BISHOPS AS PARADOXERS.

The mathematical and philosophical works of the Right Rev. John

Wilkins[502].... In two volumes. London, 1802, 8vo.

This work, or at least part of the edition--all for aught I know--is

printed on wood; that is, on paper made from wood-pulp. It has a rough

surface; and when held before a candle is of very unequal transparency.

There is in it a reprint of the works on the earth and moon. The discourse

on the possibility of going to the moon, in this and the edition of 1640,

is incorporated: but from the account in the {227} life prefixed, and a

mention by D'Israeli, I should suppose that it had originally a separate

title-page, and some circulation as a separate tract. Wilkins treats this

subject half seriously, half jocosely; he has evidently not quite made up

his mind. He is clear that "arts are not yet come to their solstice," and

that posterity will bring hidden things to light. As to the difficulty of

carrying food, he thinks, scoffing Puritan that he is, the Papists may be

trained to fast the voyage, or may find the bread of their Eucharist "serve

well enough for their _viaticum_."[503] He also puts the case that the

story of Domingo Gonsales may be realized, namely, that wild geese find

their way to the moon. It will be remembered--to use the usual substitute

for, It has been forgotten--that the posthumous work of Bishop Francis

Godwin[504] of Llandaff was published in 1638, the very year of Wilkins's

first edition, in time for him to mention it at the end. Godwin makes

Domingo Gonsales get to the moon in a chariot drawn by wild geese, and, as

old books would say, discourses fully on that head. It is not a little

amusing that Wilkins should have been seriously accused of plagiarizing

Godwin, Wilkins writing in earnest, or nearly so, and Godwin writing

fiction. It may serve to show philosophers how very near pure speculation

comes to fable. From the sublime to the ridiculous is but a step: which is

the sublime, and which the ridiculous, every one must settle for himself.

With me, good fiction is the sublime, and bad speculation the ridiculous.

The number of bishops in my list is small. I might, had I possessed the

book, have opened the list of quadrators with an Archbishop of Canterbury,

or at least with a divine who was not wholly not archbishop. Thomas

Bradwardine[505] (Bragvardinus, Bragadinus) was elected in {228} 1348; the

Pope put in another, who died unconsecrated; and Bradwardine was again

elected in 1349, and lived five weeks longer, dying, I suppose, unconfirmed

and unconsecrated.[506] Leland says he held the see a year, _unus tantum

annulus_,[507] which seems to be a confusion: the whole business, from the

first election, took about a year. He squared the circle, and his

performance was printed at Paris in 1494. I have never seen it, nor any

work of the author, except a tract on proportion.

As Bradwardine's works are very scarce indeed, I give two titles from one

of the Libri catalogues.

"ARITHMETIC. BRAUARDINI (Thomae) Arithmetica speculativa revisa et

correcta a Petro Sanchez Ciruelo Aragonesi, black letter, _elegant

woodcut title-page_, VERY RARE, _folio. Parisiis, per Thomam Anguelast

(pro Olivier Senant), s. a. circa 1510_.[508]

"This book, by Thomas Bradwardine, Archbishop of Canterbury must be

exceedingly scarce as it has escaped the notice of Professor De Morgan,

who, in his _Arithmetical Books_, speaks of a treatise of the same author

on proportions,[509] printed at Vienna in 1515, but does not mention the

present work.

{229}

"Bradwardine (Archbp. T.). Brauardini (Thomae) Geometria speculativa,

com Tractato de Quadratura Circuli bene revisa a Petro Sanchez Ciruelo,

SCARCE, _folio. Parisiis, J. Petit_, 1511.[510]

"In this work we find the _polygones etoiles_,[511] see Chasles (_Apercu_,

pp. 480, 487, 521, 523, &c.) on the merit of the discoveries of this

English mathematician, who was Archbishop of Canterbury in the XIVth

Century (_tempore_ Edward III. A.D. 1349); and who applied geometry to

theology. M. Chasles says that the present work of Bradwardine contains

'Une theorie nouvelle qui doit faire honneur au XIVe Siecle.'"[512]

The titles do not make it quite sure that Bradwardine is the quadrator; it

may be Peter Sanchez after all.[513]

A Budget of Paradoxes, Volume I · 第 113 / 198 题