CHAPTER III

A favourite New Forest haunt--Summertide--Young blackbird's

call--Abundance of blackbirds and thrushes, and destruction of

young--Starlings breeding--The good done by starlings--Perfume of the

honeysuckle--Beauty of the hedge rose--Cult of the rose--Lesser

whitethroat--His low song--Common and lesser whitethroat--In the

woods--A sheet of bracken--Effect of broken surfaces--Roman mosaics

at Silchester--Why mosaics give pleasure--Woodland birds--Sound of

insect life--Abundance of flies--Sufferings of cattle--Dark

Water--Biting and teasing flies--Feeding the fishes and fiddlers with

flies.

Looking away from Beaulieu towards Southampton Water there is seen on

the border of the wide brown heath a long line of tall firs, a vast

dark grove forming the horizon on that side. This is the edge of an

immense wood, and beyond the pines which grow by the heath, it is

almost exclusively oak with an undergrowth of holly. It is low-lying

ground with many streams and a good deal of bog, and owing to the

dense undergrowth and the luxuriance of vegetation generally this

part of the forest has a ruder, wilder appearance than at any other

spot. Here, too, albeit the nobler bird and animal forms are absent,

as is indeed the case in all the New Forest district, animal life

generally is in greatest profusion and variety. This wood with its

surrounding heaths, bogs, and farm lands, has been my favourite

summer resort and hunting-ground for {54} some years past. With a

farm-house not many minutes' walk from the forest for a home, I have

here spent long weeks at a time, rambling in the woods every day and

all day long, for the most time out of sight of human habitations,

and always with the feeling that I was in my own territory, where

everything was as Nature made it and as I liked it to be. Never once

in all my rambles did I encounter that hated being, the collector,

with his white, spectacled town face and green butterfly net. In

this out-of-the-way corner of the Forest one could imagine the time

come when this one small piece of England which lies between the Avon

and Southampton Water will be a sanctuary for all rare and beautiful

wild life and a place of refreshment to body and soul for all men.

The richest, fullest time of the year is when June is wearing to an

end, when one knows without the almanac that spring is over and gone.

Nowhere in England is one more sensible of the change to fullest

summer than in this low-lying, warmest corner of Hampshire.

The cuckoo ceases to weary us with its incessant call, and the

nightingale sings less and less frequently. The passionate season is

well-nigh over for birds; their fountain of music begins to run dry.

The cornfields and waste grounds are everywhere splashed with the

intense scarlet of poppies. Summer has no rain in all her wide, hot

heavens to give to her thirsty fields, and has sprinkled them with

the red fiery moisture from her own veins. And as colour {55}

changes, growing deeper and more intense, so do sounds change: for

the songs of yesterday there are shrill hunger-cries.

[Sidenote: Young blackbird's call]

One of the oftenest heard in all the open woods, in hedges, and even

out in the cornfields is the curious musical call of the young

blackbird. It is like the chuckle of the adult, but not so loud,

full, happy, and prolonged; it is shriller, and drops at the end to a

plaintive, impatient sound, a little pathetic--a cry of the young

bird to its too long absent mother. When very hungry he emits this

shrill musical call at intervals of ten to fifteen seconds; it may be

heard distinctly a couple of hundred yards away.

The numbers of young blackbirds and throstles apparently just out of

the nest astonish one. They are not only in the copses and hedges,

and on almost every roadside tree, but you constantly see them on the

ground in the lanes and public roads, standing still, quite

unconscious of danger. The poor helpless bird looks up at you in a

sort of amazement, never having seen men walking or riding on

bicycles; but he hesitates, not knowing whether to fly away or stand

still. Thrush or blackbird, he is curiously interesting to look at.

The young thrush, with his yellowish-white spotty breast, the remains

of down on his plumage, his wide yellow mouth, and raised head with

large, fixed, toad-like eyes, has a distinctly reptilian appearance.

