body of the patient.[142] (Figure 15.)

[Illustration: FIGURE 14.--Weiss's improved patent cupping apparatus.

Illustrated are Weiss's patent syringe applied to cupping and Weiss's

improved scarificator. (From John Weiss, _Surgical Instruments_, 2nd

edition, London, 1831. SI photo 73-5184.)]

The most significant innovation in cups came with the manufacture of cups

of vulcanized rubber in the 1840s. Rubber cups could be easily exhausted

without need of a torch, and they were far cheaper and easier to

manipulate than cups attached to a pump. Most surgical catalogs in the

late nineteenth century offered both all-rubber cups and glass cups to

which a rubber bulb was attached. In the late nineteenth century, sets of

cups were sometimes sold with rubber rims because the rubber fit more

comfortably against the skin and prevented air from entering the cup.

Museum collections contain few rubber cups because nineteenth-century

rubber tended to deteriorate in time. However, the appearance of these

cups in all surgical catalogs indicates that they were widely sold.[143]

[Illustration: FIGURE 15.--Fox's glass leech. Cupping set contains two

hanging "glass leeches," a scarificator, a bottle of alcohol, and a torch

with a ring handle such as the cupper Knox recommended. (Set held by the

Academy of Medicine, Toronto. Photo courtesy of the Academy.)]

Several inventors tried to improve upon the scarificator. The defects of

the ordinary scarificator were widely recognized. It was too bulky and

heavy, and it cost too much--the most inexpensive scarificator offered by

George Tiemann & Co. in 1889 cost $4.50.[144] A strong hand was required

to trigger the blades, and when the trigger was released, the force of the

spring was so great that the lever moved back with great force and

produced a loud, unpleasant click. The force of the lever moving against

the case of the scarificator made it impossible to use any but expensive

materials (brass and German silver) in making the scarificator casing.

Furthermore, the springs were liable to break. Finally, the scarificator

was difficult to clean.[145] Late in the century, when sterilization

became important, some cuppers went back to the lancet because the

scarificator could not be surgically cleansed. The surprising thing is,

that despite all the defects, the same scarificator was sold in 1930 as in

1830. Either the claims of the inventors of improved scarificators were

unjustified, or cuppers were unwilling to try novel instruments in what

was becoming an old-fashioned and increasingly less popular operation.

(Figure 16.)

A few British and American surgical supply companies sold special models

of scarificator, but always in addition to the common scarificator. The

special models were generally higher in price. For example, the

Englishman, James Coxeter, announced in 1845 a new scarificator with a

rotating lever on the side instead of a cocking lever on the top. The

roto-lever, according to Coxeter, could be turned to set the scarificator

by a child of six. Furthermore, the scarificator was so constructed that

when the spring was released only internal parts moved. There was no lever

that snapped back and no resounding click. This special model of

scarificator continued to be sold by Coxeter and Son (London) until late

in the nineteenth century.[146]

Coxeter did not patent the roto-lever scarificator. In fact, through 1852

there were no British patents on scarificators. In contrast, there were

eight French patents on scarificators before 1860.[147] Of these, the most

important was the 1841 patent of Joseph-Frederic-Benoit Charriere

(1803-1973), a Swiss-born cutler who founded a major surgical supply

company in Paris. Charriere's octagonal scarificator substituted two flat

coiled springs (like watch springs) for the two cantilever springs

normally found in "reversible" scarificators. One end of each coiled

spring was attached to the scarificator casing and the other to one of the

support rods. As the cocking lever was pulled, the support rods turned and

wound the springs more tightly about the rods. According to Charriere,

these springs were more efficient and less likely to break than the

ordinary springs.[148]

Charriere's company later employed the coiled springs in the making of a

circular scarificator. The circular scarificators, associated particularly

with French manufacture, were the most elegant of nineteenth-century

scarificators and a fitting complement to the Charriere cupping sets.[149]

They were generally not sold by British and American surgical supply

companies, but a number of them appear to have reached the hands of

American physicians.

