Another of our _habitués_ on my first visit to Florence was Walter

Savage Landor. At that time he was, with his dear Pomeranian dog,

_Giallo_, living alone in very ordinary lodgings in Florence, having

quarrelled with his family and left his villa in their possession. He

had a grand, leonine head with long white hair and beard, and to hear

him denouncing his children was to witness a performance of Lear never

matched on any stage! He was very kind to me, and we often walked about

odd nooks of Florence together, while he poured out reminiscences of

Byron and Shelley, some of which I have recorded (Chap. IX., p. 257),

and of others of the older generation whom he had known, so that I

seemed in touch with them all. He was then about 88 years of age, and

perhaps his great and cultivated intellect was already failing. Much

that he said in wrath and even fury seemed like raving, but he was

gentle as a child to us women, and to his dog whom he passionately

loved. When I wrote the first Memorial against Prof. Schiff which

started the anti-vivisection crusade, Mr. Landor’s name was one of the

first appended to it. He added some words to his signature so fierce and

contemptuous that I never dared to publish them!

We also saw much of Dr. Grisanowski, a very clever Pole, who afterwards

became a prominent advocate of the science-tortured brutes. When I

discussed the matter with him he was entirely on the side of Science.

After some years he sent me his deeply thought-out pamphlet, with the

endorsement “For Miss Cobbe,—who was right when I was wrong;” a very

generous retractation. We also received Mr. Frederick Tennyson, (Lord

Tennyson’s brother), Madame Venturi, Madame Alberto Mario, the late Lord

Justice Bowen, (then a brilliant young man from Oxford,) and many more.

By far the best and dearest of my friends in Florence however, was one

who never came up our hill, and who was already then an aged woman—Mrs.

Somerville. I had brought a letter of introduction to her, being anxious

to see one who had been such an honour to womanhood; but I expected to

find her an incarnation of Science, having very little affinity with

such a person as I. Instead of this, I found in her the dearest old lady

in all the world, who took me to her heart as if I had been a

newly-found daughter, and for whom I soon felt such tender affection

that sitting beside her on her sofa, (as I mostly did on account of her

deafness) I could hardly keep myself from caressing her. In a letter to

Harriet St. Leger I wrote of her: “She is the very ideal of an old lady,

so gentle, cordial and dignified, like my mother; and as fresh, eager

and intelligent _now_, as she can ever have been.” Her religious ideas

proved to be exactly like my own; and being no doubt somewhat a-thirst

for sympathy on a subject on which she felt profoundly, (her daughters

differing from her), she opened her heart to me entirely. Here are a few

notes I made after talks with her:—

“Mrs. Somerville thinks no one can be eloquent who has not studied the

Bible. We discussed the character of Christ. She agreed to all I said,

adding she thought it clear the Apostles never thought he was God, only

the image of the perfection of God. She kissed me tenderly when I rose

to go and bade me come back at any hour—at three in the morning if I

liked!—May 18th. Mrs. Somerville gave me her photograph. She says she

always feels a regret thinking of the next life that we shall see no

more the flowers of this world. I said we should no doubt see others

still fairer. “Ah! yes,” she said, “but _our own_ roses and mignonette!

I shall miss them. The dear animals I believe we _shall_ meet. They

suffer so often here, they must live again.”—June 3rd. Wished farewell

to Mrs. Somerville. She said kissing me with many tears, “We shall meet

in Heaven! I shall claim you there.”

I saw Mrs. Somerville again on my other visits to Italy, at Genoa,

Spezzia and Naples; of course making it a great object of my plans to be

for some weeks near her. In my last journey, in 1879, I saw at Naples

the noble monument erected over her grave by her daughter. It represents

her (heroic size) reclining on a classic chair,—in somewhat the attitude

of the statue of Agrippina in the Vatican.

Mrs. Somerville ought to have been buried in Westminster Abbey. When I

saw her death announced on the posters of the newspapers in the streets

in London, I hurried as soon as I could recover myself, to ask Dean

Stanley to arrange for her interment in the Abbey. The Dean consented

freely and with hearty approval to my proposition, and Mrs. Somerville’s

nephew, Sir William Fairfax, promised at once to defray all expenses.