Not so the young blackbird, standing motionless on the road, in doubt

too as to what you are; his short tail raised, giving him {56} an

incipient air of blackbird jauntiness; his plumage not brown, indeed,

as we describe it, but rich chestnut-black, like the chestnut-black

hair of a beautiful Hampshire girl of that precious type with oval

face and pale dark skin. A pretty creature, rich in colour, with a

musical, pathetic voice, waiting so patiently to be visited and fed,

and a weasel perhaps watching him from the roadside grass with

hungry, bright little eyes! How they die--thrushes and

blackbirds--at this perilous period in their lives! I sometimes see

what looks like a rudely painted figure of a bird on the hard road:

it is a young blackbird that had not the sense to get out of the way

of a passing team, and was crushed flat by a hoof or wheel. It is

but one in a thousand that perishes in that way. One has to remember

that these two species of thrush--throstle and blackbird--are in

extraordinary abundance, that next to starlings and chaffinches they

abound over all species; that they are exceedingly prolific,

beginning to lay in this southern country in February, and rearing at

least three broods in the season; and that when winter comes round

again the thrush and blackbird population will be just about what it

was before.

Fruit-eating birds do not much vex the farmer in this almost

fruitless country. Thrushes and finches and sparrows are nothing to

him: the starling, if he pays any attention to the birds, he looks on

as a good friend.

[Sidenote: Starlings breeding]

At the farm there are two very old yew trees growing in the

back-yard, and one of these, in an {57} advanced state of decay, is

full of holes and cavities in its larger branches. Here about half a

dozen pairs of starlings nest every year, and by the middle of June

there are several broods of fully-fledged young. At this time it was

amusing to watch the parent birds at their task, coming and going all

day long, flying out and away straight as arrows to this side and

that, every bird to its own favourite hunting-ground. Some had their

grounds in the meadow, just before the house where the cows and geese

were, and it was easy to watch their movements. Out of the yew the

bird would shoot, and in ten or twelve seconds would be down walking

about in that busy, plodding, rook-like way the starling has when

looking for something; and presently, darting his beak into the turf,

he would drag out something large, and back he would fly to his young

with a big, conspicuous, white object in his beak. These white

objects which he was busily gathering every day, from dawn to dark,

were full-grown grubs of the cockchafer. When watching these birds

at their work it struck me that the enormous increase of starlings

all over the country in recent years may account for the fact that

great cockchafer years do not now occur. In former years these

beetles were sometimes in such numbers that they swarmed in the air

in places, and stripped the oaks of their leaves in midsummer. It is

now more than ten years since I saw cockchafers in considerable

numbers, and for a long time past I have not heard of their

appearance in swarms anywhere.

{58}

The starling is in some ways a bad bird, a cherry thief, and a robber

of other birds' nesting-places; yaffle and nuthatch must hate him,

but if his ministrations have caused an increase of even one per

cent. in the hay crop, and the milk and butter supply, he is, from

our point of view, not wholly bad.

In late June the unkept hedges are in the fullness of their midsummer

beauty. After sunset the fragrance of the honeysuckle is almost too

much: standing near the blossom-laden hedge when there is no wind to

dissipate the odour, there is a heaviness in it which makes it like

some delicious honeyed liquor which we are drinking in. The

honeysuckle is indeed first among the "melancholy flowers" that give

out their fragrance by night. In the daytime, when the smell is

faint, the pale sickly blossoms are hardly noticed even where they

are seen in masses and drape the hedges. Of all the hedge-flowers,

the rose alone is looked at, its glory being so great as to make all

other blooms seem nothing but bleached or dead discoloured leaves in

comparison.

[Sidenote: Beauty of the hedge rose]

He would indeed be a vainly ambitious person who should attempt to

describe this queen of all wild flowers, joyous or melancholy; but

substituting flower for fruit, and the delight of the eye for the

pleasure of taste, we may in speaking of it quote the words of a

famous old writer, used in praise of the strawberry. He said that

doubtless God Almighty could have made a better berry if He had been

so minded, but doubtless God Almighty never did.