In America, there were five patents on scarificators, of which the

Smithsonian possesses three patent models. The most significant American

patent was that of George Tiemann in 1846. Tiemann's scarificator had a

flattened base and an ebony handle, which contained a coiled spring. The

blades were moved by a rack and pinion mechanism, and triggered by a knob

at the end of the handle. The advantages claimed by the inventor were ease

in handling, ease in cleaning, and the diagonal cut of the blades that

allowed the blood to flow more freely and the wounds to heal more readily.

Tiemann & Co. was still selling their patent scarificator as late as 1889

for a price of $7.00.[150] The Smithsonian possesses a marketed version in

addition to the patent model.

The two other patent scarificators in the Smithsonian collection were both

invented by Frederick M. Leypoldt of Philadelphia. The first, patented in

1847, was similar in external appearance to the common scarificator. The

novelty consisted of a new arrangement of the cocking lever and cantilever

spring that allowed use of a lighter and cheaper casing. Although the

patent model was made of brass, Leypoldt claimed that with his

improvements in the internal mechanism, the case could, with safety, be

made of tin.[151]

Leypoldt's second patent, issued in 1851, was for a scarificator with a

greatly simplified inner mechanism allowing for a substantially smaller

and lighter case. The cocking lever was placed horizontally in the casing

and engaged the blade rods through a rack and pinion mechanism. According

to Leypoldt, this scarificator was more convenient, more portable,

cheaper, safer, and more reliable than the common scarificator.[152]

Leypoldt probably marketed his scarificators, there being in the

Smithsonian collection other bloodletting instruments with his name, but

he did not form a major surgical supply company as did George Tiemann.

[Illustration: FIGURE 16.--Advertisement for phlebotomy and cupping

instruments. Note the rubber cups. (From George Tiemann & Co., _American

Armamentarium Chirurgicum_, New York, 1889. SI photo 76-13542.)]

After 1860, interest in inventing new scarificators declined as wet

cupping decreased in popularity. The improved cups and scarificators,

while they had achieved a limited success, had still failed to supplant

the common octagonal scarificator and the plain glass cup. As interest in

wet cupping declined, medical attention shifted to the therapeutic virtues

of dry cupping. Dry cupping offered even greater opportunities for

inventors, who sought means to bring the effects of the vacuum to more

areas of the body for greater lengths of time.

_Dry Cupping_

Dry cupping, in its simplest form, was said to act as a "revulsive" or

"derivant." By the nineteenth century these once hotly debated terms had

become nearly interchangeable in discussions of cupping. In cupping for

revulsive purposes, one cupped on a distant part to relieve excess of

blood in the affected part. In applying cupping as a "derivant," one

cupped closer to the affected part. In either case, the source of pain was

presumed to be somewhere below the skin, and the pain was relieved by

bringing blood away from the affected part to the surface of the body.

Thus, one nineteenth-century cupper concluded, revulsion was only

derivation at a distant point.[153]

If dry cupping was applied for ten minutes or longer so that the

capillaries burst, the action of the cups was said to be that of a

counter-irritant. According to ancient medical theory, the

counter-irritant was a means of relieving an affected part by deliberately

setting up a secondary inflammation or a running sore in another part.

Counter-irritations were traditionally produced in a number of ways, among

them, blisters, cautery, setons, moxa, and dry cupping.[154]

One of the most popular counter-irritation devices commonly associated

with cupping instruments in catalogs of surgical goods, was Baunscheidt's

_Lebenswecker_, sold by most American surgical supply houses in the second

half of the nineteenth century. The _Lebenswecker_, or "Awakener of Life,"

was the mainstay of the mystical medical system known as

_Baunscheidtismus_, after the founder of the device, Carl Baunscheidt of

Prussia (1809-1860).[155] The system apparently gained much notoriety in

Germany, England, and America, for Baunscheidt's book went through ten

German editions and several British and American editions. At least two

Americans patented improvements on the _Lebenswecker_.[156] The device was

made of ebony, about 250 mm long, and contained a coiled spring attached

to a handle. At the other end of the spring was a place about 20 mm in

diameter, with about thirty projecting needles. By pushing upon the

handle, one sent the needles into the skin. The ability of the instrument

to create blisters was enhanced by the application of Baunscheidt's

special oil to the irritation (Figure 17).

