THE FLAW IN THE CRYSTAL

I

It was Friday, the day he always came, if (so she safeguarded it) he was

to come at all. They had left it that way in the beginning, that it

should be open to him to come or not to come. They had not even settled

that it should be Fridays, but it always was, the week-end being the

only time when he could get away; the only time, he had explained to

Agatha Verrall, when getting away excited no remark. He had to, or he

would have broken down. Agatha called it getting away from “things;” but

she knew that there was only one thing, his wife Bella.

To be wedded to a mass of furious and malignant nerves (which was all

that poor Bella was now) simply meant destruction to a man like Rodney

Lanyon. Rodney’s own nerves were not as strong as they had been, after

ten years of Bella’s. It had been understood for long enough (understood

even by Bella) that if he couldn’t have his week-ends he was done for;

he couldn’t possibly have stood the torment and the strain of her.

Of course she didn’t know he spent the greater part of them with Agatha

Verrall. It was not to be desired that she should know. Her obtuseness

helped them. Even in her younger and saner days she had failed,

persistently, to realize any profound and poignant thing that touched

him; so by the mercy of heaven she had never realized Agatha Verrall.

She used to say she had never seen anything _in_ Agatha, which amounted,

as he once told her, to not seeing Agatha at all. Still less could she

have compassed any vision of the tie—the extraordinary, intangible,

immaterial tie that held them.

Sometimes, at the last moment, his escape to Agatha would prove

impossible; so they had left it further that he was to send her no

forewarning; he was to come when and as he could. He could always get a

room in the village inn or at the farm near by, and in Agatha’s house he

would find his place ready for him, the place which had become his

refuge, his place of peace.

There was no need to prepare her. She was never not prepared. It was as

if by her preparedness, by the absence of preliminaries, of adjustments

and arrangements, he was always there, lodged in the innermost chamber.

She had set herself apart; she had swept herself bare and scoured

herself clean for him. Clean she had to be; clean from the desire that

he should come; clean, above all, from the thought, the knowledge she

now had, that she could make him come.

For if she had given herself up to _that_....

But she never had; never since the knowledge came to her; since she

discovered, wonderfully, by a divine accident, that at any moment she

could make him—that she had whatever it was, the power, the uncanny,

unaccountable Gift.

She was beginning to see more and more how it worked; how inevitably,

how infallibly it worked. She was even a little afraid of it, of what it

might come to mean. It _did_ mean that without his knowledge, separated

as they were and had to be, she could always get at him.

And supposing it came to mean that she could get at him to make him do

things? Why, the bare idea of it was horrible.

Nothing could well have been more horrible to Agatha. It was the secret

and the essence of their remarkable relation that she had never tried to

get at him; whereas Bella _had_, calamitously; and still more

calamitously, because of the peculiar magic that there was (there must

have been) in her, Bella had succeeded. To have tried to get at him

would have been for Agatha the last treachery, the last indecency; while

for Rodney it would have been the destruction of her charm. She was the

way of escape for him from Bella; but she had always left her door, even

the innermost door, wide open; so that where shelter and protection

faced him there faced him also the way of departure, the way of escape

from _her_.

And if her thought could get at him and fasten on him and shut him in

there....

It could, she knew; but it need not. She was really all right. Restraint

had been the essence and the secret of the charm she had, and it was

also the secret and the essence of her gift. Why, she had brought it to

so fine a point that she could shut out, and by shutting out destroy,

any feeling, any thought that did violence to any other. She could shut

them all out, if it came to that, and make the whole place empty. So

that, if this knowledge of her power did violence, she had only to close

her door on it.

She closed it now on the bare thought of his coming; on the little

innocent hope she had that he would come. By an ultimate refinement and

subtlety of honour she refused to let even expectation cling to him.

But though it was dreadful to “work” her gift that way, to make him do

things, there was another way in which she did work it, lawfully,

sacredly, incorruptibly—the way it first came to her. She had worked it

twenty times (without his knowledge, for how he would have scoffed at

her) to make him well.

Before it had come to her, he had been, ever since she knew him, more or

less ill, more or less tormented by the nerves that were wedded so

indissolubly to Bella’s. He was always, it seemed to her terror, on the

verge. And she could say to herself: “Look at him _now!_”

[Illustration]

His abrupt, incredible recovery had been the first open manifestation of

the way it worked. Not that she had tried it on him first. Before she

dared do that once she had proved it on herself twenty times, till she

found it infallible.

But to ensure continuous results it had to be a continuous process; and

in order to give herself up to it, to him (to his pitiful case), she had

lately, as her friends said, “cut herself completely off.” She had gone

down into Buckinghamshire and taken a small, solitary house at Sarratt

End in the valley of the Chess, three miles from the nearest station.

She had shut herself up in a world half a mile long; one straight hill

to the north, one to the south, two strips of flat pasture, the river

and the white farm-road between. A world closed east and west by the

turn the valley takes there between the hills, and barred by a gate at

each end of the farm-road. A land of pure curves, of delicate colours,

delicate shadows; all winter through a land of grey woods and sallow

fields, of ploughed hillsides pale with the white strain of the chalk.