I esteem the rose not only for that beauty which {59} sets it highest

among flowers, but also because it will not suffer admiration when

removed from its natural surroundings. In this particular it

resembles certain brilliant sentient beings that languish and lose

all their charms in captivity. Pluck your rose and bring it indoors,

and place it side by side with other blossoms--yellow flag and blue

periwinkle, and shining yellow marsh-marigold, and poppy and

cornflower--and it has no lustre, and is no more to the soul than a

flower made out of wax or paper. Look at it here, in the brilliant

sunlight and the hot wind, waving to the wind on its long thorny

sprays all over the vast disordered hedges; here in rosy masses,

there starring the rough green tangle with its rosy stars--a

rose-coloured cloud on the earth and Summer's bridal veil--and you

will refuse to believe (since it will be beyond your power to

imagine) that anywhere on the earth, in any hot or temperate climate,

there exists a more divinely beautiful sight.

If among the numberless cults that flourish in the earth we could

count a cult of the rose, to this spot the votaries of the flower

might well come each midsummer to hold their festival. They would be

youthful and beautiful, their lips red, their eyes full of laughter;

and they would be arrayed in light silken garments of delicate

colour--green, rose, and white; and their arms and necks and

foreheads would shine with ornaments of gold and precious stones. In

their hands would be musical instruments of many pretty shapes with

which they would sweetly accompany their clear voices as they sat or

stood {60} beneath the old oak trees, and danced in sun and shade,

and when they moved in bright procession along the wide grass-grown

roads, through forest and farm-land.

[Sidenote: Lesser whitethroat]

In the summer of 1900 I found the lesser whitethroat--the better

whitethroat I should prefer to call it--in extraordinary abundance in

the large unkept hedges east of the woods in the parishes of Fawley

and Exbury. Hitherto I had always found this species everywhere

thinly distributed; here it was abundant as the reed-warblers along

the dykes in the flat grass-lands on the Somerset coast, and like the

reed-warblers in the reed- and sedge-grown ditches and streams, each

pair of whitethroats had its own part of the hedge; so that in

walking in a lane when you left one singing behind you heard his next

neighbour singing at a distance of fifteen or twenty yards farther

on, and from end to end of the great hedge you had that continuous

beautiful low warble at your side, and sometimes on both sides. The

loud brief song of this whitethroat, which resembles the first part

of a chaffinch's song, is a pleasant sound and nothing more; the low

warbling, which runs on without a break for forty or fifty seconds,

or longer, is the beautiful song, and resembles the low continuous

warble of the blackcap, but is more varied, and has one sound which

is unique in the songs of British birds. This is a note repeated two

or three times at intervals in the course of the song, of an

excessive sharpness, unlike any other bird sound, but comparable to

the silvery shrilling of the great {61} green

grasshopper--excessively sharp, yet musical. The bird emits this

same silver shrill note when angry and when fighting, but it is then

louder and not so musical, and resembles the sharpest sounds made by

bats and other small mammals when excited.

One day I sat down near a hedge, where an old half-dead oak stood

among the thorns and brambles, and just by the oak a lesser

whitethroat was moving about and singing. Out among the furze bushes

at some distance from the hedge a common whitethroat was singing,

flitting and darting from bush to bush, rising at intervals into the

air and dropping again into the furze; but by-and-by he rose to a

greater height to pour out his mad confused strain in the air, then

sloped away to the hedge and settled, still singing, on the dead

branch of the oak. Up rose the lesser whitethroat and attacked it

with extreme fury, rising to a height of two or three feet and

dashing repeatedly at it, looking like a miniature kestrel or hobby;

and every time it descended the other ducked his head and flattened

himself on the branch, only to rise again, crest erect and throat

puffed out, still pouring forth its defiant song. As long as this

lasted the attacking bird emitted his piercing metallic anger-note,

rapidly and continuously, like the clicking of steel machinery.

Alas! I fear I shall not again see the lesser whitethroat as I saw

him in that favoured year: in 1901 he came not, or came in small

numbers; and it was the same in the spring of 1902. The spring was

cold and backward in both years, and the bitter {62} continuous east

winds which prevailed in March and April probably proved fatal to

large numbers of the more delicate migrants.

In this low, level country, sheltered by woods and hedgerows, we feel

the tremendous power of the sun even before the last week in June.