[Illustration: FIGURE 17.--Venus and Adonis with marks showing where

Baunscheidt's _Lebenswecker_ should be applied. (From Carl Baunscheidt,

_Baunscheidtismus, by the Inventor of the New Curing Method_, Bonn,

1859(?). Photo courtesy of NLM.)]

Dry cupping stimulated much theoretical debate in the nineteenth century

as well as a number of physiological experiments.[157] Although physicians

generally agreed that dry cupping had curative value if employed properly,

they disagreed widely on when to employ the remedy, and on the manner in

which the remedy operated. Did application of cups affect only the surface

vessels, or could cupping affect the entire nervous system, and through

the nerves, the action of the secretory organs? Were the effects of dry

cupping of only a temporary nature, or were they permanent? An interesting

series of investigations in Europe and America sought to ascertain the

value of dry cupping in checking the absorption of poison. An American,

Dr. Casper Wistar Pennock, replying to investigations performed by Martin

Barry, an Edinburgh physician residing in Paris, carried out an impressive

series of physiological experiments in 1827, in which he administered

strychnine and arsenic under the skin of dogs and rabbits and then cupped

over the wounds. He concluded that while dry cupping prevented almost

certain death from the poisons, once the cups were removed, death would

ensue, unless the poisons were surgically removed.[158]

Interest in dry cupping led to attempts to apply the therapeutic effects

of the operation to larger areas of the body than could be accommodated by

a cup. In France, Victor-Theodore Junod (1809-1881) adapted cupping to

entire limbs. Shortly after receiving his degree in medicine in 1833,

Junod presented at the Academy of Sciences his apparatus, known thereafter

as Junod's boot. Junod believed that actual extraction of blood was a

dangerous remedy and that the benefits of bleeding might as easily be

obtained by his "derivative method," which withdrew blood from the general

circulation but allowed it to be returned at will. Junod's boot and

Junod's arm, which sold for as much as $25.00 apiece,[159] were

constructed of metal and secured against the limb by a silk, and later a

rubber, cap. To the boot was attached a flexible tube, stopcock, pump, and

if desired, a manometer for measuring the vacuum produced. In chronic

illnesses, Junod recommended that the boot be applied for an hour. So much

blood was withdrawn from the circulation by use of the apparatus that the

patient might easily faint. To explain how his boot worked, Junod invented

a theory that he called "hemospasia," meaning the drawing of blood.[160]

This was typical of a number of attempts to introduce sophisticated

terminology into discussions of traditional remedies. Junod's arm and boot

were widely available through American surgical supply companies. As late

as 1915, Heinrich Stern, previously mentioned as a latter-day proponent of

bloodletting, had no doubt that application of the boot to the foot would

relieve congested states of the abdominal viscera.[161] (Figure 18.)

Americans patented a number of modifications of the arm and boot, and in

addition they patented a number of whole body devices called "depurators."

Junod had introduced such a device along with his boot--a metal casing in

which a patient would be placed leaving only his face showing. The air

inside would then be exhausted by means of a gigantic syringe. In America

such "depurators" may have been regarded more as quackery than as a

legitimate extension of cupping, for despite the fact that Americans

patented some twenty of these devices, surgical supply houses did not sell

them and little was written about them.

In the last decade of the nineteenth century, Dr. August Bier, professor

at the University of Bonn, developed another sophisticated theory

supporting the use of blood-suction devices, known as the theory of

hyperemia, meaning "excess of blood." According to the doctrine, lesions

are always accompanied in nature by hyperemia, "the most widespread of

auto-curative agents."[162] If we, therefore, wish to imitate nature, we

create an artificial hyperemia. Bier recommended several means of

increasing the blood supply of an affected part, including hot-air baths,

suction devices such as Junod's boot, and dry cupping. Several American

surgical suppliers sold Bier's Hyperemic Cups in the early twentieth

century. These were glass cups, of a great variety of shapes and sizes

including some with curved rims, each fitted with a rubber tube and bulb

for exhausting the air. A major function of these cups was to collect

wound secretions from boils or furuncles.[163]

[Illustration: FIGURE 18.--Junod's boot applied to a baby in the cradle.

