THIRD CEREMONY.

About noon a circular bed of sand, some four inches in height and four

feet in diameter, was made. Five grains of corn and five pine boughs were

laid thereon; four of the grains of corn and four of the boughs were

placed to the cardinal points. The fifth and center branch of pine covered

most of the circle, its tips pointing to the east. The fifth grain of corn

was dropped in the center of the sand bed. (See Pl. CXVII, 1). Four of

these pine boughs were cut from the east, south, north, and west sides of

one tree. The fifth bough may be taken from any part of the tree. Of the

five grains of corn one must be white, one yellow, and one blue, and the

other two grains may be of either of these three colors. On this

particular occasion there were two blue, two white, and one yellow. These

grains were, after the ceremony, dried and ground by the theurgist and

placed among his medicines. The boughs and sand absorbed the disease from

the invalid, and at the close of the ceremony they were carried to the

north and deposited in a shady spot that the sun might not touch and

develop the latent disease that had been absorbed by them. The boughs and

sand were never afterward to be touched. An Apache basket containing yucca

root and water was placed in front of the circle. (See Pl. CXVII 2.) There

was a second basket south of it which contained water and a quantity of

pine needles sufficiently thick to form a dry surface, and on the top a

number of valuable necklaces of coral, turquois, and silver. A square was

formed on the edge of the basket with four turkey wands. (See Pl. CXVII

3.) The song-priest with rattle led the choir. The invalid sat to the

northeast of the circle; a breechcloth was his only apparel. During the

chanting an attendant made suds from the yucca. The basket remained in

position; the man stooped over it facing north; his position allowed the

sunbeams which came through the fire opening to fall upon the suds. When

the basket was a mass of white froth the attendant washed the suds from

his hands by pouring a gourd of water over them, after which the

song-priest came forward and with corn pollen drew a cross over the suds,

which stood firm like the beaten whites of eggs, the arms of the cross

pointing to the cardinal points. A circle of the pollen was then made

around the edge of the suds. The attendant who prepared the suds touched

his right hand to the four points of the pollen lines and in the center

and placed it upon the head of the patient who first made a circle

embracing the sand and basket and then knelt upon the boughs in the center

of the sand.(3) A handful of the suds was afterwards put upon his head.

The basket was placed near him and he bathed his head thoroughly; the

maker of the suds afterwards assisted him in bathing the entire body with

the suds, and pieces of yucca were rubbed upon the body. The chant

continued through the ceremony and closed just as the remainder of the

suds was emptied by the attendant over the invalid's head. The song priest

collected the four wands from the second basket and an attendant gathered

the necklaces. A second attendant placed the basket before the invalid who

was now sitting in the center of the circle and the first attendant

assisted him in bathing the entire body with this mixture; the body was

quite covered with the pine needles which had become very soft from

soaking. The invalid then returned to his former position at the left of

the song priest, and the pine needles and yucca, together with the sands,

were carried out and deposited at the base of a piñon tree. The body of

the invalid was dried by rubbing with meal.

[Illustration]

Ceremonial of Hasjelti Dailjis and Mythical Sand Painting of the Navajo Indians · 第 22 / 47 题