It is good to feel, to bathe in the heat all day long; but at noon

one sometimes finds it too hot even on the open heath, and is forced

to take shelter in the woods. It was always coolest on the high

ground among the pines, where the trees are very tall and there is no

underwood. In spring it was always pleasant to walk here on the

thick carpet of fallen needles and old dead fern; now, in a very

short time, the young bracken has sprung up as if by miracle to a

nearly uniform height of about four feet. It spreads all around me

for many acres--an unbroken sea of brilliant green, out of which rise

the tall red columns of the pines supporting the dark woodland roof.

[Sidenote: A sheet of bracken]

Why is it, when in June the luxuriant young bracken first drops its

fully developed fronds, so that frond touches frond, many

overlapping, forming a billowy expanse of vivid green, hiding, or all

but hiding, the brown or red soil beneath--why is it the eyes rest

with singular satisfaction on it? It is not only because of the

colour, nor the beauty of contrast where the red floor of last year's

beech leaves is seen through the fresh verdure, and of dark red-boled

pines rising from the green sea of airy fronds. Colours and

contrasts more beautiful may be seen, and the pleasure they give is

different in kind.

{63}

Here standing amid the fern, where it had at last formed that waving

surface and was a little above my knees, it seemed to me that the

particular satisfaction I experienced was due to the fine symmetrical

leafing of the surface, the minute subdivision of parts which

produced an effect similar to that of a mosaic floor. When I

consider other surfaces, on land or water, I find the same

gratification in all cases where it is broken or marked out or

fretted in minute, more or less orderly subdivisions. The glass-like

or oily surface of water, where there are no reflections to bring

other feelings in, does not hold or attract but rather wearies the

sight; but it is no sooner touched to a thousand minute crinkles by

the wind, than it is looked at with refreshment and pleasure. The

bed of a clear stream, with its pavement of minute variegated pebbles

and spots of light and shade, pleases in the same way. The sight

rests with some satisfaction even on a stagnant pond covered with

green duckweed; but the satisfaction is less in this case on account

of the extreme minuteness of the parts and the too great smoothness.

The roads and open spaces in woods in October and November are

delightful to walk in when they are like richly variegated floors

composed of small pieces, and like dark floors inlaid with red and

gold of beech and oak leaves. Numberless instances might be given,

and we see that the effect is produced even in small objects, as, for

instance, in scaly fishes and in serpents. It is the minutely

segmented texture of the serpent which, with the colour, gives it its

wonderful richness. {64} For the same reason a crocodile bag is more

admired than one of cowhide, and a book in buckram looks better than

one in cloth or even vellum.

The old Romans must have felt this instinctive pleasure of the eye

very keenly when they took such great pains over their floors. I was

strongly impressed with this fact at Silchester when looking at the

old floors of rich and poor houses alike which have been uncovered

during the last two or three years. They seem to have sought for the

effect of mosaic even in the meaner habitations, and in passages and

walks, and when tesseræ could not be had they broke up common tiles

into small square fragments, and made their floors in that way. Even

with so poor a material, and without any ornamentation, they did get

the effect sought, and those ancient fragments of floors made of

fragments of tiles, unburied after so many centuries, do actually

more gratify the sight than the floors of polished oak or other

expensive material which are seen in our mansions and palaces.

There is doubtless a physiological reason for this satisfaction to

the eye, as indeed there is for so many of the pleasurable sensations

we experience in seeing. We may say that the vision flies over a

perfectly smooth plain surface, like a ball over a sheet of ice, and

rests nowhere; but that in a mosaic floor the segmentation of the

surface stays and rests the sight. To go no farther than that, which

is but a part of the secret, the sheet of fern fronds, on account of

this staying effect on the vision, increases what we see, {65} so

that a surface of a dozen square yards of fern seems more in extent

than half an acre of smooth-shaven lawn, or the large featureless

floor of a skating-rink or ball-room.

[Sidenote: Harshening bird-voices]

On going or wading through the belt of bracken under the tall

firs--that billowy sea of fronds in the midst of which I have so long

detained my patient reader--into the great oak wood beyond and below

it, on each successive visit during the last days of June, the

harshening of the bird voices became more marked. Only the wren and

wood-wren and willow-wren uttered an occasional song, but the bigger

birds made most of the sound. Families of young jays were then just

out of the nest, crying with hunger, and filling the wood with their

discordant screams when the parent birds came with food. A pair of

kestrels, too, with a nestful of young on a tall fir incessantly

uttered their shrill reiterated cries when I was near; and one pair

of green woodpeckers, with young out of the breeding-hole but not yet

able to fly, were half crazed with anxiety. Around me and on before

me they flitted from tree to tree and clung to the bark, wings spread

out and crest raised, their loud laugh changed to a piercing cry of

anger that pained the sense.