In April (it was April now) a land shining with silver and green. And

the ways out of it led into lanes; it had neither sight nor hearing of

the high roads beyond.

There were only two houses in that half-mile of valley, Agatha’s house

and Woodman’s Farm.

Agatha’s house, white as a cutting in the chalk downs, looked

south-west, up the valley and across it, to where a slender beech-wood

went lightly up the hill and then stretched out in a straight line along

the top, with the bare fawn-coloured flank of the ploughed land below.

The farm-house looked east towards Agatha’s house across a field; a

red-brick house—dull, dark red with the grey bloom of weather on

it—flat-faced and flat-eyed, two windows on each side of the door and a

row of five above, all nine staring at the small white house across the

field. The narrow, flat farm-road linked the two.

Except Rodney when his inn was full, nobody ever came to Woodman’s Farm;

and Agatha’s house, set down inside its east gate, shared its isolation,

its immunity. Two villages, unseen, unheard, served her, not a mile

away. It was impossible to be more sheltered, more protected and more

utterly cut off. And only fifteen miles, as the crow flies, between this

solitude and London, so that it was easy for Rodney Lanyon to come down.

At two o’clock, the hour when he must come if he were coming, she began

to listen for the click of the latch at the garden gate. She had agreed

with herself that at the last moment expectancy could do no harm; it

couldn’t influence him; for either he had taken the twelve-thirty train

at Marylebone or he had not (Agatha was so far reasonable); so at the

last moment she permitted herself that dangerous and terrible joy.

When the click came and his footsteps after it, she admitted further

(now when it could do no harm) that she had had foreknowledge of him;

she had been aware all the time that he would come. And she wondered, as

she always wondered at his coming, whether really she would find him

well, or whether this time it had incredibly miscarried. And her almost

unbearable joy became suspense, became vehement desire to see him and

gather from his face whether this time also it had worked.

[Illustration: And she wondered whether really she would find him

well ...]

“How are you? How have you been?” was her question when he stood before

her in her white room, holding her hand for an instant.

“Tremendously fit,” he answered; “ever since I last saw you.”

“Oh—seeing me—” It was as if she wanted him to know that seeing her made

no difference.

She looked at him and received her certainty. She saw him clear-eyed and

young, younger than he was, his clean, bronzed face set, as it used to

be, in a firmness that obliterated the lines, the little agonized lines,

that had made her heart ache.

“It always does me good,” he said, “to see you.”

“And to see you—you know what it does to me.”

He thought he knew as he caught back his breath and looked at her,

taking in again her fine whiteness, and her tenderness, her purity of

line, and the secret of her eyes, whose colour (if they had colour) he

was never sure about; taking in all of her, from her adorable feet to

her hair, vividly dark, that sprang from the white parting like—was it

like waves or wings?

What had once touched and moved him unspeakably in Agatha’s face was the

capacity it had, latent in its tragic lines, for expressing terror.

Terror was what he most dreaded for her, what he had most tried to keep

her from, to keep out of her face. And latterly he had not found it; or

rather he had not found the unborn, lurking spirit of it there. It had

gone, that little tragic droop in Agatha’s face. The corners of her eyes

and of her beautiful mouth were lifted, as if by—he could find no other

word for the thing he meant but wings. She had a look which, if it were

not of joy, was of something more vivid and positive than peace.

He put it down to their increased and undisturbed communion, made

possible by her retirement to Sarratt End. Yet as he looked at her he

sighed again.

In response to his sigh she asked suddenly: “How’s Bella?”

His face lighted wonderfully. “It’s extraordinary,” he said; “she’s

better. Miles better. In fact, if it wasn’t tempting Providence, I

should say she was well. She’s been, for the last week anyhow, a perfect

angel.”

His amazed, uncomprehending look gave her the clue to what had happened.

It was another instance of the astounding and mysterious way it worked.

She must have got at Bella somehow in getting at him. She saw now no end

to the possibilities of the thing. There wasn’t anything so wonderful in

making him what, after all, he was; but if she, Bella, had been, even

for a week, a perfect angel, it had made her what she was not and never

had been.

His next utterance came to her with no irrelevance.

“You’ve been found out.”

For a moment she wondered, had he guessed it then, her secret? He had

never known anything about it, and it was not likely that he should know

now. He was indeed very far from knowing when he could think that it was

seeing her that did it.

There was, of course, the other secret, the fact that he did see her;

but she had never allowed that it _was_ a secret, or that it need be,

although they guarded it so carefully. Anybody, except Bella, who

wouldn’t understand it, was welcome to know that he came to see her. He

must mean that.

“Found out?” she repeated.

“If you haven’t been, you will be.”

“You mean,” she said, “Sarratt End has been found out?”

“If you put it that way. I saw the Powells at the station.” (She

breathed freely.)

[Illustration: “I saw the Powells at the station.”]

“They told me they’d taken rooms at some farm here.”

“Which farm?”

He didn’t remember.