There was only one thing further needed, and that was the usual formal

request from some public body or official persons to the Dean and

Chapter of Westminster. Dean Stanley had immediately written to the

Astronomer Royal to suggest that he and the President of the Royal

Society, as the representatives of the sciences with which Mrs.

Somerville’s fame was connected, should address to him the demand which

would authorize his proceeding with the matter. But that gentleman

_refused_ to do it—on the ground that _he_ had never read Mrs.

Somerville’s books! Whether he had read one in which she took the

opposite side from his in the sharp and angry Adams-Le Verrier

controversy, it is not for me to say. Any way, jealousy, either

scientific or masculine, declined to admit Mary Somerville’s claims to a

place in the national Valhalla, wherein so many men neither

intellectually nor morally her equals have been welcomed.

From the time of our first meeting till her death in 1872, Mrs.

Somerville maintained a close correspondence with me. I have had all her

beautifully-written letters bound together, and they form a considerable

volume. Of course it was a delight to me to send her everything which

might interest her, and among other things I sent her a volume of

Theodore Parker’s Prayers; edited by myself. In October, 1863, I spent a

long time at Spezzia to enjoy the immense pleasure of her society. I was

then a cripple and unable to walk to her house, and wrote of her visits

as follows to Miss Elliot:

“Mrs. Somerville comes to me every day. She is looking younger than

three years ago and she talked to me for three hours yesterday,

pouring out such stores of recent science as I never heard before.

Then we talked a little heresy, and she thanked me with tears in her

eyes for Parker’s _Prayers_, saying she had found them the greatest

comfort and the most perfect expression of religious feeling of any

prayers she has known.”

Another time I sent her my _Hopes of the Human Race_. She wrote, three

weeks before her death, “God bless you dearest friend for your

irresistible argument for our Immortality! Not that I ever doubted of

it, but as I shall soon enter my ninety-third year, your words are an

inexpressible comfort.”

Mary Somerville was the living refutation of all the idle, foolish

things which have been said of intellectual women. There never existed a

more womanly woman. Her _Life_, edited by her eldest daughter Martha

Somerville (her son by her first marriage, Mr. Woronzow Greig, died long

before her), has been much read and liked. I reviewed it in the

_Quarterly_ (January, 1874), and am tempted to enclose a letter which

Martha Somerville (then and always my good friend) wrote about it:

“From Miss Somerville to F. P. C.

“22nd January, Naples.

“My dear Frances,

“I have this morning received the _Quarterly Review_ and some slips

from newspapers. What can I say to express my gratitude to you for the

article,—so admirably written; and giving so touching a picture of my

Mother,—as you, her best friend (notwithstanding the great difference

of age) knew her? Also I received lately the _Academy_ which pleased

me much, too. The Memoir has been received far more favourably than I

ventured to expect.”

A long time after this, I paid a visit to friends at St. Andrews and

stopped from Saturday to Monday, on my way, at Burntisland. Writing from

thence to Miss Elliot about her own country, and countrymen, I said:—

“I came here to look up the scene of Mrs. Somerville’s childhood, and

I have found everything just as she described it;—the Links; the

pretty hills and woods full of wild flowers; the rocky bit of shore

with boulders full of fossil shells which excited her childish wonder

when she wandered about, a beautiful little girl, as she must have

been. If ever there were a case of—

“‘Nourishing a youth sublime,

With the fairy tales of science and the long results of Time,’

it was surely hers. Very naturally I was thinking of her all day and

wondering whether she is _now_ studying the flora of Heaven, of which

she used to speak, and pursuing Astronomy among the stars; or whether

it _can_ be possible these things pass away for ever! I wanted very

much to make out where Sir William Fairfax’ house had been, and

finally was directed to the schoolmaster who, it was said, knew all

about it. I found the good man in a large schoolhouse where he has 600

pupils; and as soon as he learned my name he seized my hand and made

great demonstrations; and straightway proceeded to constitute himself

my guide to the localities in question. The joke however was this.

Hardly were we out of the house before he said, ‘I’ll send you a

pamphlet of mine—not about Science, I don’t care for Science, I care

for Morals;—and I’ve found out there is only _a very little thing to

be done, to stop all pauperism and all crime_! You are just the person

to understand me!’ The idea of this poor schoolmaster in Burntisland

compressing _that_ modest programme into a ‘pamphlet’ seems to me

deliciously characteristic of Scotland.”

