Introduction

Bloodletting, the removal of blood from the body, has been practiced in

some form by almost all societies and cultures. At various times,

bloodletting was considered part of the medical treatment for nearly every

ailment known to man. It was also performed as punishment or as a form of

worship to a Superior Power or Being. It still retains therapeutic value

today, although only for an extremely limited range of conditions. In

early attempts to extract blood from the body, the skin was penetrated in

various places with a sharp instrument made of stone, wood, metal,

bristle, or any other rigid material. When it was recognized that a vein

visible on the surface of the skin as a blue-green stripe contained blood,

the vein was incised directly. To facilitate "breathing a vein" and to

provide greater safety, more refined and sharper instruments were devised.

As theories supporting bloodletting grew more complex, so too did the

instruments.

Spontaneous forms of bleeding, including nosebleed, menstruation, and

those instances produced by a blow to any part of the body, apparently

inspired the earliest human bloodletters. The Egyptians claimed that the

hippopotamus rubbed its leg against a sharp reed until it bled to remove

excess blood from its body.[1] The Peruvians noted that a bat would take

blood from the toe of a sleeping person when the opportunity presented

itself. A deer, and goat, would pick a place near its diseased eye for

relief.[2] The methods employed by animals increased interest in using

artificial methods for letting blood in man.

The devices man has employed to remove blood from the body fall into two

major categories: (1) those instruments used for general bloodletting,

that is, the opening of an artery, or more commonly a vein, and (2) those

instruments used in local bloodletting. Instruments in the first category

include lancets, spring lancets, fleams, and phlebotomes. Associated with

these are the containers to collect and measure the blood spurting from

the patient. In the second category are those instruments associated with

leeching and cupping. In both of these methods of local bloodletting, only

the capillaries are severed and the blood is drawn from the body by some

means of suction, either by a leech or by an air exhausted vessel.

Instruments in this category include scarificators, cupping glasses,

cupping devices, and many artificial leeches invented to replace the

living leech.

Much effort and ingenuity was expanded, especially in the eighteenth and

nineteenth centuries, to improve the techniques of bloodletting. In the

eighteenth century, delicate mechanical spring lancets and scarificators

were invented to replace the simpler thumb lancets and fleams. In the

nineteenth century, as surgical supply companies began to advertise and

market their wares, many enterprising inventors turned their hand to

developing new designs for lancets and scarificators, pumps, fancy cupping

sets, rubber cups, and all manner of cupping devices and artificial

leeches. If we also consider treatments related to bloodletting, in which

blood is transferred from one part of the body to another, without actual

removal from the body, then we can add the many inventions devoted to dry

cupping, irritating the body, and exhausting the air around limbs or even

the entire body. Although many physicians continued to use the traditional

instruments that had been used for centuries, many others turned eagerly

to the latest gadget on the market.

Bloodletting instruments, perhaps the most common type of surgical

instrument little more than a century ago, are now unfamiliar to the

average person. When one sees them for the first time, one is often amazed

at their petite size, careful construction, beautiful materials, and

elegant design. One marvels at spring lancets made of silver, thumb

lancets with delicate tortoise shell handles, and sets of hand-blown cups

in the compartments of a mahogany container with brass and ivory latches

and a red plush lining. Those finding such instruments in their attic or

in a collection of antiques, even if they can determine that the

instruments were used for bloodletting, often have no idea when the

instruments were made or how they were used. Frequently a veterinary

spring lancet or fleam is mistaken for a human lancet, or a scarificator

for an instrument of venesection. Almost nothing has been written to

describe these once common instruments and to place them in historical

context. Historians who study the history of medical theory usually ignore

medical practice, and they rarely make reference to the material means by

which a medical diagnosis or treatment was carried out. It is hoped that

this publication will fill a need for a general history of these

instruments. This history is pieced together from old textbooks of

surgery, medical encyclopedias, compilations of surgical instruments,

trade catalogs, and the instruments themselves.

The collection of instruments at the National Museum of History and

Technology of the Smithsonian Institution contains several hundred pieces

representing most of the major types of instruments. Begun in the late

nineteenth century when medical sciences were still part of the Department

of Anthropology, the collection has grown steadily through donations and

purchases. As might be expected, it is richest in bloodletting instruments

manufactured in America in the nineteenth century. One of its earliest

acquisitions was a set of four flint lancets used by Alaskan natives in

the 1880s. A major source for nineteenth-century instruments is the

collection of instruments used by the members of the Medical and

Chirurgical Faculty of Maryland, a medical society founded in 1799. The

Smithsonian collection also includes patent models of bloodletting

instruments submitted to the U.S. Patent Office by nineteenth-century

inventors and transferred to the Smithsonian in 1926.

Because we have made an effort to survey every major type of instrument

related to bloodletting, it is hoped that this publication will serve as a

general introduction to bloodletting instruments, and not merely a guide

to the Smithsonian collection. With this goal in mind, the catalog of

bloodletting instruments has been preceded by chapters surveying the

history of bloodletting and describing, in general terms, the procedures

and instruments that have been used since antiquity for venesection,

cupping, leeching, and veterinary bloodletting. In the course of our

research we have consulted several other collections of bloodletting

instruments, notably the collections of the Wellcome Museum of London, the

Armed Forces Institute of Pathology, the College of Physicians in

Philadelphia, the Institute of the History of Medicine at the Johns

Hopkins University, the Howard Dittrick Medical Museum in Cleveland, and

the University of Toronto. Illustrations from these collections and

references to them have been included in the cases where the Smithsonian

collection lacks a particular type of instrument.

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