CHAPTER XIV.

Tom, as he had mentioned on the previous evening, had come to a

difficult place in his statue, and he could not get on. He was puzzled

to know what the fault was, or where the difficulty was. He saw in his

own mind what he wanted to do, but he could not visualize the vision.

And when May arrived on the following day she found him inclined to rail

at clay, models, drapery and himself. He had seen Manvers off in the

morning at Victoria, and that evening he dined alone with May.

“I’m so sorry he’s gone,” he said to her. “He is so extraordinarily

inspiring in a sort of back-handed way. He puts his own point of view so

brilliantly, that I realize how diabolical it is, and that spurs me to

work for mine. He has the same effect on me as the sight of a drunken

man was supposed to have on Spartan boys. Their fathers used to make a

slave drunk and then bring him in, and say, ‘Look at that. Isn’t it

horrible! Take warning!’”

Tom moved over to where May was sitting, and possessed himself of her

hand.

“You’ve grown thin, darling,” he said; “look how your rings slip about.

May, I’m so glad you’ve come. I have been very bad company to myself

lately. When I stick in my work, and you are not here, I don’t know

what to do. But when I’ve got you, sticking doesn’t seem to depress me.”

“I’m afraid I can’t prevent your sticking though, Tom.”

“I believe there is nothing you can’t do for me.”

“No, dear,” said May, “I’m very sorry, but we must face it. I don’t

understand about your work at all. I’m not the least artistic. If you

are pleased, I am pleased; but when you are not pleased, I can’t help

you. Mr. Manvers could; for that I am sorry he has gone.”

“Don’t you like him?” asked Tom.

May was silent a moment.

“Tom, you won’t be angry with me, will you,” she said at length,

“because I am going to say something which I have had on my mind for a

long time, and which I think I had better say. It is this. Do you think

it is right for you to see much of him, to know him, to be at all

intimate with him? Oh, Tom, he is not a good man! I don’t know about his

life, and you probably do; but I am sure of that. He has no better aim

in life than the success of his own wits. He has a bad effect on you. He

makes you think lightly of things which are more important than anything

else. Oh, I’ve got such a lot to say to you!”

Tom smiled.

“Say it, darling.”

May sat up and played rather nervously with her rings.

“And when you stick in your work, Tom,” she went on, “do you think it is

well to stimulate yourself in the sort of way you mention? You know you

aim at the best, and all that is good comes from one quarter. Do you

ever go there for help?”

“You mean, do I pray?”

“Yes, Tom.”

Tom got up and walked up and down the room.

“It is like this,” he said: “I believe in God, and I believe in good,

but I also believe in things like laws of nature, and if God created all

things, He created them. He has given me a brain which works in

obedience to certain laws, and nothing in the world can alter them. We

know a little about the brain, at least by experience we find that

certain things stimulate it; it works best when it is keen and eager,

and I use those things to make it keen and eager which I have found by

experience do so. No, when I stick in my work, I don’t pray.”

“But that is the essence of good work,” said May; “it is that which

makes it good--the fact that it is done in a spirit of dedication.”

“But, do you then think that a good man, in so far as he is good and

dedicates his work to God, necessarily produces good work?” asked Tom.

“I mean that a man who has a gift in any line, uses his gift best and

produces more beautiful things if he dedicates it. Why, Tom, look at the

difference between your things and Mr. Manvers’. I think he is not a

good man, and I think his things are not good for that reason.”

Tom sat down again.

“It all depends on what you mean by good and bad work,” he said. “I

think the object of a beautiful thing is only to be beautiful, and I

think his things are bad because they are ugly--at least, they seem to

me ugly.”

“But the object of all beauty is to bring us nearer God,” said May.

“Yet a work of art which arouses religious emotions is not a better work

of art than one which does not. Otherwise, a chromo-lithograph of the

Sistine Madonna would be a better work of art than that terrible

splendid Salome in the Louvre.”

“I think Mr. Manvers’ things are immoral,” said May.

“You don’t understand, dear,” he said. “His things, so I think, are bad

because he has a debased taste. It is his artistic sense that is warped,

and it is that which shows in his work, and not his character. Besides,

I think you are not fair to him, May.”

“Oh, but, Tom,” she said, with indignation in her voice, “think of his

life, that life among those Paris artists, that horrible vice, and

carelessness of living.”

Tom smiled.

“Where did you learn about the life of Paris artists?” he asked.

“Manvers says they are most inoffensive little people as a rule.”

“I read all about it in ‘David Grieve,’” said May seriously. “It is

horrible.”

This time he laughed right out.