A college for Ladies was opened some years ago at Oxford and named after

Mrs. Somerville. I greatly rejoiced at the time at this very fitting

tribute to her memory; and induced my brother to send his daughter, my

dear niece, Frances Conway Cobbe, to the Hall. I ceased to rejoice,

however, when I found that a lady bearing a name identified with

Vivisection in England was nominated for election as a member of the

Council of the College. I entered, (as a Subscriber,) the most vigorous

protest I could make against the proposed choice, but, alas! in vain.

One of our visitors at Villa Brichieri was a very pious French lady, who

came up to us one day to dinner straight from her devotions in the

Duomo, where a Triduo was going on against Renan; and, as it chanced,

she began to praise somewhat excessively a lady of rank whose reputation

had suffered more than one serious injury. My English friend remarked,

smiling, in mitigation of the eulogy:—

“Elle a eue ses petits délassements!”

the answer was deliciously XVIII. Century—

“C’est ce qui m’occupe le moins. Pourvu que cela soit fait avec du bon

goût! D’ailleurs on ne parle sérieusement que de deux ou trois. Le

Prince de S., par exemple. Encore est il mort celui-là!”

It was during one of my visits to Florence that I saw King Victor

Emanuel’s public entry into the city, which had just elected him King.

This is how I described the scene to Harriet St. Leger:—

“Happily we had a fine day for the king’s entry on Monday last. It was

a glorious sight! The beautiful old city blossomed out in flowers,

flags, garlands, hangings and gonfalons beyond all English

imagination. In every street there was a triumphal arch, while

_boulevards_ of artificial trees loaded with camelias, ran from the

railway to the gate and down the via Calzaiuoli. Even the mean little

sdrucciolo de’ Pitti was made into one long arbour by twenty green

arches sustaining hanging baskets of flowers. The Pitti itself had its

rugged old face decked with wreaths. I had the good fortune to stand

on a balcony commanding a view of the whole procession. Victor

Emanuel, riding his charger of Solferino, looked—coarse and fat as he

is,—a _man_ and a soldier, and more sympathetic than Kings in general.

Cavour has a Luther-like face, which wore a gleam of natural pleasure

at his reception. The people were quite mad with joy. They did not

cheer as we do, but uttered a sort of deep roar of ecstacy, flinging

clouds of flowers under the King’s horse’s feet, and seeming as if

they would fling themselves also from their balconies. Our hostess, an

Italian lady, went directly into hysterics, and all the party, men and

women cried and kissed and laughed in the wildest way. At night there

was a marvellous illumination, extending as far as the eye could

reach, in every palazzo and cottage down the Val d’ Arno and up the

slopes of the Apennines, where bonfires blazed on all the heights.”

In Florence my friends had been principally literary men and women. In

Rome they were chiefly artists. Harriet Hosmer, to whom I had letters,

was the first I knew. She was in those days the most bewitching sprite

the world ever saw. Never have I laughed so helplessly as at the

infinite fun of this bright Yankee girl. Even in later years when we

perforce grew a little graver, she needed only to begin one of her

descriptive stories to make us all young again. I have not seen her now

for many years since she has returned to America, nor yet any one in the

least like her; and it is vain to hope to convey to any reader the

contagion of her merriment. O! what a gift,—beyond rubies, are such

spirits! And what fools, what cruel fools, are those who damp them down

in children possessed of them!

Of Miss Hosmer’s sculpture I hoped, and every one hoped, great things.

Her _Zenobia_, her _Puck_, her _Sleeping Faun_ were beautiful creations

in a very pure style of art. But she was lured away from sculpture by

some invention of her own of a mechanical kind, over which many years of

her life have been lost. Now I believe she has achieved a fine statue of

Isabella of Spain, which has been erected in San Francisco.

Jealous rivals in Rome spread abroad at one time a slanderous story that

Harriet Hosmer did not make her own statues. I have in my possession an

autograph by her master, Gibson, which he wrote at the time to rebut

this falsehood, and which bears all the marks of his quaint style of

English composition.

“Finding that my pupil Miss Hosmer’s progress in her art begins to

agitate some rivals of the male sex, as proved by the following

malicious words printed in the Art journal;—

“‘Zenobia—said to be by Miss Hosmer, but really executed by an Italian

workman at Rome’;—

“I feel it is but justice on my part to state that Miss Hosmer became

my pupil on her arrival at Rome from America. I soon found that she

had uncommon talent. She studied under my own eyes for seven years,

modelling from the antique and her own original works from the living

models.

