III

On leaving Genoa I repaired to Spezia, chiefly with a view of

accomplishing a sentimental pilgrimage, which I, in fact, achieved, in

the most agreeable conditions. The Gulf of Spezia is now the

headquarters of the Italian fleet, and there were several big

iron-plated frigates riding at anchor in front of the town. The streets

were filled with lads in blue flannel, who were receiving instruction at

a school-ship in the harbour, and in the evening--there was a brilliant

moon--the little breakwater which stretched out into the Mediterranean

offered a promenade to the naval functionaries. But this fact is, from

the tourist's point of view, of little account, for since it has become

prosperous Spezia has grown ugly. The place is filled with long, dull

stretches of dead wall and great raw expanses of artificial land. It

wears that look of monstrous, of more than Occidental, newness which

distinguishes all the creations of the young Italian state. Nor did I

find any great compensation in an immense new inn, which has lately been

deposited by the edge of the sea, in anticipation of a _passeggiata_

which is to come that way some five years hence, the region being in the

meantime of the most primitive formation. The inn was filled with grave

English people, who looked respectable and bored, and there was of

course a Church of England service in the gaudily-frescoed parlour.

Neither was it the drive to Porto Venere that chiefly pleased me--a

drive among vines and olives--over the hills and beside the sea, to a

queer little crumbling village on a headland, as sweetly desolate and

superannuated as the name it bears. There is a ruined church near the

village, which occupies the site (according to tradition) of an ancient

temple of Venus; and if Venus ever revisits her desecrated shrines she

must sometimes pause a moment in that sunny stillness, and listen to the

murmur of the tideless sea at the base of the narrow promontory. If

Venus sometimes comes there, Apollo surely does as much; for close to

the temple is a gateway, surmounted by an inscription in Italian and

English, which admits you to a curious (and it must be confessed rather

cockneyfied) cave among the rocks. It was here, says the inscription,

that the great Byron, swimmer and poet, "defied the waves of the

Ligurian sea." The fact is interesting, though not supremely so; for

Byron was always defying something, and if a slab had been put up

whenever this performance came off, these commemorative tablets would

be, in many parts of Europe, as thick as milestones. No; the great merit

of Spezia, to my eye, is that I engaged a boat there of a lovely October

afternoon, and had myself rowed across the gulf--it took about an hour

and a half--to the little bay of Lerici, which opens out of it. This bay

of Lerici is charming; the bosky gray-green hills close it in, and on

either side of the entrance, perched upon a bold headland, a wonderful

old crumbling castle keeps ineffectual guard. The place is classic for

all English travellers, for in the middle of the curving shore is the

now desolate little villa in which Shelley spent the last months of his

short life. He was living at Lerici when he started on that short

southern cruise from which he never returned. The house he occupied is

strangely shabby, and as sad as you may choose to find it. It stands

directly upon the beach, with scarred and battered walls, and a loggia

of several arches opening upon a little terrace with a rugged parapet,

which, when the wind blows, must be drenched with the salt spray. The

place is very lonely--all overwearied with sun and breeze and

brine--very close to nature, as it was Shelley's passion to be. I can

fancy a great lyric poet sitting on the terrace, of a warm evening, far

from England, in the early years of the century. In that place, and with

his genius, he would, as a matter of course, have heard in the voice of

nature a sweetness which only the lyric movement could translate. It is

a place where an English-speaking traveller may very honestly be

sentimental and feel moved, himself, to lyric utterance. But I must

content myself with saying in halting prose that I remember few episodes

of Italian travel more sympathetic, as they have it here, than that

perfect autumn afternoon; the half-hour's station on the little battered

terrace of the villa; the climb to the singularly picturesque old castle

that hangs above Lerici; the meditative lounge, in the fading light, on

the vine-decked platform that looked out toward the sunset and the

darkening mountains, and, far below, upon the quiet sea, beyond which

the pale-faced villa stared up at the brightening moon.

Portraits of places · 第 38 / 86 题