“Was it Woodman’s Farm?” she asked. And he said, “Yes, that was the name

they’d told him. Whereabouts was it?”

“Don’t you know,” she said. “That’s the name of _your_ farm.”

He had not known it, and was visibly annoyed at knowing it now. And

Agatha herself felt some dismay. If it had been any other place but

Woodman’s Farm—it stared at them; it watched them; it knew all their

goings out and their comings in; it knew Rodney; not that that had

mattered in the least, but the Powells, when they came, would know too.

She tried to look as if that didn’t matter either, while they faced each

other in a silence, a curious, unfamiliar discomposure.

She recovered first. “After all,” she said, “why shouldn’t they?”

“Well—I thought you weren’t going to tell people.”

Her face mounted a sudden flame, a signal of resentment. She had always

resented the imputation of secrecy in their relations. And now it was as

if he were dragging forward the thought that she perpetually put away

from her.

“Tell about what?” she asked, coldly.

“About Sarratt End. I thought we’d agreed to keep it for ourselves.”

“I haven’t told everybody. But I did tell Milly Powell.”

“My dear girl, that wasn’t very clever of you.”

“I told her not to tell. She knows what I want to be alone for.”

“Good God.” As he stared in dismay at what he judged to be her

unspeakable indiscretion, the thought rushed in on her straight from

him, the naked, terrible thought, that there _should_ be anything they

had to hide, they had to be alone for. She saw at the same time how

defenceless he was before it; he couldn’t keep it back; he couldn’t put

it away from him. It was always with him, a danger watching on his

threshold.

“Then” (he made her face it with him) “we’re done for.”

“No, no,” she cried; “how could you think that? It was another thing.

Something I’m trying to do.”

“You told her,” he insisted. “What did you tell her?”

“That I’m doing it. That I’m here for my health. She understands it that

way.”

He smiled as if he were satisfied, knowing her so well. And still his

thought, his terrible, naked thought, was there. It was looking at her

straight out of his eyes.

“Are you sure she understands?” he said.

“Yes. Absolutely.”

He hesitated, and then put it differently.

“Are you sure she doesn’t understand? That she hasn’t an inkling?”

He wasn’t sure whether Agatha understood, whether she realized the

danger.

“About you and me,” he said.

“Ah, my dear, I’ve kept _you_ secret. She doesn’t know we know each

other. And if she did—”

She finished it with a wonderful look, a look of unblinking yet vaguely,

pitifully uncandid candour.

She had always met him, and would always have to meet him, with the idea

that there was nothing in it; for, if she once admitted that there was

anything, then they _were_ done for. She couldn’t (how could she?) let

him keep on coming with that thought in him, acknowledged by them both.

That was where she came in, and where her secret, her gift, would work

now more beneficently than ever. The beauty of it was that it would make

them safe, absolutely safe. She had only got to apply it to that thought

of his, and the thought would not exist. Since she could get at him, she

could do for him what he, poor dear, couldn’t perhaps always do for

himself; she could keep that dreadful possibility in him under; she

could, in fact, make their communion all that she wanted it to be.

“I don’t like it,” he said miserably. “I don’t like it.”

A little line of worry was coming in his face again.

The door opened and a maid began to go in and out, laying the table for

their meal. He watched the door close on her and said, “Won’t that woman

wonder what I come for?”

“She can see what you come for.” She smiled.

“Why are you spoiling it with thinking things?”

“It’s for you I think them. _I_ don’t mind. It doesn’t matter so much

for me. But I want you to be safe.”

“Oh, _I’m_ safe, my dear,” she answered.

“You were. And you would be still, if these Powells hadn’t found you

out.”

He meditated.

“What do you suppose _they’ve_ come for?” he asked.

“They’ve come, I imagine, for his health.”

“What? To a god-forsaken place like this?”

“They know what it’s done for me. So they think, poor darlings, perhaps

it may do something—even yet—for him.”

“What’s the matter with him?”

“Something dreadful. And they say—incurable.”

“It isn’t—?” He paused.

“I can’t tell you what it is. It isn’t anything you’d think it was. It

isn’t anything bodily.”

“I never knew it.”

“You’re not supposed to know. And you wouldn’t, unless you _did_ know.

And please—you don’t; you don’t know anything.”

He smiled. “No. You haven’t told me, have you?”

“I only told you because you never tell things, and because—”

“Because?” He waited, smiling.

“Because I wanted you to see he doesn’t count.”

“Well—but _she’s_ all right, I take it?”

At first she failed to grasp his implication that if, owing to his

affliction, Harding Powell didn’t count, Milly, his young wife, did. Her

faculties of observation and of inference would, he took it, be

unimpaired.

“She’ll wonder, won’t she?” he expounded.

“About us? Not she. She’s too much wrapped up in him to notice anyone.”

“And he?”

“Oh, my dear—he’s too much wrapped up in _it_.” Another anxiety then

came to him.

“I say, you know, he isn’t dangerous, is he?” She laughed.

“Dangerous? Oh dear me, no! A lamb.”

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