“The first report of her Zenobia was that it was the work of Mr.

Gibson. Afterwards that it is by a Roman workman. So far it is true

that it was built up by my man from her own original small model,

according to the practice of our profession; the long study and

finishing is by herself, like every other sculptor.

“If Miss Hosmer’s works were the productions of other artists and not

her own there would be in my studio two impostors—Miss Hosmer and

Myself.

“JOHN GIBSON, R.A.

“Rome, Nov., 1863.”

Gibson was himself a most interesting person; an old Greek soul, born by

haphazard in a Welsh village. He had wonderfully little (for a Welshman)

of anything like what Mr. Matthew Arnold calls Hebraism in his

composition. There was a story current among us of some one telling him

of a bet which had been made that another member of our society could

not repeat the Lord’s Prayer; and it was added that the party defied to

repeat it had begun (instead of it) with a doggerel American prayer for

children:—

“Before I lay me down to sleep,

I pray the Lord my soul to keep.”

“Ah! you see,” said Gibson, “He _did_ know the Lord’s Prayer after all!”

Once he sat by me on the Pincian and said: “You know I don’t often read

the Bible, I have my sculpture to attend to. But I have had to look into

it for my bas-relief of the Children coming to Christ, and, do you know,

I find that Jesus Christ really said a good thing?”

I smothered my laughter, and said: “O certainly, Mr. Gibson, a great

many excellent things.” “Yes!” he said in his slow way. “Yes, he did.

There were some people called Pharisees who came and asked him

troublesome questions. And he said,—he said,—well, I forget exactly what

he said, but ‘Deeds not words,’ was what he meant to say.”

The exquisite grace of Gibson’s statues was all a part of the purity and

delicacy of his mind. He was in many respects an unique character; a

simple-hearted and single-minded worshipper of Beauty; and if my good

friend Lady Eastlake had not thought fit to prune his extraordinarily

quaint and original Autobiography, (which I have read in the MS.) to

ordinary book form and modernised style, I believe it would have been

deemed one of the gems of original literature, like Benvenuto Cellini’s,

and the renown of Gibson as a great artist would have been kept alive

thereby.

A merry party, of whom Mr. Gibson was usually one, used to meet

frequently that winter at the hospitable table of Charlotte Cushman, the

actress. She had, then, long retired from the stage, and had a handsome

house in the via Gregoriana, in which also lived her friend Miss

Stebbins and Miss Hosmer. Our dinners of American oysters and wild boar

with agro-dolce-sauce, and déjeuners including an awful refection

menacing sudden death, called “Woffles,” eaten with molasses (of which

woffles I have seen five plates divided between four American ladies!)

were extremely hilarious. There was a brightness, freedom and joyousness

among these gifted Americans, which was quite delightful to me. Miss

Cushman in particular I greatly admired and respected. She had, of

course, like all actors, the acquired habit of giving vivid outward

expression to every emotion, just as we quiet English ladies are taught

from our cradles to repress such signs, and to cultivate a calm

demeanour under all emergencies. But this vivacity rendered her all the

more interesting. She often read to us Mrs. Browning’s or Lowell’s

poetry in a very fine way indeed. Some years after this happy winter a

certain celebrated London surgeon pronounced her to be dying of a

terrible disease. She wished us farewell courageously, and went back to

New England, as we all sadly thought to die there. The next thing we

heard of Charlotte Cushman was, that she had returned to the stage and

was acting Meg Merrilies to immense and delighted audiences! Next we

heard that she had thus earned £5,000, and that she was building a house

with her earnings. Finally we learned that the house was finished, and

that she was living in it! She did so, and enjoyed it for some years

before the end came from other causes than the one threatened by the

great London surgeon.

One day when I had been lunching at her house, Miss Cushman asked

whether I would drive with her in her brougham to call on a friend of

Mrs. Somerville, who had particularly desired that she and I should

meet,—a Welsh lady, Miss Lloyd, of Hengwrt? I was, of course, very

willing indeed to meet a friend of Mrs. Somerville. We happily found

Miss Lloyd, busy in her sculptor’s studio over a model of her Arab

horse, and, on hearing that I was anxious to ride, she kindly offered to

mount me if I would join her in her rides on the Campagna. Then began an

acquaintance, which was further improved two years later when Miss Lloyd

came to meet and help me when I was a cripple, at Aix-les-Bains; and

from that time, now more than thirty years ago, she and I have lived

together. Of a friendship like this, which has been to my later life

what my mother’s affection was to my youth, I shall not be expected to

say more.