“Oh, May, you are a darling!” he said. “Oh dear, how funny! I’m so sorry

for laughing; but really it is funny. Have you ever heard Manvers talk

about that? He becomes quite virtuous and indignant over it. I don’t

know much about Paris life myself, I was only there a month or two, but

Manvers--he does not strike you as being very like David Grieve in

Paris, does he?”

May joined in Tom’s laugh, but grew serious again.

“You know I feel about it very deeply,” she said; “there is nothing in

the world I feel about so much. I think it is our first duty not to

condone by word or deed what one knows is bad. To let people see that

one will not tolerate it, to fight against it, to--to show that one

loathes it.”

“Do you mean you want me never to see Manvers again?” asked Tom.

“No, not that,” said May, “because you know him well, and he is very

fond of you, and I think you do him good. But couldn’t you do him more

good? Couldn’t you talk to him about it, and bear your testimony?”

“No, dear,” said Tom, quietly, “I couldn’t possibly. It is not my

business. I know Manvers as a friend, as an excellent companion, as a

most amusing fellow. Why, May, he would think I was mad. Men do not talk

to each other about such things.”

“But surely it is our business,” said May. “Tom, you don’t think me

tiresome, do you?”

Tom smiled, and took up her hand again.

“My darling, I happen to love you,” he said, “and it does not occur to

one to think a person one loves tiresome.”

May went on with gathering earnestness.

“Surely it is our business,” she said. “You believe in God, you believe

in Christ, in His infinite love, His infinite care for all. Surely it is

your first business to help in His work. I remember what you told me

about that early celebration you went to. It completed my happiness: it

was that I was waiting for, and I thank God for it day and night. I

longed to see you more and talk about it, but you went up to London so

soon after, and I have scarcely seen you since.”

Tom’s eyebrows contracted. It was impossible for him to let May be

deceived, but what he had to do was a bitter thing. May’s eyes were

fixed on his, full of love and trust, but with a question in them, a

desire to be confirmed in what she had said.

“May, I am going to hurt you,” he said, looking away, “but I cannot help

it; I cannot let you think something about me which is not true. I think

I over-rated that--I mean that I thought more of it than it really meant

to me. The day before I was in agonies of anxiety and fear for you, and

that afternoon Ted and I met the funeral of a mother who had just died

in child-bed, and on my way home, as I told you, I went into the church

and prayed to an unknown God that you might be safe. I could not bear it

alone. And then next morning I could not bear my joy alone. I had--I was

obliged to thank some one for it, the some one who had heard my prayer

the evening before. And now the whole thing has faded a little. I am

less sure. I do not deny that God heard my prayer, and stretched out His

hand to save you, but it is less real to me. Supposing you had died,

should I have denied absolutely the existence of God? I hope not. Then

why should I affirm it because you lived?”

Tom’s voice had sunk lower and lower, and he ended in a whisper. But

May’s hand still lay in his, and she pressed it tenderly.

“Tom, why were you afraid to tell me?” she said. “Ah, my dear, I should

be a very weak, poor creature if this separated me at all from you, or

made me doubt you. What did you think of me? Of course I am sorry, and

yet I am hardly sorry. Am I to dictate to God by what way He shall lead

you? He has not led you that way, it was not good. Tom, Tom!”

She bent forward and kissed him, her arm was pressed round his neck, and

her head lay on his breast. As once before, on the evening when they

reached Applethorpe before the baby’s birth, human love and longing had

full possession of her; and as she lay there, she felt only that she

loved him. And Tom too was content.

But good moments pass as well as bad ones, and the sense that May lived

in a different world to him could not but come back again and again to

Tom. He could not but feel that there was a passion in her life in which

he had no share, and that passion was the strongest she knew. He had

tried to grasp it; once he thought he had grasped it, but he was wrong.

He was as honest to himself as he was to others, and he admitted that he

did not believe in God in the way he believed in May or in Art. The life

of Christ was beautiful beyond all other lives, but was it different in

kind from the lives of noble unselfish men? Was Christ anything more

than the most wonderful, the most unselfish man that the world has ever

seen? And from the fact that he could ask himself these questions, Tom

knew that he was not convinced. It was just this that was the most

essential part of May’s life; her love and tenderness for him and others

sprang from that, whereas Tom felt that all that was good in him did not

descend from above, but grew up from below.

May was certainly less conscious of this than he. She, so to speak, was

waiting for him to come, believing fully he would, while he was

struggling towards her, afraid that his efforts were futile. The least

he could do, he felt, and the most, was to avoid letting her know that

he was so conscious of the gulf between them. He loved her, he thought,

more and more as the days went by, and it should be easy to stifle that

little ounce of bitter where all else was so sweet. So long as she loved

him, he felt that it would be well with him.