(From Victor Theodore Junod, _A Theoretical and Practical Treatise on

Maemespasia_. London, 1879. Photo courtesy of NLM.)]

_Breast Cupping_

Related to cupping by its technology is the practice of drawing milk from

the breasts by means of breast pumps. Mothers with underdeveloped or

inflamed breasts posed a frequent problem for the nineteenth-century

physician, who treated them with either large doses of tartar emetic, a

strong purgative, or with cupping.[164] Breast pumps were small glass cups

with fluted edges made to accommodate the nipple. While some surgeons, as

the American Samuel Gross, recommended using a bottle with a long neck in

which the air had been rarified by means of hot water,[165] most breast

pumps were exhausted by mechanical means. For reasons of modesty, the

pumps were usually designed so that the woman could draw her breasts

herself. Perhaps the simplest design of a breast pump was a glass cup

having a long spout extending in such a way that the woman could perform

suction herself. Such all-glass cups were illustrated in the eighteenth

century.[166] A few, reputedly made centuries earlier, are found in the

Wellcome Historical Medical Museum. Early in the nineteenth century,

breast pumps, just as glass cups for bleeding, were attached to brass

syringes, and were often included among the variety of cups in cupping

sets provided with syringes. Read's and Weiss's patent syringe as well as

Thomas Machell's cupping device were adapted for breast pumping. With the

invention of vulcanized rubber, the breast pump was frequently attached to

a large rubber bulb. A glass protuberance was often added to pumps

exhausted by syringes or rubber bulbs, in order to collect the milk so

that it could be fed to the infant. In the 1920s some breast pumps were

attached to electric motors.[167] Breast pumps have continued to be

employed up to the present day. Of all instruments employing the principle

of the cupping device, breast pumps were the most frequently patented.

From 1834 to 1975, more than 60 breast pumps were patented, the majority

in the period from 1860 to 1920.[168]

_The Decline of Cupping_

Cupping died out in America in the early twentieth century, but its

disappearance was gradual and scarcely noticed. Some of the most complex

of cupping devices were invented in a period when most physicians regarded

cupping as ineffectual. Patents for cupping devices continued to be issued

as late as 1916 when Joel A. Maxam of Idaho Springs, Colorado, patented a

motorized pump, which by means of various sizes of cups, could subject a

part of the patient's body to either a prolonged suction or a prolonged

compression.[169] One of America's last advocates of bloodletting,

Heinrich Stern, writing in 1915, also advocated the use of an electrical

suction pump to evacuate cups. With an electric motor, he declared, one

could prolong hyperemia for 15, 30, or more minutes.

Stern also invented a theory to account for the therapeutic effects of his

inventions, namely, the theory of phlebostasis. Instead of pumping air out

of a device, Stern pumped air into a device, for the same purpose of

removing a portion of blood from the general circulation. His

"phlebostate," manufactured by Kny-Scheerer of New York, was quite similar

to a sphygmomanometer. It consisted of a set of cuffs that fit about the

thighs, rubber tubes, a manometer, and a suction bulb or an electric force

pump. For stubborn cases, such as migraine headaches, Stern recommended

using the cuffs for 30 minutes or more. To facilitate the application of

the cuffs, Stern invented a "phlebostasis chair," one of the most complex

"cupping" devices ever made. Like an electric chair, the phlebostasis

chair was supplied with cuffs for both arms and legs. Air was pumped into

the cuffs by means of an electric motor. According to Stern, compression

of the upper segment of both arms withheld 300 cc of blood from

circulation, while compression of the thighs withheld as much as 600

cc.[170]

In addition to these sophisticated devices, simple cupping, especially dry

cupping, continued well into the 1930s. Although cupping was no longer

generally recommended by physicians, most surgical companies advertised

cups, scarificators, and cupping sets in the 1920s and even the 1930s. The

last bastions of cupping in the United States were the immigrant sections

of large cities. In the lower East Side of New York, in particular,

cupping was still flourishing in the 1920s. By then cupping was no longer

performed by the physician, but had been relegated back to the lowly

barber, who advertised in his shop window, "Cups for Colds."[171]

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