On my way home through France to Bristol from one of my earlier journeys

and before I became crippled, I had the pleasure of making for the first

time the acquaintance of Mdlle. Rosa Bonheur. Miss Lloyd, who knew her

very intimately and had worked in her studio, gave me an introduction to

her and I reported my visit in a letter to Miss Lloyd in Rome.

“Mdlle Bonheur received me most cordially when I sent up your note.

She was working in that most picturesque studio (at By, near Thoméry).

I had fancied from her picture that she was so much taller and larger

that I hardly supposed that it was she who greeted me, but her face is

_charming_; such fine, clear eyes looking straight into one’s own, and

frank bearing; an Englishwoman’s honesty with a Frenchwoman’s

courtesy. She spoke of you with great warmth of regard; remembered

everything you had said, and wanted to know all about your sculpture

studies in Rome. I said it had encouraged me to intrude on her to hope

I might persuade her to fulfil her promise of stopping with you next

winter, and added how very much you wished it, and described the

association she would have with you, sketching excursions, _bovi_, and

Thalaba” (Miss Lloyd’s Arab horse). “She said over and over she would

not go to Italy without going to see you; and that she hoped to go

soon, possibly next winter.... Somehow, from talking of Italy we

passed to talking of the North, which Mdlle. Bonheur thinks has a

deeper poetry than the South, and then to Ireland, where she wishes to

go next summer (I hope stopping at my brother’s _en passant_) and of

which country she said such beautiful, dreamy things that even I grew

poetic about our ‘_Brumes_,’—to which she quickly applied the epithet

‘grandiose,’—and our sea, looking, I said, like an angel’s eye with a

tear in it. At this simile she was so pleased that we grew quite

friends, and I can only hope she will not see that sea on a grey day

and think me an impostor! Nothing I liked about her, so much, however,

as her interest in Hattie Hosmer, and her delight in hearing about her

_Zenobia_[20] (_triumphans_) in the Exhibition; at which report of

mine she exclaimed: ‘That is the thing above all others I shall wish

to see in London! You know I have seen Miss Hosmer, but I have never

seen any of her works, and I do very much desire to do so’.... Her

one-eyed friend sat by painting all the time. She is not enticing to

look at, but I dare say, not bad. I said I always envied friends whom

I caught working together and that I lived alone; to which she replied

‘_Je vous plains alors!_’ in a tone of conviction, showing that, in

her case at all events, friendship was a very pleasant thing. Mdlle.

Bonheur showed me three or four fine pictures she is painting, and

some prints, but of course I was as stupid as usual in studios and

only remarked (as a buffalo might have done,) that Roman _bovi_ were

more majestic and like Homeric Junos than those wiry little Scotch

short-horns her soul delighteth to honour. But O! she has done a Dog,

_such_ a dog! Like Bush in outward dog, but the inner soul of him more

profoundly, unutterably wise than tongue may tell! a Dog to be set up

and worshipped as Anubis. Certainly Mdlle. Bonheur is a finer artist

than Landseer in this, his own line. I wish she would leave the cattle

and ‘go to the dogs.’”

My last journey but one to Italy was taken when I was lame; and, after

my sojourn at Aix-les-Bains, I spent the autumn in Florence and the

winter in Pisa; where I met Cav. d’ Azeglio as above recorded. Miss

Lloyd rejoined me at Genoa in the spring to help me to return to

England, as I was still (after four years!) miserably helpless. We

returned over Mont Cenis which had no tunnel through it in those days;

and, on the very summit, our carriage broke down. We were in a sad

dilemma, for I was quite unable to walk a hundred yards; but a train of

carts happily coming up and lending us ropes enough to hold our trap

together for my use alone, Miss Lloyd ran down the mountain, and at last

we found ourselves safe at the bottom.

Life of Frances Power Cobbe, as told by herself with additions by the author, and introduction by Blanche Atkinson · 第 28 / 52 段