Meantime the London season danced and laughed round them; the clay model

of Demeter was finished and was to be put in the pointer’s hands at

once. May produced a slight stir in a small circle, because she was

beautiful, and there is quite an appreciable number of men who prefer

that a woman should not talk much, because, as is very justly remarked,

if everybody talked much, nobody would have any audience to address. She

was always courteous, she always looked admirable, and the general

opinion was that Tom had “done himself” uncommonly well.

Moreover--and this was particularly interesting, because it was never

spoken above a whisper--Miss Wrexham was not looking at all well, and

there really must have been something in what every one was saying last

year. Very sad for her, was it not? but a girl has no business to go

about looking pale; of course that set every one talking, and a little

rouge, you know, would both conceal the pallor and mitigate the blush.

Oh yes, it happened many times; only last night, in fact, when we were

dining there, Tom Carlingford’s name came up and she blushed--several

people saw her. And she wasn’t at Ascot, nor was he, and that is quite

conclusive. And besides, her going to Athens was so very extraordinary.

Oh, she had a brother there, had she? We hadn’t heard that, and we shall

probably forget it again.

Maud, it must be confessed, did not enjoy herself very much that season.

In the natural course of things she met Tom often, and the task of

unbuilding that most uncompromising blank wall seemed too disheartening.

Every time she saw him she felt that things were getting more and more

difficult. What made it worse was that May had unthawed to her, and

often asked her to come out with her. May out of the fulness of her

heart constantly spoke of Tom, and talking about Tom was rather

emotional work for poor Maud. That terrible evening before Manvers went

away had taken her and thrust her back into all her old hopelessness and

blankness. “After all, what good to strive with a life awry?” she asked

herself, and then because she was pure and good and sweet, she strove

and strove till her strength began to give way. If only Tom would leave

London, she thought, or if only she could, things would be more

possible.

A little scene which had occurred long before, often came back to her

during these weeks. One day at their house in Cornwall, she was walking

early before breakfast along a narrow country lane. She could almost

smell again that sweet intangible scent of morning, the smell of clean

things. Now and then a whiff of dogrose crossed her, and now and then a

breeze which had blown through a gorse bush came over her face. At the

lodge gate she had spoken to the old keeper’s wife, whose son had got

into trouble. The poor old lady was rather tearful about it, and said:

“Lor, miss, if we were good how happy we should be!” She had repeated

the remark once to Manvers, who said he thought the old woman had got

hold of the wrong end of the stick, and that she would have spoken more

truthfully if she had said, “If we were happy, how good we should be!”

How extraordinarily happy she had been that morning! The whole world had

seemed so clean and fresh and wholesome, so delightfully straightforward

and uncomplicated. If only she could get back that feeling, just for a

moment, she thought she would be rested and ready to begin again. In the

old days nothing had seemed hard, nothing out of reach, nothing

perplexing. And now her life was spoiled.

One evening early in June she was having tea with May, longing for Tom

to come in, dreading that he would come. May had sent for the baby, and

he was sitting on his mother’s knee regarding his toes, which apparently

seemed to him very wonderful inventions and quite original, and his

mother was taking a sympathetic interest in his discoveries. Maud, who

had been quite fascinating to the infant mind till he found out about

his toes, had been thrown over, and as May’s attention was riveted on

her son, she felt just a little out of it. Suddenly May looked up.

“Just fancy,” she said, “this little mite is our own, Tom’s and mine: I

never get quite used to that fact. Yes, darling”--she turned her

attention to the baby--“how pretty, and that’s all yours. Oh, you

angel!”

Maud felt her breath catch in her throat, and on the moment the door

opened and Tom came in.

“Baby-cult as usual,” he said. “How are you, Maud?”

Maud could not quite command her voice, but she murmured something.

“That surprising infant usurps far too much of May’s time,” continued

he. “May will never quite recognize that one baby is rather like another

baby.”

May bent over the little sparsely be-haired head.

“What an unnatural papa he’s got!” she said; “he says you’re like other

babies. You know quite well, and so does he, that there never was a baby

like you, and never will be!”

Tom’s pleasant soul sat laughing in his eyes as he answered her.

“Mothers are said to be biassed in favour of their own young; never you

believe that, my boy.”

Then he turned to Maud.

“May’s manners are cast to the winds when His Smallness is present,” he

said; “she won’t attend to either of us, so we’ll attend to each other.