They were now moved only by solicitude and anger: all other passion

and music had gone out of the bird and into the insect world. The

oak woods were now full of a loud continuous hum like that of a

distant threshing-machine; an unbroken deep sound composed of ten

thousand thousand small individual sounds conjoined in one, but

diffused and flowing {66} like water over the surface, under the

trees, and the rough bushy tangle. The incredible number and variety

of blood-sucking flies makes this same low hot part of the Forest as

nearly like a transcript of tropical nature in some damp, wooded

district as may be found in England. But these Forest flies, even

when they came in legions about me, were not able to spoil my

pleasure. It was delightful to see so much life--to visit and sit

down with them in their own domestic circle.

In other days, in a distant region, I have passed many a night out of

doors in the presence of a cloud of mosquitoes; and when during

restless sleep I have pulled the covering from my face, they had me

at their mercy. For the smarts they inflicted on me then I have my

reward, since the venom they injected into my veins has proved a

lasting prophylactic. But to the poor cattle this place must be a

very purgatory, a mazy wilderness swarming with minute hellish imps

that mock their horns and giant strength, and cannot be shaken off.

While sitting on the roots of a tree in the heart of the wood, I

heard the heavy tramping and distressed bellowings of several beasts

coming at a furious rate towards me, and presently half a dozen

heifers and young bulls burst through the bushes; and catching sight

of me at a distance of ten or twelve yards, they suddenly came to a

dead stop, glaring at me with strange, mad, tortured eyes; then

swerving aside, crashed away through the undergrowth in another

direction.

[Sidenote: Dark Water]

In this wood I sought and found the stream well {67} named the Dark

Water; here, at all events, it is grown over with old ivied oaks,

with brambles and briars that throw long branches from side to side,

making the almost hidden current in the deep shade look black; but

when the sunlight falls on it the water is the colour of old sherry

from the red soil it flows over. No sooner had I sat down on the

bank, where I had a little space of sunlit water to look upon, than

the flies gathered thick about and on me, and I began to pay some

attention to individuals among them. Those that came to suck blood,

and settled at once in a business-like manner on my legs, were some

hairy and some smooth, and of various colours--grey, black,

steel-blue, and barred and ringed with bright tints; and with these

distinguished guests came numberless others, small lean gnats mostly,

without colour, and of no consideration. I did not so much mind

these as the others that simply buzzed round without an object--flies

that have no beauty, no lancet to stab you with, and no distinction

of any kind, yet will persist in forcing themselves on your

attention. They buzz and buzz, and are loudest in your ear when you

are most anxious to listen to some distant faint sound. If a

blood-sucker hurts you, you can slap him to death, and there's an end

of the matter; but slap at one of these idle, aimless, teasing flies

as hard as you like, and he is gone like quicksilver through your

fingers. He is buzzing derisively in your ears: "Slap away as much

as you like--it pleases you and doesn't hurt me." And then down

again in the same place!

{68}

When the others--the serious flies on business bent--got too

numerous, I began to slap my legs, killing one or two of the

greediest at each slap, and to throw their small corpses on the

sunlit current. These slain flies were not wasted, for very soon I

had quite a number of little minnows close to my feet, eager to seize

them as they fell. And, by-and-by, three fiddlers, or pond-skaters,

"sagacious of their quarry from afar," came skating into sight on the

space of bright water; and to these mysterious, uncanny-looking

creatures--insect ghosts that walk on the water, but with very

unghost-like appetites--I began tossing some of the flies; and each

time a fiddler seized a floating fly he skated away into the shade

with it to devour it in peace and quiet all alone by himself. For a

fiddler with a fly is like a dog with a bone among other hungry dogs.

When I had finished feeding my ghosts and little fishes, I got up and

left the place, for the sun was travelling west and the greatest heat

was over.

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Hampshire Days · 第 3 / 14 章