Are you going to the Levesons’ to-morrow? I hear they are going to be

very smart, and that it’s a case of red carpet. May, I must smoke a

cigarette. I don’t care whether it’s the drawing-room or not.”

“And fill the room with horrid, horrid smoke,” said May to her son.

“I hardly know,” said Maud; “I’ve been overdoing it lately, and I think

I shall go into my shell again for a bit. Wouldn’t it be nice to have a

real shell, and curl yourself up in the middle of a dinner-party if you

were bored.”

“I shall order one,” said Tom, thoughtfully. “You do look rather tired.

Where are you going to put your shell? If I were you I should leave

London for a week. It would be so original. You would of course let it

be known that you were going to read ‘Sordello.’ ‘Sordello’ is the

fashion now, I think. Of course nobody has read it and that’s why they

talk about it. No one talks about a thing they really have read.”

“That has a slight flavour of Mr. Manvers,” remarked May.

“Manvers has such a pungent flavour, that one really can’t help catching

a little of it, if one sees him at all,” said Tom. “But I wasn’t

consciously Manveresque--I suppose he’s in Paris, associating with all

the good dead Americans.”

May smiled.

“And now mammy’s going to take him upstairs,” she said, and left the

room.

Tom poured himself out a cup of tea.

“Please talk nonsense to me,” he said; “I’ve been seeing Wallingthorpe,

and--and of course he’s a delightful man, but he is so serious. He takes

everybody and everything seriously, including himself. That is so clever

of him--and the worst of it is he keeps it up. He is always clever. How

tiring he must find it!”

Maud laughed, but the laugh ended abruptly.

“Talk nonsense!” she said; “I have forgotten how. Oh, Tom, the world is

a very serious place!”

Tom raised his eyebrows.

“When did you find that out?” he asked.

“I? Oh, ever so long ago!” she said rather wildly “If you take it

lightly and pleasantly, it turns round on you somehow, and deals you

sudden back-handed blows. I don’t know why I am saying all this.”

“Hit it back,” suggested Tom. “It deals blows back-handed possibly, but

it caresses you back-handed too.”

Maud put on her gloves, and fitted her fingers carefully.

“I am out of sorts,” she said; “the world is grievously awry.”

“What’s the matter?”

“I am the matter. It’s nobody else. But what is one to do?”

Maud knew she was being unwise. She knew perfectly well that she would

be sorry for this, but the hope that Tom might understand seemed to her

the only thing worth caring for, and at the same time the one thing in

all the world which she dreaded. She was afraid, desperately afraid, of

saying too much, but she could not help herself. “Why will not he

understand?” she thought, “and God forbid that he should.” But Tom was

in a thoroughly superficial mood. He said to himself that Maud was out

of sorts, that she was overtired and worried.

“Man disquieteth himself in vain,” he said. “It is best to take living

very lightly. We all of us have something we want to do or be, and

cannot do or be it. We are wise if we let it alone. There is much I want

to do and be, and cannot manage it, and every one is in the same plight.

After all, if we aim at being contented, that is enough.”

Maud got up.

“Aim at being contented? Aim at being in Heaven! We have to remember

that we are on earth.”

Tom rose too.

“What is the matter?” he said; “do tell me.”

Again Maud felt stifled and choking.

“One is a creature of moods,” she said, “and the heavy moods come, as

well as the light. Just now I have a heavy mood. By the way, I shall

follow your advice. I am rather overdone, and I shall leave London for a

time. I shall not say I am reading ‘Sordello.’ I think I shall say I am

reading the Bible--it is the better book. I shall go before the end of

the week: at present I am going now. Give my adieux to your wife. She is

more charming than ever!”

But at this moment May came in, and Maud gave her adieux in person. Tom

was vaguely puzzled.

“It’s very sudden,” he said. “Are you going really?”

“Certainly,” said Maud; “I really am going--I am going away for a whole

fortnight. I want tone, and there is no such thing in London.”

Tom laughed.

“I am inclined to agree with you,” he said.

“Well, good-bye,” said Maud; “good-bye, May--that fascinating child is

quite too fascinating.”

May sat still a moment after she had gone. “What is the matter with

her?” she asked; “what have you been saying, Tom? I never saw her like

that.”

“Nor have I,” said he. “I have said nothing. I have no idea what is the

matter with her.”

Maud stood on the doorstep, and looked to see if the carriage was in

sight, and finding it not there, remembered that her mother had “worked

it in,” and began to walk home. But she felt hopelessly ill and weak,

and told the man to fetch her a hansom. “O God! how tired I am of it

all!” she said to herself.

Limitations: A Novel · 第 14 / 18 章